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Three Of A Perfect Pair
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You've selected:
Three Of A Perfect Pair
Sheetmusic to print
13 sheet music found
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1
Three Of A Perfect Pair
Three Of A Perfect Pair
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Piano, Voice
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INTERMEDIATE
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Contemporary
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King Crimson
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Jeff Tincher
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Three Of A Perfect Pair
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Jeff Tincher
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.583557 By King Crimson. By Adrian Belew, Bill Bruford, Robert Fripp, and Tony Levin. Arranged by J...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.583557 By King Crimson. By Adrian Belew, Bill Bruford, Robert Fripp, and Tony Levin. Arranged by Jeff Tincher. Contemporary. Score. 18 pages. Jeff Tincher #4313833. Published by Jeff Tincher (A0.583557). This is one of my favorite King Crimson songs. This song construction has the instruments playing intricate syncopated patterns while the vocals has a more straight pattern, giving this song a sound that is complicated with a steady feel. Until I wrote this, I didn't realize the time signature changes. In the original key from their Three of a Perfect Pair CD, this song is fun for both the performer and listener as well. Duration = 3:53. Visit my websites https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99 ≈
5.38€
Three Of A Perfect Pair
Three Of A Perfect Pair
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
#
Contemporary
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King Crimson
#
Jeff Tincher
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Three Of A Perfect Pair
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.583559 By Kin...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.583559 By King Crimson. By Adrian Belew, Bill Bruford, Robert Fripp, and Tony Levin. Arranged by Jeff Tincher. Contemporary. 22 pages. Jeff Tincher #4313837. Published by Jeff Tincher (A0.583559). This is one of my favorite King Crimson songs. This song construction has the instruments playing intricate syncopated patterns while the vocals has a more straight pattern, giving this song a sound that is complicated with a steady feel. Until I wrote this, I didn't realize the time signature changes. In the original key from their Three of a Perfect Pair CD, this song is fun for both the performer and listener as well. Duration = 3:53. Visit my websites https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99 ≈
11.67€
Three Of A Perfect Pair
Three Of A Perfect Pair
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Contemporary
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King Crimson
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Jeff Tincher
#
Three Of A Perfect Pair
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Jeff Tincher
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.583558 By King Crimson. By Adrian Belew, Bill Bruford, Robert Fripp...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.583558 By King Crimson. By Adrian Belew, Bill Bruford, Robert Fripp, and Tony Levin. Arranged by Jeff Tincher. Contemporary. Score and parts. 22 pages. Jeff Tincher #4313835. Published by Jeff Tincher (A0.583558). This is one of my favorite King Crimson songs. This song construction has the instruments playing intricate syncopated patterns while the vocals has a more straight pattern, giving this song a sound that is complicated with a steady feel. Until I wrote this, I didn't realize the time signature changes. In the original key from their Three of a Perfect Pair CD, this song is fun for both the performer and listener as well. Duration = 3:53. Visit my websites https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99 ≈
11.67€
Three Of A Perfect Pair
Three Of A Perfect Pair
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Choral SATB
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INTERMEDIATE
#
Contemporary
#
King Crimson
#
Jeff Tincher
#
Three Of A Perfect Pair
#
Jeff Tincher
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.583560 By King Crimson. By Adrian Belew, Bill Bruford, Robert Fripp, and Tony Levin. Arranged by...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.583560 By King Crimson. By Adrian Belew, Bill Bruford, Robert Fripp, and Tony Levin. Arranged by Jeff Tincher. Contemporary. Octavo. 34 pages. Jeff Tincher #4313839. Published by Jeff Tincher (A0.583560). This is one of my favorite King Crimson songs. This song construction has the instruments playing intricate syncopated patterns while the vocals has a more straight pattern, giving this song a sound that is complicated with a steady feel. Until I wrote this, I didn't realize the time signature changes. I added vocal parts to fill in the instrumental solos and make the chart more interesting. In the original key from their Three of a Perfect Pair CD, this song is fun for both the performer and listener as well. Duration = 3:53. Visit my websites https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$1.99 ≈
1.79€
Tony Levin: Three Of A Perfect Pair for guitar
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Guitar notes and tablatures
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INTERMEDIATE
#
Rock
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Tony Levin
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Virtualsheetmusic
Instantly printable sheet music by King Crimson for guitar (tablature) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by King Crimson for guitar (tablature) of MEDIUM skill level. / pop,rock
$8.97 ≈
8.06€
Three of a Perfect Pair by King Crimson - Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
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Guitar notes and tablatures
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King Crimson
#
Three of a Perfect Pair
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Musicnotes
Performed by: King Crimson: Three of a Perfect Pair Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet musi...
