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The Drumfire Was Incessant, and Continued All Night With Unabated Fury
The Drumfire Was Incessant, and Continued All Night With Unabated Fury
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Piano solo
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ADVANCED
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Andrew Harrison
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The Drumfire Was Incessant, an
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Phantom Dog Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1226201 By Andrew Harrison. By Andrew Harrison. 21st Century,Classical,Contemporary,Historic. Score. 31 p...
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Piano Solo - Level 5 - Digital Download SKU: A0.1226201 By Andrew Harrison. By Andrew Harrison. 21st Century,Classical,Contemporary,Historic. Score. 31 pages. Phantom Dog Music #822230. Published by Phantom Dog Music (A0.1226201). The Drumfire Was Incessant, and Continued All Night With Unabated Fury is a solo piano piece, inspired by Newton Wanliss’s harrowing account of the Battle of Pozieres in his 1929 war biography The History of the 14th Battalion, A.I.F. The Battle of Pozieres ran between July and August 1916, as part of the First World War’s Somme Offensive. The composition focuses on the days leading up to August 9th, 1916, when my great-great uncle Private Leslie Robins, an infantryman in the 14th Battalion, was shot and wounded.In the early stages of writing the piece, whilst conducting preliminary research into the Battle of Pozieres, I was struck by the disparity between the British High Command’s notion of formulating a ‘plan’ for the battle, and the actuality of what occurred once soldiers ‘went over the top’ into no-man’s land. This dichotomous concept – exerting control over an inherently fluid and dynamic situation – I found to be most intriguing. It segued neatly into my aesthetic explorations of the role of improvisation (a dynamic process) within a larger notated context (a controlled environment). I decided that this dichotomy would play a fundamental role within the piece.Australian pianist Zubin Kanga commissioned The Drumfire… for his 2012 Spectrum concert series. The piece was given its world premiere on August 11th 2012 at the Melbourne Recital Centre, and was also performed at the Independent Theatre in Sydney on August 16th 2012.
$59.99 ≈
56.14€
The Gift to Sing - SATB choir
The Gift to Sing - SATB choir
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Choral SATB
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Gospel/Spiritual
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Sacred music
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Francis Kayali
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The Gift to Sing - SATB choir
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Francis Kayali
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. P...
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Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.
$1.99 ≈
1.86€
Sunday World's New Music Album Continued, of Graet Original Songs. Ma Filipino Babe
Sunday World's New Music Album Continued, of Graet Original Songs. Ma Filipino Babe
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Piano, Voice
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Charles K
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Jos
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Sunday World's New Music Album
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.5503 Composed by Charles K. Harris. Arranged by Jos. Clauder. Portraits, Sailors, Homecomings, African America...
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Piano and voice - Digital Download SKU: LV.5503 Composed by Charles K. Harris. Arranged by Jos. Clauder. Portraits, Sailors, Homecomings, African Americans, Dialects, Courtship, Love, Weddings. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5503). Sunday World's New Music Album Continued, of Graet Original Songs. Ma Filipino Babe. Composed Expressly for the N.Y. Sunday World by Chas. K. Harris. Arranged by Jos. Clauder. Published 1899 by Chas. K. Harris, 1899. Supplement to the N.Y. Sunday World, Nov. 12 in Milwaukee. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Sailors, Homecomings, African Americans, Dialects, Courtship, Love, Weddings. First line reads On a war boat from Manila Steaming proudly o'er the foam.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.61€
Let There Be Peace On Earth
Let There Be Peace On Earth
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Piano solo
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INTERMEDIATE
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Jill Jackson and Sy Miller
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Dean Gilbert
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Let There Be Peace On Earth
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Dean Gilbert
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1306230 Composed by Jill Jackson and Sy Miller. Arranged by Dean Gilbert. Christmas,Religious. Score. 5 p...
