Format : Score
SKU: GI.G-128942
ISBN 9781574633948. UPC: 888680013325.
This continuation of volumes 1, 2, 3 and 4 provides band directors with a ready-made curriculum developed to incorporate comprehensive-musicianship training through quality band literature. This volume features Courtly Airs and Dances by Ron Nelson, Albanian Dance by Shelley Hanson and Shortcut Home by Dana Wilson. Every unit study integrates technical skills, musical knowledge and creative projects that lead student musicians to an enlightened and expressive performance. Student workbooks for each of the featured works may be downloaded. Each unit study includes: · Ear training · Rhythm studies · Essential skills information for teaching the compositional elements of music · Rehearsal strategies for addressing common ensemble issues · Creative projects · Active listening activities · Sample teaching schedule · Unit quiz (and answer sheet) · Student practice plan · Optional band projects Click here for a digital version of Student Workbooks for this publication. Click here for a YouTube video on Guide to Band Masterworks - Volume 5.
SKU: HL.50485673
ISBN 9780634085260. UPC: 073999856736. 9.25x12.0x0.099 inches. Hungarian, English.
Here the composer has arranged Southern Slav, Albanian and Bulgarian music material. The triple time, asymmetric 5/8, 7/8, 9/8 (2+2+2+3) bars require thorough grounding in rhythm. The first movement is a rondo, the second a trio while the third one, displaying strong burlesque features, is again a rondo. Moderately difficult.
SKU: HH.HH152-FSP
ISBN 9790708059066.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on the familiar subject of the separation of lovers. The protagonist is the male lover about to depart, who expresses pain at leaving his beloved, promises to remain true to her and finally begs her to dry her tears since he is confident that, somehow, they will be reunited. Unusually for Albinoni, there are three arias, the third of which is dance like in the composer's best faux naïf vein. The first aria is noteworthy for its vigorous bass line, whose jagged quality contrasts strongly with the smoothness of the vocal line.
