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The Second Waltz From the
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The Second Waltz From the
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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violin, Clarinet, Piano (trio)
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ADVANCED
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Adam Lenhart
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Two Scenes from The Rubáiyát
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 p...
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
WALTZ OF THE FLOWERS from The Nutcracker, String Duo, Early Intermediate Level for violin and cello
WALTZ OF THE FLOWERS from The Nutcracker, String Duo, Early Intermediate Level for violin and cello
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Violin, Cello (duet)
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EASY
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Peter Illich Tchaikovsky
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Sherry Lewis
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WALTZ OF THE FLOWERS from The
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Sherry Lewis Publishing
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.521782 Composed by Peter Illich Tchaikovsky. Arranged by Sherry Lewis. Holiday,Romant...
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Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.521782 Composed by Peter Illich Tchaikovsky. Arranged by Sherry Lewis. Holiday,Romantic Period,Wedding. 5 pages. Sherry Lewis Publishing #6449383. Published by Sherry Lewis Publishing (A0.521782). WALTZ OF THE FLOWERS from The Nutcracker, String Duo, Early Intermediate Level for violin and cello Score: YES Parts: 2 pages Time: 2'45 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.50
WALTZ OF THE FLOWERS from The Nutcracker, String Quartet, Early Intermediate Level for 2 violins, v
WALTZ OF THE FLOWERS from The Nutcracker, String Quartet, Early Intermediate Level for 2 violins, v
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
#
Peter Illich Tchaikovsky
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Sherry Lewis
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WALTZ OF THE FLOWERS from The
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Sherry Lewis Publishing
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.521783 Composed by Peter Illich Tchaikovsky. Arranged by Sherry Lew...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.521783 Composed by Peter Illich Tchaikovsky. Arranged by Sherry Lewis. Holiday,Romantic Period,Wedding. 11 pages. Sherry Lewis Publishing #6450017. Published by Sherry Lewis Publishing (A0.521783). WALTZ OF THE FLOWERS from The Nutcracker, String Quartet, Early Intermediate Level for 2 violins, viola and cello Score: YES Parts: 4 pages Time: 2'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
WALTZ OF THE FLOWERS from The Nutcracker, String Trio, Early Intermediate Level for 2 violins and ce
WALTZ OF THE FLOWERS from The Nutcracker, String Trio, Early Intermediate Level for 2 violins and ce
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
#
Peter Illich Tchaikovsky
#
Sherry Lewis
#
https://www
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WALTZ OF THE FLOWERS from The
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Sherry Lewis Publishing
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521781 Composed by Peter Illich Tchaikovsky. Arranged by Sherry Lewis. Holiday,Romant...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521781 Composed by Peter Illich Tchaikovsky. Arranged by Sherry Lewis. Holiday,Romantic Period,Wedding. 11 pages. Sherry Lewis Publishing #6449241. Published by Sherry Lewis Publishing (A0.521781). WALTZ OF THE FLOWERS from The Nutcracker, String Trio, Early Intermediate Level for 2 violins and cello or violin, viola and cello Score: YES Parts: 4 pages Time: 2'45 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
From a Diary of a Child
From a Diary of a Child
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Piano solo
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EASY
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Panagiotis Theodossiou
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From a Diary of a Child
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Panagiotis Theodossiou
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.886642 Composed by Panagiotis Theodossiou. Children,Concert,Contemporary,Standards. Score. 51 pages. Pana...
