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We Three Kings 6 Hand Piano
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You've selected:
We Three Kings 6 Hand Piano
Sheetmusic to print
14 sheet music found
<
1
We Three Kings - 6 Hand Piano
We Three Kings - 6 Hand Piano
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1 Piano, 6 hands
#
BEGINNER
#
Christmas
#
John Henry Hopkins Jr
#
Alison Mathews
#
We Three Kings - 6 Hand Piano
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Alison Mathews
#
SheetMusicPlus
1 Piano,6 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1128549 Composed by John Henry Hopkins Jr. Arranged by Alison Mathews. Children,Christmas...
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1 Piano,6 Hands,Piano Duet - Level 1 - Digital Download SKU: A0.1128549 Composed by John Henry Hopkins Jr. Arranged by Alison Mathews. Children,Christmas,Holiday,Religious. Score. 10 pages. Alison Mathews #729172. Published by Alison Mathews (A0.1128549). This 6 hand arrangement of ‘We Three Kings’ brings together your pre-readers, rote learners or even non-piano playing family members for seasonal musical fun! All pianists play part of the melody with the middle part being about grade 3 standard. There are 2 versions, one where pupils swap places or one where each pupil remains in position. Perfect for a Christmas concert!
$3.99 ≈
3.68€
6 Very Easy Christmas Carols for the young Pianist- Beginner Level
6 Very Easy Christmas Carols for the young Pianist- Beginner Level
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Easy Piano
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BEGINNER
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Sacred music
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Various
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Grant Horsley
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6 Very Easy Christmas Carols f
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Grant Horsley
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.785642 Composed by Various. Arranged by Grant Horsley. Children,Christmas,Praise & Worship,Religious,Sacr...
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Easy Piano - Level 1 - Digital Download SKU: A0.785642 Composed by Various. Arranged by Grant Horsley. Children,Christmas,Praise & Worship,Religious,Sacred. Score. 7 pages. Grant Horsley #4894983. Published by Grant Horsley (A0.785642). These 6 short pieces are for the young pianist.(6 pages) They have been written in a 5 finger hand position C-G right hand and Middle C-F with the left. I wanted to arrange them so instead of a simple melodic line, the melodies are split between the hands(retaining the five finger position), but they also incorporate some elementary harmony to add a little more interest.They are very easy arrangements and should also benefit students who have just begun piano playing and not very advanced, yet still want to be involved playing at Christmas time! The pieces are: Good King Wenceslas, We Three Kings, Jolly Old Saint Nicholas, O Come all ye Faithful, Jingle Bells and We wish you a Merry Christmas
$4.50 ≈
4.14€
Christmas: SECULAR Songs on the Black Keys - Pre-staff Piano Sheet Music
Christmas: SECULAR Songs on the Black Keys - Pre-staff Piano
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Easy Piano
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BEGINNER
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Christmas
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Traditional Christmas & Folk T
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Elizabeth Essex
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Christmas: SECULAR Songs on th
#
Elizabeth Essex
#
SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1133351 Composed by Traditional Christmas & Folk Tunes. Arranged by Elizabeth Essex. Children,Christmas,C...
