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Variations on "Non piu mesta" for Flute and Piano
Variations on "Non piu mesta" for Flute and Piano
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Flute and Piano
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INTERMEDIATE/ADVANCED
#
Gioachino Rossini, Frederic Ch
#
Yoon Jae Lee
#
Variations on "Non piu mesta"
#
Ondine Press
#
SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.866120 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Rom...
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Flute,Piano - Level 4 - Digital Download SKU: A0.866120 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Score and part. 31 pages. Ondine Press #5377025. Published by Ondine Press (A0.866120). This is a piano reduction to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score and set of parts are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/rossini-chopin_-_variations_on__non.
$15.00 ≈
13.47€
Concertino for Tuba (piano reduction)
Concertino for Tuba (piano reduction)
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Tuba and Piano
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INTERMEDIATE
#
Contemporary
#
Gregory Fritze
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Concertino for Tuba
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Musica Nova USA
#
SheetMusicPlus
Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Publishe...
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Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Published by Musica Nova USA
Concertino for Tuba was written in 2016 as a piano transcription to both the versions for band and orchestra, composed in 2003 and 2005, respectively. The duration is 13 minutes. The band version is grade 4 with the solo tuba grade 5. The solo tuba and band orchestration was adapted from Concertino for Euphonium and Band commissioned by the United States Army Band “Pershing’s Own” in 1995. In 2002 Gary Bird asked me to compose a piece for him with band that was to be premiered by the Volga Band of Saratov, Russia conducted by Mary Ann Craig in 2004. Gary knew several of my compositions and asked me to compose a piece similar my Concertino for Euphonium and Band that was composed for Bob Powers and the United States Army Band. In 2004 Gary told my that he would be playing a solo with the Johnstown Symphony Orchestra and asked me to do a version for symphony orchestra. It was premiered by the Johnstown Symphony Orchestra; Istvan Jaray, Conductor in 2006. The orchestral version was recorded by Gary Bird and the Oak Grove Symphony Orchestra; Jack Stamp, Conducting. It is on the CD Tuba Safari on Albany Records. The band version was recorded by Gary Bird and the IUP Wind Ensemble; Jack Stamp, Conducting. Concertino for Tuba and Orchestra was a Semi Finalist Winner in the American Prize Composition Competition – Orchestra Division in 2017, the only concerto awarded a prize in the Orchestra Division that year.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Reneé Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
17.96€
The Year of the Trumpeter (piano reduction)
The Year of the Trumpeter (piano reduction)
#
Trumpet, Piano
#
EASY
#
Contemporary
#
Gregory Fritze
#
The Year of the Trumpeter
#
Musica Nova USA
#
SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sacred, Funeral. Piano Reduction, Solo Part. 14 pages. Published by M...
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sacred, Funeral. Piano Reduction, Solo Part. 14 pages. Published by Musica Nova USA
Year of the Trumpeter (El Año del Trompetista) is a piece for solo trumpet and band. Duration is 5 minutes, Grade for band and soloist is Grade 3. This is the piano reduction. It was composed in 2010 as an homage to four friends of mine who played trumpet and passed away in 2009.
Fred Mills played trumpet with the Canadian Brass for 24 years. I met him when I performed with Harvey Phillips and his Tuba Consort when we joined the Canadian Brass in a Christmas concert at Carnegie Hall. I arranged a piccolo descant trumpet part for Fred that he played with the tuba group. We also worked together in Cordoba Argentina in 2006.
Linares Rodriguez was a member of the La Armonica Band of Buñol. After he retired from playing, hebecame the manager for the society’s buildings. When I first lived in Buñol in 1996 we became goodfriends and sometimes took walking excursions together.
Bill Maloof was my first boss as he was Chair of Composition during my first ten years as a facultymember at Berklee College of Music in Boston.
Nedo Pandolfi was considered a great musical force in Rhode Island. His last concert with the Rhode Island Philharmonic Orchestra in 1983 was my first performance with the orchestra. At that time heplayed French Horn but his original instrument was trumpet.
