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Where Is Home?
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You've selected:
Where Is Home?
Sheetmusic to print
75 sheet music found
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1
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51
Sailing Homewards (piano solo)
Sailing Homewards (piano solo)
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Piano solo
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EASY
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Juan MarÃa Solare
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Sailing Homewards
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Juan Maria Solare
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.596594 Composed by Juan MarÃa Solare. 20th Century,Holiday,Sacred,Standards. Score. 5 pages. Juan Mari...
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Easy Piano - Level 2 - Digital Download SKU: A0.596594 Composed by Juan MarÃa Solare. 20th Century,Holiday,Sacred,Standards. Score. 5 pages. Juan Maria Solare #5853489. Published by Juan Maria Solare (A0.596594). I hope you enjoy this undoubtedly melancholic, sad, reflexive piece.Sailing Homewards was composed in Bremen (Germany) between 9 and 11 June 2020 (with corrections in the following days). Its duration is about 3:30.Now you may think, 'how can I become the perfect man or woman when I am in this sorry state?' You begin by pointing your compass homeward and taking your first steps in that direction. Ophelius (Healing – Where is Home?)
$3.00 ≈
2.76€
Homeward Bound
Homeward Bound
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Piano, Voice
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George Meyer
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Homeward Bound
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - Digital Download SKU: LV.22546 Composed by George Meyer. Portraits, Cartoons, Waterfronts, Warships, Military camps, Homesickness, Peac...
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Piano and voice - Digital Download SKU: LV.22546 Composed by George Meyer. Portraits, Cartoons, Waterfronts, Warships, Military camps, Homesickness, Peace, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22546). Homeward Bound. Words by Howard Johnson and Coleman Goetz. Music by Geo. Meyer. Published 1917 by Leo. Feist, Inc. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Cartoons, Waterfornts, Warships, Military camps, Homesickness, Peace, World War I. First line reads Somewhere far away, somewhere in the fray.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.52€
Kotimaani Ompi Suomi (My Homeland is Finland) for Brass Quintet
Kotimaani Ompi Suomi (My Homeland is Finland) for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Jooseppi Riipa 1868-1896
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Jari A
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Kotimaani Ompi Suomi
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.722743 Composed by Jooseppi Riipa 1868-1896. Arranged by Jari A....
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.722743 Composed by Jooseppi Riipa 1868-1896. Arranged by Jari A. Villanueva. Holiday,Romantic Period,Spiritual,World. Score and parts. 12 pages. JV MUSIC #3396153. Published by JV MUSIC (A0.722743). Kotimaani Ompi Suomi (My Homeland is Finland) for Brass Quintet Arranged by Jari VillanuevaScore 2 Trumpets in Bb Horn in F Trombone Tuba Substitute parts for Eb Horn and Baritone T.C .provided Kotimaani Ompi Suomi (My Homeland is Finland) is a song of much meaning, especially to those Finns who left Finland to settle in the United States. It is a haunting melody that evokes longing for the home so far away. The composer was a Finnish immigrant, Jooseppi Riipa, who was born in Kokkola, Finland in 1868. In 1895 he moved with his wife and small son to Hancock, Michigan where he taught music. He was unfortunately killed in 1896 during a thunderstorm and is buried in Astoria, Oregon. There is no doubt he left a lasting legacy with this beautiful piece of music. A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.Jari is a 2016 Sheet Music Plus Arranging Contest winner and 2016 Holiday Arranging Contest winnerhttps://youtu.be/0g88dedTEkU
$12.99 ≈
11.96€
Down Where the Wurzburger Flows
Down Where the Wurzburger Flows
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Piano, Voice
#
Harry Von Tilzer
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Down Where the Wurzburger Flow
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - Digital Download SKU: LV.23897 Composed by Harry Von Tilzer. Portraits, Barrels, Nostalgia, Beer, Germany, Homesickness. Lester S. Levy...
