SKU: HF.FH-2288
ISBN 9790203422884. 8.3 x 11.7 inches.
SKU: CA.4039400
ISBN 9790007218379. Language: all languages. Illustrator: Elias Gottlieb Haussmann.
Oil on canvas, 1726.
SKU: XC.SGWE2201
A wonderfully accessible arrangement of this timeless work has been brought to life by arranger Steven L. Rosenhaus. Optional Basset horn brings a depth of tone and color to the ensemble. A winner for sure.
SKU: HL.48184988
UPC: 888680930905. 8.5x12 inches.
“for trumpet, horn (or trumpet, or trombone), trombone (or horn), and trombone (or tuba)&rdquo.
SKU: HL.48184930
UPC: 888680905804. 8.5x12 inches.
SKU: BR.DV-32027
ISBN 9790200425192. 9 x 12 inches.
Bicinia - unaccompanied duos - have been known to us from the fifteenth century onwards. So quite early on it was customary tu practise this type of musical exercise, which later, especially during the Romantic period, achieved great popularity as the duo or duett. Equal numbers of this sort of instrumental duo were composed for nearly all wind and string instruments. On the other hand, only a small amount of compositions for two trumpets have come down to us. In order to play any music which progresses beyond pure fanfare on a natural (valueless) trumpet, it is necessary to make use of the clarion register (the top third of the natural harmonic). And if such a melody is to be accompanied by a second part, only the few natural notes lying below it are left, or else this high register itself, which calls for great virtuosity on the part of the trumpeter. As well as this, we must remember the fact that trumpet-playing was only allowed for the trumpeters of a royal court, army, staff, or for the field-trumpeter of a prince, plus a few council, city, and church musicians, who were bound by strict guild and corporation rules. Thus in spite of the preference for its festive sound, the spread and handing down of trumpet music was almost reduced to nothing under these circumstances. As well as this, pride of place and profession rivalry and envy amongst musicians contributed in large part. In England the situation was somewhat freer. Here pretty little trumpet duos originated, including, amongst others, those written by Handel for his master-trumpeter Valentin Snow and the Royal Sergeant-trumpeters of the Shore family. An especially happy exception was the diocese of Olmiitz. Here there was a capable group of musicians of the chapel royal with the brilliantly talented group of trumpeters and the field-trumpeter Pavel Vajvanovsky, who also composed himself. These trumpeters in the service of his prince-bishop played many sacred and secular pieces, all for several instruments. It was for them also that Heinrich Ignaz Franz Biber wrote the 12 double trumpet sonatas we present here. On the other hand, the representatives of the authorities in Germany ensured strict observation of all edicts and regulations. Even the celebrated Bach-trumpeter and towm-piper Gottfried Reiche was never allowed to be portrayed with a proper trumpet due to the priveleges of court and field trumpeters. In order to represent him as one of the greatest masters of his time and art, however, the painter placed an instrument similar to a corno-di-caccia in his hand, together with a sheet with a small piece for virtuoso clarion. When we try in spite of these difficulties and adverse circumstances to gather a collection of musically valuable and characteristic examples of popular pieces for two trumpets from the seventeenth and eighteenth centuries, it is in the first, place in order to acquaint modern trumpeters with something of the wealth of music, which can also be well played on a modern trumpet with valves. The originally used trumpets correspond to modern ones in the keys of C and D, but this does not mean that many of the pieces cannot be transposed to a more comfortable register. On top of this, we have tried to give a picture of the baroque court and field trumpeter, as well as of the mysterious clarion trumpeter, with the help of musically popular material. The origin of most of the pieces used is no longer clearly discernable. In most cases we possess second- or third-hand copies which have been handed down, and show signs of frequent use. A few cases where modernization of the second part obviously did not take place until the invention of stops, have been re-shaped into their supposed original form. A series of further dynamic details were left, and marked as optional suggestions in brackets. Kurt Janetzkyz.T. mit Pauken und B.c.
SKU: HL.48185041
8.5x11.0x0.164 inches.
for trumpet trumpet (or horn), trombone (or horn) and trombone (or tuba).
SKU: HL.48184971
UPC: 888680879587. 9.0x12.0x0.147 inches.
for trumpet, trumpet (or horn), horn (or trombone) and trombone (or tuba).
SKU: AP.36-A250791
ISBN 9798892703987. UPC: 659359810787. English.
