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You Can't Do Wrong and Get By
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You've selected:
You Can't Do Wrong and Get By
Sheetmusic to print
14 sheet music found
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1
You Can't Do Wrong and Get By
You Can't Do Wrong and Get By
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Brass Quartet
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INTERMEDIATE
#
J
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You Can't Do Wrong and Get By
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J. Randolph Hall
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1234369 By ... By Lethal A. Ellis. Arranged by J. Randolph Hall. This edition: Intera...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1234369 By ... By Lethal A. Ellis. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Country,Folk,Pop,Praise & Worship,Standards. 9 pages. Duration 57. J. Randolph Hall #YmYEsYI60uuuLO2azWcdm. Published by J. Randolph Hall (A0.1234369). Key: Ab major.Ellis was a hymnist and World War 1 veteran born in Mississippi. This Gospel song is a warning against continually wronging others and thinking one can get away with it forever. Section A and C are the verse. Sections B and D are the chorus. A modualtion to a new key occurs between B and C with the help of a French augmented sixth chord. A descant by yours truly is then added.
$4.00 ≈
3.58€
(everything I Do) I Do It For You
(everything I Do) I Do It For You
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String Trio: 2 violins, cello
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INTERMEDIATE/ADVANCED
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Rock
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Bryan Adams
#
Sarah Cellobat Chaffee
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(everything I Do) I Do It For
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Sarah Cellobat Chaffee
#
SheetMusicPlus
String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1075006 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged...
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String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1075006 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Sarah Cellobat Chaffee. Film/TV,Pop,Rock,Wedding. 18 pages. Sarah Cellobat Chaffee #679275. Published by Sarah Cellobat Chaffee (A0.1075006). *INSTRUMENTATION: TWO VIOLINS AND CELLO* If you've been alive during the last three decades, this song really needs no introduction! Bryan Adams' 1991 hit (Everything I Do) I Do It For You was the lead single for the feature film Robin Hood: Prince of Thieves, and also the lead single from Adams' sixth studio album, Waking Up The Neighbours. The song immediately achieved enormous success, topping the charts in over 20 countries, and it went on to become one of the best-selling singles of all time; it was also a winner or nominee for multiple Grammy Awards and Academy Awards. So you really can't go wrong having this one in your gig books! This Cellobat arrangement for your two-violin and cello trio maintains the soaring melodies, beautiful harmonies, and passionate dynamic intensity of the original, for a chart that's sure to get your audience singing along! Originally written for a wedding ceremony, this will also be perfect for receptions, cocktail hour, parties, proposals, or any other occasion you need to tug at some heartstrings. Rated advanced-intermediate for some tricky rhythms; this will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99 ≈
13.42€
(everything I Do) I Do It For You
(everything I Do) I Do It For You
#
Violin, Cello (duet)
#
INTERMEDIATE/ADVANCED
#
Rock
#
Bryan Adams
#
Sarah Cellobat Chaffee
#
(everything I Do) I Do It For
#
Sarah Cellobat Chaffee
#
SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1199477 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Ar...
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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1199477 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Sarah Cellobat Chaffee. Film/TV,Pop,Rock,Wedding. 11 pages. Sarah Cellobat Chaffee #798547. Published by Sarah Cellobat Chaffee (A0.1199477). If you've been alive during the last three decades, this song really needs no introduction! Bryan Adams' 1991 hit (Everything I Do) I Do It For You was the lead single for the feature film Robin Hood: Prince of Thieves, and also the lead single from Adams' sixth studio album, Waking Up The Neighbours. The song immediately achieved enormous success, topping the charts in over 20 countries, and it went on to become one of the best-selling singles of all time; it was also a winner or nominee for multiple Grammy Awards and Academy Awards. So you really can't go wrong having this one in your gig books! This Cellobat arrangement for violin and cello duet maintains the soaring melodies, beautiful harmonies, and passionate dynamic intensity of the original, for a chart that's sure to get your audience singing along! Originally written for a wedding ceremony, this will also be perfect for receptions, cocktail hour, parties, proposals, or any other occasion you need to tug at some heartstrings. Rated advanced-intermediate for some tricky rhythms; this will be learnable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$9.99 ≈
8.95€
Don't Stop Believin'
Don't Stop Believin'
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Rock
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Glee Cast
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Sarah Cellobat Chaffee
#
Don't Stop Believin'
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Sarah Cellobat Chaffee
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.526387 By Glee Cast. By Jonathan Cain, Neal Schon, and Steve Perry....