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Piano Solo - Level 3 - Digital Download SKU: A0.1306230 Composed by Jill Jackson and Sy Miller. Arranged by Dean Gilbert. Christmas,Religious. Score. 5 pages. Dean Gilbert #895622. Published by Dean Gilbert (A0.1306230). You don't really hear this song until Christmas; however, with the latest troubles in the Middle East this song is the perfect song to learn and play at any time during the year. I arranged it thinking about the continued conflict in Ukraine, the new conflict in the Middle East and the continuing gun violence in our own country. The song builds to the 3rd section where you can hear the anger come out because we cannot just get along. This section comes to a quick end and gives into a very calm end. This ending represent a reflection of what could be if we all did our part. Enjoy!!!!
$4.99 ≈
4.67€
Nearer, My God, to Thee
Nearer, My God, to Thee
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Piano solo
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INTERMEDIATE
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Sacred music
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Lowell Mason
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Jodie M
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Nearer, My God, to Thee
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Jodie M. Jensen
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1115493 Composed by Lowell Mason. Arranged by Jodie M. Jensen. Christian,Praise & Worship,Religious. Scor...
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Piano Solo - Level 3 - Digital Download SKU: A0.1115493 Composed by Lowell Mason. Arranged by Jodie M. Jensen. Christian,Praise & Worship,Religious. Score. 3 pages. Jodie M. Jensen #717262. Published by Jodie M. Jensen (A0.1115493). This arrangement follows the journey of faith. It begins with a peaceful assurance that God is near, to a heart-wrenching challenge that causes one to cry out to God in their darkest hour. It concludes with the joy that can only be felt through the continued strength of God that one finds on the other side of life's challenges.
$3.99 ≈
3.73€
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99 ≈
7.48€
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Classical
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menest...
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99 ≈
7.48€
Ariana's Ballet: Part 1
Ariana's Ballet: Part 1
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Piano solo
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INTERMEDIATE/ADVANCED
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Keir C
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Ariana's Ballet: Part 1
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Keir C Crawley
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.972024 Composed by Keir C. Crawley. Contemporary,Holiday. Score. 6 pages. Keir C Crawley #3550747. Publis...
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Piano Solo - Level 4 - Digital Download SKU: A0.972024 Composed by Keir C. Crawley. Contemporary,Holiday. Score. 6 pages. Keir C Crawley #3550747. Published by Keir C Crawley (A0.972024). 'Ariana's Ballet' is a short piano piece, akin to a romantic miniature but with a more contemporary harmonic vocabulary composed to celebrate the 4th birthday of my good friend's daughter. As with Ariana's Nocturne, Adventure and Imagination the music is based on a motif that 'exclaims' Ariana's name. The rest of the piece takes its inspiration from the story of Cinderella. The music conveys the visit of the fairy godmother, dancing at the palace (a fast waltz), dancing with a charming prince, tempus fugit and the chimes at midnight. The piece ends ambiguously as it is to be continued.
$4.75 ≈
4.45€
"Years in the Mist" Suite n.1 for violin and cello
"Years in the Mist" Suite n.1 for violin and cello
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Violin, Cello (duet)
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ADVANCED
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Panagiotis Theodossou
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#
"Years in the Mist" Suite n.1
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Panagiotis Theodossiou
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.886686 Composed by Panagiotis Theodossou. 20th Century,Concert,Cont...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.886686 Composed by Panagiotis Theodossou. 20th Century,Concert,Contemporary,Standards. Score and parts. 49 pages. Panagiotis Theodossiou #3574263. Published by Panagiotis Theodossiou (A0.886686). In the Years of the Mist Suite, for violin and cello (2014) Written after the, by the same name, 3part novel by Greek author Nikos Goulias.(ed. Psychogios). It is based on typical urban music forms of Smyrna on late 19th and early 20th century.I.Zeibekikos (Nickola's Dance)II.Aptalikos (The Train from Kassamba to Smyrna)III.Hassaposervikos (Lionis escapes Smyrna) First performance by Duo Ficell (Luminita Macavei - violin, Stavros Parginos - cello) at Dieleusis Art Hall, Athens in 2014.The composition of the work is to be continued. https://www.youtube.com/watch?v=_gkmH2VbpzA
$18.00 ≈
16.84€
Roundabout ("To Be Continued" Meme Version) by Boss - Piano Solo
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Piano solo
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Boss
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Roundabout ("To Be Continued"
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Musicnotes
Performed by: Sheet Music Boss: Roundabout ("To Be Continued" Meme Version) Digital Sheetmusic - instantly downloadable sheet music plus an interactiv...
