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Carcassi, MatteoMatteo Carcassi
Italia Italia
(1792 - 1853)
322 sheet music
196 MP3 - 179 MIDI
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› Carcassi, Matteo Original 7
› Bernard, Axelle 1
› Durand, Patrice 2
› Not attributed 6
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_2 tir-::~~gl~:~~r# 3d finger must be 3d manner. 3 dont 3d poa 3d poa. .3d poi. 3d poi. 3d pos 3d pos. 3d. pos. 3d pot, 3d string. ::?&3=eezrg :=3=eiq-- 3:*--ife^^fe^' ^3-*ifs: 3ine corde a 3me corde. 3me maniere. 3 pauses. 3ttziz^z*-t=5 3-^t^z3z^^-^s3_jqq=! 4#- cres. 4e corde. (4^,) et pour l'auxiliaire inferieure, _4 jfcfj^jbl i 4 lb iaierligae. 4lh apace' 4me corde. 4me touche. 4ndantino./-t ~^1^ 4 notes. 4 speak 4tb pos. 4th div. 4th foe- 4th fret 4th fret. 4thj- 4th poa 4th poa- 4th. poi. 4th. poi. gr: barre. 4th pos 4th pos- 4th pos. 4th. pos. 4th pos.4th to* 4th pos. gr: barre. 4th pos. gr. barre. 4th pos. pet: barre". 4th. pot. 4th striag. 4th string. !55ehsesjf 5e ifctfi 3 5 et 6 notes. ^5. ^fch 5ih frei. =5="=^i?ttf ----^^ 5iue case* 5lh licmca 5 me case. 5me case. 5me corde. 5 notes. 5th div, 5th div. 5th fret. 5th poe. 5th pos 5th pos. 5th pou 5th string. 5th string, a, 5tn pos- 6e corde. 6me corde. 6me. corde. 6me touche. 6 notes. 6th fret 6th fret. 6th pos. 6th pos.- 6th. pos. 6th pos. gr: barre. 6th. pos. gr: barre. 6th string. 7th div. 7th fret. 7th pos- 7th pos-.. 7th pos. 7th pos.-- 8dpo* 8d pos. 8e corde. 8 me case- 8th div 8"weet - est 91 incur. 9e pos. 9lh foa. 9me case 9tb pos 9th div. 9th fos. 9th pos 9th pos- 9th pos, 9th pos. 9th pos.- 9th pos:1st a]2 major. a|2 minor. a 3 tems appellee a 4 notes. a 4 tems a 6 notes. aadnnie. abannie* a bar, is marked by a -0-, abbanged by leopold ttyxqvta abbreviate abov and below the staff, above. a boy a boy again. accents soft accidentally altered accompa- accompagnee d une accompanying accords. acquainted with the others. acquerra acss: ape a-dire adopted in this work. a - dorn, a dotted ads. advance the afch afc^t afc=t3fc afczt affet ioso. afocleralo lwii. a fragment of a trill. after the after the bar, the division aged one, agfedc a -go-ny of pray'r. how ahoantino. a hundred ai_izr_z:itz] ainsi lorsque --air it air swissc , *- aken akkanged akraxged by a la septieme positive alike befriend, a little distant alleffretto.^-^: allegretto allegretto. allegretto, xrzgzii almost always along the neck in passing over alors, al. pos. also also for that of altered, alternativement en altowr.1* a, major and minor *ame time apply himself a minor mode. a minor third below amlitalim* amnl. ;$iz?: among an 8e. dans ana ill. an arpeggio and 2d fingers and 2d fingers. and 4th and afterwards and a long expe- andanl 3 andante* and balances and below. and by an dessus de and held as hammers and indicated and mem'ry and merry and mild andnntino eraaioao. and opened and performed and p, major. and prclndcs, and short notes and shrub with gems and slurring the and smiling sky, and so placed, that they and successively remove and syncopation. and the and the finger of the and the lower ones the and the minor key four semitones and the natural (^) restores (^,) and thus and which and which is put and which will and without an essential anger annulaire. a note, altered another. ant de doigt a chaque note. antlanlino graz?oo . any movement of the arm. any note can any piece of music anytime 'apfr-tp+hsrs a pouvoir les appeared to appellee la note du appuysz successivement apres apres. aloto le apres avoir accorde a publier celui-ci. apv_^ a quatre doigts. a quatre tems are all. are also slurs of are always raised half a are called " vibration slurs." are cases are cold and dim and are in the principal are in the relative minor. are nearly are placed, beginning with b, are produced are three sorts of argyle ar-gyle. arise," arm and wrist arm should arpeges, arpeges a arpeges a quatre doigts. arpeges qui en derivent. arpeggios with a fingers. arranged arranged by arranged by a bchmitl arrive quelquefois qu'on article position art-less ascending and by asdajtting *ase. a second dot a semitone a series of recreations, a ses tons favoris. as far as part second, alter a sign placed at the ask him whence he came. as possible, in "massing asr 1_2^ asril'g as the as the following table shows. as there are notes atdz*: ated. a tempo a tempo. |at=^fc=si :?zzzzzd=zz?--=fe=f:^ a* th8 performer at ion. at moonlight, near a toute autre parce- a trois a trois tems a trois terns, et la -a-tsfzezs? attaquer at the clef at the clef. att minor. au commenc* au dessous de augmente. augmente de moitie augmente de moitie sa valeur auiro a un ton mineur qii' hi/ au'res aussi je n'ai aussitot l'eleve author's preface autre autre, autre accord. 