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Work Song At the End of the Day
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526
Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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String Orchestra
#
INTERMEDIATE
#
Patriotic
#
trad
#
Keith Terrett
#
Irish National Anthem
#
Music for all Occasions
#
SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?
If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.
The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
#
EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.57€
The Harvest of the Earth (See How Brown Autumn Spreads the Fields) [Lead Sheet Version]
The Harvest of the Earth (See How Brown Autumn Spreads the Fields) [Lead Sheet Version]
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C Instruments
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INTERMEDIATE
#
Sacred music
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Stacey Plays Hymns
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Anastace
#
The Harvest of the Earth
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Anastace
#
SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1381727 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise &...
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C Instrument - Level 3 - Digital Download SKU: A0.1381727 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 4 pages. Anastace #966363. Published by Anastace (A0.1381727). Here is the lead sheet version of the hymn, The Harvest of the Earthâ€, as heard on my YouTube channel and requsted by listeners. Originally titled “See How Brown Autumn Spreads the Fieldsâ€, this song is so rare that I couldn’t find any music for it online, and therefore wrote a new melody and accompaniment for it that captures the the solemnity and even anguish of the lyrics. It’s one of the songs of harvest off of my album entitled “Hymns of Autumnâ€, but doesn’t talk about harvest in the traditional sense we normally sing about these days.Not many talk about the judgement of God in today’s church, and this hymn will send chills down the spine of the most devout believer as we realize the full spectrum of God's character, including His wrath and power on Judgement Day. I found this in an old hymnal that was so old that the “Sâ€s were still written as “Fâ€s, and I had to squint to read it while learning to sing for this recording. I hope this ancient and powerful hymn finds a place to minister to today's church and believers around the world, perhaps after a sermon on God’s judgement, or for a Lent or Advent service about repentance and turning to God, both individually and as a nation.This version is in B Minor to match the original recording, and includes the chords for the whole song including the reharmonized verse with a different melody.Also available, by searching Stacey Plays Hymns and the song title on this site is the full piano vocal arrangement as played in the original recording.For other formats including large print, simplified, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00 ≈
3.58€
The Harvest of the Earth (See How Brown Autumn Spreads the Fields)
The Harvest of the Earth (See How Brown Autumn Spreads the Fields)
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Piano, Voice
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INTERMEDIATE
#
Sacred music
#
Stacey Plays Hymns
#
Anastace
#
The Harvest of the Earth
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Anastace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381714 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Pra...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381714 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise & Worship,Religious,Sacred. Score. 5 pages. Anastace #966349. Published by Anastace (A0.1381714). Here is the full piano vocal arrangement of The Harvest of the Earthâ€, as heard on my YouTube channel and requsted by listeners. Originally titled “See How Brown Autumn Spreads the Fieldsâ€, this song is so rare that I couldn’t find any music for it online, and therefore wrote a new melody and accompaniment for it that captures the the solemnity and anguish of the lyrics. It’s one of the songs of harvest off of my album entitled “Hymns of Autumnâ€, but doesn’t talk about harvest in the traditional sense we normally sing about these days.Not many talk about the judgement of God in today’s church, and this hymn will send chills down the spine of the most devout believer as we realize the full spectrum of God's character, including His wrath and power on Judgement Day. I found this in an old hymnal that was so old that the “Sâ€s were still written as “Fâ€s, and I had to squint to read it while learning to sing for this recording. I hope this ancient and powerful hymn finds a place to minister to today's church and believers around the world, perhaps after a sermon on God’s judgement, or for a Lent or Advent service about repentance and turning to God, both individually and as a nation.This version is in B Minor to match the original recording, and includes the full piano accompaniment as played in the recording. Also available, by searching Stacey Plays Hymns and the song title on this site is a lead sheet version for those who prefer to play off a chart.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00 ≈
4.48€
Beyond The Sea
Beyond The Sea
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00 ≈
8.96€
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00 ≈
26.87€
Work Song/At the End of the Day (from Les Misérables) (arr. Jay Bocook)
Work Song/At the End of the Day (from Les Misérables) (arr. Jay Bocook)
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Marching band
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INTERMEDIATE
#
Claude-Michel Schonberg
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Jay Bocook
#
Work Song/At the End of the Da
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Hal Leonard - Digital
#
SheetMusicPlus
Marching Band - Level 3-4 - Digital Download SKU: HX.456949 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,M...
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Marching Band - Level 3-4 - Digital Download SKU: HX.456949 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,Musical/Show. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.456949).
$75.00 ≈
67.17€
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Bb Horn/Flugelhorn
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Bb Horn/Flugelhorn
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Marching band
#
INTERMEDIATE
#
Broadway
#
Claude-Michel Schonberg
#
Jay Bocook
#
Work Song/At the End of the Da
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching Band - Level 3-4 - Digital Download SKU: HX.456937 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,M...
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Marching Band - Level 3-4 - Digital Download SKU: HX.456937 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,Musical/Show. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.456937).
$6.00 ≈
5.37€
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Conductor Score (Full Score)
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Conductor Score (Full Score)
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Marching band
#
INTERMEDIATE
#
Broadway
#
Claude-Michel Schonberg
#
Jay Bocook
#
Work Song/At the End of the Da
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching Band - Level 3-4 - Digital Download SKU: HX.456927 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,M...
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Marching Band - Level 3-4 - Digital Download SKU: HX.456927 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,Musical/Show. 12 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.456927).
