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You've selected:
You Will Be Found for Flute and Piano
Sheetmusic to print
36 sheet music found
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You Will Be Found for Flute and Piano
You Will Be Found for Flute and Piano
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Film/TV
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Ben Platt, Benj Pasek, Justi
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Erin Spencer
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You Will Be Found for Flute an
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Erin Spencer
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SheetMusicPlus
By Ben Platt, Benj Pasek, Justin Paul. Arranged by Erin Spencer. Score, Set of Parts. 32 pages. Published by Erin Spencer...
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By Ben Platt, Benj Pasek, Justin Paul. Arranged by Erin Spencer. Score, Set of Parts. 32 pages. Published by Erin Spencer
$5.99 ≈
5.38€
All Things Bright and Beautiful
All Things Bright and Beautiful
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Flute and Piano
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BEGINNER
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Old English Tune, Lyrics by Ce
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Rebecca Bogardus
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All Things Bright and Beautifu
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Lillwy Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.877917 Composed by Old English Tune, Lyrics by Cecil Frances A...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.877917 Composed by Old English Tune, Lyrics by Cecil Frances Alexander. Arranged by Rebecca Bogardus. Children,Christian,Sacred,Standards. Score and parts. 6 pages. Lillwy Publishing #4109525. Published by Lillwy Publishing (A0.877917). This arrangement is part of the Primary Band Companion for LDS artists. These flexible arrangements are designed for flute students who are in their first year of a band method and include: 1. Solo Flute: this part is the melody of a familiar primary song or hymn. 2. Optional Flute 2: this duet part is optional. The duet part is at roughly the same level as the solo, so two beginning flutists may easily play a duet in church. 3. Accompaniment Piano for Solo or Duet: This part may accompany either the first flute for a solo or both flutes playing a duet. It would also be appropriate while someone sings the melody. It is my hope that these arrangements will enable young flutists to begin sharing their musical talents in the first few months of study. More information about this series may be found at www.studiobogardus.com/arrangements.html.
$2.99 ≈
2.69€
5 Classical Wedding Music for Woodwind Quintet
5 Classical Wedding Music for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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EASY
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Charles Gonoud, Edward Elgar,
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Woods Only
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Co
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5 Classical Wedding Music for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Pet...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99 ≈
53.88€
8 Swinging Xmas Carols for Bassoon & Piano
8 Swinging Xmas Carols for Bassoon & Piano
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Bassoon, Piano (duet)
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INTERMEDIATE
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Sacred music
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Bas
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Keith Terrett
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SheetMusicPlus
Bassoon,Piano - Level 3 - Digital Download SKU: A0.1315048 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Holiday,Praise...
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.1315048 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Holiday,Praise & Worship. Score and part. 30 pages. Keith Terrett #903801. Published by Keith Terrett (A0.1315048). An exciting arrangement of eight popular swinging xmas carols arranged for Bassoon & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith!If you enjoyed this arrangement, check out my original works for Bassoon and Piano, such as: A Bassoonist Goes Ballroom Dancing, and my arrangement of Czardas for Bassoon and Piano; all to be found in my Sibelius store.
$15.99 ≈
14.36€
Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
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Concert band
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BEGINNER
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Austin Ralphson
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Crazy Latin! for classrooms an
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Austin Ralphson
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages...
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Concert Band - Level 1 - Digital Download SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphson #3561245. Published by Austin Ralphson (A0.563350). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-extra-value-bundle-of-music-for-school-groups-digital-sheet-music/20768644?ac=1&aff_id=559837 ** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. CRAZY LATIN! is the second piece in this series, and has additional parts for Latin percussion commonly found in the classroom. Suggested percussion rhythms are also provided with phrases by which students can remember the rhythms. You are obviously free to alter these in any way, or add additional instruments however. Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99 ≈
13.46€
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
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Concert band
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BEGINNER
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Austin Ralphson
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'It's Time For Reggae' for cla
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Austin Ralphson
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Aust...
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Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99 ≈
13.46€
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Choral SATB
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INTERMEDIATE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brow...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
26.95€
Two Almandes from Premier Livre de Danseries (Pierre Phalèse, 1571)
Two Almandes from Premier Livre de Danseries (Pierre Phalèse, 1571)
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Renaissance
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Pierre Phalèse
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Colin Kirkpatrick
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Two Almandes from Premier Livr
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. ...