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Performed by: Sheet Music Boss: Roundabout ("To Be Continued" Meme Version) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 1 pages -- Solo Instrumental~~Arena Rock~~Art-Rock/Progressive~~Album Rock
$5.99 ≈
5.61€
C Jam Blues for Brass Quintet
C Jam Blues for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Keith Terrett
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Keith Terrett
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arra...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99 ≈
12.16€
Resilience?
Resilience?
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String Orchestra
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EASY
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Contemporary
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Damian Goggans
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Resilience?
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DGoggansGuitar
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1082996 Composed by Damian Goggans. Classical,Contemporary. Score and parts. 15 pages. DGoggansGuit...
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String Orchestra - Level 2 - Digital Download SKU: A0.1082996 Composed by Damian Goggans. Classical,Contemporary. Score and parts. 15 pages. DGoggansGuitar #687204. Published by DGoggansGuitar (A0.1082996). This concerto for classical guitar was composed for Diana Richardson and the Cleveland School of the Arts Orchestra in September of 2021. Resilience is meant to be a musical reflection on Damian's last two years of High school, which was plagued with a pandemic. The title questions the reasoning of the world's resilience during these times. While mother nature worked to kill us, we continued to kill each other. Rather than work together, we stormed our nation's capital, and continued to promote violence against ourselves based upon our differences. Nothing changed and nothing was learned, so what was the point.... Author's Note: Measures 48-59 are dedicated to the memory of my baby brother D'king Goggans.
$20.00 ≈
18.72€
Easy Sailing for Piano
Easy Sailing for Piano
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Easy Piano
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EASY
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Contemporary
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Alex Lewis
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Easy Sailing for Piano
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Houston-Piano Studio
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1110128 Composed by Alex Lewis. Classical,Contemporary. Score. 2 pages. Houston-Piano Studio #712462. Pub...
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Easy Piano - Level 2 - Digital Download SKU: A0.1110128 Composed by Alex Lewis. Classical,Contemporary. Score. 2 pages. Houston-Piano Studio #712462. Published by Houston-Piano Studio (A0.1110128). Easy Sailing for Piano was a composition I wrote a few months into the corona-virus pandemic. My dad talked to me about writing piano music like this and almost immediately the idea for this composition popped into my head. I've created maybe over twenty compositions so far in my life, and this was the first one where I knew exactly how it was going to sound from the moment I got the idea. With all the other pieces, I started out with a small idea and grew from there. But as I said, with Easy Sailing for Piano, I knew exactly how the piece would go. Well... There is one thing that's different. Originally, I wanted Easy Sailing for Piano to be a lot longer. The idea was to increase in difficulty the further into the music you went. The problem with that idea was that I also wanted this to be an easy song to learn. It was clear that if I continued the composition, I was going to make it unsuitable for beginners to play. The parts that survived sound really good though. Easy Sailing for Piano should be pleasant to listen to and play. Easy Sailing for Piano is technically a theme and variations. If you don't know, a theme and variations is a musical form. It starts with a melody that establishes the mood of the composition, and the variations basically play around with that theme. Now this piece only has the theme and the first variation. I'm pretty sure you need more than one variation for it to officially be a theme and variations. But, I don't think that matters too much since it's for beginners and not advanced students. In the future, I might write a sequal to this composition. I think I might call it Easy Sailing for Piano 2, or something along those lines. It will have a theme that's similar to this video's, but it will be much, much longer. If you purchase the sheet music for Easy Sailing for Piano, I hope you enjoy it! This is supposed to be a pleasant song to listen to and perform.