$5.00 ≈
4.48€
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Bb Clarinet
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Bb Clarinet
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Clarinet (band part)
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INTERMEDIATE
#
Broadway
#
Claude-Michel Schonberg
#
Jay Bocook
#
Work Song/At the End of the Da
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching Band - Level 3-4 - Digital Download SKU: HX.456929 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,M...
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Marching Band - Level 3-4 - Digital Download SKU: HX.456929 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,Musical/Show. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.456929).
$6.00 ≈
5.37€
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Baritone B.C.
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Baritone B.C.
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Saxhorn / baritone b.c. (band part)
#
INTERMEDIATE
#
Broadway
#
Claude-Michel Schonberg
#
Jay Bocook
#
Work Song/At the End of the Da
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching Band - Level 3-4 - Digital Download SKU: HX.456940 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,M...
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Marching Band - Level 3-4 - Digital Download SKU: HX.456940 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,Musical/Show. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.456940).
$6.00 ≈
5.37€
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - 1st Bb Trumpet
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - 1st Bb Trumpet
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Trumpet (band part)
#
INTERMEDIATE
#
Broadway
#
Claude-Michel Schonberg
#
Jay Bocook
#
Work Song/At the End of the Da
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching Band - Level 3-4 - Digital Download SKU: HX.456933 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,M...
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Marching Band - Level 3-4 - Digital Download SKU: HX.456933 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,Musical/Show. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.456933).
$6.00 ≈
5.37€
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - 2nd Bb Trumpet
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - 2nd Bb Trumpet
#
Trumpet (band part)
#
INTERMEDIATE
#
Broadway
#
Claude-Michel Schonberg
#
Jay Bocook
#
Work Song/At the End of the Da
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching Band - Level 3-4 - Digital Download SKU: HX.456934 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,M...
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Marching Band - Level 3-4 - Digital Download SKU: HX.456934 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,Musical/Show. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.456934).
$6.00 ≈
5.37€
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Cymbals
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Cymbals
#
Drum (band part)
#
INTERMEDIATE
#
Broadway
#
Claude-Michel Schonberg
#
Jay Bocook
#
Work Song/At the End of the Da
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching Band - Level 3-4 - Digital Download SKU: HX.456946 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,M...
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Marching Band - Level 3-4 - Digital Download SKU: HX.456946 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,Musical/Show. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.456946).
$6.00 ≈
5.37€
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - 3rd Bb Trumpet
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - 3rd Bb Trumpet
#
Trumpet (band part)
#
INTERMEDIATE
#
Broadway
#
Claude-Michel Schonberg
#
Jay Bocook
#
Work Song/At the End of the Da
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching Band - Level 3-4 - Digital Download SKU: HX.456935 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,M...
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Marching Band - Level 3-4 - Digital Download SKU: HX.456935 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,Musical/Show. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.456935).
$6.00 ≈
5.37€
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Aux Percussion
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Aux Percussion
#
Percussion (band part)
#
INTERMEDIATE
#
Broadway
#
Claude-Michel Schonberg
#
Jay Bocook
#
Work Song/At the End of the Da
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching Band - Level 3-4 - Digital Download SKU: HX.456949 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,M...
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Marching Band - Level 3-4 - Digital Download SKU: HX.456949 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,Musical/Show. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.456949).
$6.00 ≈
5.37€
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - 1st Trombone
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - 1st Trombone
#
Trombone (band part)
#
INTERMEDIATE
#
Broadway
#
Claude-Michel Schonberg
#
Jay Bocook
#
Work Song/At the End of the Da
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching Band - Level 3-4 - Digital Download SKU: HX.456938 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,M...
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Marching Band - Level 3-4 - Digital Download SKU: HX.456938 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,Musical/Show. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.456938).
$6.00 ≈
5.37€
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Snare Drum
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Snare Drum
#
Drum (band part)
#
INTERMEDIATE
#
Broadway
#
Claude-Michel Schonberg
#
Jay Bocook
#
Work Song/At the End of the Da
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching Band - Level 3-4 - Digital Download SKU: HX.456945 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,M...
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Marching Band - Level 3-4 - Digital Download SKU: HX.456945 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,Musical/Show. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.456945).
$6.00 ≈
5.37€
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Electric Bass
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Electric Bass
#
Electric Bass (band part)
#
INTERMEDIATE
#
Broadway
#
Claude-Michel Schonberg
#
Jay Bocook
#
Work Song/At the End of the Da
#
Hal Leonard - Digital
#
SheetMusicPlus
Marching Band - Level 3-4 - Digital Download SKU: HX.456943 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,M...
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Marching Band - Level 3-4 - Digital Download SKU: HX.456943 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,Musical/Show. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.456943).
$6.00 ≈
5.37€
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Bells/Xylophone
Work Song/At the End of the Day (Les Misérables) (arr. Jay Bocook) - Bells/Xylophone
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Marching band
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INTERMEDIATE
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Broadway
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Claude-Michel Schonberg
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Jay Bocook
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Work Song/At the End of the Da
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Hal Leonard - Digital
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SheetMusicPlus
Marching Band - Level 3-4 - Digital Download SKU: HX.456944 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,M...
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Marching Band - Level 3-4 - Digital Download SKU: HX.456944 Composed by Claude-Michel Schonberg. Arranged by Jay Bocook. This edition: scorch. Broadway,Musical/Show. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.456944).
$6.00 ≈
5.37€
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