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Three Major Piano Transcriptions
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27 sheet music found
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1
26
Three Major Piano Transcriptions
Three Major Piano Transcriptions
#
Piano solo
#
ADVANCED
#
Classical
#
Joseph Roessler
#
Joseph Roessler (BMI)
#
Three Major Piano Transcriptio
#
Trace Records LLC
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1193712 By Joseph Roessler (BMI). By Dietrich Buxtehude and Johann Sebastian Bach. Arranged by Joseph Roe...
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Piano Solo - Level 5 - Digital Download SKU: A0.1193712 By Joseph Roessler (BMI). By Dietrich Buxtehude and Johann Sebastian Bach. Arranged by Joseph Roessler (BMI). 19th Century,Baroque,Classical,Romantic Period. Score. 68 pages. Trace Records LLC #793185. Published by Trace Records LLC (A0.1193712).
$19.99 ≈
18.71€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Ea...
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Early Music, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Boréades?, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, Ólafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99 ≈
6.54€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Perio...
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
https://youtu.be/qTwqBVt2Clw
$6.99 ≈
6.54€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. ...
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Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Renaissance, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99 ≈
6.54€
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Ar
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. ...
(+)
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 9 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$6.99 ≈
6.54€
Three Preludes for Euphonium and Piano
Three Preludes for Euphonium and Piano
#
Euphonium, Piano (duet)
#
ADVANCED
#
George Gershwin
#
Ralph Sauer
#
Piano
#
Three Preludes for Euphonium a
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792456 Composed by George Gershwin. Arranged by Ralph Sauer. 20th Century,Blues,Classical,Jazz,Roman...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792456 Composed by George Gershwin. Arranged by Ralph Sauer. 20th Century,Blues,Classical,Jazz,Romantic Period. Score and part. 20 pages. Gordon Cherry #4983589. Published by Gordon Cherry (A0.792456). George Gershwin’s Three Preludes, originally published for Piano in 1926, have been transcribed by Ralph Sauer in this first ever edition for Euphonium & Piano. About 6 minutes in length, the Preludes are jazzy, bluesy and a lot of fun to play, plus, very entertaining for audiences. This transcription, in bass clef is suitable for advanced performers with a range from a low C# to high D's. Prelude No. 1 has a bluesy motif with a strong jazz feel. Prelude No. 2, Blue Melody, is a sad song also with a blues feel using lots of sevenths and a major/minor duality. Prelude No. 3, Spanish Prelude features lots of syncopations and a battle between major & minor with the major winning out in the end. This work will make a fantastic addition to your recital.
$25.00 ≈
23.40€
Schubert - An Die Laute for Mezzo-soprano Voice & Piano - Easy
Schubert - An Die Laute for Mezzo-soprano Voice & Piano - Easy
#
Piano, Voice
#
BEGINNER
#
Classical
#
Franz Schubert
#
Piacere Music Sheets
#
Schubert - An Die Laute for Me
#
Piacere Music Sheets
#
SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1050304 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic...
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1050304 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standards. Score. 8 pages. Piacere Music Sheets #654664. Published by Piacere Music Sheets (A0.1050304). Opus/Catalog Number: Op. 81, No. 2, D 905 Key/Tone: C Major Movements/Sections: Etwas geschwind (~60) Year/Date of Composition: 1827 Difficulty: Grade 3/12 (Easy) Vocal range: Mezzo-Soprano C4-E5 Obs.: This piece is the second of three songs in Schubert's Drei Lieder. The lyrics are by Johann Friedrich Rochlitz (1769-1842). An die laute [To the Lute] is a charming and tuneful song in which a suitor serenades his beloved mistress.He softly plucks his lute from the street up to her window, where a faint light is still gleaming. The singer is hoping that only his beloved will hear his music.The arpeggiated chords in Schubert's piano accompaniment imitate the soft strumming of a lute. This song An die Laute was originally composed for high voice in the key of D Major. This score is a transcription for mezzo-soprano voice and piano, set in the key of C Major. Included: Full score and separated parts for each instrument.