Year of the Trumpeter was premiered March 8, 2014 by Antonio Cambres Rodriguez and the CIM La Armonica, David Fiuza, Conductor in Buñol (Valencia), Spain. The version for trumpet and piano was premiered in Magallon, Spain, July 2017 by Antonio Cambres with the composer playing piano. The band version was recorded by Cambres and the CIM La Armonica, David Fiuza, Conductor. It is on the CD Music for Wind Orchestraon La Armonica Records.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Reneé Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$15.00 ≈
13.47€
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Johann Simon Mayr
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Fabrizio Capitanio
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Concerto for Cembalo [Fortepia
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Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Clas...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95 ≈
24.21€
Romantic Concerto for Trombone with Piano reduction accompaniment
Romantic Concerto for Trombone with Piano reduction accompaniment
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Trombone and Piano
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ADVANCED
#
Contemporary
#
Jan Freidlin
#
Romantic Concerto for Trombone
#
Cherry Classics Music
#
SheetMusicPlus
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin (1944-). 21st Century, 20th Century, Romantic Period, Modern. Pian...
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin (1944-). 21st Century, 20th Century, Romantic Period, Modern. Piano Reduction, Solo Part. 33 pages. Published by Cherry Classics Music
Item Number: S0.703425
Jan Freidlin's lush and beautiful Romantic Concerto for Trombone and Piano (reduction) was composed in 2004 and is in the traditional three movements. The 15-minute work is appropriate for advanced performers.
Below is what the composer has written about his work:
"Written in 2004 , this composition combines three contrasting movements, however their style is not typical of a classical concerto, nor of a romantic work.
The 1st movement - Moderato has a long recitative-like introduction performed by the soloist over a background of aleatoric sounds. The tonality is indefinite with many harmonic changes.
The music gradually builds up more and more leading the listener to the 2nd movement - Vivace energico in which there is, added rhythmic complexity. In the 2nd movement the main motive from the 1st movement is reintroduced and the mood gains in intensity with various syncopated rhythmic phrases as the piano and solo Trombonist accelerate together into a major climax.
With the energy drained out of the music by the conclusion of the 2nd movement the listener is brought to the 3rd movement - Adagietto. This movement is absolutely lyrical, elegiac and unexpectedly tonal. Its main melody has an atmosphere of nostalgia leading to the emotional center of the whole work, the softest climax of the Concerto . The soloist plays it in many tonalities, then gradually this warm wave eases, leaving the listener in a cathartic condition.
The Concerto contains many virtuosic moments for the soloist that sound very expressive and heroic."
Jan Freidlin
The mp3 sample contains a segment of each movement from a live performance of the Concerto performed by the Odessa Philharmonic Chamber Orchestra, Conductor Igor Shavruk and Trombone solist Andrei Sokolov.
$35.00 ≈
31.44€
An American in Valencia - Trumpet Solo with Band (piano reduction)
An American in Valencia - Trumpet Solo with Band (piano reduction)
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Trumpet, Piano
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INTERMEDIATE
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Contemporary
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Gregory Fritze
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An American in Valencia - Trum
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published ...
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published by Musica Nova USA
An American in Valencia was commissioned by the United States Army Band “Pershing’s Own” in Washington, DC in 1999. The Premiere Performance was May 22, 1999 at the Casa de Cultura in L’Alcudia (Valencia), Spain by Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English, Principal Trumpet the U. S. Army Band "Pershing's Own" as was the soloist.
The piece is in three movements in a Spanish style suggesting the grand gesture of Bull fighting.The trumpet soloist portrays a toreador with the splendor of the corrida. The first movement represents theentrance of the toreador with all of the fanfare and showmanship as he bows to the audience. The second movement is a love song in a waltz tempo. The third movement starts with the raging bull coming out ofit’s corral, ready for the fight. The trumpet soloist is able to contain the bull with dashing melodic figures and a cadenza leading to the final bow in victory.
An American in Valencia was awarded Finalist in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. It is recorded on Mark Records with Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English is the soloist.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize.