'autre, cetta autre; doigl autres autres parties aux doigta auxiliary. auxiliary beiow, ("^.) auxiliary note immediately above avec avec assez de force, sur la note avec attention, depuis avec delicatesse sur avec force, avec les h. le ton avec les tons et avertissement de l'auteur. a vide. avoir pincees. avould b0hdszkwic2 b|2 minor. bar. barb rest barre que barrer, c'est bars rest. bartn. bat a deux bat a trois tems. be altered by a sharp or beams on beaten in two divi- beaten in two divisions, beaten thus, beau-ty becom* the tonic or be corde. been struck with before messiah's knee beginners. beginning with the pimcipa. ucvs, being struck together. bemol. be placed. be played be played arpeggio, as be played in be put on, and taken beside her dead reclining, be sounded by the mere best they between the numbers, to indicate beyond thy bfo- bib-cs^ lifeg^g^jj -- bind birds, in joyous hours, birth.-- love not bj2 major. blanche pointee, blanche pointee. blossom'd blossoms, o'er her b maicur. bmil.s^be-r-^t-ffi-3 ~* b minor. bo ire. bon d bonny mary bord lorme pai boston public library bout de l'index de bow me bras bras, brightness too brilliant execution. bring bring this brow, bth string but d'exercer la main droite, but merely a note but oh but still the heart will fondly cling by a curved by a mere sliding of by a note piayed upon an by a sharp by a single vibration by a well-known professor by beginning with by l mejgne2t by most authors who have by one by placing a by sound- by the by them. by the number of -- ~ bziizznm c^#5^gqg-a cadence, cadence. cadence.) cadence 3f[zize cadence. fefcizzfg cadence. fej^ffziztilr cadence, fej^zfe cadence. ghk-b-r-o caied inverted in called an intel vdl. called the key-note, or tonic. called the short appoggiatura. came, can be assured that &c, and cantabile carcass* carcassi's insthuctl n carcassi's instruct^.k&l carcasst care. carefully translated cas, case, case. case>on sera case par 2, le case par 3, et case par 4, casi cas ou la ccie jn the minor scsiea ce but. c?eeprz- ce^ft^ifr celle-ci central library, copley square cependant comme ces arpeges sont ce sont c'est- c'est-a-dire, c'est le partage ceux chacun de chacune des change chantantes chanterelle. chaque cha-ri - ty charity. chem*" chevalet. chicago: chief a childless, she chord chord with 3 notes. -#-* chorus. chromatique lorsque c? -i^^ieh^y -0- cinq tons de la cinquante morceanx pregrcssifs. cjiuulaire. claiming all mankind as brothers, clay, clef pai clefs. clei, =2= clta./lf, fgfj c oda. come come where joys are found. commence commencement commencera common ijme. common time, or 4 beats company. compass of the guitar compass of the octave. composant cette methode, composed composed cf seven notes, which compose de composed of four composed of three composee. composees. composent. composes d composi- compost de h conies consigner par continue. con-trol, corame corde corde. corde a vide. corde, et le si sur la cordes cordes. cordes, et l'index et le cordes, que les doigts de la corde suivante. corde voisine cori>e. cote, could know a coules coules de deux notes coull, de la liaison et de cre. 'cre-a. crea. cres cres. croche pointee. crossed at the end. crotchet rest. crt- c^ thh> lf lf lf cti major. cuaque ton curved curved to be held cuter des coules de da capo, d'accompagnement -dal. dalce. dale, dale. damp was on dancing; dans dans ce dans ce cas i dans ce dernier dans ces premiers da son dcs abbreviations. dcs (.amnios. de a.ngueba dear dearest strains here prolong, death death alone can free de boyau de boyau. de ceitf maniere, on pose decending scale. de ces difficultes arides, de ces huit arpeges, et de cette corde a vide. de cinq ou six notes de clefs. de deux tons pleins ded flow'rs thy de doigts de la main gauche de force, mais sans roideur. degre ou de huit notes, que l'on appelle dela de la main droite. de la main gauche. de la man. delights to bring de l'index qui pose de marteau, demi demi pause. demisemiquaver rest. demisemiquavers, demi ton. demi-tons qui demi ton. ton demi ton. ton. demontre de mouvement avec de 'octave de pincer de poser de qnatre de quatre derived from triple des accords. des arpeges on batteries. descendant descendant. descendante. descendant on pince descending. des intcrvallcs. des notes. des notes coulees des positions. des silences determined by the de toute lent de trois notes deux deux. deux demi-tons, deuxieme note, apres avcir attaqu* deux on deux quatre dew-drop on dews dfi minor. d'harmonie, dans d'harmonie pres de dh qui se pose sur diately. diatement inferieures a diatonic diatonique diatonique, ies dieze om dif- differentes mesures, difficulties difficulty dignement recompense de mes travaux, -dim. dim. dim.^==-- dimin nt dim:- t>n dique par dire douz. distance between distinguished amateurs, ditson & div. divided by vertical divisions settlement. dixiemes. -d-^-i,^z^:fae^-!eese_l--e^ de hard with eicrcise. eieicisc. jt-b- -#-*eiercise. ^?=eif ej2 major. elementary principles of music. elfrt elle n'a elles frappen. elles n'ont la valeur elles sont indiqueea - els bright e, major and minor e minor. empeche de faire une terminaison. en commengant en deux. en dixieincs. end of en doubles notes. en faisant resonner en faui en octaves. enough en passant en portions d'ur.e egal* en reculant un peu en retirant en sixtes. entend pai entend parcoul* entendre svm;. en ton dc en ton dc sol majeur. en ton de la en ton de re en ton d la majcur. en *yz compositions pour eprom. equal to half that equal to three equal to three crotchets, equilibre sans aue les erjzt er> lat r* ers. essentielles pour est oblige est place. est relatif, et accordee. et couler eth, .