$4.95 ≈
4.63€
Schubert - An Die Laute for Bass Voice & Piano - Easy
Schubert - An Die Laute for Bass Voice & Piano - Easy
#
Piano, Voice
#
BEGINNER
#
Classical
#
Franz Schubert
#
Piacere Music Sheets
#
Schubert - An Die Laute for Ba
#
Piacere Music Sheets
#
SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1050392 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic...
(+)
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1050392 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standards. Score. 8 pages. Piacere Music Sheets #654704. Published by Piacere Music Sheets (A0.1050392). Opus/Catalog Number: Op. 81, No. 2, D 905 Key/Tone: G Major Movements/Sections: Etwas geschwind (~60) Year/Date of Composition: 1827 Difficulty: Grade 3/12 (Easy) Vocal range: Bass G2-B3 Obs.: This piece is the second of three songs in Schubert's Drei Lieder. The lyrics are by Johann Friedrich Rochlitz (1769-1842). An die laute [To the Lute] is a charming and tuneful song in which a suitor serenades his beloved mistress.He softly plucks his lute from the street up to her window, where a faint light is still gleaming. The singer is hoping that only his beloved will hear his music.The arpeggiated chords in Schubert's piano accompaniment imitate the soft strumming of a lute. This song An die Laute was originally composed for high voice in the key of D Major. This score is a transcription for bass voice and piano, set in the key of G Major. Included: Full score and separated parts for each instrument.
$4.95 ≈
4.63€
Schubert - An Die Laute for Alto Voice & Piano - Easy
Schubert - An Die Laute for Alto Voice & Piano - Easy
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Piano, Voice
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BEGINNER
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Classical
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Franz Schubert
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Piacere Music Sheets
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Schubert - An Die Laute for Al
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1050336 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic...
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1050336 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standards. Score. 8 pages. Piacere Music Sheets #654699. Published by Piacere Music Sheets (A0.1050336). Opus/Catalog Number: Op. 81, No. 2, D 905 Key/Tone: G Major Movements/Sections: Etwas geschwind (~60) Year/Date of Composition: 1827 Difficulty: Grade 3/12 (Easy) Vocal range: Alto G3-B4 Obs.: This piece is the second of three songs in Schubert's Drei Lieder. The lyrics are by Johann Friedrich Rochlitz (1769-1842). An die laute [To the Lute] is a charming and tuneful song in which a suitor serenades his beloved mistress.He softly plucks his lute from the street up to her window, where a faint light is still gleaming. The singer is hoping that only his beloved will hear his music.The arpeggiated chords in Schubert's piano accompaniment imitate the soft strumming of a lute. This song An die Laute was originally composed for high voice in the key of D Major. This score is a transcription for alto voice and piano, set in the key of G Major. Included: Full score and separated parts for each instrument.
$4.95 ≈
4.63€
Schubert - An Die Laute for Baritone Voice & Piano - Easy
Schubert - An Die Laute for Baritone Voice & Piano - Easy
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Piano, Voice
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BEGINNER
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Classical
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Franz Schubert
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Piacere Music Sheets
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Schubert - An Die Laute for Ba
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Piacere Music Sheets
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1050329 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic...
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1050329 Composed by Franz Schubert. Arranged by Piacere Music Sheets. Instructional,Opera,Romantic Period,Standards. Score. 8 pages. Piacere Music Sheets #654692. Published by Piacere Music Sheets (A0.1050329). Opus/Catalog Number: Op. 81, No. 2, D 905 Key/Tone: C Major Movements/Sections: Etwas geschwind (~60) Year/Date of Composition: 1827 Difficulty: Grade 3/12 (Easy) Vocal range: Baritone C3-E4 Obs.: This piece is the second of three songs in Schubert's Drei Lieder. The lyrics are by Johann Friedrich Rochlitz (1769-1842). An die laute [To the Lute] is a charming and tuneful song in which a suitor serenades his beloved mistress.He softly plucks his lute from the street up to her window, where a faint light is still gleaming. The singer is hoping that only his beloved will hear his music.The arpeggiated chords in Schubert's piano accompaniment imitate the soft strumming of a lute. This song An die Laute was originally composed for high voice in the key of D Major. This score is a transcription for baritone voice and piano, set in the key of C Major. Included: Full score and separated parts for each instrument.