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Performed by: King Crimson: Three of a Perfect Pair Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Strum;Voice;Guitar 1;Guitar 2;Backup Vocals; 7 pages -- Art-Rock/Progressive~~Experimental~~Pop Rock~~Album Rock
$5.50 ≈
4.94€
We Believe (A Contemporary Creed)
We Believe (A Contemporary Creed)
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Lisa Waites
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We Believe
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1241260 By Lisa Waites. By Lisa Waites. Christian,Holiday,Praise & Worship,Religious,Sacred...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1241260 By Lisa Waites. By Lisa Waites. Christian,Holiday,Praise & Worship,Religious,Sacred. Score. 2 pages. Servant Song Music and Ministry #836654. Published by Servant Song Music and Ministry (A0.1241260). We Believe gives you the opportunity to teach your congregation about the timeless truths of the Christian faith, making this contemporary creed a perfect choice for Trinity Sunday, Confirmation Sundays, Creation, Pentecost, the Baptism of Christ, Christ the King Sunday, or on any other pastoral occasion when you want to celebrate faith in Christ, the power of the Holy Spirit, and emphasize our Triune God. The simple, catchy melody of We Believe is paired with enough rhythmic interest to captivate singers of any level, while remaining highly accessible for beginners. Set in the key of D Major, the score is offered in a Piano/Vocal/Guitar format that your church musicians will appreciate. This three-verse hymn is short enough to be used as a sung congregational response after the confession of the Nicene or Apostle's Creed, or it can function liturgically as a contemporary sung creed as an alternative to the traditional, spoken creeds. Alternatively, this piece can be used as a contemporary hymn for many different pastoral occasions and scriptural themes. It also works well as part of a multi-song worship package.  Many Christians are not reading the Word regularly or attending church often enough to know the core content of the faith; this contemporary creed harnesses the power of music and rhythm to reinforce Trinitarian theology in a compelling and memorable way. Try it out with your congregants, and you'll be helping them to learn more about their faith while simultaneously lifting up their voices in praise to God!
$2.99 ≈
2.69€
Three Of A Perfect Pair
Three Of A Perfect Pair
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Guitar notes and tablatures
#
Rock
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King Crimson
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Rock
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Three Of A Perfect Pair
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By King Crimson. For guitar. Pop; Rock. Guitar TAB. Guitar TAB. 7 pages. Published by Hal Leonard - Digital Sheet Music...
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By King Crimson. For guitar. Pop; Rock. Guitar TAB. Guitar TAB. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.48€
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Tenor voice, Piano
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ADVANCED
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Contemporary
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95 ≈
59.24€
Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
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Recorder Quartet
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INTERMEDIATE
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Sacred music
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Keith Terrett
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Keith Terrett
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Duet from Cantata Number BWW 1
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Bar...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,Praise & Worship. 15 pages. Keith Terrett #509473. Published by Keith Terrett (A0.903300). A transcription of J.S. Bach's Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet consisting of two Alto's, Tenor & Bass Recorder. The sixth movement, Mein Freund ist mein! (My Friend is mine!), is another duet for soprano and bass with obbligato oboe. This duet, like the third movement, is a love duet between the soprano Soul and the bass Jesus.Gardiner notes that Bach uses the means of contemporary operatic love-duets in his use of chains of suspensions and parallel thirds and sixths. Dürr describes it as giving expression to the joy of the united pair, showing a relaxed mood in artistic intensity. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'),[1] BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again.