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String Ensemble - Level 2 - Digital Download SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #642781. Published by Colin Kirkpatrick Publications (A0.1037867). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The two almands in this arrangement were well known popular melodies at the time of publication. They still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.08€
Stand for the Right
Stand for the Right
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Joseph Ballantyne
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Rebecca Bogardus
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Stand for the Right
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Lillwy Publishing
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SheetMusicPlus
Woodwind Ensemble - Level 1 - Digital Download SKU: A0.877912 Composed by Joseph Ballantyne. Arranged by Rebecca Bogardus. Children,Christian,Sacred,Stan...
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Woodwind Ensemble - Level 1 - Digital Download SKU: A0.877912 Composed by Joseph Ballantyne. Arranged by Rebecca Bogardus. Children,Christian,Sacred,Standards. 5 pages. Lillwy Publishing #3619263. Published by Lillwy Publishing (A0.877912). This song is part of the Primary Band Companion Series. These flexible arrangements are designed for flute students who are in their first year of a band method. They include: 1. Flute: this part is the melody of a familiar primary song or hymn, transposed to an appropriate beginner key and with helpful notes. 2. Flute 2: this duet part is optional. The duet part is at roughly the same level as the solo. 3. Accompaniment Piano for Solo or Duet: This part may accompany either the first flute for a solo or both flutes playing a duet. It would also be appropriate while someone sings the melody.It is my hope that these arrangements will enable young flutists to begin sharing their musical talents in the first few months of study. Range: Flute part plays all the notes of the middle octave Bb major scale. Flute 2 adds the A below Bb. More information about this series may be found at www.studiobogardus.com/arrangements.
$1.99 ≈
1.79€
For Wisdom is Better than Jewels
For Wisdom is Better than Jewels
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Choral SATB
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INTERMEDIATE
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Connie Pwll Walck Tyler
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For Wisdom is Better than Jewe
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Connie Tyler
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1008087 Composed by Connie Pwll Walck Tyler. Christian,Contemporary,Jewish,Sacred. Octavo...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1008087 Composed by Connie Pwll Walck Tyler. Christian,Contemporary,Jewish,Sacred. Octavo. 48 pages. Connie Tyler #4765403. Published by Connie Tyler (A0.1008087). What is Wisdom?In Proverbs 8:5-11 she says,Learn prudence, acquire intelligence, …take my instruction instead of silver,and knowledge rather than choice gold,for Wisdom is better than jewels. This suite of three songs is appropriate for use in a Christian or Jewish religious service or a secular concert. It includes a short audience participation possibility at the end of the last song. All are written for flute, piano, ethnic drum, SATB plus a high soprano part that can be a soloist. The drum part is written out, but could be improvised. The first song, Hear My Call, is short (1:49) and could be used as a call to worship in a religious service. The second song, God Created Me, (4:36) is an anthem of praise using the wonderful words of the creation of Wisdom in Proverbs 8:22-36 with a descant of the creation story in the book of Ben Sira 24:3, found in the Apocrypha. The tenors and basses sing the comparison of Wisdom with the trees of Israel, also found in Ben Sira, all in praise of Wisdom. The third song, Choose Life, (1:16) includes a chant that can be sung by the congregation or audience along with the choir. This could be used as the final hymn in a religious service. All three songs can be used separately or together. At the end of the score you will find a copy of the congregational chant which can be copied and placed in an Order of Service or Program. Purchase includes the right to make eight photocopies. For additional copies please purchase another score from sheetmusicplus.com. The recording is electronically produced and therefore has choral oohs without words. All three songs are on the recording, and at the end there is a flute rendering of the chant.. This is not intended to stand alone, but to be sung, as directed, with the last part of the choir song, Choose Life.
$20.00 ≈
17.96€
We Thank You, Lord - Communion Anthem for Smaller Choirs
We Thank You, Lord - Communion Anthem for Smaller Choirs
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Choral 3-part
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EASY
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Michael A
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Kenneth Martin
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We Thank You, Lord - Communion
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Martin Music Editions
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SheetMusicPlus
Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1405934 By Michael A. Schmid. By Kenneth Martin. Arranged by Kenneth Martin. 21st Cen...