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Piano and voice - Digital Download SKU: LV.23897 Composed by Harry Von Tilzer. Portraits, Barrels, Nostalgia, Beer, Germany, Homesickness. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23897). Down Where the Wurzburger Flows. Words by Vincent P. Bryan. Music by Harry Von Tilzer. Published 1902 by Harry Von Tilzer Music Publishing Co., 42 West 28th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Barrels, Nostalgia, Beer, Germany, Homesickness. First line reads Now poets may sing of the dear Father land, and the soft flowing dreamy old Rhine.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.52€
Where Would We Be? - SAB
Where Would We Be? - SAB
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Choral 3-part
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INTERMEDIATE/ADVANCED
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Sacred music
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Richard E Brown
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Level: MA
#
Where Would We Be? - SAB
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Dacker Music
#
SheetMusicPlus
Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.814786 Composed by Richard E Brown. Contemporary,Easter,Praise & Worship,Sacred. Octavo. 15 pages...
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Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.814786 Composed by Richard E Brown. Contemporary,Easter,Praise & Worship,Sacred. Octavo. 15 pages. Dacker Music #4285527. Published by Dacker Music (A0.814786). Where Would We Be is an anthem for SAB choir with piano that is especially appropriate for Lent and Holy Week, as well as any service concerned with the poor and the homeless. Henry Lebedinsky's thought-provoking words, while they contain some imagery that some might find a bit disturbing, carry a very powerful message. Level: MA - Duration: 4:00
$2.00 ≈
1.84€
Where Would We Be? - SATB
Where Would We Be? - SATB
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Richard E Brown
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Level: MA
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Where Would We Be? - SATB
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Dacker Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.814667 Composed by Richard E Brown. Contemporary,Easter,Praise & Worship,Sacred. Octavo. 15 page...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.814667 Composed by Richard E Brown. Contemporary,Easter,Praise & Worship,Sacred. Octavo. 15 pages. Dacker Music #2951945. Published by Dacker Music (A0.814667). Where Would We Be is an anthem for SATB choir with piano that is especially appropriate for Lent and Holy Week, as well as any service concerned with the poor and the homeless. Henry Lebedinsky's thought-provoking words, while they contain some imagery that some might find a bit disturbing, carry a very powerful message. Level: MA - Duration: 4:00
$2.00 ≈
1.84€
Polonaise in A Minor (GUITAR TAB) "Farewell to the Homeland" [Michał Kleofas Ogiński]
Polonaise in A Minor (GUITAR TAB) "Farewell to the Homeland" [Michał Kleofas Ogiński]
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Guitar notes and tablatures
#
EASY
#
Michal Kleofas Oginski
#
Darek
#
Polonaise in A Minor
#
Darek
#
SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1259067 Composed by Michal Kleofas Oginski. Arranged by Darek. Classical,Patriotic,Romantic P...
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Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1259067 Composed by Michal Kleofas Oginski. Arranged by Darek. Classical,Patriotic,Romantic Period,Traditional. Tablature. 3 pages. Darek #852332. Published by Darek (A0.1259067). Polonaise in A Minor (GUITAR TAB) Farewell to the Homeland [Michał Kleofas Ogiński]Simplified arrangement for guitarists of Polonaise in A Minor Farewell to the Homeland (Polonez A-moll „Pozegnanie Ojczyzny†/ Polonez „Pożegnanie Ojczyzny†/ „Les adieux à la Patrie) by Michał Kleofas Ogiński (Michal Kleofas Oginski).  Easy guitar arrangement for beginners. Included: Sheet Music, Tabulature, Chords and Youtubue tutorial. Embark on a musical journey with the Polonaise in A Minor Farewell to the Homeland by Michal Kleofas Oginski, expertly transcribed into a beginner-intermediate level guitar tab. Dive into the captivating world of this cherished composition, also known as Polonez A-moll Pożegnanie Ojczyzny or Les adieux à la Patrie, and let your guitar bring these enchanting melodies to life. Designed specifically for beginner-intermediate guitarists, my comprehensive sheet music package offers everything you need to master this timeless piece. Each purchase includes detailed Sheet Music, accurate Tabulature, and essential Chords, providing a solid foundation for your musical exploration. Navigating the composition is made effortless with my user-friendly guitar tab, allowing you to follow along seamlessly. Whether you're strumming the chords or plucking the melodies, you'll find joy in discovering the beauty of Oginski's composition through your fingertips. To enrich your learning experience, my package includes a bonus YouTube tutorial video, where skilled guitarists guide you through every nuance of the piece. This visual aid provides invaluable insights and performance techniques, enhancing your understanding of the composition and bringing you closer to mastering it. The Polonaise in A Minor Farewell to the Homeland originates from the Romantic era, known for its emotional depth and expressive melodies. Immerse yourself in the rich heritage of this musical period and unlock your potential as a guitarist. Positioned strategically for optimal online visibility, my product caters to beginner-intermediate guitarists seeking a rewarding challenge and an opportunity to expand their repertoire. Whether you aspire to play for personal enjoyment or entertain others, this collection will elevate your guitar skills and captivate your audience. Embrace the power of notes, music, and the guitar, and let the Polonaise in A Minor resonate through your fingertips. Elevate your musical journey and experience the joy of playing this cherished composition. Unleash your inner guitarist and embark on a fulfilling musical adventure today.