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Easy Piano - Level 1 - Digital Download SKU: A0.1133351 Composed by Traditional Christmas & Folk Tunes. Arranged by Elizabeth Essex. Children,Christmas,Contemporary,Holiday,Multicultural,World. Score. 27 pages. Elizabeth Essex #733504. Published by Elizabeth Essex (A0.1133351). The arrangements in Christmas: Songs on the Black Keys are great for new beginner piano students who can read using finger numbers on the black keys, but aren't ready to make the jump to reading with all alpha notes. For example, songs like O Christmas Tree introduce the B and F keys, but keeps the rest of the fingers on the black keys. Every song has an illustration of the hand position. Notes are color-coded by hand-- green for right hand and red for left hand. Illustrations of each hand are also included at the start of each song which is vital for those pre-school kids that still have trouble telling right from left. The result is a set of songs attractive and playable for beginners of all ages. Lyrics included with most songs. Some songs contain religious content. Check my profile for the secular version. 26 pages, landscape. Easy for pre-readers and beginners. Preschool. Finger numbers. Pre-staff / prestaff, pre-reader / prereader, pre-reading / prereading. Beginner. Late beginners. Contents: 1. Jolly Old St. Nicholas 2. Up on the Housetop 3. Go Tell It on the Mountain 4. Jingle Bells 5. We Three Elves (parody of We Three Kings) 6. O Christmas Tree 7. O Come All to My Igloo (parody of O Come All Ye Faithful) 8. Dance of the Reed Flutes, from The Nutcracker Suite 9. Arabian Dance - duet, from The Nutcracker Suite 10. Chinese Dance - duet, from The Nutcracker Suite 11. Deck the Halls See my other arrangements: Sheet Music Press (copyrighted music available)
$12.99 ≈
11.96€
Christmas Swings for Two (1 piano 4 hands) intermediate
Christmas Swings for Two (1 piano 4 hands) intermediate
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1 Piano, 4 hands
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INTERMEDIATE
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Christmas
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Various
#
Nick Raspa
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Christmas Swings for Two
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NJR Music
#
SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.754389 Composed by Various. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score. 32 pag...
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1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.754389 Composed by Various. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score. 32 pages. NJR Music #3913517. Published by NJR Music (A0.754389). Collection of 6 Favorite Christmas Carols arranged for intermediate level 1 piano 4 hands:Â (1) Angels We Have Heard Can Swing, (2) Deck The Hall With Swing, (3) The First Noel Swings, (4) Good King Wenceslas Swings (5) Jingle Bell Swings and (6) We Three Kings of Orient Swing. Â Listen to all six arrangments in their entirety on YouTube. Â (Each arrangement is also available separately.). ASCAP
$24.99 ≈
23.02€
Journey Of The King (2 octave handbells & piano accompaniment)
Journey Of The King (2 octave handbells & piano accompaniment)
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Handbells
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Christmas
#
English Melody, Helmore, and H
#
Sandra Zylstra
#
Journey Of The King
#
sandra dee zylstra
#
SheetMusicPlus
Handbell,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.712551 Composed by English Melody, Helmore, and Hopkins. Arranged by Sandra Zylstra...
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Handbell,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.712551 Composed by English Melody, Helmore, and Hopkins. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. Score and individual part. 7 pages. Sandra dee zylstra #6078685. Published by sandra dee zylstra (A0.712551). From the foretelling of His birth in O Come, O Come Emmanuel, to the telling of His birth in What Child Is This?, and to the journey the Kings took to see Jesus in We Three Kings…this medley tells the story of the journey surrounding Christ's birth. Journey of The King is a level 3, 15 bell arrangement with piano accompaniment. A separate handbell part is included. Purchase of this piece gives you permission to make copies for your bell choir only, it may not be duplicated for multiple groups. You can purchase an instrument solo or duet that will fit with this bell arrangement and this arrangement is also found in the book Ring at Christmas! (Approximately 3 minutes, 6 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$19.00 ≈
17.50€
Christmas: Songs on the Black Keys - Pre-staff Piano Sheet Music
Christmas: Songs on the Black Keys - Pre-staff Piano
#
Easy Piano
#
Christmas
#
Traditional Christmas &
#
Elizabeth Essex
#
Folk Tune
#
Christmas: Songs on the Black
#
Elizabeth Essex
#
SheetMusicPlus
Composed by Traditional Christmas & Folk Tune. Arranged by Elizabeth Essex. Children, Christian, Christmas, Holiday, Praise & Worship. Score. ...
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Composed by Traditional Christmas & Folk Tune. Arranged by Elizabeth Essex. Children, Christian, Christmas, Holiday, Praise & Worship. Score. 26 pages. Elizabeth Essex #728341. Published by Elizabeth Essex
The arrangements in Christmas: Songs on the Black Keys are great for new beginner piano students who can read using finger numbers on the black keys, but aren\'t ready to make the jump to reading with all alpha notes. For example, songs like \"O Christmas Tree\" introduce the B and F keys, but keeps the rest of the fingers on the black keys.