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.526387 By Glee Cast. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Sarah Cellobat Chaffee. Pop,Rock. 25 pages. Sarah Cellobat Chaffee #6623631. Published by Sarah Cellobat Chaffee (A0.526387). Don't Stop Believin' is truly a song that needs no introduction! Widely recognized as one of the best rock anthems of all time, this song became everyone's favorite upon its release in 1983, when its instantly recognizable synth intro and catchy sing-along choruses helped it hit the top 10 on the Billboard charts. It soon went on to become the best-selling digital track of the 20th century and was named one of Rolling Stone's Greatest Songs Of All Time -- so you really can't go wrong having this one in your gig books! This Cellobat arrangement for your string quartet was originally written for a wedding reception, and with its powerful driving beat, catchy hooks, and soaring melodies, you're sure to get everyone singing along! I have played this song hundreds of times in my career, so I wanted to make my arrangement different -- I got tired of all the extensions and intonation issues in the song's original key of EM, so this version is actually transposed down to CM. My friends have loved playing this chart and prefer it over the usual ones, so I hope you do too! :) Rated intermediate; this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$16.99 ≈
15.22€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.57€
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitar
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EASY
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Br...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99 ≈
1.78€
Chord Progression Generator for Guitar
Chord Progression Generator for Guitar
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Brian Streckfus
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Chord Progression Generator fo
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Brian Streckfus
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SheetMusicPlus
Acoustic Guitar,Electric Guitar - Level 1 - Digital Download SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Ex...
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Acoustic Guitar,Electric Guitar - Level 1 - Digital Download SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 pages. Brian Streckfus #1065662. Published by Brian Streckfus (A0.1488812). Pages: 12Keys: 1. C Major2. A minor3. A Harmonic minor4. A minor (Jazz 7ths)5. A minor (Extreme Jazz extensions)6. The seven modesThis collection of PDFs is something I am very proud of and I believe it has been my most well recieved PDF upload on the internet. Finding chord charts that simply list chords are a dime a dozen, and can be found anywhere. It is much rarer for a chord sheet to try to explain what order they go in and even rarer still to find it for guitar. It's difficult because it is an art, and of course there really is no wrong answers in composing (especially on Halloween I always joke). I personally haven't seen anything else quite like this on the internet.Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. The aim is to memorize them so that you can understand them in all 12 keys. These chord progressions are of course a great composition aid. Tips:1. I find sheets like this to be excellent practice to play by ear. If the music is relaxing I play blue chords, if it is intense I play red chords. Once you get into the groove, and you know no one is changing key, it's as simple as that.2. When playing by ear, even if you get the exact chord wrong but you still get the correct color, it will still sound like you harmonizing the song correctly!!! See chords categorized by purpose rather than name will elegantly simplify how music actually works.3. The reason why we study the roman numerals is to be able to think about all of music in a single keyless key to allow for optimum clarity.4. One issue that needs to be fixed: what to do about the 11 other keys? One easy and quick fix is to use a guitar capo (or downtune) to get to all the other keys. I can't imagine giving out 56 pages of chord progressions to each of my students, it's way too much. Instead, I teach strategies on how these work in all 12 keys. 5. Order = Blue, Yellow, Red, Blue for stereotypical chord progressions that truely progress. These is such a thing called a chord succession where it is not the previous order. Again, try not to see music in terms of right and wrong. Everything expresses an emotion. For example, if there is a song devoid of red chords, it will result in more peaceful music. Lots of red would be great for metal music, etc...Social Media:https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
$4.99 ≈
4.47€
Head Like A Hole
Head Like A Hole
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Nine Inch Nails
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Whimsically Macabre (ASCAP)
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Head Like A Hole
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Stacy Fahrion
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.851104 By Nine Inch Nails. By Trent Reznor. Arranged by Whimsically Macabre (ASCAP). Contemporary. Score....