$4.95 ≈
4.63€
Piano Concerto in C major, K. 503
Piano Concerto in C major, K. 503
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Classical
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Wolfgang Amadeus Mozart
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Kiyoshi Tamagawa
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Piano Concerto in C major, K.
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Mastery for Strings Press
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SheetMusicPlus
Cello,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.1343361 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classica...
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Cello,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.1343361 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 101 pages. Mastery for Strings Press #928889. Published by Mastery for Strings Press (A0.1343361). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. When the composer moved from his native Salzburg to Vienna in 1782, three piano concertos (K. 413, 414 and 415) were among his first compositions produced in the latter city. They were scored for full orchestra, but advertised when published as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that, perhaps out of a desire for increased sales and more hearings of these works, Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836, though the last of them appeared in print only several years after Hummel’s death in 1837. The accompanying ensemble in these arrangements consists of flute, violin, and cello.  Hummel, who had studied with Mozart as a boy, materially altered and elaborated the solo part in these versions, taking advantage of the increased range of nineteenth-century pianos. He imposed his own tastes in ornamentation and decoration, which strongly influenced the piano writing of Chopin, on melodic passages. This is especially true in the slow movements, resulting in a stylistic hybrid that bridges the Classical and Romantic eras. The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this work in the absence of a full orchestra, and 2) that pianists might use this version to learn Mozart’s original solo part with a minimum of alteration for such occasions when they are called upon to perform it in its original setting.
$15.99 ≈
14.96€
Six Preludes
Six Preludes
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Piano solo
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INTERMEDIATE
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Ho Jie Rong
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Six Preludes
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Ho Jie Rong
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1011289 Composed by Ho Jie Rong. Contemporary,Standards. Score. 13 pages. Ho Jie Rong #5794097. Published...
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Piano Solo - Level 3 - Digital Download SKU: A0.1011289 Composed by Ho Jie Rong. Contemporary,Standards. Score. 13 pages. Ho Jie Rong #5794097. Published by Ho Jie Rong (A0.1011289). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee Tuan. About Six Preludes I started composing this set of Six Preludes for piano in 2014 and revised in 2020. The first piece of this set is Walking. There are different types of walks one can imagine. Octaves in the left hand at the opening represents walking sluggishly, whilst the middle section’s running right hand and jokingly bass notes representing a quick stroll. The Adagio recititavo part represents tip-toeing and finally the quasi cadenza part represents a trip on the floor, ouch! The second piece, which is nicknamed Joke, is a parody of Chopin’s Scherzo no. 1 in B minor, Op. 20. Take this piece as a lame unfunny joke, as in the slow coda, which is a sigh after listening to this joke. Night Song, as the name says, means a piece to be played at night, most commonly associate with pieces like Nocturnes, Barcarolles etc. The fourth piece, Chopin, is a homage to Chopin. I chose his Prelude in G and B flat minor, Op. 28 no. 3 and no. 16 respectively as sources of inspirations. Vision is a poly-tonality piece. Sometimes what we think or see, may not always end up the way it is. Hence, I hope to create this double effect by using the keys at the same time. The final piece of this set is a Fughetta. A fughetta is a small fugue. This piece is actually a piano transcription of the 3rd movement of my Three Colours (for Clarinet in B flat, Violin and Cello) which is composed and premiered in 2012. I revised and edited some sections. This is a 12-tone work. The P0 and R0 makes up the subject of this piece, while R11 makes up the countersubject. Six Preludes is dedicated to my friend Ng Yu Fei.
$6.00 ≈
5.61€
Franz Schubert - Military March n.1 op.51 in D Major - for Didactical Orchestra - Optional parts
Franz Schubert - Military March n.1 op.51 in D Major - for Didactical Orchestra - Optional parts
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Classical
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Franz Schubert
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Davide Bizzarri
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Franz Schubert - Military Marc
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Davide Bizzarri
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SheetMusicPlus
Instrumental Duet,Piano Guitar,Harp,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.936765 Composed by Franz Schubert. Arranged by Davide Bi...