Every song has an illustration of the hand position. Notes are color-coded by hand-- green for right hand and red for left hand. Illustrations of each hand are also included at the start of each song which is vital for those pre-school kids that still have trouble telling right from left. The result is a set of songs attractive and playable for beginners of all ages.
Lyrics included with most songs. Some songs contain religious content. Check my profile for the secular version.
26 pages, landscape. Easy for pre-readers and beginners.
Preschool. Finger numbers. Pre-staff / prestaff, pre-reader / prereader, pre-reading / prereading. Beginner. Late beginners.
Contents:
1. Jolly Old St. Nicholas
2. Up on the Housetop
3. Go Tell It on the Mountain
4. Jingle Bells
5. We Three Kings
6. O Christmas Tree
7. O Come All Ye Faithful
8. Dance of the Reed Flutes
9. Arabian Dance - duet
10. Chinese Dance - duet
11. Deck the Halls
$11.99 ≈
11.04€
We Three Kings of Orient Are for String Quartet (or Mixed Quartet or Piano Quintet)
We Three Kings of Orient Are for String Quartet (or Mixed Quartet or Piano Quintet)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
#
Christmas
#
John Henry Hopkins
#
Daniel Kelley
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Cello, Piano Quartet &
#
We Three Kings of Orient Are f
#
Last Resort Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.530730 Composed by John Henry Hopkins. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Sco...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.530730 Composed by John Henry Hopkins. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 19 pages. Last Resort Music Publishing #4887841. Published by Last Resort Music Publishing (A0.530730). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$9.95 ≈
9.16€
We Three Kings \| Piano Trio (1 piano, 6 hands) \| Intermediate
We Three Kings \| Piano Trio (1 piano, 6 hands) \| Intermediate
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1 Piano, 6 hands
#
INTERMEDIATE/ADVANCED
#
Christmas
#
Traditional
#
Lisa Nelson
#
We Three Kings \| Piano Trio
#
Lisa Nelson
#
SheetMusicPlus
Composed by Traditional. Arranged by Lisa Nelson. Christmas. Score. 27 pages. Lisa Nelson #4838097. Published by Lisa Nelson ...
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Composed by Traditional. Arranged by Lisa Nelson. Christmas. Score. 27 pages. Lisa Nelson #4838097. Published by Lisa Nelson
$9.99 ≈
9.20€
Bock's Best - Volume 3
Bock's Best - Volume 3
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Piano solo
#
Fred Bock
#
Bock's Best - Volume 3
#
Fred Bock Music Company
#
SheetMusicPlus
Piano - SMP Level 6 (Late Intermediate) SKU: HL.8738356 Piano Solo. Arranged by Fred Bock. Piano solo. Fred Bock Publications. Christmas. Collecti...
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Piano - SMP Level 6 (Late Intermediate) SKU: HL.8738356 Piano Solo. Arranged by Fred Bock. Piano solo. Fred Bock Publications. Christmas. Collection (no lyrics). With introductory text (does not include words to the songs). 59 pages. Fred Bock Music Company #BG0679. Published by Fred Bock Music Company (HL.8738356). ISBN 9781934596166. UPC: 073999383560. 9x12 inches.This complete book of tremendous piano solos features just about every song that comes to mind for this sepcial season. From Silent Night and Hark, the Herald Angels Sing, to Go Tell It on the Mountain, all of these favorites are created in Fred Bock's unique piano styling. This Christmas book sells all year long! About SMP Level 6 (Late Intermediate) 4-note chords in both hands with large stretches and leaps. Irregular and complicated rhythms.