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Piano Solo - Level 2 - Digital Download SKU: A0.886642 Composed by Panagiotis Theodossiou. Children,Concert,Contemporary,Standards. Score. 51 pages. Panagiotis Theodossiou #2914377. Published by Panagiotis Theodossiou (A0.886642). 30 Short Children Pieces for Piano Solo (2007)The life of a child reveals and hides inside images and sentiments, sounds and experiences, questions and concerns. Parts of a world lost forever but treasured in the adult soul.From First Day, First Page of the diary and Sunday’s Joybells to the Bittersweet morning dances and the Calm of a Sunny Afternoon, from A Sudden Absence and a Strange Question to the Loneliness and Dream, from the imaginary Indian Dance to the Walkin’ on a Rainy Day and from March of the Goose to the Flowers’ Waltz, Lullaby and Farewell Song, these Diary of a Child pages unfold the thread of a very well known memory, a memory of us all.These 30 short piano pieces were composed between 2003 and 2007. Some of them are compositions of inspired children, composer’s pupils, like Orsaki Roussetou and Plato Tsoukatos-Pontikis.This collection is dedicated to all composer’s pupils and especially toy Nikos Karidis, the grown up child who gave me the opportunity to write most of the pieces presented. The work was recorded by Dimitra Mane on cd for the upcoming edition.. The artist performed parts of the work in composer's personal Portrait organized by Greek Composers Union at Hellenic Conservatory in Maroussi in 2010 and the whole collection at Mikros Horos Tehnis (Little Hall of Arts) in Glyfada, Attiki, in 2015. Parts of the work had been performed also by Eleni Papaspyrou students, from Herakleion Music School, in Theatrical Station, Herakleion, Crete and at Lillian Voudouri Library Hall in Athens Concert Hall in 2015.39. Jeux pour Deux for two pianos (2007)A work of neoclassical character with influences from jazz idiom. It is dedicated to the piano duo Dimitra Mane – Andy Miliory and to Maurice Ravel in the musical style of whom there are intentional references - by which was performed at Athenaeum Concert Hall Athens in 2008. The work have been secondly performed by Ting Ke and Chenshayang Huang at Boston University Concert Hall under Spring 14 Piano Ensemble Juries (K. Papadakis piano class) in 2014 and by Effie Agrafioti and Giorgos Kontrafouris in D. Mitropoulos Hall, Athens Concrt Hall in 2015.https://www.youtube.com/watch?v=jI62IN0xdA0
$12.99
The Four Seasons in the Basque Country
The Four Seasons in the Basque Country
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Concert band
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6...
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
Where Is Your Heart (the Song From Moulin Rouge)
Where Is Your Heart (the Song From Moulin Rouge)
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Percy Faith And His Orchestra
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Derek Hasted
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Where Is Your Heart
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797725 By Percy Faith And His Orchestra. By Georges Auric. Arranged by Derek Hasted. Contempo...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797725 By Percy Faith And His Orchestra. By Georges Auric. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 16 pages. Derek Hasted #3882757. Published by Derek Hasted (A0.797725). MOULIN ROUGE - FOUR GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is an arrangement of the lovely waltz from the film Moulin Rouge. This suits 4 guitars or a large ensemble. Each of the parts has its own interesting features... Guitar 1 goes up to fret 15... Guitar 2 opens and closes with natural harmonics and is based on well-known arpeggio shapes... Guitar 3 has a counter-melody that shadows the tune... Guitar 4 has some first-position bass lines with a second part on top to make this line interesting and fun to play.This arrangement is based of a version performed by Hampshire Guitar Orchestra in the UK, and it was always a popular concert item. Suitable for a range of abilities, but nothing here is too difficult or awkward to play and there are no page turns in the part-scores.I hope you enjoy playing this piece!
$4.99
Fishing in the Brook
Fishing in the Brook
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Piano solo
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EASY
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Kim S
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Fishing in the Brook
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.961658 Composed by Kim S. Bean. Contemporary,Instructional,Standards. Score. 2 pages. Kim S. Bean #602764...
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Piano Solo - Level 2 - Digital Download SKU: A0.961658 Composed by Kim S. Bean. Contemporary,Instructional,Standards. Score. 2 pages. Kim S. Bean #6027645. Published by Kim S. Bean (A0.961658). Fishing in the Brook, a 2 page piece in the key of C major at the early intermediate level, is the second piece from a set of 12 pieces entitled Something For Every Season. There are 3 pieces for each of the four seasons. the first piece in each season is at the mid to late elementary level, the second piece is at the early intermediate level and the third piece is at the intermediate level. Fishing in the Brook in 4/4 time, uses broken chords as well as a trill notated as 8th notes. Also use of pedal, octave leaps, staccato and accented notes. This is a great piece to use to introduce students to tonic chords and to teach transposition to other positions.Other titles available in this set entitled Something for Every Season are: Spring Time Minuet, April Showers and May Flowers, The Trampoline Tango, Reflection on the Water, Lazy Days, Harvest Time Minuet, Family Gathering, Crunchy Leaves, Winter Fun Suite, The Glistening Woodland Waltz and The Blizzard.
$3.99
All Weather Friends - Jazz Waltz - Solo Piano
All Weather Friends - Jazz Waltz - Solo Piano
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Piano solo
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INTERMEDIATE/ADVANCED
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Olly Wedgwood
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All Weather Friends - Jazz Wal
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OllysPianoSheets
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.961560 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5335091. Publ...