^ -- ^+--eti*zzz: et les ouvrir et le ton etm si] etouffer les sons, et porter le et position des mains* et preludes. et se bat , et se bat ainsi, et sur les pauses etude jusqu'a eu pin tent ion d evening shadows coming example. examples. excepte celles qui se font a vide. 'exception du pouce execution execution, execution. exercise. /5-ft-g : exercise in harmonics* exercise pour apprendre exercises pour apprendre a exercise with sharps and explanation of the signs. explication des signes. extensively, the exact e -- zzn facile facilement facilitate facilitate the facilitate the study, faciliter le doigte faciliter l'etude faciliter l'execu- facility faegaef er?t-t-- fa*^^=flj*+zn fag~" fagzz^_^ fail failing never fair, faire fait fait' fait' - - fait le fait le trille fajf mineur. fajt majeur. false these fairy visions were, fa mineur. fa mode majeur fan- fancy deem'd far as the sign extends. fashion, fate's control faut faut, autant faut avant de faut ha isser le poigr** faut passer le faut pincer, sont faut qu'elle soit preparee avant -fa^^zzjlza: f=?=bef.m-^=i^^--ft fc5^_h=^zi==^--zz|:zzr^ 7 zz fcbt *- fc!bzjelj /fc^ezih fcis "*" :fcr :fcr! fcs>- "fcsi fct* fc*thj -0 -fculr fcza =fc:zzrge^:zjzl*2pi*eez^ fd*lce. fecting the vibration feelias. fe=*ezi3 fe_:-^g=:^jzz[: *fei fei=^ feij fekb "fel*"6it fer*-e-b fessy 5tiy: fet^^fe3 fe^tjb?^=f=i ?^fe=*=*=* zgzzzzss:: ff^i ^hrrr^t^234 ^ffrm^3e=e3ft fhe application of this f he study 'fhe trill fhis fiae. fiequent du barre figure et valeur dcs note* filee d'argent. fin, fin. find fine. finger finger, finger. finger. 3, finger board. fingered in the finger of the finger of the left finger of the left hand, fingers fingers. fingers of the left fingers of the right finger stops the fingers which are to slide are fink. first . first first finger. first frets. first is first part. first string, fit major. -*- fiu. -- ==fiv five assuianee that five lines five or six fjegz^e^j fla* (bb_) lowers flat flat, flats flats. flattering reception flayed. flj! _fln. flowers flow'rs ;flut fois fois, fois arrive a ce foit followed following 22 exercises are following are the signs used following arpeggios are derived. fond fondly swore for a forbids cur weeping, force. formed, called forms one note. form twelve of these fort, fort. fort et glisser le for that alone for the guitar for they fort pres fouce. found in sadness here, four. four beats fourth, fourth. fourth position. fourths ascending fourths descending. fourth verse. fpoated frequently, fret fret, fret. frets frets, friends friendship's accents flow, frird string :>n friser. -- frist -friz*: fr^ l^bes from from care, from one from one position to from the bridge, from which such from which such mu f rom wnicn sucn frst. fttouflvs. fum'd gai-ly worn, gain gain, galop. gamhe naturfxlx gamine a gammc a la cinquiemc gamme a la quatrieme gamme enseignant gamme naturelle. gammes montantes, gamut gamut, gamut. gamut of c natural. gamuts ascending, gamut with gamut with flats. gamut. x-b- gauche, qui glisse gayest gea^sssssera&sbl*__i5!lj33 *gen gen - tie g^^feai t g=*=frh^ *gias gi^fcqg: ^gip given to ;_g .jgj=^ gjl^ gjz major. gleam of morn glissant glisser les doigts glissez le 2e doigt glissez le 3e doigt glissez le pouce. gome cases goodness was the wile grand barref grand soin a preparer grave, as once upon grave, et on laisse grave, neath the gray, great barre. _ grief, grief to exultation. gronppetto, group of three notes, over g sharp minor. gss r^ -- gti minor. gtjt strings. gui- guitar guitar, guitar. guitare guitare. guitare a de ce: ine* guitare en guitar, embraces guitare on guitare, on guitare par unissons, guitare traus gujitaa. gultah gwlssifcyi habit of had told had told him all had turn'd half loud. half t. whole t. halmrt whole hammer and hand hand. hand, and also the hand, are called slurred hand are to hand descends hand must be passed hand, of whicb i have treated hand should hand should be curved hand should beheld hand the note hand upon hand, very harm harm- harm. harmonics harmonics. harmonious harmoniquement. *harps are placed, beginning with f, has lost her has some keys more favorable have have a termina- have produced a have seen the dew-drop clinging have taken great care have therefore placed h ditson & heart, hearts heav'n bora heav'n-born art thou, help - less here a sixteenth. ^h^esesfw hey of k minor. hfc" hide higher note higher than those in highest, hill and dell, with grateful song, ^hilslg^ him smile once him smile once again hird part, his. his arm, his falsehood his plain hjrfjg^ggs *=s*j h=nio: hoick. hold the guitar well, hope's hope wisper'd then hoping ever hote, hours, -- h -- rr^'iitr. -^hsj* ht fore huit, derivee huit, derivee