$1.99 ≈
1.86€
At Christmastime ~ piano/vocal/chords in D
At Christmastime ~ piano/vocal/chords in D
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Piano, Voice
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EASY
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Christmas
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Mark Kieswetter, Gregor Rice
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Kieswetter~Rice
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At Christmastime ~ piano/vocal
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Gregor Rice Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1010931 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1010931 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/Show,Pop. Score. 6 pages. Gregor Rice Publishing #2919581. Published by Gregor Rice Publishing (A0.1010931). Kieswetter~Rice: Mark Kieswetter & Gregor Rice have been writing beautiful music since the early 1980s, highly awarded and dearly loved. This is just one of them, finally recorded 2016. We can be contacted via Gregor Rice: ieshea@frontier.com or Mark Kieswetter: mkieswetter@gmail.com and on FaceBook, our PRO is BMI, Published via Gregor Rice Publishing, on the RiceSound label. Get more backing tracks as well as the original song in vocal, instrumental and backing tracks at www.broadjam.com/atchristmastime Like all our work, it's most appropriate for any public performance; stage and screen, TV/film, Broadway, church, schools, universities, military offerings, or solo, this, a holiday selection, warm and cozy. This rendition is in the key of Ab. Music: Kieswetter~Rice, Lyrics: Rice Sheet music by Prof. Mark Kays, Chair/Dept. of Music, Trine University.It most certainly brings at least a few minutes of peace and comfort to all who sing and hear. Encoded with many blessings, it could be at least a temporary solution to the world peace problem, or so we'd sincerely intend it to be. If enough people would jump on the bandwagon, so to speak, it could easily blanket our entire Earth and all Her people with peace and comfort, safety and relief, and feeling a sense of home, whether home... or not. Looking at the big picture... if you're on Earth, you're 'home.' Find all our comforts of home here: www.atchristmastime.tarajories.com So far, we offer the sheet music available here in 2 keys, Ab the original, and easier play, D in both lead/lyric sheet and vocal with piano accompaniment formats. Forthcoming, will be the entire score following the full recording due out holiday season 2016. Additional mp3 renditions and styles in at www.broadjam.com/atchristmastime In 3/4 time at 96 BPM it offers 3:42 minutes of comfort, relaxation, and a serious sense of relief. Notice for yourself. You can also sing along with any of our Karaoke tracks in various styles & keys at broadjam.com/atchirstmastime and post your rendition to YT! What a surprise homecoming gift this would be! Need a new key? RSVP. We'll upload it. Either way, look for a special blessing for yourself or gift it to someone, each time you sing it. Sink into its sense of safety, comfort, peace, and joy, and feel at home wherever you are, whenever you sing or listen to this song. Let's blanket our entire Mother Earth with peace and plenty, safety, love, warmth, and healing for a maxed-out planet and a maxed-out people with this gifted song. Remember to envision et al blanketing Mother Earth, all the people, flora and fauna, in a warm fuzzy blanket of love, peace, and healing every time. In performance practice sessions, take a selfie or groupie before, notice your state, and your aura if you see them, and again after your practice session, just for grins. Notice what you notice, and see as well as feel the difference. Post your extraordinary results to FB & YT. It isn't just music anymore, Toto.Historical content? Actually written in 1984 in Maumee, OH, this song was officially copyrighted in 1986. 1987 Gregor was whisked out of state to a new locale where attendance to making a living else wise became the mode o' day like most compose/lyricists. Mark, one of the most gifted jazz artists on the planet, continued his dailies teaching, gigging, and studio work. Many beautiful songs fell through the cracks while Gregor, and equally gifted composer~lyri.
$3.99 ≈
3.73€
At Christmastime ~ easy lead sheet in Ab
At Christmastime ~ easy lead sheet in Ab
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Easy Piano
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BEGINNER
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Christmas
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Mark Kieswetter, Gregor Rice
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Kieswetter~Rice
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At Christmastime ~ easy lead s
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Gregor Rice Publishing
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1010932 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV...