$3.00 ≈
2.76€
Polonaise in A Minor (VERY EASY PIANO) "Farewell to the Homeland" [Michał Kleofas Ogiński]
Polonaise in A Minor (VERY EASY PIANO) "Farewell to the Homeland" [Michał Kleofas Ogiński]
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Easy Piano
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BEGINNER
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Michal Kleofas Oginski
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Darek
#
Polonaise in A Minor
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Darek
#
SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1259061 Composed by Michal Kleofas Oginski. Arranged by Darek. Classical,Patriotic,Romantic Period,Tradit...
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Easy Piano - Level 1 - Digital Download SKU: A0.1259061 Composed by Michal Kleofas Oginski. Arranged by Darek. Classical,Patriotic,Romantic Period,Traditional. Score. 2 pages. Darek #852325. Published by Darek (A0.1259061). Polonaise in A Minor (VERY EASY PIANO) Farewell to the Homeland [Michał Kleofas Ogiński]Simplified arrangement for beginner pianists of Polonaise in A Minor Farewell to the Homeland (Polonez A-moll „Pozegnanie Ojczyzny†/ Polonez „Pożegnanie Ojczyzny†/ „Les adieux à la Patrie) by Michał Kleofas Ogiński (Michal Kleofas Oginski). Very easy version for beginner pianists / Very easy piano arrangement. Included: Letter notes for right hand, Fingering, very easy chords and video Youtube tutorial. Experience the timeless beauty of the Polonaise in A Minor Farewell to the Homeland by Michał Kleofas Ogiński (Michal Kleofas Oginski) with my specially curated sheet music collection. Designed for beginner pianists, this collection provides a seamless introduction to the enchanting world of classical music. With my easy-level piano sheet music, you'll find yourself effortlessly mastering this cherished piece, also known as Polonez A-moll Pożegnanie Ojczyzny or Les adieux à la Patrie. Every sheet includes meticulously crafted Letter notes and Fingering instructions, ensuring a smooth learning process for aspiring musicians. To enhance your progress, my sheet music goes beyond traditional notation and incorporates very easy chords, allowing you to explore a fuller and more harmonious sound. Whether you're a budding pianist or an experienced musician seeking a relaxing repertoire, this collection offers a delightful challenge. As a testament to my commitment to your musical journey, each purchase includes a bonus YouTube tutorial video, where you can watch and learn from professionals who bring this remarkable composition to life. The video tutorial not only aids in understanding the piece but also adds a dynamic visual element to your learning experience. Polonaise in A Minor Farewell to the Homeland belongs to the Romantic era, a period renowned for its emotional depth and expressive melodies. Immerse yourself in the rich history of music and explore the captivating nuances of Oginski's composition. Unlock your potential as a pianist and indulge in the joy of creating beautiful music. Embrace the power of notes, music, and the piano, and let this Polonaise captivate your soul. With my meticulously curated sheet music and accompanying resources, your musical journey is destined for success. Rediscover the joy of playing the piano and embark on a truly fulfilling musical adventure today.