He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
17.96€
Concerto for Alto Saxophone and Orchestra - piano reduction and part
Concerto for Alto Saxophone and Orchestra - piano reduction and part
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Alto Saxophone and Piano
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ADVANCED
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Contemporary
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Philip Orem
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Concerto for Alto Saxophone an
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Philip Orem
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SheetMusicPlus
Piano Accompaniment, Alto Sax - Advanced - Digital Download Composed by Philip Orem. 21st Century, Contemporary Classical. 55 pages. Published by Phili...
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Piano Accompaniment, Alto Sax - Advanced - Digital Download Composed by Philip Orem. 21st Century, Contemporary Classical. 55 pages. Published by Philip Orem
This is a dramatic work for alto saxophone and orchestra featured on the CD, Concerto, released by Roven Records and available on iTunes. The concerto is in three movements that segue onto each other and is a reflection on Mary Oliver's poem, When Death Comes.
The first movement is dark, at times mysterious at others forceful, the second more contemplative while the last is a joyful romp.
Includes piano reduction and alto saxophone part.
$50.00 ≈
44.91€
Beautiful Savior--Solo Piano.pdf
Beautiful Savior--Solo Piano.pdf
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Piano solo
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Traditional
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Marilyn Thompon
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Beautiful Savior--Solo Piano.p
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Marilyn Thompson
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.809542 Composed by Traditional. Arranged by Marilyn Thompon. Christian,Christmas,Gospel,Sacred. Score. 7 pages. Mar...
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Piano Solo - Digital Download SKU: A0.809542 Composed by Traditional. Arranged by Marilyn Thompon. Christian,Christmas,Gospel,Sacred. Score. 7 pages. Marilyn Thompson #6136149. Published by Marilyn Thompson (A0.809542). Strains from Grieg's Lovely Arietta for piano is interwoven with the Silesian Folk Melody known to the church as the Crusader's Hymn. This gentle and moving setting is for Solo Piano. Available on separate post is a Piano/Organ duet as are Scores and Parts with optional Cello and Violin obligatos for either instrumentation. (A keyboard reduction is also provided.) Also available from the arranger is an additional simple SATB that enters in several places to add a nice touch. For further information, contact: marilyn@mtmusicministries.com ASCAP Difficulty level is moderate.
$3.99 ≈
3.58€
ZATTEN Concerto for Trumpet with Piano accompaniment
ZATTEN Concerto for Trumpet with Piano accompaniment
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Trumpet, Piano
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ADVANCED
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Contemporary
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Petrich, Roger
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ZATTEN Concerto for Trumpet wi
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by Petrich, Roger. 21st Century. Piano Reduction, Solo Part. 24 pages. Published by...
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Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by Petrich, Roger. 21st Century. Piano Reduction, Solo Part. 24 pages. Published by Cherry Classics Music
Zatten was commissioned in 2005 by Trumpeter Paul Neebe during the composer's vacation to do ancestral research in the town of Zatten, currently part of Poland.
Roger Petrich writes the following about his Zatten Concerto for Trumpet:
"The 'DNA' of this compostion tracks back to my great-grandfather and the tiny Plattdeutsch village where he was born. Zatten, [then] located in the eastern part of Berlin/Brandenburg is in an area of forest and small farms dating back to the 1600's. My grandfather R. T. Petrich, whose initials I bear, was six years old when he, along with his parents, sister, and older brother left Prussia to start a new life in the USA.
My own childhood memories include many visits to the family homestead in Dakota Territory, where I used to play in the barn which hosted many summer dances. The Dakota sky was vast by day, and nights could become magical with the addition of the Northern Lights. Though not a professional musician, my father kept up his trumpet playing all his life. In a special way it was his "voice" - a sound that deeply imprinted all my growing up years. All of this is mixed together in my Zatten Concerto"
The Zatten Concerto is in three movements, the two outer movements faster and the middle is a Largo. This work is written for Trumpet in C and is appropriate for advanced performers.
The title Zatten (the name of the small village in Germany where his family was located before immigrating to the USA) is spelled out in Morse Code in the very opening eight bars of the work. The Concerto is originally written for Trumpet and String Orchestra, this version using a reduction for Piano.
