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You've selected:
Three African American Spirituals Piano Solos
Sheetmusic to print
4 sheet music found
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1
Three African American Spirituals - Piano Solos
Three African American Spirituals - Piano Solos
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Piano solo
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INTERMEDIATE/ADVANCED
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Gospel/Spiritual
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African American Spiritual
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K
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Three African American Spiritu
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K L Phillips
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SheetMusicPlus
Composed by African American Spiritual. Arranged by K.L. Phillips. Christian, Concert, Gospel, Spiritual, Standards. Score. 14 pages. K L Phillips #65...
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Composed by African American Spiritual. Arranged by K.L. Phillips. Christian, Concert, Gospel, Spiritual, Standards. Score. 14 pages. K L Phillips #6510637. Published by K L Phillips
$5.99 ≈
5.61€
Christmas Favorites, Book 2 (A Collection of 20 Piano Solos)
Christmas Favorites, Book 2 (A Collection of 20 Piano Solos)
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Piano solo
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INTERMEDIATE
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson and Sharon Wilso
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Christmas Favorites, Book 2
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1314460 By Sharon Wilson. By Adolphe-Charles Adam, African-American Spiritual, Benjamin R. Hanby, English...
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Piano Solo - Level 3 - Digital Download SKU: A0.1314460 By Sharon Wilson. By Adolphe-Charles Adam, African-American Spiritual, Benjamin R. Hanby, English Folk Song, Felix Bartholdy Mendelssohn, French carol, George Frideric Handel, John Francis Wade, John Henry Hopkins Jr., Pietro A. Yon, Polish Carol, and Traditional. Arranged by Sharon Wilson and Sharon Wilson Music. Advent,Christmas,Multicultural,Sacred,Spiritual,World. Score. 72 pages. Sharon Wilson #903214. Published by Sharon Wilson (A0.1314460). This collection of twenty piano solos features distinct and creative arrangements of favorite sacred Christmas songs. Many of these songs are the classic, well-known carols and spirituals that everyone loves while others are less familiar, but equally beautiful and memorable. From flowing and reflective to upbeat and energetic, the intermediate pianist will find these songs a valuable addition to their holiday and worship repertoire. Each of the 20 arrangements is also available separately with accompanying preview pages and audio samples. Titles included in this collection:  Angels We Have Heard on High Bring a Torch, Jeannette, Isabella  Child in the Manger Medley (with Morning Prayer)Ding Dong! Merrily on HighFor Unto Us a Child Is Born (from The Messiah)Gesù Bambino   Go, Tell It on the Mountain God Rest Ye Merry, Gentlemen Hark! The Herald Angels Sing He Is BornInfant Holy, Infant Lowly Medley (with Mary Had a Baby)Lo, How A Rose E're Blooming O Come, All Ye Faithful O Holy Night Rise Up, Shepherd, and Follow The First NoelThe Friendly Beasts The Virgin Mary Had a Baby BoyWe Three Kings Who Is He in Yonder Stall?Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.com.
$20.00 ≈
18.72€
Sonata Hymnica No. 6
Sonata Hymnica No. 6
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00 ≈
9.36€
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Three African American Spirituals Piano Solos