$2.00 ≈
1.84€
MY PENNSYLVANIA HOMELAND Piano/Vocal
MY PENNSYLVANIA HOMELAND Piano/Vocal
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Piano, Voice
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INTERMEDIATE
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ROBERT VAN HORNE
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MY PENNSYLVANIA HOMELAND Piano
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White Piano International Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914977 Composed by ROBERT VAN HORNE. Film/TV,Folk,Historic,Pop,Singer/Songwriter. Score. 7 pages. ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914977 Composed by ROBERT VAN HORNE. Film/TV,Folk,Historic,Pop,Singer/Songwriter. Score. 7 pages. White Piano International Publishing #6572957. Published by White Piano International Publishing (A0.914977). MY PENNSYLVANIA HOMELAND Â Piano / Vocal Popular SongWords & Music by ROBERT VAN HORNE7 PagesDuring my youth, I grew up in a small southeastern town in the beautiful state of Pennsylvania. Much of my early adulthood was spent living near the city of Philadelphia. Now, since I no longer live in PA, I was inspired to compose a song about the place that was once my home...a place where memories of my childhood were born. Many thanks to my good friends, Jack and Sue, former Pennsylvanians, whose inspiration and friendship helped me write this song.This is a popular song for singers who would like to add a new and original piece to their repertoire. It is clearly notated with lyrics, chords, piano accompaniment and vocal part.The song would also make a nice background theme for TV or movies about Pennsylvania as well as promotional material for the Chamber of Commerce in the different Pennsylvania counties and cities.A Youtube video of Robert's 2012 performance is available at: http://youtu.be/SJ2HKcIQ-wkRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$4.99 ≈
4.60€
Hopewell Homestead from Hopewell Suite for Trumpet Sextet
Hopewell Homestead from Hopewell Suite for Trumpet Sextet
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Folkloric/Traditional
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Eddie Lewis
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Hopewell Homestead from Hopewe
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Tiger Music
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SheetMusicPlus
Brass Ensemble Trumpet - Level 4 - Digital Download SKU: A0.750319 Composed by Eddie Lewis. Folk. Score and parts. 20 pages. Tiger Music #4794187. Publis...
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Brass Ensemble Trumpet - Level 4 - Digital Download SKU: A0.750319 Composed by Eddie Lewis. Folk. Score and parts. 20 pages. Tiger Music #4794187. Published by Tiger Music (A0.750319). Hopewell Homestead Sixth Movement from Hopewell Suite for Trumpet Ensemble by Eddie Lewis Hopewell Suite is a trumpet ensemble composition for four trumpets and two flugelhorns. It was composed in 2016 using inspirations Eddie Lewis collected while he was in South Africa for the jazz festival in Grahamstown, in the Eastern Cape. Hopewell is the name of the farm where Eddie and his wife stayed most of the time while they were in South Africa. The farm is owned by their brother-in-law. Hopewell Homestead is the sixth movement of the suite. The farm is a traditional one. This is not only a place of business, but a home to the Kretzmann family and my mother-in-law. It is a warm and welcoming home, full of joy and life and......pets.........lots of pets. :-) If you are interested in purchasing the full suite with all seven movements, you can do so at: Sheet Music Plus: https://goo.gl/ry175L (affiliate link).
$18.63 ≈
17.16€
Ragtime It Is - Concert Piece for Violoncello and Piano
Ragtime It Is - Concert Piece for Violoncello and Piano
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Augustin Lehfuss
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Ragtime It Is - Concert Piece
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Gustfuss Records
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.876891 Composed by Augustin Lehfuss. Contemporary,Jazz,Ragtime,World...
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Instrumental Duet Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.876891 Composed by Augustin Lehfuss. Contemporary,Jazz,Ragtime,World. Score and parts. 36 pages. Gustfuss Records #5298717. Published by Gustfuss Records (A0.876891). Ragtime It Is - Concert Piece for Violoncello and PianoThis Concert Piece is a composition for Violoncello and Piano in a style somewhere in between jazz and classical music. It is based on a ragtime like feel, and reharmonized on the basis of jazzy funtional harmonics. After a short Intro it starts with the ragtime theme, which is further on varied in many ways before it comes to a cantabile part, focussed on a cello melody. The piano accompanies in the style of a jazz ballad. The cantabile ends with a written solo cadenza for the cello, which leads back to the ragtime theme..The piece requires at least advanced, if not professional players The MP3 audio sample displayes only the essential part of the composition, the whole piece can be heard and seen on the youtube video The downloadable PDF file contains complete score and both piano and cello parts.Duration: 06:30 minVery suitable as a da capo tune for a classical concertplease also visit the composers homepagewww.lehfuss.com
$14.95 ≈
13.77€
Humming Towhees (for flute choir)
Humming Towhees (for flute choir)
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Flute ensemble
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INTERMEDIATE/ADVANCED
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Javier Metztli Marquez
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Humming Towhees
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Javier Metztli Marquez
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1244293 Composed by Javier Metztli Marquez. 21st Century...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.1244293 Composed by Javier Metztli Marquez. 21st Century,Contemporary. 16 pages. Javier Metztli Marquez #839254. Published by Javier Metztli Marquez (A0.1244293). The Canyon Towhees are known for singing beautiful melodies in the Chihuahuan Desert, where my hometown of El Paso, Texas resides. This piece will transport you to an early morning El Paso sunrise at the foot of the Franklin Mountains where every little bird is slowly awakened by the warmth of the sun and progresses to the scurrying of the day. Â Personally, for me, the Towhees song reminds me of my earliest childhood memories, sitting outside on my grandparents' back porch, enjoying the early morning dew, and listening to the Canyon Towhees call.