ae ia humb =hzi i=3fcirgt--s^a: :^^=i^^4s=8izrfs-zd=si=s=l iani e re avec ibe corde. icond verse id poa. :iext to ifcj=^ i-fczafc "ife-p^: ifflurs: ifftenazn ifj--faj ifjl ifle if not, ifrcchtion. if the if the latter ightly ihe following table shows. iho major ^iip<=j_^_ -*&ijlc2: ila 6e. et te, note sont ilfe ilfe^ ;i^*lif: 8|5 illcgrett*. imft- imj317j- imlantf immediatement important de connaitro impulse of the finger i must toll you where, in conclusion increase. increases incur. ind. index 'index, index, index. index. -- on indicated indicates that -- indique indique a indiquent qu'il faut repetsr indique qu'il faut reprendre indiquer indiques par les signes indispensable inferieur inferieurs les cordes. ing the following octaves (inncipa in passages of thirds, sixths, instructions instructions for the guitar instructions for the guitar. instructions fur the guitar. ^instrument, instruments, intelligent person intervals. in the in the 1st position, in the 1st position. in the diatonic scale, the in the fifth position. in the first part in the following preludes in the pocket indi- in these in the signature, in the spaces. in this case it is in this last in three in - to gladness, in -to gladness, into parts of equal in transient introduced, in value or duration. in which case they in yonder mansion io get i'oreille ious iptm| -- i- -^q_ztjzz_ i=rdv ire. ire case. ire case par 1, le ire corde ire corde. ire maniere. ire partie ^irsa irt string. is also produced by sliding the is far isfc i s notes. is placed on the 1st fret, ispxspzfr* is there, her italian. italy's blue waters roll, it=a*=zf=3afc it be played. * ith ithers are derived ith four fingers. \ ith the it is cfllfod relative, it-jfc itj --"its -- *~p ~ itself. its fleetness, its relative iursqu'on passe d'une corde i will not iz^szp:j=^: izz=7?=^ i |zzzfe^z^*zj:*:!^^ ,j 2, elle se bat a deux --j3-j r^i^jyi\4-n j'ai apporte le plus j'ai traite jambe gauche conserve -jarcassjl's j bar, is marked |, and is \&j es q^r bfflr jeur. jf the principal note j^|g=iafeefe# jgpqpfg-: j^^^gr. barre. :jgt jhajenr. ,>-j- ifej jii espressione. :jiu jizr ~sm j^j*ffrzzqg^= r j^jr=jj;zje|^|-l-^^g _jl1 htm jlh^fe jls: *jompose jri**i&=&^ ~jrnz3~nz:tiz]z3~~i~ d-- h -jr=zml*z=*-i-*=^z ."jse -jsl jsl. -jsr *j string. jt1-*- iji ^jti jtifc* jtli jtok jtr. * jttzgz juration. jusqu'a la just so with an accompaniment. *jz,a _*i?:z^-*z':sziz2z :---jziz gzzrtr-^ * ^-\'9 jzjrze_# )k}"ed in the time of key of key of ab major. key of a major. key of a minor. key of bb major. key of bb minor. key of b minor key of c major. key of c major, and key of c minor. key of db major. key of d major. key of d minor. key of eh major, key of e major. key of f major. key of f* major. key of f # minor. key of f minor. key of g major. key of g minor. key of the major keys, but, like key they are cf two kfei kiercise. 5:*: kind. --kindly kindness reigneth kjs" knew of know knowledge of the k*v has la|2 majeur. la baisse la chanterelle a lack la clef. la clef de lacorde, on la courte lade and la direction la doigte sur la laeir* la force et la gamme est diatonique l'agilite la guitare la guitare, la guitare. la ire laissant glisser le laisse vibrer laj2 mineur. lal time. la main gauche la majeur la majeur. la mesure la mineur, la mineur. la mineur, son la multiplicity la musique la musique de guitare exige lanement s'appelle accord. lange de l'index entre l'annulaire, et la note suivante la partie forte la petite note, et la portee. laquelie la reunion de larghctto.f larghetto la rosette. la rr^cin last la succession lat- lat. la table lath la tiuitare. lat poa. lat poa. petit barre. lau; l'autre. l'auxiliaire l'auxiliaire inferieure, l'auxiliaire superieure, lay poor lilly dale. lbt. lbt pos. l'denct. le bras. le caractere. le chiffre le coule le difficulty 01" le doigl le doigt place sur left left hand. leger lines above the staff. leger lines below the stave. le ler doigt recule le ]>lus le mecanisme d le piano ou p, veut le point d'orgue t* le pouce ler bemol, lerent strings, le renvoi les 3 les 6me, 5me les accords les autres les autres sont lescending, les cordes. les cordes pres les coules les coules de les doigt* les doigte sur les les doigts les doigts de les doigts par un seul mouvement. les doigts qui les les instruments, elle les interlignes. les jyj asei les lignes. les notes les notes qui doivent le son les parties les pc into. les pince, les positions. lesson so progressive, les tons le strings, les trois le tableau suivant. le ton d'un morceau de musique let pos. let pos. gr: barre*. let pot. let such in peace depart -- let the leux noiem so lfe5*ga lft pot. lic.h lid. lie corde. liei cise. fe_ ff lies life lift light light, lightly, lightly press the lights are glancing ligne, lignes additionelles. like a limb, are avritten lime, recording to l'index, line, line. line com*. line or space, lines. lines are lines placed lin-ger 'midst their clouds lino graz'fmo. lire leg lire les lis se font a la 12me, 7me, 5me. 4me list li=t3fce lit poa. petit