Akatonbo

Ten 2-Part Reproducible Concert Chorals-The developing choir is a unique ensemble and ranges in size from many to just a few in age from younger to older and from the experienced to brand new singers. Both male and female are a part of these groups with ever-changing vocal challenges. Educators who teach this wide group of musicians know there is a need for many tools of repertoire that build bridges to the art of choral singing.Partner Songs for the Developing Choir is designed to help teach harmonic singing through sophisticated melodies and distinguished texts appealing to singers from upper elementary through middle school and early high school and can even continue for the less-experiencedor smaller adult choir. Some of the choral works are very basic in form and melodic writing while others might include a bridge or B section or more intricate melodies expanding the harmonic learning.This reproducible collection with helpful rehearsal suggestions and online access to Full Performance and Accompaniment Only audio recordings and Singer PDF parts can be used all year long with spirituals Latin settings multicultural patriotic Christmas and holiday selections.Songs include: Akatonbo Bethlehem Lullaby Et in Terra Pax Jingle All the Way Joshua Fit the Battle Keep Your Lamps Trimmed and Burning Musica Dei Skatin' and Sleighin' Swing Low Sweet Chariot You're a Grand Old Flag. Suggested for Grades 3-9.

Oratorio in three parts-In quite characteristic fashion for the times Handel’s opera “Alessandro” looks at various episodes in the life and rule of Alexander the Great (356 323 BC). This legendary warrior and military commander conquered large parts of the world before meeting an untimely end at the age of 32. A central conflict in Handel’s opera is Alessandro being in love with two women Lisaura and Rossane who compete for his favour. In addition his claim to be of divine parentage is underlined occasioning him to demand the subservience of his followers which meets with vigorous disapproval.Handel composed “Alessandro” for the Royal Academyof Music to a libretto by Paolo Antonio Rolli in the 1725/26 season. The work was premiered at the King’s Theatre in London on 5 May 1726. “Alessandro” was the first of five operas for the Royal Academy operas which saw Handel compose for three of the most famous singers of his time: Francesco Bernardi (called Senesino) Francesca Cuzzoni and Faustina Bordoni.Ortensio Mauro’s libretto “La superbia d’Alessandro ” which was performed for the first time in Hanover in 1690 in a musical setting by Agostino Steffani and staged again in the city the following year under the title “Il zelo di Leonato” but with numerous alterations served as the source text for Handel’s “Alessandro”. One of the main aspects Rolli had to consider when preparing the libretto for the London performances was to keep the roles of the famous singers of the Royal Academy well balanced yet at the same time to engineer a musical contest between the prima donnas Cuzzoni and Bordoni (Lisaura and Rossane) as well. From a business point of view it made good sense for such rivalry would surely increase public interest in the opera.It is no longer possible to ascertain which changes Handel made during the following performance series of the 1727/28 season. For the performance series of 1732/33 Handel made substantial revisions to the opera: six numbers were deleted in their entirety the finale in part as well and the recitatives were made much shorter with the parts of Cleone and Leonato omitted

Tous les chants sont accompagnés de leur partition et des accords de guitare. - Chansons pour les enfants