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Whirlwind | Trio for Piccolo, Flute, and Piano
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You've selected:
Whirlwind | Trio for Piccolo, Flute, and Piano
Sheetmusic to print
98 sheet music found
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Whirlwind | Trio for Piccolo, Flute, and Piano
Whirlwind | Trio for Piccolo, Flute, and Piano
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Piccolo, Piano
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INTERMEDIATE/ADVANCED
#
Contemporary
#
Michael Barrera
#
Whirlwind | Trio for Piccolo,
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Michael Barrera
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SheetMusicPlus
Flute,Piano,Piccolo - Level 4 - Digital Download SKU: A0.1084483 Composed by Michael Barrera. Classical,Contemporary. 55 pages. Michael Barrera #688661. ...
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Flute,Piano,Piccolo - Level 4 - Digital Download SKU: A0.1084483 Composed by Michael Barrera. Classical,Contemporary. 55 pages. Michael Barrera #688661. Published by Michael Barrera (A0.1084483). Https://www.michaelbarreraflute.com/shop/p/whirlwind Program Notes Whirlwind is a quick swirling waltz. It takes the form of a rondo, a series of returning themes, which mimics the spinning nature of its namesake. The music itself often lifts into the air and glides back to the main theme. This is a complete rework of the very first piece I wrote, by the name of Fire Tornado. Most of the main ideas survived, but now they are much more colorful and developed. I am very proud with how this piece turned out, especially looking back and seeing how much has improved over time. Instrumentation Chamber trio of - Piccolo Flute Piano.
$25.99 ≈
23.94€
Jazz Canon 2 for Flute Trio MP3
Jazz Canon 2 for Flute Trio MP3
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Flute Trio: 3 flutes
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Cristiano Vecchi
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Jazz Canon 2 for Flute Trio MP
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Cristiano Vecchi
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SheetMusicPlus
Flute - Digital Download SKU: A0.1066350 Composed by Cristiano Vecchi. Contemporary,Instructional,Jazz,Standards. Full Performance. Duration 51. Cristian...
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Flute - Digital Download SKU: A0.1066350 Composed by Cristiano Vecchi. Contemporary,Instructional,Jazz,Standards. Full Performance. Duration 51. Cristiano Vecchi #5038067. Published by Cristiano Vecchi (A0.1066350). A canon in jazz style over the chords of Fly me to the moon with a walking bass third part that could be omitted as well. Version for Piccolo, Flute and Bass Flute.Duration: 1'.Score and parts available on this website.Also available versions for Flute Duo (lower octave: 2 Flutes in C), Piano Solo, Saxophone Duo, Woodwind Trio.
$1.99 ≈
1.83€
Jazz Canon 2 for Flute Trio
Jazz Canon 2 for Flute Trio
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Flute Trio: 3 flutes
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INTERMEDIATE
#
Cristiano Vecchi
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Jazz Canon 2 for Flute Trio
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Cristiano Vecchi
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Flute - Level 3 - Digital Download SKU: A0.963311 Composed by Cristiano Vecchi. Contemporary,Instructional,Jazz,Standards...
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Woodwind Ensemble,Woodwind Trio Flute - Level 3 - Digital Download SKU: A0.963311 Composed by Cristiano Vecchi. Contemporary,Instructional,Jazz,Standards. 7 pages. Cristiano Vecchi #4757301. Published by Cristiano Vecchi (A0.963311). A canon in jazz style over the chords of Fly me to the moon with a walking bass third part that could be omitted as well. Version for Piccolo, Flute and Bass Flute.Also available versions for Flute Duo (lower octave: 2 Flutes in C), Piano Solo, Saxophone Duo, Woodwind Trio.SCORE and PARTS.
$2.50 ≈
2.30€
Mini Minor, Jazz Piece for Flute Trio
Mini Minor, Jazz Piece for Flute Trio
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Flute Trio: 3 flutes
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EASY
#
David McKeown
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Mini Minor, Jazz Piece for Flu
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David McKeown
#
SheetMusicPlus
Woodwind Ensemble Alto Flute,Piccolo - Level 2 - Digital Download SKU: A0.1157671 Composed by David McKeown. Blues,Contemporary,Instructional,Jazz. 8 pag...