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote For the 15th Sunday after Trinity and at any time, indicating that he had composed it for any joyous occasion. It is his only religious cantata scored for solo soprano and trumpet. The first performance took place on September 17, 1730 in Leipzig. Gottfried Reiche, Bach's principal trumpeter, would likely have played the virtuoso trumpet part. As traditional culture in Leipzig generally eschewed female voices at the time, the vocal solo might have been sung by a boy soprano. This vocal score edition was arranged by Bernhard Todt and is based on the Bach-Gesellschaft Ausgabe (Bach Society Edition). It was further edited by Günter Raphael. Text is in the original German with an English translation by John Michael Diack. Reprint edition.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.48184909
UPC: 888680798185. 9.0x12.0x0.08 inches.
for trumpet, horn (or trumpet, or trombone), trombone (or horn) and tuba.
SKU: HL.48184927
UPC: 888680826116. 9.0x12.0x0.072 inches.
for trumpet, horn (or trumpet, or trombone), trombone (or horn) and trombone (or tuba).
SKU: CA.4039410
ISBN 9790007105648. Language: all languages. Illustrator: Elias Gottlieb Haussmann.
Oil on canvas, 1726. Score available separately - see item CA.4039400.
SKU: AP.36-A250746
ISBN 9798892703970. UPC: 659359889936. English.
On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote For the 15th Sunday after Trinity and at any time, indicating that he had composed it for any joyous occasion. It is his only religious cantata scored for solo soprano and trumpet. The first performance took place on September 17, 1730 in Leipzig. Gottfried Reiche, Bach's principal trumpeter, would likely have played the virtuoso trumpet part. As traditional culture in Leipzig generally eschewed female voices at the time, the vocal solo might have been sung by a boy soprano. This edition by Wilhelm Rust was created in 1863 as part of the Bach-Gesellschaft Ausgabe (Bach Society Edition). The continuo part was realized by Max Seiffert. Instrumentation: Solo Tpt: Str (2-2-2-1-1 in set): Hpchd: Solo Soprano. Reprint edition.
SKU: M7.DOHR-461589
ISBN 9783868461589.
Dresden, eine Bach-Stadt? Nein - mit Blick auf die Person Johann Sebastian Bachs, der sich vergeblich um ein Engagement am Hofe bewarb. Ja - als geistige Heimat zahlreicher Künstler von internationalem Rang, in deren Schaffen Bach ein permanenter Bezugspunkt ist.Diese Erfahrungen mit Bach bilden den Ausgangspunkt der Beiträge von Musikern und Wissenschaftlern, die in Dresden arbeiten, von der lokalen Tradition geprägt sind, sie reflektieren und weitergeben. Fast beiläufig entsteht ein reiches Spektrum von neuen und unkonventionellen Zugängen zu Bach: ein reiches Kapitel der Rezeption seiner Werke und ein Stück Musikgeschichte der sächsischen Hauptstadt.
SKU: HL.49008064
ISBN 9783795717766. German.
Das Institut fur Neue Musik und Musikerziehung Darmstadt fordert zeitgenossische Musik aller Bereiche und ihre padagogische Vermittlung. Das thematische Spektrum reicht von der Tradition der kompositorischen Avantgarde uber Klangkunst, Performance, Neue Medien und grenzuberschreitende Konzepte bis zur Improvisation, zum Jazz und zur Musik der Jugendkulturen.
SKU: HL.49021411
ISBN 9783795720049. UPC: 841886002685. 6.25x9.25x1.08 inches. German.
Die beim 78. Bachfest der Neuen Bachgesellschaft in Frankfurt an der Oder gehaltenen Vortrage werden in gedruckter Fassung vorgelegt. Ein weiterer thematischer Schwerpunkt ist dem fruhen Hammerflugel vorbehalten; die Resultate eines Symposiums im Musikinstrumenten-Museum werden prasentiert. In einem umfangreichen Beitrag zum Musikleben der preussischen Hauptstadt wahrend der Regierungszeit Friedrich II. werden die Zeitungsmitteilungen ausgewertet und die musikalischen Ereignisse in Berlin dokumentiert und kommentiert. Der Bedeutung des Volksliedes fur die Kunstmusik im ausgehenden 19. und beginnenden 20. Jahrhundert aus deutscher und aus litauischer Sicht sind zwei weitere Betrachtungen zuzuordnen.