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Three Short Turns, for keyboard
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You've selected:
Three Short Turns, for keyboard
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7 sheet music found
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1
Three Short Turns, for keyboard
Three Short Turns, for keyboard
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Paul Burnell
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Three Short Turns, for keyboar
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Paul Burnell
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SheetMusicPlus
Celesta,Harpsichord,Instrumental Solo,Keyboard - Level 3 - Digital Download SKU: A0.1289079 Composed by Paul Burnell. 21st Century,Classical,Contemporary...
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Celesta,Harpsichord,Instrumental Solo,Keyboard - Level 3 - Digital Download SKU: A0.1289079 Composed by Paul Burnell. 21st Century,Classical,Contemporary. Individual part. 7 pages. Paul Burnell #879913. Published by Paul Burnell (A0.1289079). Three Short Turns, by Paul Burnell. Composed 2023 for keyboard instrument - piano, toy piano, celesta, harpsichord etc.Where dynamics are not possible on the chosen keyboard instrument, other playing techniques may be used to achieve a suitable interpretation.Duration 3:00 approx.Programme noteThree Short Turns was composed simultaneously in versions for a music box, for recorder trio, and for a keyboard instrument such as piano, toy piano, or celesta.The piece was written after receiving a gift of a music box mechanism that could be 'programmed' by punching holes into a paper strip, in the manner of a player piano paper roll, and played by moving the strip through the mechanism by turning a small handle.  These features informed the range and spacing of the notes, and exploited the technique of interrupting the flow of the piece for pauses, and slowing or speeding tempo, by the way the handle is turned.  The piece was adapted in minor ways in the versions for recorder trio and keyboard.  Three movements were produced because the music box came with three identically-sized blank paper strips.
$1.99 ≈
1.86€
Three Short Turns, for Recorder Trio (SAT) - Score and Parts
Three Short Turns, for Recorder Trio (SAT) - Score and Parts
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3 Recorders (trio)
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INTERMEDIATE
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Paul Burnell
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Three Short Turns, for Recorde
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Paul Burnell
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SheetMusicPlus
Alto Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download SKU: A0.1289059 By Paul Burnell. By Paul Burnell. 21st Century,Classical,Conte...
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Alto Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download SKU: A0.1289059 By Paul Burnell. By Paul Burnell. 21st Century,Classical,Contemporary. Recorder Ensemble. 17 pages. Paul Burnell #879906. Published by Paul Burnell (A0.1289059). The download comprises both score and parts.Three Short Turns, by Paul Burnell, composed 2023 for Recorder Trio - Soprano, Alto and TenorAlternate parts are provided:  Alto for Soprano, Bass for Tenor. The Alto part could be played by Tenor.Duration 3:00 approx.Programme note:Three Short Turns was composed simultaneously in versions for a music box, for recorder trio, and for a keyboard instrument such as piano, toy piano, or celesta.The piece was written after receiving a gift of a music box mechanism that could be 'programmed' by punching holes into a paper strip, in the manner of a player piano paper roll, and played by moving the strip through the mechanism by turning a small handle.  These features informed the range and spacing of the notes, and exploited the technique of interrupting the flow of the piece for pauses, and slowing or speeding tempo, by the way the handle is turned.  The piece was adapted in minor ways in the versions for recorder trio and keyboard.  Three movements were produced because the music box came with three identically-sized blank paper strips.
$2.99 ≈
2.79€
Sonata for Piano No. 5 "GILT-EDGE"
Sonata for Piano No. 5 "GILT-EDGE"
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Piano solo
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ADVANCED
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Sean A
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Sonata for Piano No. 5 "GILT-E
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Sean A Moore
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1397074 By Sean A. Moore. By Sean A. Moore. 21st Century,Classical,Contemporary. Score. 25 pages. Sean A ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1397074 By Sean A. Moore. By Sean A. Moore. 21st Century,Classical,Contemporary. Score. 25 pages. Sean A Moore #980408. Published by Sean A Moore (A0.1397074). GILT-EDGE†is a piano sonata in three movements. The sonata features dissonance, clusters, irregular rhythmic patterns and meters, syncopation, and extremes in textures and dynamics. The work is mostly intervallically/motivically based with the entire keyboard being utilized as a sort of sonic canvas as diverse as the world itself. The first movement, “GILT-EDGEâ€, has the same name as the title of the composition. The movement is emotionally intense, beginning loudly with a forearm cluster crash at the low end of the instrument and with a fast tempo. However, the first movement of the sonata ends slowly, quietly and sometimes dreamlike all while expressing a very dark mood. “Hopewellâ€, the second and somewhat more melodic movement, has a more meditative quality. This movement is inspired by the image of a quiet country road and an uncomplicated way of living that sometimes isn’t always what it seems. The final movement, “Antiochâ€, written on three staves, returns the listener back to the emotional complexities of the first movement. However, this movement does not end quietly. In this short explosive last movement, the sonata reaches its dramatic conclusion.