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Piano Solo - Level 4 - Digital Download SKU: A0.851104 By Nine Inch Nails. By Trent Reznor. Arranged by Whimsically Macabre (ASCAP). Contemporary. Score. 4 pages. Stacy Fahrion #4633863. Published by Stacy Fahrion (A0.851104). This solo piano arrangement was inspired by the version on Black Mirror. It's arranged by Stacy Fahrion/Whimsically Macabre Music (ASCAP).I get really excited when music can carry multiple contradictory meanings, and spend a lot of time thinking about how I can mess with my audience by making things sound familiar but wrong. When I saw the Rachel, Jack, and Ashley Too episode of Black Mirror, I recognized the melody of the oddly upbeat pop song Ashley O was singing but couldn't quite place it because unconsciously I knew something was really off, and then slowly it dawned on me that it was a NIN cover, and I flipped out with utter joy that someone had just done something to me that I'm constantly trying to do to them. Every time the song played throughout the episode, I couldn't stop laughing, not just at the lyrics, but especially at a certain trite & upbeat sounding bassline and all of the different musical elements that completely changed the feel of the original. So of course I needed to write my own arrangement of that arrangement. I hope you enjoy it. You can find more Whimsically Macabre Music in the following places:Facebook page: https://www.facebook.com/WhimsicallyMacabreMusicrecordings: https://whimsicallymacabre.bandcamp.com/YouTube: https://www.youtube.com/user/WhimsicallyMacabreother Whimsically Macabre sheet music: https://pianopronto.com/composers-community/stacy-fahrion/
$4.99 ≈
4.47€
In The Mood
In The Mood
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Trombone
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INTERMEDIATE/ADVANCED
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Jazz
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Ernie Field's Orchestra
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Bobby Hesch
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In The Mood
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Bobby Hesch
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SheetMusicPlus
Trombone Solo - Level 4 - Digital Download SKU: A0.839705 By Ernie Field's Orchestra. By Joe Garland. Arranged by Bobby Hesch. Jazz. Individual part. 4 p...
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Trombone Solo - Level 4 - Digital Download SKU: A0.839705 By Ernie Field's Orchestra. By Joe Garland. Arranged by Bobby Hesch. Jazz. Individual part. 4 pages. Bobby Hesch #6682193. Published by Bobby Hesch (A0.839705). IN THE MOOD!! WHEN I PLAYED BIG BANDS THE SECOND SET WOULD ALWAYS START WITH IN THE MOOD! TO GET EVERYONE OUT ON THE DANCE FLOOR!!! MADE POPULAR BY THE GLENN MILLER ORCHESTRA IN THE 1940S!!! STILL POPULAR TODAY!!! LET'S PLAY SOME JAZZ!!! KEY OF C!!! LOW F#-HIGH G!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! YOU CAN'T GO WRONG WITH THIS GREAT SONG!!! CONTACT INFORMATION:bobbyhesch: @yahoo.com :IG :@bobbyhesch EMAIL QUESTIONS! I CAN HELP!!! HAVE FUN PLAYING THIS GREAT TUNE! I ALWAYS DO!!!
$4.99 ≈
4.47€
In The Mood
In The Mood
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Clarinet
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INTERMEDIATE/ADVANCED
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Jazz
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Ernie Field's Orchestra
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Bobby Hesch
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In The Mood
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Bobby Hesch
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SheetMusicPlus
Clarinet Solo - Level 4 - Digital Download SKU: A0.839701 By Ernie Field's Orchestra. By Joe Garland. Arranged by Bobby Hesch. Jazz. Individual part. 4 p...