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Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1405934 By Michael A. Schmid. By Kenneth Martin. Arranged by Kenneth Martin. 21st Century,Contest,Easter,Festival,Sacred,Traditional. 19 pages. Martin Music Editions #988981. Published by Martin Music Editions (A0.1405934). Experience the profound gratitude expressed in 'We Thank You, Lord', a stirring choral work with text by Michael A. Schmid. Specifically voiced for SAB choirs with an optional C instrument, this piece is a beautiful addition to any smaller choir's repertoire.  In 'We Thank You, Lord', the melody is shared and seamlessly handed off between Soprano, Alto, Tenor, and Baritone voices, allowing each section to shine. This unique approach ensures that both upper and lower voices have moments to be featured, creating a harmonious blend of sound.  The rolling piano accompaniment provides solid support to the voices, with melodies and harmonies delicately woven into the right hand. This thoughtful arrangement assists singers in delivering a heartfelt performance with depth and emotion.  For an added touch of beauty and versatility, 'We Thank You, Lord' offers the option to include a C instrument such as violin, flute, or oboe. This special addition enhances the overall sound and adds a layer of richness to the performance.  Additionally, parts are included for guitar/lead sheet, providing flexibility for accompaniment options.  Whether you're performing in a church, a community center, or any other venue, 'We Thank You, Lord' is a heartfelt expression of gratitude that will resonate deeply with audiences.  Don't miss the opportunity to share the message of thankfulness and appreciation with 'We Thank You, Lord' – a heartfelt choral piece that will uplift and inspire all who hear it!
$2.10 ≈
1.89€
M-O-T-H-E-R, A Word That Means The World To Me
M-O-T-H-E-R, A Word That Means The World To Me
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Flute and Piano
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EASY
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Traditional
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Joan Bujacich
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M-O-T-H-E-R, A Word That Means
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Joan Bujacich
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SheetMusicPlus
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1222345 By Traditional. By Traditional. Arranged by Joan Bujacich. Holiday,Standards,Traditional...
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Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1222345 By Traditional. By Traditional. Arranged by Joan Bujacich. Holiday,Standards,Traditional. Score and part. 6 pages. Joan Bujacich #818610. Published by Joan Bujacich (A0.1222345). FLUTE and PIANO Arrangement, Full score and Flute Part, Words, and Chords: Looking for a great traditional song to play for your Mom or Grandmother for Mother's Day or their  Birthdays? M-O-T-H-E-R, A Word That Means The World To Me is from 1915 and was written by Theodore F. Morse  and the words were written by Howard E Johnson. Ms. Bujacich created a clean, easy to read version  in the original  key of F.  It also has the words included. Fun for the family to sing-a-long!  If you are looking for a Solo PIano Versions, Ms. Bujacich has an Easy PIANO version, with Alpha Notes and a Junoor/Intermediate level also found  on Sheet Music Direct and Sheet Music Plus.  Ms. Bujacich also has tutorials available from Youtube, so be sure to subscribe to her channel. She has been arranging music for her students over many decades giving her an edge on creating accessible and satisfying music for all level pianists, including children, adults and professionals. She goes the extra mile to bring you professionally notated scores that sound great and are created with love and care.  Here is a link to her SMP page where you will find a lot of her other great musical arrangements for Flute and Piano and solo Piano:  https://www.sheetmusicplus.com/publishers/joan-bujacich/18769.
$3.99 ≈
3.58€
Requiem - piano/vocal score
Requiem - piano/vocal score
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Choral SATB
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INTERMEDIATE/ADVANCED
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Philip Orem
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Requiem - piano/vocal score
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Philip Orem
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.872628 Composed by Philip Orem. Contemporary. Octavo. 103 pages. Philip Orem #3554917. Published...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.872628 Composed by Philip Orem. Contemporary. Octavo. 103 pages. Philip Orem #3554917. Published by Philip Orem (A0.872628). This is an unique, comforting requiem that celebrates Life and includes texts from Jewish, Hindu, Sufi, Buddhist and Native American traditions. In six movements and scored for flute/piccolo, clarinet/bass clarinet, horn, cello, harp, percussion and organ, there are solos for treble, soprano, alto, tenor and baritone. This requiem will move your audience with its powerful message and inclusiveness.We're on the honor system here, please buy as many copies as you have performers. Printing more copies than you purchase is a violation of the copyright.A live recording can be found her... https://drive.google.com/open?id=1htfijFtenN0UDn8LMDhORKwvJRWWLJVT.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.We're on the honor system here, please buy as many copies as you have singers in your choir.