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Woodwind Ensemble Alto Flute,Piccolo - Level 2 - Digital Download SKU: A0.1157671 Composed by David McKeown. Blues,Contemporary,Instructional,Jazz. 8 pages. David McKeown #758016. Published by David McKeown (A0.1157671). Mini Minor is a fun and original piece written in a jazz style by David McKeown for Flute trio. The pdf file contains the score, separate parts for three Flutes, and also alternative parts for Piccolo and Alto Flute. There are chord symbols on the score for additional accompaniment on piano, bass or guitar. Mini Minor is suitable for players at an early intermediate level and above. The key and range are accessible and there are some simple syncopated rhythms and accidentals. With a playing-time of around one minute and 15 seconds, Mini Minor is a perfect upbeat addition to any performance program, formal or informal. Click on the YouTube link to see and hear the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  Â
$5.99 ≈
5.52€
Swing Thing, a jazz piece for Flute Trio
Swing Thing, a jazz piece for Flute Trio
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Flute Trio: 3 flutes
#
EASY
#
David McKeown
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Swing Thing, a jazz piece for
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David McKeown
#
SheetMusicPlus
Woodwind Ensemble Alto Flute,Piccolo - Level 2 - Digital Download SKU: A0.1158838 Composed by David McKeown. Contemporary,Instructional,Jazz. 8 pages. Da...
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Woodwind Ensemble Alto Flute,Piccolo - Level 2 - Digital Download SKU: A0.1158838 Composed by David McKeown. Contemporary,Instructional,Jazz. 8 pages. David McKeown #759077. Published by David McKeown (A0.1158838). Swing Thing is a fun and original piece written in a jazz style by David McKeown for Flute trio. The pdf file contains the score, separate parts for three Flutes, and also alternative parts for Piccolo and Alto Flute. There are chord symbols on the score for additional accompaniment on piano, bass or guitar. Swing Thing is suitable for players at an early intermediate level and above. The key and range are accessible and there are some simple syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, Swing Thing is a perfect upbeat addition to any performance program, formal or informal. Click on the YouTube link to see and hear the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99 ≈
5.52€
TRIO - Four Seasons Spring (Allegro) for 2 FLUTES and PIANO - F Major
TRIO - Four Seasons Spring (Allegro) for 2 FLUTES and PIANO - F Major
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2 Flutes (duet)
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INTERMEDIATE
#
Classical
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Antonio Vivaldi
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Ivan de Andrade
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TRIO - Four Seasons Spring
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Finesse Music
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SheetMusicPlus
Small Ensemble Flute,Piano Accompaniment,Piccolo - Level 3 - Digital Download SKU: A0.493358 Composed by Antonio Vivaldi. Arranged by Ivan de Andrade. Ba...
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Small Ensemble Flute,Piano Accompaniment,Piccolo - Level 3 - Digital Download SKU: A0.493358 Composed by Antonio Vivaldi. Arranged by Ivan de Andrade. Baroque,Classical,Contest,Festival,Traditional,Wedding. Score and parts. 23 pages. Finesse Music #108410. Published by Finesse Music (A0.493358). Unique arrangement (in concert F Major) of the Allegro movement. Formatted for A4 or tablet. Clean layout and proper page turns for a better reading experience. Articulations, fingering and specific marking for each instrument are notated. Includes full scores and parts.
$6.99 ≈
6.44€
American Patriotic Music for All, Volume 1 (Flexible Band)
American Patriotic Music for All, Volume 1 (Flexible Band)
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Concert band
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INTERMEDIATE/ADVANCED
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Various
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Randy Calistri-Yeh
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American Patriotic Music for A
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Custom Chamber Music
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.742741 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score a...
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Concert Band - Level 4 - Digital Download SKU: A0.742741 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #350874. Published by Custom Chamber Music (A0.742741). 2nd edition - new and improved.Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has seven songs and over 14 minutes of music that both you and your audience are sure to love. Each song is also available separately from the publisher link above.These arrangements can be played with anywhere from 3 to 7 parts, with a great deal of flexibility in instrumentation. This makes it ideal for bands of all types (school, community, or professional). This is one of the most versatile collections you'll ever use!The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England).Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. The difficulty level ranges from medium-easy to medium-advanced. The arrangements respect the original style of the composers while greatly expanding the instrument flexibility.This collection contains a full score, as well as individual parts in all the appropriate clefs and transpositions to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet (all with optional percussion).Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.Be sure to also check out our three volumes of Christmas Carols for All!