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Clarinet Solo - Level 4 - Digital Download SKU: A0.839701 By Ernie Field's Orchestra. By Joe Garland. Arranged by Bobby Hesch. Jazz. Individual part. 4 pages. Bobby Hesch #6681375. Published by Bobby Hesch (A0.839701). WHEN I PLAYED BIG BANDS, THE SECOND SET ALWAYS STARTED WITH IN THE MOOD! TO GET EVERYONE OUT ON THE DANCE FLOOR!!! MADE POPULAR BY THE GREAT GLENN MILLER ORCHESTRA IN THE 1940S !!! STILL POPULAR TODAY!!! LET'S PLAY SOME JAZZ!!! KEY OF D!!! LOW G#-HIGH A!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! YOU CAN'T GO WRONG WITH THIS GREAT SONG!!! CONTACT INFORMATION:bobbyhesch@yahoo.com : IG:@bobbyhesch E MAIL QUESTIONS! I CAN HELP!!! HAVE FUN PLAYING THIS GREAT TUNE! I ALWAYS DO!!!
$4.99 ≈
4.47€
In The Mood
In The Mood
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Tenor Saxophone
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INTERMEDIATE/ADVANCED
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Jazz
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Ernie Field's Orchestra
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Bobby Hesch
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In The Mood
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Bobby Hesch
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SheetMusicPlus
Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.839702 By Ernie Field's Orchestra. By Joe Garland. Arranged by Bobby Hesch. Jazz. Individual pa...
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Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.839702 By Ernie Field's Orchestra. By Joe Garland. Arranged by Bobby Hesch. Jazz. Individual part. 4 pages. Bobby Hesch #6681405. Published by Bobby Hesch (A0.839702). IN THE MOOD!!! WHEN I PLAYED BIG BANDS THE SECOND SET WOULD ALWAYS START WITH IN THE MOOD !! TO GET EVERYONE OUT ON THE DANCE FLOOR!!! MADE POPULAR BY THE GLENN MILLER ORCHESTRA IN THE 1940S!!! STILL POPULAR TODAY!!! LET'S PLAY SOME JAZZ!!! KEY OF D!! LOW B - HIGH F# !!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! YOU CAN'T GO WRONG WITH THIS GREAT SONG!!! CONTACT INFORMATION:bobbyhesch@yahoo.com :IG:@bobbyhesch E MAIL QUESTIONS!! I CAN HELP!!! HAVE FUN WITH THIS GREAT TUNE!! I ALWAYS DO!!!
$4.99 ≈
4.47€
In The Mood
In The Mood
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Alto Saxophone
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INTERMEDIATE/ADVANCED
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Jazz
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Ernie Field's Orchestra
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Bobby Hesch
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In The Mood
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Bobby Hesch
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.839700 By Ernie Field's Orchestra. By Joe Garland. Arranged by Bobby Hesch. Jazz. Individual par...
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Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.839700 By Ernie Field's Orchestra. By Joe Garland. Arranged by Bobby Hesch. Jazz. Individual part. 4 pages. Bobby Hesch #6681309. Published by Bobby Hesch (A0.839700). IN THE MOOD!!!! WHEN I PLAYED BIG BANDS THE SECOND SET ALWAYS STARTED WITH IN THE MOOD! TO GET EVERYONE OUT ON THE DANCE FLOOR!! MADE POPULAR BY THE GLENN MILLER ORCHESTRA IN THE 1940S!!!! STILL POPULAR TODAY!!! LET'S PLAY SOME JAZZ!!! KEY OF A!!! LOW D# - HIGH E!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! YOU CAN'T GO WRONG WITH THIS GREAT SONG!!!! CONTACT INFORMATION:bobbyhesch@yahoo.com :IG:@bobbyhesch E MAIL QUESTIONS!! I CAN HELP!!!HAVE FUN WITH THIS GREAT TUNE, I ALWAYS DO!!!