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Easy Piano - Level 1 - Digital Download SKU: A0.1010932 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/Show,Pop. Score. 4 pages. Gregor Rice Publishing #2919583. Published by Gregor Rice Publishing (A0.1010932). Kieswetter~Rice: Mark Kieswetter & Gregor Rice have been writing beautiful music since the early 1980s, highly awarded and dearly loved. This is just one of them, finally recorded 2016. We can be contacted via Gregor Rice: ieshea@frontier.com or Mark Kieswetter: mkieswetter@gmail.com and on FaceBook, our PRO is BMI, Published via Gregor Rice Publishing, on the RiceSound label. Get more backing tracks as well as the original song in vocal, instrumental and backing tracks at www.broadjam.com/atchristmastime Like all our work, it's most appropriate for any public performance; stage and screen, TV/film, Broadway, church, schools, universities, military offerings, or solo, this, a holiday selection, warm and cozy. This rendition is in the key of Ab. Music: Kieswetter~Rice, Lyrics: Rice Sheet music by Prof. Mark Kays, Chair/Dept. of Music, Trine University.It most certainly brings at least a few minutes of peace and comfort to all who sing and hear. Encoded with many blessings, it could be at least a temporary solution to the world peace problem, or so we'd sincerely intend it to be. If enough people would jump on the bandwagon, so to speak, it could easily blanket our entire Earth and all Her people with peace and comfort, safety and relief, and feeling a sense of home, whether home... or not. Looking at the big picture, if you're on Earth, you're 'home.' Find all our comforts of home here: www.atchristmastime.tarajories.com So far, we offer the sheet music available here in 2 keys, Ab the original, and easier play, D in both lead/lyric sheet and vocal with piano accompaniment formats. Forthcoming, will be the entire score following the full recording due out holiday season 2016. Additional mp3 renditions and styles in at www.broadjam.com/atchristmastime In 3/4 time at 96 BPM it offers 3:42 minutes of comfort, relaxation, and a serious sense of relief. Notice for yourself. You can also sing along with any of our Karaoke tracks in various styles & keys at broadjam.com/atchirstmastime and post your rendition to YT! What a surprise homecoming gift this would be! Need a new key? RSVP. We'll upload it. Either way, look for a special blessing for yourself or gift it to someone, each time you sing it. Sink into its sense of safety, comfort, peace, and joy, and feel at home wherever you are, whenever you sing or listen to this song. Let's blanket our entire Mother Earth with peace and plenty, safety, love, warmth, and healing for a maxed-out planet and a maxed-out people with this gifted song. Remember to envision et al blanketing Mother Earth, all the people, flora and fauna, in a warm fuzzy blanket of love, peace, and healing every time. In performance practice sessions, take a selfie or groupie before, notice your state, and your aura if you see them, and again after your practice session, just for grins. Notice what you notice, and see as well as feel the difference. Post your extraordinary results to FB & YT. It isn't just music anymore, Toto.Historical content? Actually written in 1984 in Maumee, OH, this song was officially copyrighted in 1986. 1987 Gregor was whisked out of state to a new locale where attendance to making a living else wise became the mode o' day like most compose/lyricists. Mark, one of the most gifted jazz artists on the planet, continued his dailies teaching, gigging, and studio work. Many beautiful songs fell through the cracks while Gregor, and equally gifted composer~lyrici.
$3.99 ≈
3.73€
In the Hall of the Mountain King - Bb Clarinet Quartet
In the Hall of the Mountain King - Bb Clarinet Quartet
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Clarinet Ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Edvard Grieg
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Mark R Lewis
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In the Hall of the Mountain Ki
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Mark R Lewis
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.1045422 Composed by Edvard Grieg. Arranged by Mark R Lewis. Classical,Standards. 11 pages...