$45.00 ≈
41.45€
National Anthem of the Faroe Islands: Mítt alfagra land
National Anthem of the Faroe Islands: Mítt alfagra land
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Concert band
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EASY
#
Patriotic
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Petur Alberg
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Colin Kirkpatrick
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National Anthem of the Faroe I
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Colin Kirkpatrick Publications
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.522166 Composed by Petur Alberg (1885-1940). Arranged by Colin Kirkpatrick. Contemporary. Score and par...
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Concert Band - Level 2 - Digital Download SKU: A0.522166 Composed by Petur Alberg (1885-1940). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 31 pages. Colin Kirkpatrick Publications #4295401. Published by Colin Kirkpatrick Publications (A0.522166). This quick and easy national anthem arrangement is essential for traveling musicians,bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band,clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!This arrangement is in five independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a two-page score with five instrumental staves (including timpani) and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file.Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute,oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in British-style brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin, oboe); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone,bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium,bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn).Part 5 in B flat (bass clarinet, B flat tuba); Part 5 in E flat (baritone sax, E flat tuba); Part 5 in C (bass clef for trombone, euphonium, bassoon, tuba, double bass. There’s also apart for timpani, percussion (3 players) and a piano reduction.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$9.99 ≈
9.20€
Jazz Canon 1 for Flute Trio
Jazz Canon 1 for Flute Trio
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Flute Trio: 3 flutes
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INTERMEDIATE
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Cristiano Vecchi
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Jazz Canon 1 for Flute Trio
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Cristiano Vecchi
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Flute - Level 3 - Digital Download SKU: A0.963368 Composed by Cristiano Vecchi. Contemporary,Instructional,Jazz,Standards...
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Woodwind Ensemble,Woodwind Trio Flute - Level 3 - Digital Download SKU: A0.963368 Composed by Cristiano Vecchi. Contemporary,Instructional,Jazz,Standards. 6 pages. Cristiano Vecchi #4887665. Published by Cristiano Vecchi (A0.963368). A canon in free jazz style over the chords of Solar, with a third bass part in drum'n'bass style that can be omitted.Version for: Flute 1 (or Piccolo, part included) - Flute 2 - Bass Flute .SCORE and PARTS.MP3 also purchasable on this website.Also available for Flute Duo, Sax Duo, Sax Trio, Woodwind Trio (Flute, Clarinet in Bb, Bassoon that can be omitted), Flute and Piano.
$4.99 ≈
4.60€
Estonia National Anthem: Mu Isamaa (My Fatherland)
Estonia National Anthem: Mu Isamaa (My Fatherland)
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Concert band
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EASY
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Patriotic
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Fredrik Pacius
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Colin Kirkpatrick
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Estonia National Anthem: Mu Is
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - Digital Download SKU: A0.522128 Composed by Fredrik Pacius (1809 - 1891). Arranged by Colin Kirkpatrick. Contemporary. Score a...
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Large Ensemble - Level 2 - Digital Download SKU: A0.522128 Composed by Fredrik Pacius (1809 - 1891). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 35 pages. Colin Kirkpatrick Publications #3382783. Published by Colin Kirkpatrick Publications (A0.522128). Colin Kirkpatrick’s National Anthems Express ESTONIA: Mu Isamaa This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a two-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$4.99 ≈
4.60€
Republic of Iceland National Anthem: Lofsöngur
Republic of Iceland National Anthem: Lofsöngur
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Concert band
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EASY
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Patriotic
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Sveinbjörn Sveinbjörnsso
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Colin Kirkpatrick
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Republic of Iceland National A
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - Digital Download SKU: A0.522133 Composed by Sveinbjörn Sveinbjörnsson (1847-1926). Arranged by Colin Kirkpatrick. Contem...
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Large Ensemble - Level 2 - Digital Download SKU: A0.522133 Composed by Sveinbjörn Sveinbjörnsson (1847-1926). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3455007. Published by Colin Kirkpatrick Publications (A0.522133). REPUBLIC OF ICELAND: Lofsöngur (Song of Praise) This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a three-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$6.99 ≈
6.44€
American Patriotic Music for All, Volume 1 (Flexible Orchestra)
American Patriotic Music for All, Volume 1 (Flexible Orchestra)
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Orchestra
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INTERMEDIATE/ADVANCED
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Various
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Randy Calistri-Yeh
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American Patriotic Music for A
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Custom Chamber Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.742743 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score...
