Compiled and annotated by Gilbert Johnson. Includes music by Paul Creston Samuel Barber Vaughan Williams and Holst.
SKU: BR.SON-621
Chamber music by Jean Sibelius - a welcome addition to the chamber music repertoire for strings with piano.
ISBN 9790004803233. 9 x 12 inches.
This volume presents partly less known, but undoubtedly interesting and highly welcome additions to the chamber music repertoire for violinists and cellists in the reliable Urtext of the Complete Edition. The violin was Sibelius's instrument. He was active as a violinist mainly during his studies at the Helsinki Music Institute from 1885-1889 and for a short time thereafter. The present volume contains Jean Sibelius's opus-numbered works for violin or cello and piano, 36 compositions in total. Most of the works of this volume were created at the beginning of the 20th century and remained unpublished until the early 1920s. Sibelius composed far less music for the cello than for the violin. Malinconia (Op. 20), published in 1911, remained his only opus-numbered work exclusively for cello and piano. This volume also includes Two Pieces (Op. 77) and Four Pieces (Op. 78) as versions for violin with piano and for cello with piano.Chamber music by Jean Sibelius - a welcome addition to the chamber music repertoire for strings with piano.
SKU: BT.SCHEE5201
German.
Jurgen Demmler’s second book of Orchestral Saxophone Studies focuses on Operatic repertoire. The aim of the studies is to acquaint students with the challenges and problems a saxophonist may encounter in an orchestra, to provide teachers with a suitable and versatile supplement to their usual teaching materials, and to give performers a pragmatic aid for orchestral preparation.
A wonderful collection of excerpts, mainly from 20th century compositions, for perfecting fingering technique and building on advanced techniques.
SKU: BT.SCHEE5187
Jurgen Demmler’s first book of Orchestral Saxophone Studies focuses on Symphonic repertoire. The aim of the studies is to acquaint students with the challenges and problems a saxophonist may encounter in an orchestra, to provide teachers with a suitable and versatile supplement to their usual teaching materials, and to give performers a pragmatic aid for orchestral preparation.