barre. lit pos. lit r*s. lit- tie lleiehstadt's l>. line. llouerav loilowmg. long long and long appoggiatura, the long small notes. longueur toutes l'on place lores. lorsque lorsque les cinq tons lorsqu'il est place lorsqu'on veut adoucir lorsqu'une note lost lotes, lound which love love not love not. love-song to the morn lower note lst. lt pos. lyon & healy. lyre &l^zee^t made made of made, or made upon long made use maestoso. maic main main. main dans main droite. main droite a main ganche. main gauche main gauche, main gauche. main gauche, en main gauche lanotequ'on main gauche, que main gauche sur main jusqu'a ladeuxieme mains soient obligees de main vers mais mais avec plus de vitesse mais seulement d detu mais simplement une note majcnr. majet majeur. # majeur avec majeurs major major, major. major and minor major key if it major mode major mode. major third. major, with seven sharp. major, with six make each make them making management manche manche. manche de maniere d'accorder la gnitare. maniere de pincer manieres manner of holding the manner of touching the many march march. march. ? marked marked 8,and marked by small marque marque par un marque par un -0, marquetu par mary mary! m'a toujours paru une des choses matteo carcass! may, may sound mbke at mdique par ce signe ^- measure, or time, measures. measure with the accented part of mecanisme de med. medium, ... annulaire, x pouce. meek and meek and low-ly, pure and ho melodie, avec l'index et ment ment. men-ta mes ouvrages, m'a decide mesure a mesure a 4 tems. mesure a douze mesure a neuf mesure a quaue teinr, la mesure ou mesure qu'on mesures principales met deux points a method method amongst method before the methode adopte methode de guitare. method of beating time. mi|2 majeur. mieux, sont mi majeur. mi|? mineur. minaison mincur. mineur, mineur. mineur quatre degres plus haut. minim rest. minims, a dotted minim minor. minor third. minor third.- minor, which have no mise en vibration. mi tux miv^- -- m jgrt3*"~es"-- 4#i--#j-99 m> longer a mode modele pour toutes mode mineur. mode, or in moderate moderato. moderator modern to. moileralo. moins que mojrb mons montante. moon's pale morcea* morceau de musi(pie. morceaus morceaux mordente upon long notes. mordente upon short notes. more curved, and the thumb moreeao a ce morn most mot fin. mother, this note mot pouce, que mourn moved but moving moving each mpose it. ~mri much much valuable matter muffled tones. muor third. music music, additional or music department music soft, breathing near, musique, on en ajoute des must must be must be prepared before the must not be must successive- mute with mu^-tfl mwgi my own myself fully compensated my soul my soul, mzj^ezp^ g-f j mztatz^z^=*: n'ai pas naire, et la plus basse name name, named natic. natural position n:d feeling. nd verse. --n=dztje=:e#z=j: near my )\vn loved home, necessary necessary to necessary to examine whether ne'er was found a bliss so pure neet. the upper note ne faut jamais lever ne faut pas n'est pas sans utilite n'est plus alors neuvieme /osition. never fearful of the end ; never joys so long endure never weary of well doing, new and improved newiy new york: nfc* ngs are made to vibrate with the nied night night, n incur. nine-eight time noaition of the no angry frown shall cloud my brow, no gleam of morn is noire pointee. noires, la noiw no mat- nombre nombre de cas ou nom des notes. ^nominations no more, thy home non troppo.^9 not, not! not a not contained in those previously not dead, but sleeping note note, note dans note doigtee note?, in rising the note in vibration with note of the arpeggio note of the scale note ordinaire, puis l'on note, preceded by a small note, note princi- note principale. note principile. notes notes, notes. notes, a notes a la ire position. notes avec notes avec les bemols. notes avec les diezes. notes basses, et notes coolies. notes fh\ch are to be notes, in descending, notes llees. notes on the g clef. notes on the lines. notes played successively in notes sur notes sur la clef de sol. notes syncopees. notes, the not harshly blame not harsh words not on an open string, nough n-quired nrreases "nrs*- nrzfcl "n td-l-^r jzbsi^_j:przhz=_^zezz nulaire. number number of number of sharps nveral notes together. n'y a riea a *o. 5. feiz: oarcassi obtaining this object. octave octave. octaves. octaves et dixiemes octave* ui oear oeaten thus, oeats in a bar, o'er the of abbreviations. of a piece of a piece of of argyle. of arpeggios. of disease offers three of four notes. ofhi of ihe first. of my soul of my soul! marv! of sorrow has delayed ? oft' of the of the alphabet of the chords. of the dot. of the gruppetto. of the guitar. of the guitar, and of the left of the left hand. of the legato or of the major key of the mordente. of the notes. of the other strings of the right of the right hand, has always of the scales or ganits. of the sharp, flat and natural. of the tone and mode or key. of three beats, and of of three notes. of thy native shore, of time. of tuning the guitar. of two notes, by setting the of which, oh win them back again oil, oliver ditson on a juge a propos de suivre on arpege on cadence. one lamp from out your store on empecherait la resonnance one of the one of the strings one tone. on fait le on le nomme relatif parcequ'il est on l'indique par ce signe. * on nomme on pince on placera on porte. on the on the 2d on the edge, formed by the on the finger on the same on the same fret. on the second on the side on the sound on which on which are on which these signs are on which they are to be placed. on y ajoute open. open string. open, then str or 4 crotchets, ^ ores ores. or flats as or-iare.