SKU: HF.FH-3266
ISBN 9790203432661. 9 x 12 inches.
1. Adagio assai, WoO 33; 2. Adagio WoO 43a; 3. Adagio ma non troppo, WoO 43b.
SKU: BT.DHP-1043385-060
ISBN 9789043119290. International.
In Concerto d’Amore, a maestoso opening is followed by a quick and energetic movement that leads to a magnificent adagio. A motif from this adagio can be heard in a swinging movement, after which the piece comes to a close with the return of the adagio. This arrangement by Gerd Huber makes it possible for each accordion ensemble to bring this beautiful music to life. In Concerto d’Amore volgt na een maestoso inleiding een snel en energiek gedeelte, dat uitmondt in een schitterend adagio. Een motief daaruit is vervolgens verwerkt in een swingend gedeelte, waarna het stuk besluit met de terugkeervan het adagio. Dit arrangement van de hand van Gerd Huber stelt elk accordeonensemble in de gelegenheid deze mooie muziek tot leven te brengen.In Concerto d’Amore folgt auf ein Maestoso als Einleitung ein schneller, energiereicher Satz, der zu einem bezaubernden Adagio führt. Ein Motiv dieses Adagios erklingt in einem schwungvollen Satz, nach welchem das Stück mit der Rückkehr des Adagios endet. Mit der Bearbeitung von Gerd Huber kann jedes Akkordeonensemble diese schöne Musik von Jacob de Haan zum Leben erwecken. Concerto d’Amore débute avec une introduction majestueuse qui chemine vers un passage vif et énergique. L’adagio qui lui succède développe un motif mélodieux que l’on retrouve dans un passage aux inflexions de swing. Concerto d’Amore se conclut par un ultime retour du motif de l’adagio, conclusion brillante d’une œuvre richement colorée. L’arrangement pour Orchestre d’Accordéons, réalisé par Gerd Huber, reste fidèle la beauté de la version originale.
SKU: BR.BHM-297
Helmut Lachenmann is no doubt the composer who, since the late 1960s, has opened the door the most widely to a new sound world in the technique of composition for classical instruments. Not only that: he has also consistently explored new territories i. Music post-1945; New music (post-2000). New Media. Breitkopf and Haertel #BHM 297. Published by Breitkopf and Haertel (BR.BHM-297).
ISBN 9783765102974. 9 x 12 inches.
Helmut Lachenmann is no doubt the composer who, since the late 1960s, has opened the door the most widely to a new sound world in the technique of composition for classical instruments. Not only that: he has also consistently explored new territories in his scores with respect to the notation of the new sounds and performing techniques. At the Stuttgart Musikhochschule, Matthias Hermann, himself a composer and conductor, has recorded in short video films all the expanded performance techniques that are essential to Lachenmann's scores. The CD-ROM programmed by Maceij Walczak is completely bilingual (German-English) and offers film (with sound), notation and a detailed explanation. All symbols and notational forms are systematically arranged according to the instrument. In addition, the CD-ROM contains two conversations in which Lachenmann expressed his views on the project in great detail in 2009 and 2010. The transcript of these texts is also available in English on the CD-ROM. Basso continuo komponiert von Friedrich II. dem Grossen (1712-1786) Konig von Preussen von 1740 bis 1786. Der konigliche Komponist stellt in den vier jetzt erstmals vorgelegten Sonaten seine Qualitaten voll und ganz unter Beweis. Insgesamt zeichnen sich die Werke durch Erfindungskraft, Konnen und Stilvielfalt aus. In Schloss Sanssouci entstanden offenkundig Adagios voller Emotionen und brillante Allegro-Satze, die belegen, uber welch virtuose Fahigkeiten der Quantz-Schuler verfugte. Die Herausgeberin auch als Interpretin eine erwiesene Expertin der Musik von Quantz und Friedrich dem Grossen hat die Sonaten auf CD eingespielt. basso continuo composed by Frederick II known as the Great (1712-1786) King of Prussia from 1740 to 1786. In the four sonatas presented here for the first time, the royal composer can lay uncontested claim to an above-average talent. The works stand out for their imaginative power, their skill and their stylistic variety. The grand rooms of Sanssouci Palace must have been filled with heartfelt Adagios and brilliant Allegros that confirmed the virtuoso flute technique of the Quantz pupil. The sonatas were recently recorded on CD (Hungaroton) by the editor who, as a performer, is a recognized expert on the music of J. J. Quantz and Frederick the Great.
SKU: HL.50487749
ISBN 9790080140215. 9.0x12.0x0.075 inches. Johann Sebastian Bach; Bernhard Kistler-Liebendorfer.
After the successful transcription for piano of some movements of Bach's orchestral suites B. Kistler-Liebendorfer transcribed for piano Adagio movements of Bach's sonatas for violin and harpsichord in F minor (BWV 1018), C minor (BWV 1017) and E major (BWV 1016), expanding thus the pianist's Baroque repertory. The edition is recommended for students of conservatories and music academies.
SKU: BR.OB-14590-27
ISBN 9790004336434. 10 x 12.5 inches.