$12.99 ≈
12.13€
Melody: Ornaments educational pack - Perform Compose Understand PCU Series
Melody: Ornaments educational pack - Perform Compose Understand PCU Series
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Instructional
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Austin Ralphson
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Melody: Ornaments educational
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Austin Ralphson
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SheetMusicPlus
Large Ensemble - Level 3 - Digital Download SKU: A0.569833 Composed by Austin Ralphson. Instructional. Score and parts. 52 pages. Austin Ralphson #462838...
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Large Ensemble - Level 3 - Digital Download SKU: A0.569833 Composed by Austin Ralphson. Instructional. Score and parts. 52 pages. Austin Ralphson #4628387. Published by Austin Ralphson (A0.569833). Melody: Ornaments - Perform, Compose, Understand Series. This pack comprises a piece called Take It In Turns, worksheets and questions which relate to the piece. It is all about understanding ornamentation.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: MELODY backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top.How to use this resourceThis pack comprises three stages, the third of which should be gained from success with the first two:1. PerformingAn original performance piece is provided for mixed classroom ensemble. This piece features a musical device of some kind as its focus. There will obviously be other musical components included within the piece as well, but the main element will be very apparent.2. ComposingWorksheets are provided to enable students to develop their own compositions based on the same focus as the performance piece. Elements of the performance piece are highlighted and short, developmental activities will lead to the students developing their own musical ideas.3. Understanding Summary worksheets are provided to enable students to demonstrate their understanding of the topic.There are two musical elements which appear in all pieces within this PCU series. They are dynamics and articulation. All performance pieces contain them and opportunity is provided to include them within the composing exercises as well.Printing and CopyingThe purchaser may print or copy all pages of this resource as required, but must not distribute to others. It is advised to produce resources for students as follows:* Print which ever parts are needed to facilitate a performance* Produce a booklet containing the title page, score and worksheets.The performance piece could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **
$5.99 ≈
5.59€
Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
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Piano solo
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EASY
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Instructional
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Charles-Louis Hanon
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Martin Woodward
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Hanon Piano / Keyboard Exercis
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Martin Woodward
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Mart...
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Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #6513221. Published by Martin Woodward (A0.887255). Hanon Piano / Keyboard Exercises 1 - 30Condensed and Simplified for Beginners Easy ReadingIn this short book you will find condensed and simplified versions of the Hanon piano finger exercises 1 - 30 as well as the major, harmonic minor and melodic minor scales in every key (two octaves). What is Hanon? The ‘Hanon Virtuoso Pianist’ is a collection of piano finger exercises designed to give equal strength, agility and flexibility to all five fingers of both hands. Written by Charles-Louis Hanon sometime in the 1800s, these exercises without doubt have become one of the most widely used techniques by today’s pianists. In my opinion these are the best finger exercises available. One really great thing about these exercises is that they are applicable to both absolute beginners and advanced players alike, particularly as the reading ability required is minimal. Whatever your ability, these exercises will help improve your technique and finger strength. Having been written well over 100 years ago, the original work is now in the public domain and therefore digital copies can be acquired free of charge on the internet. However, most of these are very poor quality and the instructions are mainly in French or Russian - neither of which work too well for me! For the full version I personally recommend the ‘Alfred’ Edition edited by Allan Small which is clear and has instructions in English. So why do I need this book? The whole point is to make it easy to read and to reduce page turns - less is more! In the full version the first 30 exercises take up fifty pages whereas here there are three exercises per page for the first 20, then two per page for the next 10, reducing the fifty pages to just twelve. I initially produced this for my own use only but figured that others may like to take advantage of what I’ve done. Does this mean that the print is just smaller? No, not at all. If you are familiar with these exercises you will know that they are repeated patterns which ascend and descend for two octaves diatonically. To condense and simplify them and consequently eliminate an enormous amount of page turns I have shown: the all-important fingering on the first pattern (as per the original)then the repeated second patternthen ‘changeover’ patterns between ascending and descending - which are sometimes slightly differentthen finally the last pattern of each exercise which again is often very slightly different. I have also written them two octaves apart (for easy reading) and only shown them for one octave instead of two. In practice they should be played one octave apart and ultimately be practiced for two octaves. You can print out any or all the pages as required (the link for the pdf printable version is given at the end of the book).Please see: https://learn-keyboard.co.uk/hanon.html
$5.99 ≈
5.59€
Modal Moods
Modal Moods
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Harp
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INTERMEDIATE
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Darhon Rees-Rohrbacher
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Modal Moods
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Afghan Press Music for the Harp
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SheetMusicPlus
Lever Harp - Level 3 - Digital Download SKU: A0.1287455 Composed by Darhon Rees-Rohrbacher. 20th Century,21st Century,Celtic,Early Music,Irish,Multicultu...