$30.00 ≈
27.63€
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.57€
Sonata No. 6 "Kharkiv", Op. 48
Sonata No. 6 "Kharkiv", Op. 48
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Guitar
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Classical
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published b...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95 ≈
7.32€
Halloween Theme
Halloween Theme
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Orchestra
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INTERMEDIATE
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Halloween
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John Carpenter
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Kevin Riley
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Halloween Theme
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By John Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV,Halloween...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By John Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV,Halloween. Score and Parts. 44 pages. Kevin Riley #705731. Published by Kevin Riley (A0.1102324). Halloween is a 1978 American independent slasher film directed and scored by John Carpenter, co-written with producer Debra Hill, and starring Jamie Lee Curtis (in her film debut) and Donald Pleasence, with P. J. Soles and Nancy Kyes appearing in supporting roles. The plot centers around a mental patient, Michael Myers, who was committed to a sanitarium for murdering his babysitting teenage sister on Halloween night when he was six years old. Fifteen years later, he escapes and returns to his hometown, where he stalks a female babysitter and her friends, while under pursuit by his psychiatrist. Filming took place in Southern California in May 1978; the work premiered in October, whereupon it grossed $70 million, becoming one of the most profitable independent films of all time. Primarily praised for Carpenter's direction and score, many critics credit the film as the first in a long line of slasher films inspired by Alfred Hitchcock's Psycho (1960), and Bob Clark's Black Christmas (1974). It is considered one of the greatest and most influential horror films ever made. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. Halloween spawned a film franchise comprising thirteen films which helped construct an extensive backstory for its antagonist Michael Myers, sometimes narratively diverging entirely from previous installments. A direct sequel of the film was released in 1981. A remake was released in 2007, which was followed by a sequel in 2009. An eleventh installment, which serves as a direct sequel to the original film that retcons all previous sequels, was released in 2018; this was followed by two direct sequels: Halloween Kills (2021) and the upcoming Halloween Ends (2022). Additionally, a novelization, a video game and comic book series have been based on the film.
$70.00 ≈
64.47€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.85€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.85€
Home Again Piano Minus Vocal
Home Again Piano Minus Vocal
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Piano solo
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Pop music
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Steven H
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Ashley Ivers
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Home Again Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Piano - Digital Download SKU: A0.1069957 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Accompaniment. Duration 230. Boothe Publishing #463...
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Piano - Digital Download SKU: A0.1069957 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Accompaniment. Duration 230. Boothe Publishing #4633659. Published by Boothe Publishing (A0.1069957). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99 ≈
1.83€
Home Again Guitar Minus Vocal
Home Again Guitar Minus Vocal
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Pop music
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Steven H
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Home Again Guitar Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 212. Boothe Publishing #4633655. Published by Boothe...
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Guitar - Digital Download SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 212. Boothe Publishing #4633655. Published by Boothe Publishing (A0.1069956). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99 ≈
1.83€
Home Again Guitar Vocal Performance
Home Again Guitar Vocal Performance
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Pop music
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Steven H
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Home Again Guitar Vocal Perfor
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Boothe Publishing
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SheetMusicPlus
Guitar,Voice - Digital Download SKU: A0.1069974 Composed by Steven H. Boothe. Pop. Full Performance. Duration 212. Boothe Publishing #4633719. Published ...
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Guitar,Voice - Digital Download SKU: A0.1069974 Composed by Steven H. Boothe. Pop. Full Performance. Duration 212. Boothe Publishing #4633719. Published by Boothe Publishing (A0.1069974). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99 ≈
1.83€
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Where Is Home?