$10.00 ≈
8.98€
Seven Steps To Heaven (2002) for string septet or string orchestra
Seven Steps To Heaven (2002) for string septet or string orchestra
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Thomas Oboe Lee
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Seven Steps To Heaven
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contem...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Score and parts. 40 pages. Thomas Oboe Lee #5982647. Published by Thomas Oboe Lee (A0.869690). Seven Steps To Heaven was composed for the Terezin Chamber Music Foundation/Project STEP Summer Education Collaborative in the Berkshires. The work, scored for seven string instruments †2 violins, 2 violas, 2 cellos & contrabass, is in seven sections: four movements with three interludes in between.Moderato, Humble Vale Interlude IFunk ScherzoInterlude IIBossa nova Interlude III Perpetuo motoWhen Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that Seven Steps would be premiered at the Hancock Shaker Village, I thought it would be most appropriate to use a Shaker tune as a source for this work.The work begins with Humble Vale. Humble Vale is part of the Hancock Hymnal: 1850 compiled by Deborah Rentz Moore.The most obvious element in this beautiful melody is the predominance of the pentatonic mode. The Funk Scherzo movement is a dissertation on pentatonic subsets: major seconds, minor thirds and perfect fourths. The Bossa nova movement, although not pentatonic melodically, is full of chords derived pentatonically: chords stacked in fourths, for example. The last movement, Perpetuo moto, is most definitely pentatonic in its theme: an incessant repeating figure with explosive pentatonic flurries of major seconds, minor thirds and perfect fourths.In between the four movements I have inserted three interludes. Interlude I is an interlocking pair of waltzing pentatonic melodies for two violins. Interlude II is a solemn march on an Fâ€sharp pedal. Interlude III is a quasiâ€canonic descending scale that resolves into a big Gâ€flat major chord. It is my intention that these interludes provide a smooth and slithery connection from one movement into the next. Enjoy!!!The work is dedicated to Miles Davis. His 1963 LP/CD Seven Steps To Heaven is a seminal recording for all music lovers. It made a huge impression on me when I was a teenager in São Paulo, Brazil. I must have listened to it a thousand times. I know every solo by heart. Heaven is Miles’ domain.
$9.99 ≈
8.97€
Two-Strings Melodies for the beginner bassist.
Two-Strings Melodies for the beginner bassist.
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Double Bass
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BEGINNER
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Laura C
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Two-Strings Melodies for the b
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Laura Quijada
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SheetMusicPlus
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805519 Composed by Laura C. Quijada OrtÃz. Concert,Instructional,Standards. Individu...
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805519 Composed by Laura C. Quijada OrtÃz. Concert,Instructional,Standards. Individual part. 13 pages. Laura Quijada #6711755. Published by Laura Quijada (A0.805519). 20 Melodies on two strings at a time, a good complement to beginner bass methods. The finger pattern is kept on the three pair of strings, and the melodies can be started randomly (not necessarily in the order they appear). With the exception of the last one, all the melodies are in 2/4 to facilitate the staff reading at this level. Scales and arpeggios are included to keep up with the instrument's technique. No technique marks (arco, pizzicato), bowings, dynamics or tempi are indicated, leaving this to the teacher's discretion to assign them, as the goal is to have the student play the tunes perfectly at his/her own pace and abilities. This music can also be used for solo recitals. Keys: D Major, A Major, E Major
$8.00 ≈
7.19€
Two-Strings Melodies for the beginner cellist.
Two-Strings Melodies for the beginner cellist.
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Cello
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BEGINNER
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Laura C
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Two-Strings Melodies for the b
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Laura Quijada
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SheetMusicPlus
Cello Solo - Level 1 - Digital Download SKU: A0.805516 Composed by Laura C. Quijada OrtÃz. Concert,Instructional,Standards. Individual part. 13 pages....
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Cello Solo - Level 1 - Digital Download SKU: A0.805516 Composed by Laura C. Quijada OrtÃz. Concert,Instructional,Standards. Individual part. 13 pages. Laura Quijada #6711649. Published by Laura Quijada (A0.805516). 20 Melodies on two strings at a time, a good complement to beginner cello methods. The finger pattern is kept on the three pair of strings, and the melodies can be started randomly (not necessarily in the order they appear). With the exception of the last one, all the melodies are in 2/4 to facilitate the staff reading at this level. Scales and arpeggios are included to keep up with the instrument's technique. No technique marks (arco, pizzicato), bowings, dynamics or tempi are indicated, leaving this to the teacher's discretion to assign them, as the goal is to have the cellist play the tunes perfectly at his/her own pace and abilities. This music can also be used for solo recitals. Keys: D Major, A Major, C Major
$8.00 ≈
7.19€
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Three Of A Perfect Pair