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Lever Harp - Level 3 - Digital Download SKU: A0.1287455 Composed by Darhon Rees-Rohrbacher. 20th Century,21st Century,Celtic,Early Music,Irish,Multicultural,World. Score. 22 pages. Afghan Press Music for the Harp #878476. Published by Afghan Press Music for the Harp (A0.1287455). Seven Original Compositions In Varied Styles Based On Seven Modal Scales For All Harps (Lever or Pedal) With Guitar ChordsTable of Contents1. Ionian Intonation 12. Dorian Delight 33. Phrygian Phrolic 54. Lydian Lilt 75. Mixolydian Mirth 96. Aeolian Aire 117. Locrian Lament 13These tunes may be played on lever harps with an Eb, Bb, F, or C tuning or on any pedal harp. All tunes were typeset to fit exactly on two facing pages to eliminate any page turns within a piece. If desired, the length of each piece can be lengthened by repeating some sections; section divisions are indicated by light double bar lines. Many people are unaccustomed to hearing tunes based on modes other than the Ionian or Aeolian. Therefore, you may find some of the melodic contours or harmonies to be unusual, unexpected, or even uncomfortable. There are only three lever changes in this entire book – and they all occur on the last note of the piece. Guitar chords are included so that the melody may be played by any C instrument, accompanied by chords on harp, lute, guitar, or keyboard. Also, the transcribed harp part can be played on any keyboard instrument with only minoradjustments.Dynamics, fingering, and metronome markings are provided throughout as an aid to performance. However, the harper should use whatever dynamics, fingerings, and tempos suit them, no matter what this book indicates! The maximum range needed for each piece is only 26 strings (3.5 octaves) from low C to high G. Therefore, it can be played on a small harp encompassing that range. Simply treat the C two octaves below middle C as the lowest C on your harp and adjust the octaves accordingly. Ignore any 8va indications and shorten glissandos as needed.
$10.00 ≈
9.34€
Pure Imagination (solo piano)
Pure Imagination (solo piano)
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Leslie Bricusse and Anthony N
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Rupert Austin
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Pure Imagination
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Rupert Austin
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Leslie Bricusse and Anthony Newley. Arranged by Rupert Austin. 9 pages. Published by Rupert Austin...
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Piano Solo - Advanced Intermediate - Digital Download By Leslie Bricusse and Anthony Newley. Arranged by Rupert Austin. 9 pages. Published by Rupert Austin
An arrangement for solo piano of the much loved song from the 1971 film Willy Wonka and the Chocolate Factory. A performance can be viewed at youtube.com/c/rupertaustin/videos.
The song is first presented in a gentle jazz ballad style (bars 1-24). The tempo then picks up for a swing exploration, at a relaxed tempo, of the song in bars 25-74. During bars 70-74 the tempo slows and the mood changes in preparation for a very different dream-like presentation of the song, where the melody is mostly played by the left hand with the right hand providing a rippling accompaniment that gently splashes across a wide range of the keyboard. In this section the accent marks in the score do not indicate strong accents, but indicate where moderate emphasis is required to bring out the melody above the surrounding accompaniment. In bars 99-115 the arrangement returns to the style of the opening. From bar 116 a coda takes the opening three notes of the melody and wistfully explores them in a chromatic and richly harmonized descent towards a peaceful close.
Performance duration is about 6 minutes, but shorter versions of the arrangement are possible such that the swing section or the dream section (or both) can be omitted, with directions for this marked in the score in bars 25 and 74.
Fingering suggestions are provided in many places, but these will not suit all hands and alternative effective fingerings are possible.
$7.00 ≈
6.53€
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