SKU: CA.2730114
ISBN 9790007201319. Key: F minor. Language: Latin.
In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score and part available separately - see item CA.2730100.
SKU: CA.2730119
ISBN 9790007201333. Key: F minor. Language: Latin.
In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score and parts available separately - see item CA.2730100.
SKU: CA.2730109
ISBN 9790007201272. Key: F minor. Language: Latin.
SKU: CA.2730111
ISBN 9790007201289. Key: F minor. Language: Latin.
SKU: CA.2730105
ISBN 9790007115210. Key: F minor. Language: Latin.
In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score available separately - see item CA.2730100.
SKU: CA.2730100
ISBN 9790007091149. Key: F minor. Language: Latin.
In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives.
SKU: CA.2730103
ISBN 9790007080853. Key: F minor. Language: Latin.
SKU: CA.2730113
ISBN 9790007201302. Key: F minor. Language: Latin.
SKU: CA.2730115
ISBN 9790007201326. Key: F minor. Language: Latin.
SKU: CA.2730112
ISBN 9790007201296. Key: F minor. Language: Latin.
SKU: CA.4077315
ISBN 9790007221034. Language: Latin.
2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score and part available separately - see item CA.4077300.
SKU: CA.4077313
ISBN 9790007221010. Language: Latin.
SKU: CA.4077305
ISBN 9790007109332. Language: Latin.
2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score available separately - see item CA.4077300.
SKU: CA.7003705
ISBN 9790007103750. Language: Latin.
Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score available separately - see item CA.7003700.
SKU: CA.4077319
ISBN 9790007139469. Language: Latin.
2nd version: Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb) Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble (CV 70.037); the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts. Score and parts available separately - see item CA.4077300.
SKU: CA.4077303
ISBN 9790007089191. Language: Latin.
SKU: CA.4077314
ISBN 9790007221027. Language: Latin.
SKU: CA.4077311
ISBN 9790007220990. Language: Latin.
SKU: CA.4077312
ISBN 9790007221003. Language: Latin.
SKU: KU.GM-571_HST
Key: D minor.
SKU: KU.GM-571_VA
SKU: KU.GM-571_VL2
SKU: KU.GM-571_VL1
SKU: KU.GM-571_VC
SKU: KU.GM-571H
Solo harp part for the concerto, plus 3 short works for solo harp
SKU: KU.GM-571_KB
SKU: KU.GM-571P
For the solo part, see GM571HFull score.
SKU: HL.49002159
ISBN 9790001025218. UPC: 073999356366. 9.0x12.0x0.096 inches.