$30.00 ≈
26.95€
"The A-Team": Main Theme (Post and Carpenter) - Solo Piano
"The A-Team": Main Theme (Post and Carpenter) - Solo Piano
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Piano solo
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INTERMEDIATE
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Film/TV
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Mike Post, Pete Carpenter
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Rob Bushnell
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"The A-Team": Main Theme
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RBMusic
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SheetMusicPlus
Piano Solo - Intermediate - Digital Download By Mike Post, Pete Carpenter. Arranged by Rob Bushnell. Individual Part, Piano Reduction, Set of Parts, ...
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Piano Solo - Intermediate - Digital Download By Mike Post, Pete Carpenter. Arranged by Rob Bushnell. Individual Part, Piano Reduction, Set of Parts, Sheet Music Single, Solo Part. 2 pages. Published by RBMusic
The A-Team is an American television series that ran from 1983 to 1987. It opens with the infamous narration: ‘In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire the A-Team.’
The show revolves around four members of the fictitious United States Army Special Forces unit. These are the leader Colonel/Colonel John "Hannibal" Smith (played by George Peppard), smooth-talking Lieutenant Templeton Peck or “Face” (Dirk Benedict), pilot Captain H.M. "Howling Mad" Murdock (Dwight Schultz) and mechanic Sergeant First Class Bosco "B.A." Baracus (Mr. T).
The main theme was composed by Mike Post and Pete Carpenter, although the version they created was not the same as the theme heard on-screen (which is what this arrangement is of). The theme has been ranked among the best TV themes every written. Interesting, the French version of the theme has lyrics that mirror the spoken description of the English version of the show.
In 2010, 20th Century Fox released a feature film based on the series starring Liam Neeson, Bradley Cooper, Quinton Jackson and Sharlto Copley as the A-Team. Alan Silvestri composed the soundtrack.
A recording from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=_MVonyVSQoM.
$5.97 ≈
5.36€
London Town Fantasy for Trombone and Piano
London Town Fantasy for Trombone and Piano
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Trombone and Piano
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ADVANCED
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Contemporary
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Antonio J
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London Town Fantasy for Trombo
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Par...
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.
Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).
The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)
Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).
The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.
$27.50 ≈
24.70€
Gris Piano Collections (Complete Digital Book)
Gris Piano Collections (Complete Digital Book)
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Easy Piano
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EASY
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Video Game
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Berlinist
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David Peacock
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Gris Piano Collections
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Materia Editions
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SheetMusicPlus
Composed by Berlinist. Arranged by David Peacock. Video Games. Piano Reduction. 111 pages. Published by Materia Editions...
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Composed by Berlinist. Arranged by David Peacock. Video Games. Piano Reduction. 111 pages. Published by Materia Editions
Gorgeous digital sheet music edition optimized for on-screen viewing and playing, featuring 15 elegant arrangements by David Peacock and never-before-seen concept art and graphics from the game development by Nomada Studio.
This is the digital sheet music version of the Gris Piano Collections, and will be delivered to your email as a PDF. It does not include the digital album.
“While arranging the music of GRIS, I realized how crucial it would be to capture the space and atmosphere that Berlinist created. That translated to using very different textures of the piano: strategic timing of the sustain pedal to capture delicate reverb tails in “Debris,” and across several pieces, liberal use of the una corda pedal, and physically plucking the strings.” - David Peacock
- 110 pages
- Optimized for screen readers
Arranged and Engraved by David Peacock
Originally performed by Augustine Mayuga Gonzales
A Materia Editions Production
Executive Producer Mary Kate Jiménez-Wall
Illustrations provided by Nomada Studio
Product and Layout Design by Rozen, Isa Alcántara
Music written by Berlinist. © 2018 Marco Albano & Luigi Gervasi. Gris, Nomada Studio, the logos, and all related characters and elements are trademarks and © 2018 Nomada Game Studio S.L..
Arrangements © 2021 Materia Music Inc. under license to Materia Editions. All rights reserved. Used by permission.
Included arrangements:
This publication includes sheet music for all arrangements from the Gris Piano Collections album released by Materia Collective. Please note that certain songs from the original Gris soundtrack were arranged and recorded as medleys.