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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.1045422 Composed by Edvard Grieg. Arranged by Mark R Lewis. Classical,Standards. 11 pages. Mark R Lewis #649987. Published by Mark R Lewis (A0.1045422). In the Hall of the Mountain King was originally written by Edvard Grieg as incidental music (basically background music) for a scene in Henrik Ibsen's play Peer Gynt. The truly distinctive sound has ensured that the piece has continued to be played and arranged for all sorts of groups in the almost century-and-a-half since the play was first performed. This particular arrangement by Mark R Lewis is for a Bb clarinet quartet. The melody jumps between all four parts and players will need to be able to play most of the range of the instrument regardless of which part they are playing. That said, most intermediate players should be able to play this piece given they have the range and it will be a challenge for less experienced players. This arrangement also available for Mixed Clarinet Quartet Range: A minor Clarinet 1 - 3+ octaves (B3 to D6) Clarinet 2 - 2 1/2 octaves (F#3 to B5) Clarinet 3 -
$11.99 ≈
11.22€
In the Hall of the Mountain King - Mixed Clarinet Quartet
In the Hall of the Mountain King - Mixed Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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Classical
#
Edvard Grieg
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Mark R Lewis
#
In the Hall of the Mountain Ki
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Mark R Lewis
#
SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1045425 Composed by Edvard Grieg. Arranged by Mark R Lewis. Classica...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1045425 Composed by Edvard Grieg. Arranged by Mark R Lewis. Classical,Standards. 12 pages. Mark R Lewis #650001. Published by Mark R Lewis (A0.1045425). In the Hall of the Mountain King was originally written by Edvard Grieg as incidental music (basically background music) for a scene in Henrik Ibsen's play Peer Gynt. The truly distinctive sound has ensured that the piece has continued to be played and arranged for all sorts of groups in the almost century-and-a-half since the play was first performed. This particular arrangement by Mark R Lewis is for a Mixed Clarinet Quartet: 2 Bb clarinets, 1 alto clarinet, and 1 bass clarinet. The melody stays primarily in Clarinet 1 but does jump between the top three parts and players will need to be able to play most of the range of the instrument regardless of which part they are playing. That said, most intermediate players should be able to play this piece given they have the range and it will be a challenge for less experienced players. This arrangement also available for Bb Clarinet Quartet and the sound samples for this listing come from that arrangement. Range: A minor Clarinet 1 - 3+ octaves (B3 to D6) Clarinet 2 - 2 octaves (B3 to B5) Alto Clarinet - 2+ octaves (F#3 to A5) Bass Clarinet - 1 1/2 octaves (F#3 to D5).
$11.99 ≈
11.22€
Rejoice, the Lord is King! PIANO SOLO
Rejoice, the Lord is King! PIANO SOLO
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Piano solo
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ADVANCED
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Jeanni Gould
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Jeanni Gould
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Rejoice, the Lord is King! PIA
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Jeanni Gould
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1428192 By Jeanni Gould. By Charles Wesley and Horatio Parker. Arranged by Jeanni Gould. Christian,Contem...
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Piano Solo - Level 5 - Digital Download SKU: A0.1428192 By Jeanni Gould. By Charles Wesley and Horatio Parker. Arranged by Jeanni Gould. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 5 pages. Jeanni Gould #1008493. Published by Jeanni Gould (A0.1428192). YOU CAN PLAY THIS PIANO SOLO. Upbeat and bright, with big dynamic range from powerful to reverent. Rich and complex chords with gentle moments for contrast. Advanced level yet very accessible. Enjoy a big payoff when you perform this piece. Not too difficult and not too long.BACKSTORY Year 60 A.D. Oh my goodness! Paul was in prison in Rome, but wrote Rejoice in the Lord always; again I will say, rejoice. (Philippians 4:4) He continued. Let your reasonableness be known to everyone. The Lord is at hand; do not be anxious about anything, but in everything by prayer and supplication with thanksgiving let your requests be made known to God. And the peace of God, which passes all understanding, shall keep your hearts and minds through Christ Jesus. UPDATE 1744 A.D. Charles Wesley with his brother John started the Methodist movement, but they were persecuted and suffered lives of hardship. Charles wrote this song to encourage his followers. He wanted them to not get discouraged and lose hope, but to be a singing, joyful people.
$2.99 ≈
2.80€
If Not Now, When?
If Not Now, When?
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Contemporary
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score ...
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
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