- orli- 'orm of the note or smothei the sounds, other ou 16 doubles croches, ou 82 triples croches. ou arpeges ou d. c. indique ou huit croches, ou lnimediatetnent ou par un seul signe. ou quatre noires. ou quatre notes out. ouvrage, que les over o would i o would that _ozz:zj21z is ~sz is~l zt~ p3^jft=%k 3eeee3 "p" 7u- poa. paicequ'i; pain, pale, pale avec le doigt de la par- par consequent on parfaite par la figure de la note par le part part. particulier partie. partie d parts par un |, et pas. pas a vide, passe l'index de la pass through this patn. pause. pause*. pause the mourners peating the p- ebj: ^? pee^e^= zf=1^*s4 pense qu performed by one finger of the per low pet: barre. petiles nc es petit barre petit barre. petitcs notes doubles. petit doigt doit petites, petites notes breves. petites notes longues. peu de distance du !p-=ferr pfwj phila.: phrases d pic" pieces, care pieces of the pied pin. pince avec le pouce, l'index et pincent du pouce pincer pincer les pincez pine. pingant avec deux ou trois doigu p-itmm""p^ p-*i_?_trg^p^=gzl -*-^-[-p pjb^_=ifl placed place dans la placed, are affected placed before a note, placed on the secoud line only, placed over a group of placed over the placed tausverseiy place sur es place where the 1st finger of planch* played, and drawing the played harmonically. play the g and draw back the finger plein et harmonieux. plein et mcelleux, plied plusieurs notes ensemble plusieurs notes que ton plusieurs parties, plutfieui p means pocket. po. gr. barra po. gr: barre poignet, et de placer poignet un peu arrondis. point pointee. point, l'eleve aura acquis poinv d"h pom: eviter ponce ponce. pone* port an doigter, portee, pour determiner le portee, que l'on porte la porte, s'execute par pos- pos. pose posera pos. gr: barre. position, position. position de la position, et ainsi position natureile position of the position of the hands. positions. positions qu'il pouce pouce, pouce. pouce de pouce de la main droite, et pouce. index, medium, tnd pouce pince en glissant pouce sur toutes pour pour accorder pour apprendre a pour bien executer pour en pour executer pour obtenir un jeu pour obtenir un son pour que toutes pourtant pour y parvenir. on doigte avec ppr\ =r=3 prcude. jtb prel-le. prelnde. prelude, prelude. prelude, fe^-fej^ prelude. jfeb- prelude. jm^-fy premier. premier* premier doigt bane tins toute premiere partie. premieres touches principal principale note sur laquelle principal key, as priz'd as truth* produce a harmonic sound. produce the produit aussi produit la melodie profit profite d'line note progres- pry ":- pta>. =pte ptm? puis pupils, i pupil will have pupil will see at a glance, pure pure and ho purpose. put more under the neck. -'^pzggs-f^ 4 -*-- pzj= ~i quand quart de soupir. quart do soupir. quarte. quaver rest. quavers, que de quatre. que doit avoir q,ueen of queen of my queen of my soul. que l'on quel ton est que possible que pour queue tournee par le bas, si qui doit qui la comprimait. qu'il faut reprendrc qu'il faut tenir qu'ils produisent qu'ils sont marques. qui lui convieir quinte. quitte, afin d'eviter la vibration quitte cette position. qui vaut une qui vaut une blanche qui vaut une croche. qui vaut une double croche. qui vaut une noire. qu'on doit couler. r3d pos ~r. -5_3iirqzziznzt4. [rail, rail. raised too quickly from the string, lest *rales. ral lem undo. rase the rau. ray: ^--rbzzr ('red. reft mineur. relatif, relative relative minor, relative minor key. ?relnde. re - main. re, mi, fa, sol, la, required. r*ercise. resonner la note grave. ressources de cet in- rest rest, rest," rest lightly rest of the re umssotu :rfe r ffi "*- rft. riercise. rifh right ringers are to ring voice re ring voice replied rita rd. rive or six times. r seules, et avec la several times in succes- sextuple sfc= sfe iz-zfe^g s fin. +sfwr sgj &= *gr. barr6. shall consider shall the with'ring northern sharp, 2d sharp or sharp? or flats which are *""ud sharps and sharp the she corde. she gaz she said, shone short short hours. short small notes. should beat no more. should be extended and should he wander back to show shown side, so as to si elle ne i'est sigh, not a tear, sign sign, signature. signe jusqu'au silence, silence qni vaut une ronde. silences points silent stars, the blue si majeur. similar passages. si mineur. s'indique par ce signe sine touche. single continuous single one, single sign. sion, sioneb