1. Gris, Pt. 1
2. Debris
3. Meridian ~ Chiasm ~ Incipit
4. Perseverance
5. Boundary ~ Windmill
6. Komorebi
7. Environments
8. Tobu ~ Karasu
9. Descent
10. Unagi
11. Ascension
12. Firmament
13. Comparison
14. Gris, Pt. 2
15. In Your Hands ~ Circles
$34.99 ≈
31.43€
Bach-Gounod: Ave Maria for Clarinet and Piano
Bach-Gounod: Ave Maria for Clarinet and Piano
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Clarinet and Piano
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EASY
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Classical
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Cla
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction...
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
7.14€
Funeral March (Walch)/"Beethoven's Funeral March No.1" - Solo Piano
Funeral March (Walch)/"Beethoven's Funeral March No.1" - Solo Piano
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Easy Piano
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EASY
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Classical
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Johann Heinrich Walch
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Rob Bushnell
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Funeral March
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RBMusic
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SheetMusicPlus
Composed by Johann Heinrich Walch. Arranged by Rob Bushnell. Classical Period, TV, Funeral. Piano Reduction, Sheet Music Single, Solo Part. 3 pages. P...
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Composed by Johann Heinrich Walch. Arranged by Rob Bushnell. Classical Period, TV, Funeral. Piano Reduction, Sheet Music Single, Solo Part. 3 pages. Published by RBMusic
Known as"Beethoven's Funeral March No.1" (and announced as such by the BBCTelevision company), Johann Heinrich Walch's funeral march is played each yearat the Remembrance Sunday Services in London on the Sunday nearest to 11November. The march was also played during the processions of The Queen Motherand of former British Prime Minister Margaret Thatcher.
A recording by amilitary band (in the original key)can be found on YouTube: https://www.youtube.com/watch?v=khzd8lD7FJs.
Other searchableterms: Beethoven, Ludwig van Beethoven, Funeral March No.1, Funeral March No 1,Funeral March No1, Funeral March Number 1, Funeral March Number One, JohannHeinrich Walch, Cenotaph, Laying of the Wreaths, Wreath Laying, Armistice,Remembrance Day
$5.25 ≈
4.72€
< Short EZ Piano #420 > Gurenge from Kimetsu No Yaiba (Demon Slayer)
< Short EZ Piano #420 > Gurenge from Kimetsu No Yaiba (Demon Slayer)
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Easy Piano
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EASY
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Film/TV
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Lisa
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Tsuyoshi Yoroiguma
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< Short EZ Piano #420 > Gureng
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Piano Solo, Easy Piano - Early Intermediate - Digital Download By Lisa. Arranged by Tsuyoshi Yoroiguma. Individual Part, Piano Reduction. 3 pages. Pu...
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Piano Solo, Easy Piano - Early Intermediate - Digital Download By Lisa. Arranged by Tsuyoshi Yoroiguma. Individual Part, Piano Reduction. 3 pages. Published by Tsuyoshi Yoroiguma
Let's play your favorite pop,rock,jazz etc. by piano(or keyboard).
Short EZ Piano is a easy piano sheet music series that arranged by Tsuyoshi Yoroiguma.
Kimetsu No Yaiba (Demon Slayer) is a Japanese mega-hit comic and animation movie in 2020.
The PDF file includes 3 pages of sheet music.
This is an easy version arrangement in translated key (A-minor).
Playing time :2min05sec.
Please visit arranger's blog to listen full sound sample
http://yoroiguma.seesaa.net/
page of 2020-12-9
$7.00 ≈
6.29€
A Little Piece Of Heaven - Avenged Sevenfold for Piano Solo
A Little Piece Of Heaven - Avenged Sevenfold for Piano Solo
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Piano solo
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ADVANCED
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Rock
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Avenged Sevenfold
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Christina Pepper
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A Little Piece Of Heaven - Ave
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Christina Pepper
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SheetMusicPlus
Piano Solo - Advanced - Digital Download By Avenged Sevenfold. Arranged by Christina Pepper. Piano Reduction. 11 pages. Published by Christina Pepper...