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Instrumental Duet,Piano Guitar,Harp,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.936765 Composed by Franz Schubert. Arranged by Davide Bizzarri. Children,Christmas,Holiday,Romantic Period,Standards. Score and parts. 12 pages. Davide Bizzarri #6619063. Published by Davide Bizzarri (A0.936765). This is a didactic transcription of Schubert's Military March op.51 n.1 in D major, for small chamber orchestra. Strings are divided in three violin part, violas, two cello part and contrabass (II cello and contrabass plays the same part).I personally used this arrangement with my school and it suited perfectly. It's very bright and joyful, and children loves it very much. In this set of parts you can find Celtic Harp, Guitar and four-hand Piano.Score and other parts are available
$3.99 ≈
3.73€
Franz Schubert - Military March n.1 op.51 in D Major - for Didactical Orchestra
Franz Schubert - Military March n.1 op.51 in D Major - for Didactical Orchestra
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Classical
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Franz Schubert
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Davide Bizzarri
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Franz Schubert - Military Marc
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Davide Bizzarri
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Drums,Flute,Guitar,Harp,Multi-Percussion,Piano,Vibraphone,Viola,Violin - Level 3 - Digital Download SKU: A0.936762
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Large Ensemble Cello,Clarinet,Double Bass,Drums,Flute,Guitar,Harp,Multi-Percussion,Piano,Vibraphone,Viola,Violin - Level 3 - Digital Download SKU: A0.936762 Composed by Franz Schubert. Arranged by Davide Bizzarri. Children,Holiday,Romantic Period,Standards. Score and parts. 6 pages. Davide Bizzarri #6619055. Published by Davide Bizzarri (A0.936762). This is a didactic transcription of Schubert's Military March op.51 n.1 in D major, for small chamber orchestra. Strings are divided in three violin part, violas, two cello part and contrabass (II cello and contrabass plays the same part).I personally used this arrangement with my school and it suited perfectly. It's very bright and joyful, and children loves it very much. Set of parts avaliable
$12.50 ≈
11.70€
Meditation Op. 42 No. 1 - transcription for violin & harp
Meditation Op. 42 No. 1 - transcription for violin & harp
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Harp, Violin (duet)
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ADVANCED
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Classical
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P
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N
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Meditation Op. 42 No. 1 - tran
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iStrings
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.875784 Composed by P. I. Tchaikovsky. Arranged by N. Szederkenyi. Ro...
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Instrumental Duet Harp,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.875784 Composed by P. I. Tchaikovsky. Arranged by N. Szederkenyi. Romantic Period. Score and parts. 12 pages. IStrings #3866767. Published by iStrings (A0.875784). This beautiful piece by Tchaikovsky is one of a set of three for violin and piano. It is the original violin part edited with fingerings / bowings with the piano part transcribed to a lovely harp accompaniment. Very much like his ballet music, played some times even as an extra part for the ballet Swan Lake. Written by Hungarian violin virtuoso Nandor Szederkenyi, former concertmaster in several major orchestras from Japan to Austria, who also had a long career as soloist. Published using the leading notation software Finale, he includes bowings and fingerings, in collaboration with his duo partner/daughter who took care of the pedal markings of the harp part.
$15.00 ≈
14.04€
Repousa Tranqüilo (Sleep Peacefully) VLA PART
Repousa Tranqüilo (Sleep Peacefully) VLA PART
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Viola, Piano
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INTERMEDIATE
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Christmas
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Northeast Brazilian Christmas
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Ken Litton
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Repousa Tranqüilo
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Artist of Note, Inc.
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1139935 Composed by Northeast Brazilian Christmas lullaby. Arranged by Ken Litton. Advent,Christian,Chri...
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Piano,Viola - Level 3 - Digital Download SKU: A0.1139935 Composed by Northeast Brazilian Christmas lullaby. Arranged by Ken Litton. Advent,Christian,Christmas,Folk,Sacred. Score and part. 2 pages. Artist of Note, Inc. #740203. Published by Artist of Note, Inc. (A0.1139935). This arrangement for Viola and Piano of the increasingly popular northeast Brazilian Christmas lullaby Repousa Tranqüilo TRANQÜILIDADE also entitled Sleep Peacefully, is a beautiful folk tune has been recorded in more than one translation in recent years, sometimes with the Welsh lyric below. This transcription of the entirely public domain tune follows a common practice of moving from minor into major at the midpoint of the tune while also preserving the distinctively Brazilian harmonic quality in the opening verse and throughout. Sleep quietly my Jesus Now close your dear eyes Above you shine God's countless stars Like diamonds in the sky Beside your bed an angel crew With cattle have fed Your mother stands in watchful prayer And strokes your little head The shepherds leave, their flocks unwatched They bring you my love While angels of our father God Rejoice the song above From far away the wise men three Their treasures the bring The whole wide world before your kneels My Jesus little king. Translated: Ruth Heller.
