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Two Meditations for Double Bass solo
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You've selected:
Two Meditations for Double Bass solo
Sheetmusic to print
9 sheet music found
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1
Two Meditations for Double Bass solo
Two Meditations for Double Bass solo
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Double Bass
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INTERMEDIATE/ADVANCED
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Gospel/Spiritual
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Jazz
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Alan Edgar
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Two Meditations for Double Bas
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Alan Edgar Ted Moon
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SheetMusicPlus
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1323583 Composed by Alan Edgar. Spiritual. Individual part. 2 pages. Alan Edgar Ted Moo...
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1323583 Composed by Alan Edgar. Spiritual. Individual part. 2 pages. Alan Edgar Ted Moon #911814. Published by Alan Edgar Ted Moon (A0.1323583). Short, moving solos,  easy but with high natural harmonics.  Originally composed as incidental music for a passion  play and a play about St Francis.Mystery Plays are about significant biblical events.Francis of Assisi was an Italian mystic and Catholic friar who founded the religious order of the Franciscans. He was inspired to lead a life of extreme poverty as an itinerant preacher: he eventually became blind. So I made his music sad. He himself did compose and sing. Francis is associated with patronage of animals, and is often depicted surrounded by them. Hence the bird song effect.
$10.00 ≈
8.99€
Impromptu Op. 90, No. 3 for String Bass and Piano
Impromptu Op. 90, No. 3 for String Bass and Piano
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Double bass, Piano (duet)
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EASY
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Franz Schubert
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Diego Marani
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Impromptu Op. 90, No. 3 for St
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Diego Marani
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1460375 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instru...
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Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1460375 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. Score and part. 12 pages. Diego Marani #1039307. Published by Diego Marani (A0.1460375). The Impromptus, Op. 90, D. 899, are a set of four impromptus for solo piano composed by Franz Schubert in 1827. They were written in the same year as the Impromptus, Op. 142, though only the first two pieces were published during Schubert's lifetime. Together with the latter set, they have become a cornerstone of the piano repertoire. The third Impromptu (Andante) is an wonderful epitome of slow-moving Schubert melody over a flowing arpeggiated accompaniment. This lyrical and meditative work remains unified in mood and texture throughout. The piece is a classic example of Schubert's penchant for long melodic lines.This easy arrangement for double bass with piano accompaniment is suitable for classroom, repertoire, recital, wedding or for an emotional encore.
$8.99 ≈
8.09€
A Gift From The Bower (Revised)
A Gift From The Bower (Revised)
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Cello
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Chris Becker
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A Gift From The Bower
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Beckeresque
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. ...
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Cello Solo - Level 4 - Digital Download SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASCAP) #879245. Published by Beckeresque (ASCAP) (A0.1288214). When I first saw the enormous chair Rachel Gardner and Carlos Canul constructed for A Gift from the Bower, an outdoor, multi-disciplinary group exhibition conceived by renowned artists James Surls and Charmaine Locke, I had a vision of a cellist seated in a chair on the chair, performing solo in a bower deep in the woods of Splendora Gardens. I shared this image with Rachel, who didn’t think I was nuts, and over the course of several weeks, composed a piece for unaccompanied cello to be performed at the opening of the exhibit. I was honored when cellist Patrick Moore agreed to premiere the work; his formidable technique and the deep expression he brings to his playing inspired me to embrace the challenge of composing a solo for his instrument.Knowing my piece would be performed outdoors, I was inspired to evoke the rhythm of sound events one hears in woods, especially the rise and fall of wind as it moves through branches and leaves. The very opening of the piece and later, what I hear as an extended coda, were created as moments for the cellist as much as for the listener and are performed in a sort of meditative state, calling to mind the age-old question, “If a tree falls in a forest and no one is around to hear it, does it make a sound?†The repeating measures of 16th notes in the piece’s demanding middle section pay tribute to two of my heroes, Terry Riley and Philip Glass. While composing the work, Bach’s Six Suites for Violoncello Solo was another important point of reference, as was double bassist Eberhard Weber's 1973 album, The Colours of Chloë.Once finished, it made sense to name the piece A Gift from the Bower since the opportunity to compose the work was a gift, and in exchange, so is the music I have composed.A Gift from the Bower premiered on April 22, 2023, by Patrick Moore at the Locke Surls Center for Art and Nature.A revised version of this piece was completed on September 5, 2023.
$6.99 ≈
6.29€
A Night With The Aristocrats
A Night With The Aristocrats
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Apostolos Paraskevas
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A Night With The Aristocrats
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Silver Sickle Publications
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Guitar,Soprano Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.942105 Composed by Apostolos Paraske...