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Piano Solo - Advanced - Digital Download By Avenged Sevenfold. Arranged by Christina Pepper. Piano Reduction. 11 pages. Published by Christina Pepper
"A Little Piece of Heaven" is a song by Avenged Sevenfold from their self-titled album. This is a very advanced piano solo arrangement that attempts to capture as much of this elaborate song as possible on one instrument. It can be simplified down in a few places for increased playability, specifically in the LH part.
$5.99 ≈
5.38€
The Sea-Shells Waltz for Trombone and Piano
The Sea-Shells Waltz for Trombone and Piano
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Frederick N
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Chris Buckholz
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The Sea-Shells Waltz for Tromb
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trombone - Advanced Intermediate - Digital Download Composed by Frederick N. Innes. Arranged by Chris Buckholz. 20th Century, Ro...
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Piano Accompaniment, Trombone - Advanced Intermediate - Digital Download Composed by Frederick N. Innes. Arranged by Chris Buckholz. 20th Century, Romantic Period, Patriotic, Old-time, Americana. Piano Reduction, Solo Part. 21 pages. Published by Cherry Classics Music
The Sea-Shells Waltz was written in 1880 as part of a musical challenge Innes posed to the great French cornetist, Jules Levy. They were both in New York performing as soloists with the legendary Gilmore band for some summer concerts. Levy would play a solo and Innes would follow with an even more elaborate one. One day Levy brought in a new solo in which he injected his own extemporaneous cadenza made up of everything he could do on the cornet. When his turn came to play, Innes also had something up his sleeve. He had written a brand new solo for the trombone, entitled The Sea-Shells Waltz with a minute and one-half cadenza.
This legendary musical duel brought forth a delightful solo that has been rediscovered and edited by Trombonist Chris Buckholz. The solo is about 8-minutes in length for advanced performers.
Below is a gorgeous sample of some of the concert band version of the work (soon to be published) beautifully performed by Chris Buckholz, from his double CD album Versatility.
$17.50 ≈
15.72€
This Is Me (from The Greatest Showman) (Flute and Piano)
This Is Me (from The Greatest Showman) (Flute and Piano)
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Flute and Piano
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INTERMEDIATE
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Broadway
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Keala Settle
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Joseph Hasper
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This Is Me
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Joseph Hasper
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SheetMusicPlus
Piano Accompaniment, Flute - Intermediate - Digital Download By Keala Settle. Arranged by Joseph Hasper. Individual Part, Piano Reduction, Score, Set...
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Piano Accompaniment, Flute - Intermediate - Digital Download By Keala Settle. Arranged by Joseph Hasper. Individual Part, Piano Reduction, Score, Set of Parts. 10 pages. Published by Joseph Hasper
The smash hit from "The Greatest Showman" arranged for flute and piano. The song “This Is Me” became an anthem of self-empowerment that propelled the film’s soundtrack to a No. 1 spot on the Billboard charts and earned songwriters Benj Pasek and Justin Paul an Oscar-nomination for Best Original Song.
Key of G major, modulates to A major. Flute ranges to low D to high G). 81 measures, 4'00" duration. Includes piano and solo parts.
$9.99 ≈
8.97€
A Breeze from Alabama
A Breeze from Alabama
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Trumpet, Piano
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INTERMEDIATE
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Ragtime
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Scott Joplin
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James Siddons
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dedication on the cover to P
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A Breeze from Alabama
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James Siddons Music and Writings
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SheetMusicPlus
Trumpet, piano - Level 3 - Digital Download SKU: A0.972642 Composed by Scott Joplin. Arranged by James Siddons. Folk,Holiday,Patriotic,Ragtime. Score and...
