SKU: CA.1037106
ISBN 9790007098773. Language: Latin.
In this Magnificat, taken from a collection containing four-choir music for Vespers published in Venice in 1612, Viadana took an approach which was unusual at that time: the Magnificat is divided into 11 short movements like a cantata. The movements are structured with contrast clearly in mind. Viadana exploits not only the varied possibilities of the large vocal and instrumental forces to the full, but also presents a wide range of styles - from duet to four-choir tutti, from falsobordone to expressive madrigalian style. The work displays Viadana's knowledge as well as his admiration of the church music of Monteverdi in many ways. Viadana's printed edition of the Vespers of 1612 made a great impression on Michael Praetorius. Both Viadana's handling of the instruments and his treatment of the tutti choirs had a considerable influence on the works of Praetorius and other German masters. Score available separately - see item CA.1037100.
SKU: CA.1037109
ISBN 9790007190651. Language: Latin.
In this Magnificat, taken from a collection containing four-choir music for Vespers published in Venice in 1612, Viadana took an approach which was unusual at that time: the Magnificat is divided into 11 short movements like a cantata. The movements are structured with contrast clearly in mind. Viadana exploits not only the varied possibilities of the large vocal and instrumental forces to the full, but also presents a wide range of styles - from duet to four-choir tutti, from falsobordone to expressive madrigalian style. The work displays Viadana's knowledge as well as his admiration of the church music of Monteverdi in many ways. Viadana's printed edition of the Vespers of 1612 made a great impression on Michael Praetorius. Both Viadana's handling of the instruments and his treatment of the tutti choirs had a considerable influence on the works of Praetorius and other German masters. Score and parts available separately - see item CA.1037100.
SKU: CA.1037111
ISBN 9790007190668. Language: Latin.
In this Magnificat, taken from a collection containing four-choir music for Vespers published in Venice in 1612, Viadana took an approach which was unusual at that time: the Magnificat is divided into 11 short movements like a cantata. The movements are structured with contrast clearly in mind. Viadana exploits not only the varied possibilities of the large vocal and instrumental forces to the full, but also presents a wide range of styles - from duet to four-choir tutti, from falsobordone to expressive madrigalian style. The work displays Viadana's knowledge as well as his admiration of the church music of Monteverdi in many ways. Viadana's printed edition of the Vespers of 1612 made a great impression on Michael Praetorius. Both Viadana's handling of the instruments and his treatment of the tutti choirs had a considerable influence on the works of Praetorius and other German masters. Score and part available separately - see item CA.1037100.
SKU: CA.1037149
ISBN 9790007190675. Language: Latin.
SKU: CA.1037105
ISBN 9790007098766. Language: Latin.
SKU: CA.1037100
ISBN 9790007086183. Language: Latin.
In this Magnificat, taken from a collection containing four-choir music for Vespers published in Venice in 1612, Viadana took an approach which was unusual at that time: the Magnificat is divided into 11 short movements like a cantata. The movements are structured with contrast clearly in mind. Viadana exploits not only the varied possibilities of the large vocal and instrumental forces to the full, but also presents a wide range of styles - from duet to four-choir tutti, from falsobordone to expressive madrigalian style. The work displays Viadana's knowledge as well as his admiration of the church music of Monteverdi in many ways. Viadana's printed edition of the Vespers of 1612 made a great impression on Michael Praetorius. Both Viadana's handling of the instruments and his treatment of the tutti choirs had a considerable influence on the works of Praetorius and other German masters.
SKU: HL.14034924
UPC: 884088806149. 6.75x9.75x0.019 inches.
Lodovico Grossi da Viadana (c.1560 - 1627) was an Italian composer, teacher, and Franciscan Friar. He is known for the important contribution he made to the development of Baroque music, being one of the first people touse figured bass as a means of notating a basso continuo line. From 1594 onwards he was choirmaster at various Italian cathedrals, when his O Sacrum Convivium was most probably written. It is an arrangement of theancient Christian prayer for TTBB Male Voice Chorus, and is a perfect anthem for any Eucharist service.
SKU: CA.4042050
ISBN 9790007067328.
SKU: M7.DOHR-94100
ISBN 9790202001004. German.
SKU: HL.50491859
DAI 'CENTO CONCERTI ECCLESIASTICI' OP. XII A UNA, DUE, TRE E QUATTRO VOCI E ORGANO.
SKU: FL.FX072623
Instruments: 6 Trombones or 6 Sackbuts 2 Bass Trombones or 2 Bass Sackbuts; Difficuly Level: Grade 4; Duration: 3 mn 15 s; Musical Style: Classical, Baroque; Category: Arrangement; Composer: Ludovico Grossi da VIADANA; Arranger: Olivier LACHURIE.
SKU: FL.FX072622
Instruments: 6 Trombones or 6 Sackbuts 2 Bass Trombones or 2 Bass Sackbuts; Difficuly Level: Grade 4; Duration: 4 mn 10 s; Musical Style: Classical, Baroque; Category: Arrangement; Composer: Ludovico Grossi da VIADANA; Arranger: Olivier LACHURIE.