$25.00 ≈
22.46€
The Wise Man and the Foolish Man
The Wise Man and the Foolish Man
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Folk Song
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Rebecca Bogardus
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The Wise Man and the Foolish M
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Lillwy Publishing
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SheetMusicPlus
Woodwind Ensemble - Level 1 - Digital Download SKU: A0.877913 Composed by Folk Song. Arranged by Rebecca Bogardus. Children,Christian,Sacred. 5 pages. Li...
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Woodwind Ensemble - Level 1 - Digital Download SKU: A0.877913 Composed by Folk Song. Arranged by Rebecca Bogardus. Children,Christian,Sacred. 5 pages. Lillwy Publishing #3620405. Published by Lillwy Publishing (A0.877913). This arrangement is part of the Primary Band Companion for LDS artists. These flexible arrangements are designed for flute students who are in their first year of a band method and include: 1. Solo Flute: this part is the melody of a familiar primary song or hymn. 2. Optional Flute 2: this duet part is optional. The duet part is at roughly the same level as the solo, so two beginning flutists may easily play a duet in church. 3. Accompaniment Piano for Solo or Duet: This part may accompany either the first flute for a solo or both flutes playing a duet. It would also be appropriate while someone sings the melody. It is my hope that these arrangements will enable young flutists to begin sharing their musical talents in the first few months of study. More information about this series may be found at www.studiobogardus.com/arrangements.html.
$1.99 ≈
1.79€
Ave Maria Easter Version SATB violin or flute or cello and piano
Ave Maria Easter Version SATB violin or flute or cello and piano
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Classical
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Franz Schubert
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Connie Boss
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Ave Maria Easter Version SATB
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1340935 Composed by Franz Sch...
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1340935 Composed by Franz Schubert. Arranged by Connie Boss. Easter,Holiday,Religious,Sacred. 18 pages. Connie Boss #926508. Published by Connie Boss (A0.1340935). This Easter version of Ave Maria tells how Mary Magdeline went to the tomb the third day after Jesus was crucified. When she arrives, she sees that the stone has been rolled away. She runs to find help and gets Simon Peter to go with her. They find Jesus was no longer there. He had risen from the dead on the third day as he had told them. He went to Heaven to be with his father. She is telling Mary about their discovery. This version is for SATB with a soloist and choice of flute, violin or cello with parts included and piano. I have other versions on here as well.For requests or questions, email cdboss@cvalley.netAve Maria, I have exciting news for youMaria, I just came from HIs tombMaria, the stone was removedAve, Ave, I ran to get helpTo bring help to the tombSimon Peter went with me to the tombHe found that Jesus was no longer thereHis burial cloths were lying thereLying there on the floor of the tombAve Maria….. Ave Maria, mother of GodMaria, do not be afraidMaria, Jesus was raised on highAve, Ave Maria, it was just as he saidThat he would rise on the third dayAnd now He joins his father in heavenAnd He will sit at His right handYour son has saved the world from sinAve, Maria……….
$7.99 ≈
7.18€
Lord, I Lift Your Name On High
Lord, I Lift Your Name On High
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Contemporary
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Rick Founds
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Robert E
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Lord, I Lift Your Name On High
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R. E. Proctor
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SheetMusicPlus
Large Ensemble Bass Guitar,Clarinet,Drums,Flute,Piano Accompaniment,Trombone,Trumpet,Voice - Level 2 - Digital Download SKU: A0.809870 Composed by Rick F...
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Large Ensemble Bass Guitar,Clarinet,Drums,Flute,Piano Accompaniment,Trombone,Trumpet,Voice - Level 2 - Digital Download SKU: A0.809870 Composed by Rick Founds. Arranged by Robert E. Proctor. Contemporary. Score and parts. 19 pages. R. E. Proctor #4283619. Published by R. E. Proctor (A0.809870). An arrangement of Rick Founds worship song for small ensemble. Although there are six brass parts, fewer than six can be used. A mix of saxophones and trumpets/trombone will work very successfully. Also the piano part has guitar chords with fret boards so either or both can be used in the rhythm section. Basic drum part included. Percussionist is encouraged to Ad. Lib.