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Trumpet, piano - Level 3 - Digital Download SKU: A0.972642 Composed by Scott Joplin. Arranged by James Siddons. Folk,Holiday,Patriotic,Ragtime. Score and parts. 24 pages. James Siddons Music and Writings #3124007. Published by James Siddons Music and Writings (A0.972642). Although published as a piano solo (1902), A Breeze from Alabama is subtitled March and Two Step and has a dedication on the cover to P. G. Lowery (Perry George Lowery, 1871-1942), World's Challenging Colored Cornetist and Band Master. Thus, A Breeze from Alabama may well have been conceived as a march for military band but published only as a piano solo. No band arrangement by Joplin is known to exist, but Joplin could have done this, as he himself was a cornetist as well as pianist, and had played cornet in bands like Lowery's many times. Drawing on this information, the present arrangement by James Siddons (2017) is based on the following assumptions: 1. A Breeze from Alabama originated as a march (in march-trio form) for military band. 2. The 1902 publication is a piano reduction of that band work. The melodic lines intended for cornet solo are generally discernible in the piano reduction. 3. A setting for piano duet (or ensemble) keeps this work in the tradition of ragtime piano while also emulating the fulsome tone colors of brass instruments to a degree that a solo piano cannot do. Thus this arrangement is not a solo-and-accompaniment setting, but a setting for large ensemble with soloist. It is collaborative music, akin to a concerto. This piano duet part may be performed by two pianists at one piano, or two pianists at two pianos, or four pianists at two pianos, or even six pianists at three pianos, with or without a conductor. The cornet part may be played on trumpet. There are three score or part versions for sale:1. The full score is for use by a conductor or instructor. An audio track (mp3, virtual sounds) is posted here.2. The piano duet (or ensemble) score has the Primo and Secondo parts shown on facing left and right pages as is standard for piano duet music. (No audio recording.)3. The cornet (or trumpet) part is sold separately and has a rehearsal recording posted, in which only the piano duet music is heard. This arrangement features a cadenza for cornet composed by James Siddons. The cadenza is found in measures 115-119 in the score and cornet part. In the rehearsal recording, there is five seconds of silence beginning 2 mins, 44 secs into the audio track. The music resumes at measure 120. To practice with the cadenza, press pause on your media player; to practice without the cadenza, simply wait the silence out.
$5.00 ≈
4.49€
Largo from Symphony No.9 ("From the New World") (Dvorak) - Theme for Solo Piano (Transposed/Easier Key)
Largo from Symphony No.9 ("From the New World") (Dvorak) - Theme for Solo Piano (Transposed/Easier Key)
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Easy Piano
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EASY
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Classical
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Antonin Dvorak
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Rob Bushnell
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Largo from Symphony No.9
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RBMusic
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Composed by Antonin Dvorak (1841-1904). Arranged by Rob Bushnell. Romantic Period, Spiritual, TV, Native American. Piano Reduction, Sheet Music Single. 2 p...
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Composed by Antonin Dvorak (1841-1904). Arranged by Rob Bushnell. Romantic Period, Spiritual, TV, Native American. Piano Reduction, Sheet Music Single. 2 pages. Published by RBMusic
This arrangement is not in the original key to make it easier to play. A version in the original key is available here: S0.373007.
The Czech composer Antonín Dvoand#345;ák became the director of theNational Conservatory of Music in New York City in 1892 (a post he helduntil 1895). Whilst in North America, he became fascinated by Native Americanmusic and the African-American spirituals that he heard. After a commission in1893 from the New York Philharmonic, he wrote the Symphony No. 9 in E minor,"From the New World", also known as the ?New World? Symphony ? not onlyhis most famous symphony but one of the most popular symphonies of all time.
The second movement (Largo) features the famous cor anglaissolo, arranged here for solo piano. It was famously used in a British advert for the bread-brandHovis and was adapted into the spiritual-like song ?Goin? Home? by one ofDvoand#345;ák's pupils in 1922.
Dvoand#345;ák explained the Native-American influences in the symphonyin an article published by the New York Herald: ?I have not actually used anyof the [Native American] melodies. I have simply written original themesembodying the peculiarities of the Indian music, and, using these themes assubjects, have developed them with all the resources of modern rhythms,counterpoint, and orchestral colour.?
A recording of the ?New World? Symphony was taken along on theApollo 11 mission by Neil Armstrong in 1969.
$6.50 ≈
5.84€
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