db renvois. ^sit sively. sivement, selon que sixaine. six-eight time, six huit, derivee de la six strings. sixte. sixth. slide slide. slide the 2d finger from slide the 3d finger from slide the thumb. slow. slur all the rest. slurred. slurred notes slur, the tie small barrer small barrer. small notes are played the small notes or appoggiatura. sme. sme corde. smile her lips were wreathing, smile of hope and love, snapping the snoiith. so as not to so designated, with force soft soft, softened. soient poses simultane- soit sol, sol. solj2 sol majeur. sol * mincir. sol mineur. sol sur la chanterelle, et sol tjnisson. sometimes son de sonde. son porte de la voix. son qu'elle produit sons ilarmoniqaes. sont sont marques par de petits sostcnnto.g^=zzzz^-: soul sound. sound? in sounds of sound the f. soupir. souvent spake and was obeyed. ^spbt=a speak speak, speak. speak gen speak gently speak gen-tly, speak gently. speak gently! he who gave his speak gently to the erring know sp- nri- srte star-like eyes, stdy.j steal step still to stmpl1ce. stop at pleasure. strain strength shall strife, strike with the strinar. string string, string. string has string, quite close to .strings, strings, strings. strings of the guitar. strings which form the chord. string to vibrating, str~.o strong struck, strument. strung and tuned. 'st string, studies, study study. study .j style. "stzr subdivisions of the measure. suc-cour thee, succour thee such suddenly /. sufficiently sep- suite suite. suivan.s, suivans.) suivez avec sunny hue: sur dei sur la sur la cuisse gauche surmonte surtout d'un bel effet sur sur toutes les cordes. sur une corde a vide quand swring syncopated notes. syncopation syncope. ~*szf :szzri_=d=g .taarj^j ?tabli, est tail tale tambour. **tamished (tanrat. tant la note suivante, a tare !t div. teach teacher and pupil. teah tear tear, tears, tems tems. tenir tenir l'avant bras et le terminaison. termination. terns terns suivant. t.essaire tete ont servi a _tfc * t fch- -*tfe tfie tfjh? tfon pin 7 tfor tf-tcruitv shall tell. tgfcbea '^tgi^-- t. half t. t. half tone. than than others. that are that ere that ere my that from the success attending that glad - den''? that once glowed, that the pupil, that years have the 1st finger the 3d ringer the 6th and 7th note the arm the arpeggio well, before the art. the auxiliary above, the auxiliary note. the bier, he the birds shall warble the " blessed three," the broken cross, the burden of a fleeting tear the case in chords, arpeggios, the chord the chord on the clef the dark the date due card the day's gently gone, the execution of the gamuts, the figure 6 the finger the finger must be taken off. the finger of the left the fingers of the the fingers should be raised the fingers should be separated, the. fingers to the first part. the first position. the five the flat (b.) lowers the flow' the fourth the gu1tak. the guitar the guitar. the guitar the trili the guitar will be the happy the heart the \iird the index their songs in spring, the keys, the last the left hand, the left hand. the lower auxiliary altered. the lower note the lute awakes its the measure following, so that the measure of the morning sun the mountain then then, by love, kindly won, the next chord. the next string. then, oh sad one the notes of a chord then the the other major the pale dead mother lay. the pause t the per-fum'd the positions. the principal note. the principa' note. the pr.j ther ther, there lay poor lilly dale- there's light for us above the right the right hand the right hand, the right hand. the rose the same value as the sands of life these arpeggios the seventh position. the sharp (#) is the sign the small string. the sol. the sparkling the strings. the strings without the thing you love may die, the third the thumb the thumb. the upper auxiliary altered. the value of a note, thev have the vows the watcher. the whole has been the widow of nain. the wild flowers grow. the world shall the wrist should be they they are struck, the they have the young, thine things think third third. third finger. third part. thirds, thirds. third verse. this this caution this name this ornameru this rule this sign this the note thji tho' she still thou art not for decay thou, char-i - ty thou dost though deceived, believing still though heedless of three-eight time, three fingers. th ^rfc throw out the right *th string. thumb thumb, thumb. thumb, letting thumb of thumb of the thumb ought thumbs thumbs. thus, thus, a dotted semibreve thus indicated for the auxiliary above, thy bosom, thy grave will be a holy spot, thy hair thy sweets in thy sweets in vain ticuliers a la guitare. tied notes. tierce avec la 2de. tierce majeur. tierce mineur. tierce mineur. ? tierces. tierces, sixtes, {.ti- fcifc bier; tiff- ?cz? ? rff time, time. time breathes on, and they're gone. tim--tr -=t50 tin. tion - tion. tion, tions. tions for the guitar. tion's voice *tip*" nr^-iz,jr tique. 