Song List
: Angels, We Have Heard On High Away In A Manger Deck the Halls God Rest Ye Merry Gentlemen Good King Wenceslas Go, Tell It on the Mountains Hark! The Herald Angels Sing It Came Upon the Midnight Clear Jingle Bells Joy To The World Lo, How a Rose E'er Blooming Now Is Born The Divine Christ Child O Christmas Tree O Come,, All Ye Faithful O Come, O Come, Emmanuel O Little Town of Bethlehem O Holy Night Sheep And Shepherd Medley Silent Night First Noel, The There's A Song In The Air We Three Kings We Wish You a Merry Christmas What Child Is This While By The Sheep While The Shepherd's Watch Thier Flocks By Night
$19.99 ≈
18.41€
Three Kings Blues, for piano duet (variation on the Christmas carol "We three kings..")
Three Kings Blues, for piano duet (variation on the Christmas carol "We three kings..")
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1 Piano, 4 hands
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INTERMEDIATE
#
Christmas
#
Simon Peberdy
#
Three Kings Blues, for piano d
#
Simon Peberdy
#
SheetMusicPlus
Composed by Simon Peberdy (based on a traditional Christmas Carol). For Piano Duet. 21st Century,Jazz,Blues,Christmas. Intermediate. 6 pages. Published by Simon...
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Composed by Simon Peberdy (based on a traditional Christmas Carol). For Piano Duet. 21st Century,Jazz,Blues,Christmas. Intermediate. 6 pages. Published by Simon Peberdy
$3.99 ≈
3.68€
Christmas: Songs on the White Keys - Carols for Beginners in Alpha Notation
Christmas: Songs on the White Keys - Carols for Beginners in Alpha Notation
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Easy Piano
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BEGINNER
#
Christmas
#
Traditional Christmas & Folk T
#
Elizabeth Essex
#
Christmas: Songs on the White
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Elizabeth Essex
#
SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1138528 Composed by Traditional Christmas & Folk Tunes. Arranged by Elizabeth Essex. Christian,Christmas,...
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Easy Piano - Level 1 - Digital Download SKU: A0.1138528 Composed by Traditional Christmas & Folk Tunes. Arranged by Elizabeth Essex. Christian,Christmas,Holiday,Praise & Worship,Traditional. Score. 28 pages. Elizabeth Essex #738870. Published by Elizabeth Essex (A0.1138528). The arrangements in Christmas: Songs on the White Keys are carols for piano beginners written in alpha notation. Great for new beginner piano students learning to read alpha notation in middle C position, these arrangements each have a keyboard diagram for the hand position. Some helpful reminder finger numbers are included. These songs are traditional carols and include the original, religious lyrics. Difficulty level on par with Faber My First Piano Adventures Level A, Alfred level A or Wunderkeys Primer Level 1 (the first half), etc. 22 pages, landscape. Great for beginner singers and beginner pianists of all ages. Perfect for a holiday recital. Contents:1. Jingle Bells 2. Lullay (Coventry Carol) 3. We Three Kings 4. O Come All Ye Faithful 5. Up on the Housetop 6. Dance of the Reed Flutes 7. O Christmas Tree 8. It Came Upon a Midnight Clear 9. Silent Night 10. 12 Days of Christmas 11. Joy to the World 12. Holly and the Ivy See my other arrangements: Sheet Music Press (copyrighted music available)Sheet Music Direct (copyrighted music available)Top Music Marketplace (piano studio licenses available)Teachers Pay Teachers (classroom licenses available)To commission an arrangement or set up Zoom piano or art lessons, contact Elizabeth: ElizabethMusicNArts.wordpress.com
$11.99 ≈
11.04€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.10€
We Three Kings by Patti Drennan - 1 Piano 4-Hands
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1 Piano, 4 hands
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Patti Drennan
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We Three Kings
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Musicnotes
Performed by: Patti Drennan: We Three Kings Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: 1 Piano 4-Hands;Instrumental...
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Performed by: Patti Drennan: We Three Kings Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: 1 Piano 4-Hands;Instrumental Duet, instruments: Piano/4 Hands; 6 pages -- Christmas~~Christmas - Religious~~Holiday & Special Occasion
$5.79 ≈
5.33€
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We Three Kings 6 Hand Piano
