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JEAN, FX FX JEAN
France France, St Laurent d'Aigouze
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Jean, Fran?ois-Xavier: Aphorisme op.25, No.09

Aphorisme op.25, No.09
FX JEAN




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1 comment


By francois-xavier-jean, at 00:00
owner

You are really great Denys! I saw that this form succeeded to me. When I was younger, I was scared. I think I'll apply to the response a rythm delay or a retrograde counterpoint rhythm, leaving unchanged the notes. It might be nice. I will change in response scale. The dux will be "DA" for example and the Comes in "FC" or something like that, to sidestep the issue. What is powerful in the counterpoint is that we do not question. Finally usually. And then the canon is full of beat, of hiccups, of cyclical collision _ . It's exhilarating, intoxicating. Imagine a cannon of a di-tonic melody or tritonic melody. The magic of Africa or Oceania appears sudden, tribal. Friendly. François. Tu es vraiment génial Denys ! J'ai vu que cette forme me réussissais. Quand j'étais plus jeune, j'en avais peur. Je pense que je vais appliquer à la réponse un contrepoint rétrograde ou décalage du rythme en laissant tel quel les notes. Ca risque d'être sympa. Je vais changer d'échelle dans la réponse. Le dux sera en ?D A? par exemple et le comes en ?F C? ou un truc du genre, pour noyer le poisson. Ce qu'il y a de puissant dans le contrepoint, c'est qu'on ne se pose pas de question. Enfin normalement. Et puis le canon, c'est truffé de battement, de hoquets, de heurts, de perturbations cycliques. C'est grisant, enivrant. Imagine un canon d'une mélodie di-tonique ou tritonique. La magie de l'Afrique ou de l'Océanie apparaît soudaine, tribale. Amicalement. François.
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By denys-vignon , at 00:00


Je me demande si tu ne devrais pas approfondir tes recherches vers la forme canon.
Elle me semble bien supporter ta technique de contrepoint. Qu'en penses-tu?
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