$4.99 ≈
4.47€
Ed Sheeran - Best Part of Me - Piano Solo
Ed Sheeran - Best Part of Me - Piano Solo
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Piano solo
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INTERMEDIATE
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Pop music
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Ed Sheeran, Yebba
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Mario Stallbaumer
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Ed Sheeran - Best Part of Me -
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Intermediate - Digital Download By Ed Sheeran, Yebba. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer...
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Piano Solo - Intermediate - Digital Download By Ed Sheeran, Yebba. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here's how to play "Best Part of Me" by Ed Sheeran (feat. YEBBA) on piano!
With this piano sheet music, you can learn how to play "Best Part of Me" on piano.
It's an accurate piano arragement of the whole piece which is quite easy to play, and sounds amazing!
The whole melody is included in the piano part, so it makes for a great instrumental (piano solo) version.
"Best Part of Me" is a beautiful, romantic pop ballad. It starts very softly and builds up to an emotional chorus. The whole song sounds just wonderful on piano!
The song was released in July 2019 as the fourth single from Ed Sheeran's 4th studio album "No.6 Collaborations Project".
Here are the full lyrics to "Best Part of Me" by Ed Sheeran:
My lungs are black, my heart is pure
My hands are scarred from nights before
And my hair is thinnin', falling out
Of all the wrong places
I am a little insecure
My eyes are crossed, but they're still blue
I bite my nails and tell the truth
I go from thin to overweight
Day to day it fluctuates
My skin is inked, but faded too
But she loves me, she loves me
Why the hell she love me
When she could have anyone else?
Oh you love me, you love me
Why the hell do you love me?
'Cause I don't even love myself
Baby, the best part of me is you
And lately everything's making sense too
Oh baby, I'm so in love with you
I overthink and still forget
I lose my phone and place my bets
And I never catch the train on time
Always thirty minutes behind
Your worries ain't seen nothin' yet
But you love me, you love me
Why the hell you love me so
When you could have anyone else?
Yeah yeah, he loves me, he loves me
And I bet he never lets me go
And shows me how to love myself
'Cause, baby, the best part of me is you, woah
Lately everything's making sense too
Baby, I'm so in love with you
(With you)
Baby, the best part of me is you, woah
Lately everything's making sense too
Oh baby, I'm so in love with you (Ooh)
Baby, I'm so in love with you, yeah, yeah
Oh baby, I'm so in love with you
$4.99 ≈
4.47€
In The Mood
In The Mood
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Flute
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INTERMEDIATE/ADVANCED
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Jazz
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Ernie Field's Orchestra
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Bobby Hesch
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In The Mood
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Bobby Hesch
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SheetMusicPlus
Flute Solo - Level 4 - Digital Download SKU: A0.839704 By Ernie Field's Orchestra. By Joe Garland. Arranged by Bobby Hesch. Jazz. Individual part. 4 page...
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Flute Solo - Level 4 - Digital Download SKU: A0.839704 By Ernie Field's Orchestra. By Joe Garland. Arranged by Bobby Hesch. Jazz. Individual part. 4 pages. Bobby Hesch #6682167. Published by Bobby Hesch (A0.839704). WHEN I PLAYED BIG BAND WE ALWAYS STARTED THE SECOND SET WITH IN THE MOOD TO GET EVERYONE OUT ON THE DANCE FLOOR!!! IT WAS MADE POPULAR BY THE GLENN MILLER ORCHESTRA IN THE 1940S!!!IT IS STILL POPULAR TODAY!!! LET'S PLAY SOME JAZZ!!! KEY OF C!!! LOW C - HIGH G!!! MP3 FOR JAZZ STYLE IN INTERPRETATION!!! YOU CAN'T GO WRONG WITH THIS GREAT SONG!!! CONTACT INFORMATION:bobbyhesch@yahoo.com : IG:@bobbyhesch IG :@bobbyhesch E MAIL ME WITH QUESTIONS! I CAN HELP!!! HAVE FUN WITH THIS GREAT TUNE!! I ALWAYS DO!!!
$4.99 ≈
4.47€
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You Can't Do Wrong and Get By
