A guide to Applying afro-cuban grooves to funk rock and jazz for bass and drums. CLAVE and TUMBAO. Traditional bass tumbao examples Cascara paila and bell ride patterns. SONGO. Drumset orchestrations Funfified slap songo tumbaos Songo style jam. GUAGUANCO. Conga patterns on the drumset combining traditional and hybrid bass lines with rumba and funk. AFRO-CUBAN 6/8 6/8 patterns as a vehicle for other rhythmic possibilities and diferent time feels CHA-CHA-CHA. Adaptability to rock Spap cha-cha-cha playing a backbeat. MOZAMBIQUE. Mozambique in rock and funk context. Lincoln Goines is one ofNew York's most respected and recorded bassists. His concept of the bass as a rhythm instrument and his ability to incorporate traditional Latin lines with ideas drawn from percussion patterns can be heard on recordings with well known Latin-jazz artists Dave Valenting Michel Camilo Gato Barbieri Paquito D'Rivera Tania Maria and Eliane Elias. Lincoln is also known for his contemporary jazz-funk playing with John Scofiel Mike Stern and Bob Berg. Bobby Ameen has made a life study of Afro-Cuban rhythms and combines this knowledge with his own powerful drumming style to create a highly original funk/Afro-Cuban amalgam. Robby's ability to complement a Latin rhythm section can be heard on recordings with Ruben Blades Dave Valentin Dizzy Gillespie Kip Hanrahan and Eddie Palmieri among many others. Robby has also worked with Paquito D'Rivera Gato Barbieri Willie Colon and Paul Simon. Includes separate pull-out in Spanish.

Jazz Play-Along Vol.77. Par D'RIVERA PAQUITO. De la source ! Paquito produit et a supervisé l'enregistrement lui-même, à l'aide de son propre groupe de renommée mondiale ! La musique diverse présentée ici est une addition Bienvenue à jeu-a-long Bibliothèque du chaque musicien. Cet ensemble contraste le frisson de chaud, excitant Latssics avec l'atmosphère méditative, décontractée du brésiliens favoris. Un changement rafraîchissant de rythme. Section rythmique comprend Daniel Freiberg, Piano - Oscar Stagnaro, basse - batterie, Mark Walker - Parnell Saturnino, percussions. / Rép International / Recueil / Tout Instrument

This sophisticated and highly infectious mambo is written in a moderate tempo and features solo space for trumpet and alto sax (flute part optional). Originally composed for the Mario Bauza Orchestra the title refers to Mario'sdog Piro (“Para Piro” in English is “For Piro”). It was ultimately recorded on a tribute album to Mario by the band Cubarama produced by Paquito D'Rivera on Termidor Records. This new edition iscompletely re-edited and engraved with explicitly written out rhythm section parts. (Recorded by Cubarama)

This composition is in its own way meant to be a tribute dedicated to Paquito D'Rivera showing the author's appreciation for this musician as an exponent of Cuban music of the past and present century, who represents a stronghold and example for all musicians - in particular for saxophonists and clarinetists - not only in his capacity as a performer and composer but also as a cultivator of both sound worlds, the so-called classical music and its popular counterpart in its most ample interpretative spectrum. The piece consists of four movements: Allegro Moderato, Lento, Allegretto and Allegro con Fuoco. Its outstanding feature is the fusion of elements of jazz (such as the improvisation in the first and fourth movements, parts of which are accompanied by the piano with its interpretation being based on concepts characteristic of jazz or the 'tumbaos” to be found in Cuban music) and classical music. The second movement starts off with a short recitativo, followed by a mixture of phrases borrowed from contemporary music, Afro-Cuban styles and jazz, whose distinctive rhythmic cells and articulations clearly define the character of the movement and finally culminate in tempo primo. The third movement shows a certain 'casualness” and tranquility in its melody as well as in its accompaniment, including a cadenza the musician may execute at will - the movement then culminates either in an improvisation ad lib or in the mere execution of the melody as notated. The fourth movement is charged with spiritual energy. Saxophone and piano frequently trade phrases, and there is an abundance of improvised passages and jazz phrases. The movement finally ends in unison forte together with the piano. / Jazz / Recueil / Saxophone Alto ou Baryton et Piano

Afro-Cuban Play-le long CD et livre sur 70 minutes de Smokin ' grooves latins pour que vous puissiez jouer avec ! Livre contient des graphiques complètes pour chaque piste. Classe mondiale Rhythm Section ! Rebeca Mauleón (auteur de la Salsa Guide Book, Rebeca a joué et enregistré avec Tito Puente, Carlos a, l'Ensemble de machette, Pete Escovedo, Israël Cachao Lopez, Giovanni Hildago, Planet Drum, etc.) et Oscar Stagnaro (professeur de basse au Berklee College Of Music et le bassiste avec Paquito de Rivera, l'Organisation des Nations Unies Orchestra, The Caribbean Jazz Projtc.) / Orestes Vilató (l'un des maîtres originales du latine percussion. Orestes a enregistré avec la Fania All Stars, Celia Cruz, Ray Barretto, Ruben Blades, Santana, Cal Tjader, Eddie Palmieri et des centaines d'autres). / Cambon Edgardo (un des San percussionnistes d'en demande plus de sco, Edgardo a enregistré avec Jésus Chucho Valdez, Carlos Santana, Claudio Gomez, Michael Spiro, Sovoso, Omar Sosa et son propre groupe, Candela) / Carlos Caro (Direct de la Havane, à Cuba,... / Batterie Et Percussions

Pour une utilisation avec tous bémol, mi bémol, C et instruments Colombie-Britannique, le JAZZ PLAY Along est l'outil ultime pour tous les musiciens de jazz. Grâce à des feuilles de plomb musicien de l'environnement, faciles à utiliser ainsi que plusieurs choix d'piste sur le CD inclus, cette première série de son genre permet d'apprendre à jouer du jazz plus facile que jamais. POUR UNE ETUDE, chaque morceau contient une piste split avec:, cue Melody avec style propre et de l'inflexion, pistes rythmiques professionnels, Chorus pour le solo, partie basse amovible, partie de piano amovible. Pour les performances, chaque morceau a aussi:, Un autre titre complet d'accompagnement stéréo (pas de mélodie), choeurs supplémentaires pour le solo. Songs: Basstronaut, Chucho, Ville guataca, Mariel, Monk-Tuno, Song à mon fils, Waltz for Moe, Wapango. / Tout Instrument

CD inclus avec le livre contient 37 mélodies plus de 200 chansons et 550 pages ! 64 Classic Jazz, Jazz contemporain 98, 5 afro-cubains et 12 Latin Jazz. 2 Degrés est,/ Recueil / Instruments en Mib

Jazz Play-Along Volume 112-For use with all B-flat, E-flat, C and BC instruments, the JAZZ PLAY ALONG SERIES is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets, melody cues, and other split-track choices on the included CD, this first-of-its-kind package makes learning to play jazz easier than ever before. FOR STUDY, each tune includes a split track with:, Melody cue with proper style and inflection, Professional rhythm tracks, Choruses for soloing, Removable bass part, Removable piano part. FOR PERFORMANCE, each tune also has:, An additional full stereo accompaniment track (no melody), Additional choruses for soloing. Songs: Basstronaut, Chucho, Guataca City,Mariel, Monk-Tuno, Song to My Son, Waltz for Moe, Wapango.