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Full Orchestra - Level 4 - Digital Download SKU: A0.742743 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #350877. Published by Custom Chamber Music (A0.742743). 2nd edition - new and improved.Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has seven songs and over 14 minutes of music that both you and your audience are sure to love. Each song is also available separately from the publisher link above.These arrangements can be played with anywhere from 3 to 7 parts, with a great deal of flexibility in instrumentation. This makes it ideal for bands of all types (full orchestra, string orchestra, chamber orchestra, school, community, or professional). This is one of the most versatile collections you'll ever use!The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England).Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. The difficulty level ranges from medium-easy to medium-advanced. The arrangements respect the original style of the composers while greatly expanding the instrument flexibility.This collection contains a full score, as well as individual parts in all the appropriate clefs and transpositions to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet (all with optional percussion).Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.Be sure to also check out our three volumes of Christmas Carols for All!
$45.00 ≈
41.45€
TRIO - Four Seasons Spring (Allegro) for FLUTE, Bb CLARINET and PIANO - F Major
TRIO - Four Seasons Spring (Allegro) for FLUTE, Bb CLARINET and PIANO - F Major
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Flute, Clarinet, Piano (trio)
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INTERMEDIATE
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Classical
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Antonio Vivaldi
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Ivan de Andrade
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TRIO - Four Seasons Spring
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Finesse Music
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Piano Accompaniment,Piccolo - Level 3 - Digital Download SKU: A0.493351 Composed by Antonio Vivaldi. Arranged by Ivan de A...
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Small Ensemble B-Flat Clarinet,Piano Accompaniment,Piccolo - Level 3 - Digital Download SKU: A0.493351 Composed by Antonio Vivaldi. Arranged by Ivan de Andrade. Baroque,Classical,Contest,Festival,Traditional,Wedding. Score and parts. 39 pages. Finesse Music #108403. Published by Finesse Music (A0.493351). 2 arrangements in 1! Instruments 1A + 2B + accompaniment / 1B + 2A. Unique arrangement (in concert F Major) of the Allegro movement. Formatted for A4 or tablet. Clean layout and proper page turns for a better reading experience. Articulations, fingering and specific marking for each instrument are notated. Includes full scores and parts for both versions.
$7.99 ≈
7.36€
TRIO - Four Seasons Spring (Allegro) for FLUTE, TROMBONE and PIANO - F Major
TRIO - Four Seasons Spring (Allegro) for FLUTE, TROMBONE and PIANO - F Major
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Trombone and Piano
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INTERMEDIATE
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Classical
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Antonio Vivaldi
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Ivan de Andrade
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TRIO - Four Seasons Spring
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Finesse Music
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SheetMusicPlus
Small Ensemble Piano Accompaniment,Piccolo,Trombone - Level 3 - Digital Download SKU: A0.493357 Composed by Antonio Vivaldi. Arranged by Ivan de Andrade....
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Small Ensemble Piano Accompaniment,Piccolo,Trombone - Level 3 - Digital Download SKU: A0.493357 Composed by Antonio Vivaldi. Arranged by Ivan de Andrade. Baroque,Classical,Contest,Festival,Traditional,Wedding. Score and parts. 39 pages. Finesse Music #108409. Published by Finesse Music (A0.493357). 2 arrangements in 1! Instruments 1A + 2B + accompaniment / 1B + 2A. Unique arrangement (in concert F Major) of the Allegro movement. Formatted for A4 or tablet. Clean layout and proper page turns for a better reading experience. Articulations, fingering and specific marking for each instrument are notated. Includes full scores and parts for both versions.
$7.99 ≈
7.36€
TRIO - Four Seasons Spring (Allegro) for CELLO, FLUTE and PIANO - F Major
TRIO - Four Seasons Spring (Allegro) for CELLO, FLUTE and PIANO - F Major
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Classical
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Antonio Vivaldi
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Ivan de Andrade
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TRIO - Four Seasons Spring
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Finesse Music
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SheetMusicPlus
Small Ensemble Cello,Piano Accompaniment,Piccolo - Level 3 - Digital Download SKU: A0.493407 Composed by Antonio Vivaldi. Arranged by Ivan de Andrade. Ba...
