SKU: HL.49033068
ISBN 9783795756000. 9.0x12.0x0.664 inches. German.
Whoever pursues piano playing as a hobby mostly focusses on two things: playing from music, with as wide a range of works from classical, pop and jazz music as possible, and playing without the book, i.e. the ability to accompany melodies with chords, play songs by ear and improvise freely. In this volume, both topics are dealt with thoroughly and systematically. Whereas most piano methods prefer either classical or popular music, both kinds of music are well-balanced herein.Clearly structured chapters cover a variety of interesting topics: the Baroque, Classical and Romantic eras, popular piano styles (e.g. ragtime, boogie, rock 'n' roll, pop ballad), the blues and the genres of opera, operetta and ballet.
SKU: BT.DHP-1084471-070
ISBN 9789043128773. 9x12 inches. English-German-French-Dutch.
This great work for young, inexperienced string orchestras can be performed in various ways. The associated story even makes a staged performance possible. A wonderful journey through time enables the ensemble members to practice the notes of the G scale in an enjoyable way. All parts are for first position only and require first and second finger patterns. A third violin part can replace the violas if necessary, and a piano accompaniment is included for harmonic and rhythmic support. A fun way to learn! This set contains two first violin parts, two second violin parts, one viola part, one third violin part (viola), one cello part (double bass) and one score (piano accompaniment).Dit fraaie werk voor jonge, beginnende strijkersorkesten kan op verschillende manieren worden uitgevoerd. Het bijbehorende verhaal maakt zelfs een geënsceneerde toneelvoorstelling mogelijk. Een fantastische reis door de tijd geeftde leden van het ensemble of orkest de mogelijkheid om de noten van de toonladder van G (sol) op een prettige manier te oefenen. Voor alle partijen is alleen de eerste positie nodig, verder zijn de eerste en tweede vingerstand vereist.Een derdevioolpartij is bijgevoegd - voor het geval er geen altviolisten in het ensemble zitten. Ook is er een pianobegeleiding meegeleverd, die harmonische en ritmische ondersteuning biedt. Een leuke manier om te leren!Dieses großartige Werk für junge, noch unerfahrene Streichensembles kann auf verschiedene Weisen gespielt werden. Die damit verbundene Erzählung ergänzt den theoretischen Unterricht und erlaubt sogar eine Bühnenaufführung. Auf einer wunderbaren Zeitreise können die Ensemblemitglieder die Töne der G-Dur-Tonleiter auf heitere Weise üben. Alle Stimmen bewegen sich nur innerhalb der ersten Lage und erfordern die erste und zweite Griffart. Die zusätzliche Klavierbegleitung sorgt für die harmonische und rhythmische Stütze. So macht Lernen Spaß! Das Set umfasst zwei erste und zwei zweite Stimmen für Violine, eine Violastimme, eine dritte Violine (alt. Viola), eine Cello- oderKontrabassstimme und eine Partitur (Klavierbegleitung). Cette charmante composition en plusieurs tableaux s’adresse aux jeunes Ensembles Cordes inexpérimentés. La narration qui accompagne la pièce permet d’en faire une véritable œuvre scénique. Un délicieux voyage dans le temps permet aux jeunes instrumentistes de travailler les notes de la gamme de Sol, tout en se divertissant. Toutes les voix sont écrites en première position et ne nécessitent que l’utilisation des premier et deuxième schémas de doigts. La partie optionnelle pour violon 3 permet de remplacer la voix d’alto, si nécessaire. L’accompagnement de piano inclus offre un soutien harmonique et rythmique. Un moyen plaisant pour progresser dans l’apprentissage!Instrumentation : 2 Violons 1 & 2, 1 Alto (ou Violon 3), 1 Violoncelle (ou Contrebasse), 1 partie de Piano. Questa piacevole composizione si rivolge a tutti gli ensemble d'archi senza esperienza. La narrazione che accompagna il brano permette di farne una vera opera scenica. Un delizioso viaggio nel tempo che consente ai giovani strumentisti di lavorare le note della scala di Sol divertendosi. Tutte le voci sono scritte in prima posizione e non necessitano l'utilizzo del primo e del secondo schema della dita. La parte opzionale del violino 3 permette di sostituire la parte della viola. L'accompagnamento del piano incluso offre un sostegno armonico e ritmico. Strumentazione: 2 violini 1 & 2, 1 viola (o violino 3), 1 violoncello (o contrabbasso), 1 parte del piano.
SKU: UT.ODH-35
ISBN 9790215322578. 9 x 12 inches.
L’amorosa caccia is a collection of 24 madrigals for five voices, created specially by as many composers originating from Mantua. All were distinguished professional people, working within the church, at court or in the Palatine basilica of Saint Barbara, and music lovers of noble birth from the area who were somehow connected to the Academy of the Invaghiti, or perhaps part of the same. Among the established musicians of the collection are to be mentioned: G.M. Bacchino, H. Baccusi, P. Cantino, A. Coma, G. Moro, S. Nascimbeni, A. Nuvoloni, N. Parma, G.B. Recalchi, F. Rovigo, A. Striggio, R. Trofeo. The lesser-known, however, seem to be: C. Accelli, E. Ceruti, S. Cressoni, P. Marni, A. Preti, while the following: H. Borelli, C. Ceruti, O. Grassi, P. Massari, G.B. Orto, F. Ramesini, C. Zucca have become known as composers only thanks to L’amorosa caccia. The realization in score of the madrigals has made it possible to bring to light this collection, establishing its actual musical value and proving the remarkable mastery of madrigal writing of these 24 musicians and offering the opportunity to highlight each one’s different skill as a composer. If some of them have proved to be completely in line with the practices of the time, verging on Augenmusik, others stand out for the wide variety of their harmonies, melodies and rhythms, seeking the best musical expressions to express the affetti contained in the text. There are no major breakthroughs, but, if the contrapuntal procedures are as to be expected, the body of voices, the experimentation, the interplay between the parts and the harmonic sensitivity show familiarity with the vocal virtuosity of the concerti di dame of Ferrara and Mantua, bringing out what was most modern at the time. The possibility that these madrigals may actually have been performed by that very group of talented singers is enchanting and entirely plausible.
SKU: LM.26219
ISBN 9790230962193.
Pour commencer - Pour les doubles notes - Tout Duke - Cotton repons - Jamais d'accord - Independance - Pour les lies - Autumn files - Hors tempo, en tempo - Now's G Tune - Ballad - De temps en temps - Improvisation - Two for Two - Untitled 1 - Untitled 2 - Effet de mode - Vers l'improvisation.
SKU: CL.013-0141-00
This exciting march dates from Alexander's time as a member of the band for G. W. Belford's Carnival of Novelties. A later edition (013-0863-00) is also published. Note: This is a reprint from a vintage publication of 1897. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