$12.99 ≈
11.67€
Called to Serve
Called to Serve
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Flute and Piano
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BEGINNER
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Adam Geibel and Grace Gordon
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Rebecca Bogardus
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Called to Serve
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Lillwy Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.877920 Composed by Adam Geibel and Grace Gordon. Arranged by R...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.877920 Composed by Adam Geibel and Grace Gordon. Arranged by Rebecca Bogardus. Children,Christian,Sacred,Standards. Score and parts. 3 pages. Lillwy Publishing #4109529. Published by Lillwy Publishing (A0.877920). This arrangement is part of the Primary Band Companion for LDS artists. These flexible arrangements are designed for flute students who are in their first year of a band method and include: 1. Solo Flute: this part is the melody of a familiar primary song or hymn. 2. Optional Flute 2: this duet part is optional. The duet part is at roughly the same level as the solo, so two beginning flutists may easily play a duet in church. 3. Accompaniment Piano for Solo or Duet: This part may accompany either the first flute for a solo or both flutes playing a duet. It would also be appropriate while someone sings the melody. It is my hope that these arrangements will enable young flutists to begin sharing their musical talents in the first few months of study. More information about this series may be found at www.studiobogardus.com/arrangements.html.
$3.99 ≈
3.58€
Jesus Once Was a Little Child
Jesus Once Was a Little Child
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Flute and Piano
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BEGINNER
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Joseph Ballantyne and James R
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Rebecca Bogardus
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Jesus Once Was a Little Child
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Lillwy Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.877921 Composed by Joseph Ballantyne and James R. Murray. Arra...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.877921 Composed by Joseph Ballantyne and James R. Murray. Arranged by Rebecca Bogardus. Children,Christian,Sacred,Standards. Score and parts. 5 pages. Lillwy Publishing #4109531. Published by Lillwy Publishing (A0.877921). This arrangement is part of the Primary Band Companion for LDS artists. These flexible arrangements are designed for flute students who are in their first year of a band method and include: 1. Solo Flute: this part is the melody of a familiar primary song or hymn. 2. Optional Flute 2: this duet part is optional. The duet part is at roughly the same level as the solo, so two beginning flutists may easily play a duet in church. 3. Accompaniment Piano for Solo or Duet: This part may accompany either the first flute for a solo or both flutes playing a duet. It would also be appropriate while someone sings the melody. It is my hope that these arrangements will enable young flutists to begin sharing their musical talents in the first few months of study. More information about this series may be found at www.studiobogardus.com/arrangements.html.
$2.99 ≈
2.69€
Dare to Do Right
Dare to Do Right
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Flute and Piano
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BEGINNER
#
A
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Rebecca Bogardus
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Dare to Do Right
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Lillwy Publishing
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.877919 Composed by A.C. Smyth and George L. Taylor. Arranged b...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.877919 Composed by A.C. Smyth and George L. Taylor. Arranged by Rebecca Bogardus. Children,Christian,Sacred,Standards. Score and parts. 5 pages. Lillwy Publishing #4109527. Published by Lillwy Publishing (A0.877919). This arrangement is part of the Primary Band Companion for LDS artists. These flexible arrangements are designed for flute students who are in their first year of a band method and include: 1. Solo Flute: this part is the melody of a familiar primary song or hymn. 2. Optional Flute 2: this duet part is optional. The duet part is at roughly the same level as the solo, so two beginning flutists may easily play a duet in church. 3. Accompaniment Piano for Solo or Duet: This part may accompany either the first flute for a solo or both flutes playing a duet. It would also be appropriate while someone sings the melody. It is my hope that these arrangements will enable young flutists to begin sharing their musical talents in the first few months of study. More information about this series may be found at www.studiobogardus.com/arrangements.html.
$2.99 ≈
2.69€
Fear Not, For I Am With You (instrumental)
Fear Not, For I Am With You (instrumental)
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David Kai
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David Kai
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Fear Not, For I Am With You
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David Kai
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SheetMusicPlus
Electric Bass Guitar,Flute,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105095 By David Kai. By David Kai. Arranged by David Kai. Christian,...
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Electric Bass Guitar,Flute,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105095 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Accompaniment. Duration 163. David Kai #708341. Published by David Kai (A0.1105095). This contemporary hymn of comfort is based on Isaiah 41:10. This version can be used to accompany a soloist or congregation. Words and Music: David Kai © 2021 Chorus: Fear not, for I am with you, Be not dismayed, for I am near, I will strengthen, I will help you, Uphold you, cast away your fear. In the night of weeping I am with you, Holding ‘til you reach the morning bright, In the day of storms I am beside you, Guiding ‘til you find the rainbow’s light. Chorus: Enemies surround you, do not fear them, They can never harm the hope within, Friends will soon abound to hold, support you, Love in just community will win. Chorus: Cruelty and selfishness astound you; When will we perceive the kindom come? All the world’s injustices confound you, We shall overcome working as one. Chorus:.
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