$2.99 ≈
2.80€
Repousa Tranqüilo (Sleep Peacefully) VIOLA
Repousa Tranqüilo (Sleep Peacefully) VIOLA
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Viola, Piano
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INTERMEDIATE
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Christmas
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Northeast Brazilian Christmas
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Ken Litton
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Repousa Tranqüilo
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Artist of Note, Inc.
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1137027 Composed by Northeast Brazilian Christmas lullaby. Arranged by Ken Litton. Advent,Christian,Chri...
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Piano,Viola - Level 3 - Digital Download SKU: A0.1137027 Composed by Northeast Brazilian Christmas lullaby. Arranged by Ken Litton. Advent,Christian,Christmas,Folk,Sacred. Score and part. 7 pages. Artist of Note, Inc. #737032. Published by Artist of Note, Inc. (A0.1137027). This arrangement for Viola and Piano of the increasingly popular northeast Brazilian Christmas lullaby Repousa Tranqüilo TRANQÜILIDADE also entitled Sleep Peacefully, is a beautiful folk tune has been recorded in more than one translation in recent years, sometimes with the Welsh lyric below. This transcription of the entirely public domain tune follows a common practice of moving from minor into major at the midpoint of the tune while also preserving the distinctively Brazilian harmonic quality in the opening verse and throughout. Sleep quietly my Jesus Now close your dear eyes Above you shine God's countless stars Like diamonds in the sky Beside your bed an angel crew With cattle have fed Your mother stands in watchful prayer And strokes your little head The shepherds leave, their flocks unwatched They bring you my love While angels of our father God Rejoice the song above From far away the wise men three Their treasures the bring The whole wide world before your kneels My Jesus little king. —Translated: Ruth Heller.
$4.99 ≈
4.67€
Repousa Tranqüilo (Sleep Peacefully) VIOLIN
Repousa Tranqüilo (Sleep Peacefully) VIOLIN
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Violin and Piano
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INTERMEDIATE
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Christmas
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Northeast Brazilian Christmas
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Ken Litton
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Repousa Tranqüilo
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Artist of Note, Inc.
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1130588 Composed by Northeast Brazilian Christmas lullaby. Arranged by Ken Litton. Advent,Christian,Chr...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1130588 Composed by Northeast Brazilian Christmas lullaby. Arranged by Ken Litton. Advent,Christian,Christmas,Folk,Sacred. 7 pages. Artist of Note, Inc. #730828. Published by Artist of Note, Inc. (A0.1130588). This arrangement for Violin and Piano of the increasingly popular northeast Brazilian Christmas lullaby Repousa Tranqüilo TRANQÜILIDADE also entitled Sleep Peacefully, is a beautiful folk tune has been recorded in more than one translation in recent years, sometimes with the Welsh lyric below. This transcription of the entirely public domain tune follows a common practice of moving from minor into major at the midpoint of the tune while also preserving the distinctively Brazilian harmonic quality in the opening verse and throughout. Sleep quietly my Jesus Now close your dear eyes Above you shine God's countless stars Like diamonds in the sky Beside your bed an angel crew With cattle have fed Your mother stands in watchful prayer And strokes your little head The shepherds leave, their flocks unwatched They bring you my love While angels of our father God Rejoice the song above From far away the wise men three Their treasures the bring The whole wide world before your kneels My Jesus little king. —Translated: Ruth Heller.
$4.99 ≈
4.67€
Mack the Knife by My Transcriptions - Piano Solo
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Piano solo
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My Transcriptions
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Mack the Knife
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Musicnotes
Sheet Music for Mack the Knife from The Threepenny Opera arranged for Instrumental Solo in Bb Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Mack the Knife from The Threepenny Opera arranged for Instrumental Solo in Bb Major. Digital sheet music from Musicnotes.
$9.99 ≈
9.35€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.44€
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Three Major Piano Transcriptions