'tis 'tis a little thing tis vain ^-tjrij- t~jtb. j~~r+ 'tlgl^^eefflp - tly - tly, let ^tmi tnis tnis duration is to act as to bend man's stubborn will. to be played, to be played alone, to be slurped. to be slurrel, to be tnus to damp to establish general rules, to execute comme to exercise all the positions. to express ail the to facilitate their execution, to finger the to heav'n she raiseth, in to hopes no longer toim. toi. r elatif to its original sound. tol :> to love but tombe tomber tomber nature llement tome -ton. :&ton. ton. ton dc ton dc re majcur. ton de ton de fa ton de fa # minenr. ton de lab najcur. ton de mi ton de reb majeur. ton de re # mineur. ton de sol linear. ton d fa # majeur. ton dtt # minenr. ton d'ut mineur. -tone.-, tone, all the notes tones, ton iques ton principal tons tons, tons mineurs. too often tend to discourage to pass to to plac3 the tordness. tos. to strike the string to sustain the to the first to the land of to the poor, to this period, to thy heavenly father's will touch touche. touche, et la grande pha- touches de la premiere a touch the touch will toujorjs tous les tons et de s'y exeicer, tout-a-fait derriere le toutes les cordes de to vibrate. translations and reprints. .trcbiereisc.^fe- bzc^ treatises, tres court* tres fort tres piano, tric3ez^~x trilled. trille est trill should trill should generally begin trings. triolet. triple triple croche pointed triplet. triple time, or 3 beats trois trois blanches, trois cordes trois cordes. trois doigts. trois huit, elle se troisieme partie troisieme partie. trois quatre truest bliss be thine tssnluous labour, ttij m ~w--n f ttizs u* j^ 0j ttj^ j *?:?; -ttj-j4j-^ * ?^tt"~r~ ~r--w*fvr tuned tuned a third below the second. tuning fork turned down, turning sadness 'twas . 'twas thy t. whole" r?" twin'd, two beats two-four two kinds of two sounds =t^^=zmvr t~* -- -- ~ :zrzi tzs?: u formation, uhords of uif majear. uivez - ulajcnr. ulefs used in music. ult r under- understood, the duration of une connaissance une des cordes une double queue une note, qu'en doig- une ronde vaut deux blanches, un groupe de uniform order, and which, unisson. united, form chords. un morceau de musique un ouvrage un peu de un peu en un peu recourbes, un seul doigt ae un signe qui uotf upn. u point. upon a upon the upon the fa, and upon the notes ure and urp: used used sometimes used, the usually written. usunut. /^b--(: utfl mineur. utile. ut mineur. ut mode majeur. u>x thii uxths, octaves, and tenths v~9 zr zpzsi vain, vale. valeur valeur. valeur des notes principales. valeur dt valeurs differentes value value. value one half. vantes var. vaut v^cal all the air verifier l'accord very very loud. vesta. veut rendre harmcnique, vgwz v hiih the figure 3 -vhis viano or vibr. vibrate vibrate if left vibration vibration, vibration. vibration des autres cordes vibration par vibr. tambonr. j?r. vibr. tambour. vide. vingt vior. lam hoar. fr. visions of vivement vocal all the air voice voice, voice. voiding those dry votes. voulu seulement rendie pirj vow he prove, voyea voyez -v-raii. v->ry useful in ^vsuj i, j^u wailing by, wake waltz, waltz. was only was wept a way was wept a -way -way! way, ways ways commenced with the upper well to prove we might do were breathing wftb what when w hen when a common when ev'ry when life when they when two where sleeps the mighty one ; which are which corresponds with it which is equal to 2 minims, which pressed whilst the pupil white whole whole of the whole t. half tone. -&whole t. whole whole t whole t. whole value, as whose voice who would joys decline ? who would not love secure ? wild wilh will be found will be inhis will be placed under the notes. will breathe will serve wi lowed and wilt thou be dearer wind steal wind's wing winning smile, wist-ful-ly wist-ful-ly she gaz-eth, with with a double with de'icacy over the next without an unkind word. without moving the hand. without touch- with the with the note above. with the note below. wit the value wjjbzzml wkl^and wmrwjfirwzjdzy wnae word word five. word thumb wore a boy again, work, but one that works by professors work which will pr'we useful world an worship and would would give that poor boy's features would remark, wreathe, the wreaths written. written on the stave below. wzz-9-tt -- *" *x-- 1-.izzjiszil \x d'accompagnement. xndex. -- pass x thumb. y a autant de y a de notes a couler. y a de touches sur le mane tie y a deux sortes de gammes y a douz3 positions sur yet comprehensive y-fcg-i^_. -y^f^'zzs: yggfjkznr m9=*~ you have only you love may change you must young and joyous creatures, young ebert young man you sharp the youth. (yoyez les oxemplei ys slide __ -z3-jzz .p $zb=5slez :zfc zfrs*?*^- -%srtz*z *-'zfs: zfxg*zi:f zgi>b^-a!ij_s-i*v. zie+ *zifc _z^ifrz3zi_ : #~p~j ~ 3 z~ iit_5-- m-- -jztz; :zir*_l: :zra zrii j. j ~zs2i ton. -zsl -zt-f*rrf-t*=}r2r zy-grnig -zzafa ij *z^^=z&^^esere5r^e5zizfiz3-1 #zzt*_zl_q_*rl _zz _zi: jxz__j .bqpgxxxalqic:' />
Méthode complète pour Guitare (Français / Anglais)

Complete Method For Guitar (English / French)
Matteo Carcassi

Guitar solo (standard notation)
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