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Small Ensemble Cello,Piano Accompaniment,Piccolo - Level 3 - Digital Download SKU: A0.493407 Composed by Antonio Vivaldi. Arranged by Ivan de Andrade. Baroque,Classical,Contest,Festival,Traditional,Wedding. Score and parts. 39 pages. Finesse Music #108459. Published by Finesse Music (A0.493407). 2 arrangements in 1! Instruments 1A + 2B + accompaniment / 1B + 2A. Unique arrangement (in concert F Major) of the Allegro movement. Formatted for A4 or tablet. Clean layout and proper page turns for a better reading experience. Articulations, fingering and specific marking for each instrument are notated. Includes full scores and parts for both versions.
$7.99 ≈
7.36€
TRIO - Four Seasons Spring (Allegro) for VIOLIN, FLUTE and PIANO - F Major
TRIO - Four Seasons Spring (Allegro) for VIOLIN, FLUTE and PIANO - F Major
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Classical
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Antonio Vivaldi
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Ivan de Andrade
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TRIO - Four Seasons Spring
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Finesse Music
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SheetMusicPlus
Small Ensemble Piano Accompaniment,Piccolo,Violin - Level 3 - Digital Download SKU: A0.493394 Composed by Antonio Vivaldi. Arranged by Ivan de Andrade. B...
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Small Ensemble Piano Accompaniment,Piccolo,Violin - Level 3 - Digital Download SKU: A0.493394 Composed by Antonio Vivaldi. Arranged by Ivan de Andrade. Baroque,Classical,Contest,Festival,Traditional,Wedding. Score and parts. 39 pages. Finesse Music #108446. Published by Finesse Music (A0.493394). 2 arrangements in 1! Instruments 1A + 2B + accompaniment / 1B + 2A. Unique arrangement (in concert F Major) of the Allegro movement. Formatted for A4 or tablet. Clean layout and proper page turns for a better reading experience. Articulations, fingering and specific marking for each instrument are notated. Includes full scores and parts for both versions.
$7.99 ≈
7.36€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.10€
Stilbrüche, Trio for Flute with Piccoloflute, Clarinet in A and Piano
Stilbrüche, Trio for Flute with Piccoloflute, Clarinet in A and Piano
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Fabian Hauser
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Stilbrüche, Trio for Flute wi
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Fabian Hauser
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Piano Accompaniment,Piccolo - Level 4 - Digital Download SKU: A0.1015149 Composed by Fabian Hauser. Concert,Contemporary,Gr...
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Small Ensemble Clarinet,Flute,Piano Accompaniment,Piccolo - Level 4 - Digital Download SKU: A0.1015149 Composed by Fabian Hauser. Concert,Contemporary,Graduation,Standards. Score and parts. 88 pages. Fabian Hauser #4639391. Published by Fabian Hauser (A0.1015149). Stilbrüche, Trio for Flute (alternating with Piccoloflute in the 2nd Mov.) Clarinet in A and Piano Duration ca. 20min I. KontroversesII. Chromatische RhapsodieIII. Ringelreihen88 Pages. First Performance in 2018 Bielefeld/Germany thru TRIO TASTENWIND www.triotastenwind.deFabian Hauser is a german musician and composer, born in 1969. With his Chamber-Ensemble Trio Tastenwind Flute, Clarinet and Piano he performed few of his own compositions. His Composition style could be described as Classical Contemporary with some jazzy influences.
$19.99 ≈
18.41€
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporary
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 ...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95 ≈
27.59€
Andorra National Anthem: Himne Andorra
Andorra National Anthem: Himne Andorra
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Concert band
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INTERMEDIATE
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Patriotic
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Father Enric Marfany Bons
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Colin Kirkpatrick
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Andorra National Anthem: Himne
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 3 - Digital Download SKU: A0.522106 Composed by Father Enric Marfany Bons (1871-1942). Arranged by Colin Kirkpatrick. Contemporary...
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Large Ensemble - Level 3 - Digital Download SKU: A0.522106 Composed by Father Enric Marfany Bons (1871-1942). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 35 pages. Colin Kirkpatrick Publications #3362511. Published by Colin Kirkpatrick Publications (A0.522106). Colin Kirkpatrick’s National Anthems Express ANDORRA: Himne Andorra This quick and easy national anthem arrangement is essential for travelling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a three-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies on US letter-size paper. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$5.99 ≈
5.52€
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Whirlwind | Trio for Piccolo, Flute, and Piano