When Ludwig van Beethoven wrote the present two works around 1800, the Romance as a genre designation for a soulful, melodious instrumental piece was anything but established, despite the occasional piece bearing this title. Beethoven himself named the pieces Romance in the autographs, but offered them to Breitkopf & Hartel for publication as Solo. His brother Karl even spoke of 2 Adagios to the publisher. Nevertheless, Beethoven's two Romances for violin achieved lasting popularity ever since the publication of the first editions in 1803 and 1805.The present Urtext edition takes the autographs and first editions as its main sources.
SKU: AP.6-849988
ISBN 9780486849980. UPC: 800759849987. English.
Timeless classics include the opening movement of Ludwig van Beethoven's Moonlight Sonata and Pachelbel's Canon as well as pieces by Johann Sebastian Bach, Béla Bartók, Claude Debussy, Wolfgang Amadeus Mozart, and other legendary composers. Editor David Dutkanicz has provided fingerings, notes, and performance suggestions. Includes downloadable MP3s.
SKU: M7.DOHR-28836
ISBN 9790202018361.
Die Adagios und Fugen entstammen einer Serie von insgesamt sechs ähnlich strukturierten Stücken, die als KV404a eingeordnet wurden. Sie basieren auf Fugen von Johann Sebastian Bach bzw. Wilhelm Friedemann Bach, die Mozart anscheinend willkürlich ausgewählt hat, um sie für Violine, Viola und Violoncello zu bearbeiten. Jeder der bearbeiteten Fugen stellte er einen eigenen langsamen Satz als Einleitung voran. In der hier in einer Bearbeitung für Klarinetten/Bassetthörner vorgelegten Nr. 1 hat Mozart die Fuge dis-Moll BWV 853 von Johann Sebastian Bach bearbeitet. Für Klarinettisten sind diese Stücke, die im Original eher selten zu hören sind, ein Glücksfall, da das gesamte Spektrum des Tonumfangs und der Klangmöglichkeiten ausgenutzt werden kann.
SKU: BR.OB-14590-16
The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.
ISBN 9790004336403. 10 x 12.5 inches.
SKU: BR.PB-14590
ISBN 9790004211120. 10 x 12.5 inches.
When Ludwig van Beethoven wrote the present two works around 1800, the Romance as a genre designation for a soulful, melodious instrumental piece was anything but established, despite the occasional piece bearing this title. Beethoven himself named the pieces Romance in the autographs, but offered them to Breitkopf & Hartel for publication as Solo. His brother Karl even spoke of 2 Adagios to the publisher. Nevertheless, Beethoven's two Romances for violin achieved lasting popularity ever since the publication of the first editions in 1803 and 1805.The present Urtext edition takes the autographs and first editions as its main sources.The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.
SKU: HF.FH-2663
ISBN 9790203426639. 8.3 x 11.7 inches.
SKU: M7.DOHR-28837
ISBN 9790202018378.
SKU: HF.FH-6038
ISBN 9790203460381. 9 x 12 inches.
1. Benoit Berbiguier (1782- 1838): Etuden; 2. Theobald Bohm (1794 - 1881): 4 Capricen; 3. Gyula David( *1913): Andante, Allegro moderato; 4. Antoine Hugot (1761 -1803) / Johann Georg Wunderlich (1775- 1819): 3 Studien; 5. Sigfrid Karg-Elert (1877- 1933): 3 Cparicen; 6. Gunter Kochan (*1930): Allegretto, Improvisation; Scherzo; 8. Caspar Kummer (1795- 1870): 7 Etuden; 9. Arnold Matz (1904 - 1991): 2 Adagios, Thema mit Variationen, Allegretto; 10. N. Platonow: Etude; 11. Johann Joachim Quantz (1697 - 1773) / Friedrich II. (1712- 1786): 7 Studien; 12. Adolf Terschak (1832- 1901): Studie; 13. Siegfried Thiele (*1934): Studie; 14. Unbekannter Meister des 18. Jhd.: Fantasia, Allemande, Giga; 15. 2 Volkslieder vom Balkan,16. Vorschlage fur das Tonleiterstudium.
SKU: BR.MR-2299
This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.
ISBN 9790004488669. 9 x 12 inches.
In the four sonatas presented here for the first time, the royal composer can lay uncontested claim to an above-average talent. The works stand out for their imaginative power, their skill and their stylistic variety. The grand rooms of Sanssouci Palace must have been filled with heartfelt Adagios and brilliant Allegros that confirmed the virtuoso flute technique of the Quantz pupil. The sonatas were recently recorded on CD (Hungaroton) by the editor who, as a performer, is a recognized expert on the music of J. J. Quantz and Frederick the Great.This volume, which marks the 300th anniversary of the king's birth, contains the first edition of four sonatas for solo flute and basso continuo composed by Frederick II, known as the Great (1712-1786), King of Prussia from 1740 to 1786.
SKU: BR.MR-2266
ISBN 9790004488560. 9 x 12 inches.
SKU: BT.EMBZ14021
After the successful transcription for piano of some movements of Bach's orchestral suites B. Kistler-Liebendörfer transcribed for piano Adagio movements of Bach's sonatas for violin and harpsichord in F minor (BWV 1018), C minor (BWV 1017) and E major (BWV 1016), expanding thus the pianist's Baroque repertory. The edition is recommended for students of conservatories and music academies.
