SKU: BT.EMBZ14886

9x12 inches.

The latest volume of Chamber Music for Violoncellos contains four sacral works, two of which were arranged for cello quartet by the editor of the series, Árpád Pejtsik. Both Angelus!, Liszt's piano piece of ethereal beauty, and the Kyrie of Mozart's Requiem, an irresistibly surging four-part fugue, are magnificent when played with the immensely rich sound of the four cellos. The second part of the volume contains a pair of inspired works by two prominent cellists and composers of the 19th century: Karl Friedrich Wilhelm Fitzenhagen's Consecration Hymn and Friedrich Grützmacher's Ave Maria. While an instrumental skill of at least intermediate level is required for playing the upperparts due to the use of higher positions, the lower parts can be performed by beginner cellists. The editor has assisted the appropriate interpretation of the works by providing the fingering and bowing.

Band 15 der Reihe für Violoncelli enthält vier Kirchenmusikwerke. Die ersten beiden wurden vom Herausgeber der Reihe, Árpád Pejtsik, für Celloquartett arrangiert. Es folgen zwei Werke von zwei berühmten Cellisten und Komponisten des 19. Jahrhunderts:Karl Friedrich Wilhelm Fitzenhagens CONSECRATION HYMN und Friedrich Grützmachers AVE MARIA.
Für die höheren Lagen sollten die Schüler mindestens fortgeschritten sein, die tieferen Lagen können von Anfängern gespielt werden. Der Herausgeber hat für eine werkgetreue Wiedergabe Fingersätze und Striche hinzugefügt.

Inhalt:
1. Liszt: Angelus! Priere aux anges gardiens
2. Mozart, Wolfgang Amadeus: Kyrie from the Requiem (K 626)
3. Grützmacher, Friedrich: Consecration Hymn (Op. 65)
4. Fitzenhagen: Ave Maria

Contents:
1. Liszt: Angelus! Priere aux anges gardiens
2. Mozart, Wolfgang Amadeus: Kyrie from the Requiem (K 626)
3. Grützmacher, Friedrich: Consecration Hymn (Op. 65)
4. Fitzenhagen: Ave Maria

SKU: BR.OB-5287-16

The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy.

ISBN 9790004333211. 9 x 12 inches.

It was long overdue: a complete, source-critical new edition of this ever popular Boccherini Concerto. The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy. All preceding manuscripts are lost. Still available, however, is Friedrich Grutzmacher's pioneer edition (EB 3596, PB/OB 3842), which features a middle movement (the Adagio in G minor) originally found in the Violoncello Concerto in G major No. 7.

The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy.

SKU: BR.OB-5287-15

The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy.

ISBN 9790004333204. 9 x 12 inches.

It was long overdue: a complete, source-critical new edition of this ever popular Boccherini Concerto. The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy. All preceding manuscripts are lost. Still available, however, is Friedrich Grutzmacher's pioneer edition (EB 3596, PB/OB 3842), which features a middle movement (the Adagio in G minor) originally found in the Violoncello Concerto in G major No. 7.

The edition, prepared by Thomas Fritzsch, is based on the sole authentic source, a 19th-century copy.