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Large Ensemble Cello,Clarinet,Double Bass,Guitar,Soprano Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.942105 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 122 pages. Silver Sickle Publications #6332819. Published by Silver Sickle Publications (A0.942105). A Night with The Aristocrats (a concertante work of plucking, blowing and bowing)Versions for Clarinet/SopranoSax/Violin with Guitar and Strings The guitar part came inspirational first to me as one of my 24 Studies that I wrote few years ago. For a while though I wondered if a melodic part should be added to this part and form eventually a duo. A request from my dear colleague Corey Whitehead, for a duo plus strings led me to orchestrate it in this version.The work starts with a meditative introduction before the main part unfolds a dance idea between the two instruments and the string orchestra, almost humoresque which hands over a pensive thought in the soprano sax/clarinet/solo violin that repeats itself almost as an unanswered question. Could please anyone answers? The Strings do play an important part in terms of balance and the one of an extra third corresponding force.My composition language is sometimes folklorist around my Greek heritage, sometimes around tonal centers, and sometimes simple within a few key notes, evolves around programmatic ideas that I get from every day living. Apostolos Paraskevas
$45.00 ≈
40.47€
Debussy: Piano Preludes Bk.2 No.10 "Canope" - wind dectet
Debussy: Piano Preludes Bk.2 No.10 "Canope" - wind dectet
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Classical
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Claude Debussy
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Ray Thompson
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Debussy: Piano Preludes Bk.2 N
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1363966 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Cent...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1363966 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Classical. 19 pages. RayThompsonMusic #948289. Published by RayThompsonMusic (A0.1363966). Claude Debussy: Piano Preludes Bk.2 No.10 Canope arranged wind dectet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.One of Debussy’s most mysterious and enigmatic pieces, is also one of his most prophetic. The entire piece unfolds in a hieratic, strangely distant atmosphere, engendering a sensation of infinite solitude reinforced by a cadence that is not an ending — we remain suspended in the void. Once again, Debussy has fused space and time.— Harry HalbreichThe meditative and gentle lines of this piece have the nobility and the stately form of the antique funerary urn* which serves as a symbol. * A Canopic Jar: used in sets of four by the ancient Egyptians as containers for the internal organs of embalmed bodies.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanope
$9.95 ≈
8.95€
Reflections on "Wachet auf"
Reflections on "Wachet auf"
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Organ
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INTERMEDIATE/ADVANCED
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Philipp Nicolai
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Scott Roberts
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Reflections on "Wachet auf"
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Scott Roberts
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.951046 Composed by Philipp Nicolai. Arranged by Scott Roberts. Christian,Christmas,Contemporary,Sacred. Score....
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Organ - Level 4 - Digital Download SKU: A0.951046 Composed by Philipp Nicolai. Arranged by Scott Roberts. Christian,Christmas,Contemporary,Sacred. Score. 30 pages. Scott Roberts #4641963. Published by Scott Roberts (A0.951046). A four-movement work based on the tune, Wachet auf, for organ solo. Moderately difficult. Suitable for prelude, postlude, offertory, recital.I. A voice calls to us (4'). A forceful opening movement in overture style.II. Rejoice, O Zion (3'20). A light, playful, 6/8 movement with double pedal serving as melody and bass, accompanied by two lively voices in the manuals.III. Meditation (9'). A quiet movement in which the melody soars via a 2' flute above a string celeste accompaniment.IV. Glory to God (3'30). A fugue whose theme is based on the opening and closing phrases of the tune.A live recording of all four movements is available at https://soundcloud.com/user-580092868/sets/reflections-on-wachet-auf-scott-roberts
$20.00 ≈
17.99€
Clarinet Quintet, opus 155 (2013)
Clarinet Quintet, opus 155 (2013)
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Clarinet Quintet: Clarinet, String Quartet
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INTERMEDIATE/ADVANCED
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Contemporary
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Thomas Oboe Lee
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Clarinet Quintet, opus 155
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Thomas Oboe Lee
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SheetMusicPlus
Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical...
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Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Allegro III. 28 pages. Published by Thomas Oboe Lee
Program note.
Clarinet Quintet, opus 155 is the fourth work I have written for Nancy Braithwaite. The first one was written on the occasion of her sister’s wedding in Vermont. Nancy premiered the solo clarinet piece “Trinca di Chôro” during the wedding ceremony. The second work was “Yo Picasso” (2007) for clarinet, viola, cello and piano. The work was tailor-made for the Arto Ensemble which consisted of two married couples: Oane (piano) and Nancy (clarinet), and Prunella (viola) and Guus (cello). The third work was “Octet in D, opus 144” (2012) scored for clarinet, horn, bassoon, string quartet and double bass. Nancy and her Dutch colleagues premiered the work in a program with the Schubert Octet in Bunnik, a small village west of Utrecht in the Netherlands.Many great composers have tackled the clarinet quintet, most notable Mozart and Brahms.
My Quintet is somewhat different in that there are a lot of jazz elements and something new that I have not tackled before: polymeter.
Clarinet Quintet, opus 155 is in seven movements.
I. Largo
II. Allegro
III. Interlude 1 … Presto
IV. Adagio
V. Reprise … a bit faster than before!
VI. Interlude 2 … Adagio
VII. Allegro con moto
The work begins with a clarinet meditation over pianissimo string chords. The music is very static … not unlike the sacred music of Arvo Pärt. This is followed by an allegro that is in 12/8 featuring a pizzicato jazzy bass figure played by the cello. The third movement is my experiment in polymeter. The ostinato pattern is grouped in a metrical scheme of 4, 3, 4 and 5; but the octave melody in the clarinet and first violin unfolds in standard duple meter of 4. The middle fourth movement is an adagio. This is an example of what I love about music, a soaring melody above slow haunting chords. A reprise of the jazzy Interlude 1 comes next, but in a slightly different guise with new elements, both melodically and harmonically.Interlude 2 is reminiscent of the meditative music of the first movement, but again it is quite different in mood and atmosphere.The finale is another experiment in polymeter. At first the metrical scheme is in a pattern of 4, 3, 4, 3, 2, 3 and 2. But eventually the meters get all scrambled up. Have fun trying to count. You’ll get lost! Above the “oom-pah oom-pah” accompaniment, the clarinet soars like a flying bird … diving, hovering, dipping and swooping!!!
ENJOY!!!
Audio link. Copy and paste the URL link into your browser.
https://thomasoboelee.bandcamp.com/album/clarinet-quintet-opus-155-2013
Video link: https://youtu.be/2fByM3tEAqc
$9.99 ≈
8.98€
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1
Two Meditations for Double Bass solo