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Piano Solo - Level 4 - Digital Download SKU: A0.961560 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5335091. Published by OllysPianoSheets (A0.961560). Friends shouldn't just hang out in fair weather, so here is All Weather Friends, a gentle swing waltz ideal for established intermediate players at about the Grade 4-5 standard (ABRSM).The melody and accompaniment is based upon a classic jazz waltz rhythm, so to get into the feel of this piece, you may find it useful to first practice clapping this rhythm:Remember that the quaver eighth notes are swung.The trick with this piece is to let the melody sing out above the jazz waltz accompaniment, so keep an ear on the melody at all times.In bar 21, the semiquaver 16th notes can be played a little faster than written, which will create more of a 'turn' ornament. Have a listen to the performance recording clip (above) at about halfway through to get the idea.This jazz waltz piano sheet music provides excellent practice for working on phrasing and sustain pedal technique. Occasionally, you may find a couple of hand position changes that risk disrupting the flow of the melodic phrase. In these instances, try a touch of sustain pedal to smooth out the transition. An example of this can be found in bar 31.After the repeated opening melody, the middle section moves into the key of G minor, featuring a rising arpeggio-based accompaniment with sustain pedal. There is a lot of quaver eighth-note movement in this section, so be sure to keep this rhythm smoothly swinging in the usual triplet manner:This middle section reaches a crescendo at bar 37 with a rippling chord effect between both hands. Try experimenting with different ways of splitting up these chords - you could ripple up from the left hand to the right hand, or try rippling both hands at the same time. Stick with whatever sounds good to you!After a poco rall the original melody returns via a D.C. al Coda. As is the convention for first and second time repeat bars, take the second time bar on the D.C. and then to the Coda.The play-along MP3 backing track for this sheet music is also available to download at Sheet Music Plus.Explore more fun piano sheet music by Olly Wedgwood at https://OllysPianoSheets.com I hope you enjoy All Weather Friends, whatever the weather!
$3.95
All Weather Friends - Jazz Waltz - Solo Piano
All Weather Friends - Jazz Waltz - Solo Piano
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Piano solo
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INTERMEDIATE/ADVANCED
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Olly Wedgwood
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All Weather Friends - Jazz Wal
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OllysPianoSheets
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.961566 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5792833. Publ...
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Piano Solo - Level 4 - Digital Download SKU: A0.961566 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5792833. Published by OllysPianoSheets (A0.961566). Friends shouldn't just hang out in fair weather, so here is All Weather Friends, a gentle swing waltz ideal for established intermediate players at about the Grade 4-5 standard (ABRSM).The melody and accompaniment is based upon a classic jazz waltz rhythm, so to get into the feel of this piece, you may find it useful to first practice clapping this rhythm:Remember that the quaver eighth notes are swung.The trick with this piece is to let the melody sing out above the jazz waltz accompaniment, so keep an ear on the melody at all times.In bar 21, the semiquaver 16th notes can be played a little faster than written, which will create more of a 'turn' ornament. Have a listen to the performance recording clip (above) at about halfway through to get the idea.This jazz waltz piano sheet music provides excellent practice for working on phrasing and sustain pedal technique. Occasionally, you may find a couple of hand position changes that risk disrupting the flow of the melodic phrase. In these instances, try a touch of sustain pedal to smooth out the transition. An example of this can be found in bar 31.After the repeated opening melody, the middle section moves into the key of G minor, featuring a rising arpeggio-based accompaniment with sustain pedal. There is a lot of quaver eighth-note movement in this section, so be sure to keep this rhythm smoothly swinging in the usual triplet manner:This middle section reaches a crescendo at bar 37 with a rippling chord effect between both hands. Try experimenting with different ways of splitting up these chords - you could ripple up from the left hand to the right hand, or try rippling both hands at the same time. Stick with whatever sounds good to you!After a poco rall the original melody returns via a D.C. al Coda. As is the convention for first and second time repeat bars, take the second time bar on the D.C. and then to the Coda.I hope you enjoy All Weather Friends, whatever the weather!Explore more fun piano sheet music by Olly Wedgwood at https://ollyspianosheets.com
$3.95
Excerpt from the Last Part of Ariadne Auf Naxos
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
'A golden time ...' from Ariadne auf Naxos
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Overture from Ariadne auf Naxos
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Chorus and Aria from Ariadne auf Naxos
Chorus and Aria from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
Peated Waltzes
Peated Waltzes
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Guitar
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ADVANCED
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the Broad Bay
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Luciano Lima
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Peated Waltzes
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les ...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les Productions d'OZ - Digital (ZZ.DZ-4303). Dedicated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movement’s title comes from one the song’s last verses, O, may long their wild notes flow. The third movement’s theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose name’s meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés d’Islay, l’île la plus méridionale des Hébrides intérieures d’Écosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, l’un des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. À la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.
$5.95
F. Liszt - “Mephisto-Waltz #4 & Mephisto-Polka”, Orchestrated by A. Leytush - Score Only
F. Liszt - “Mephisto-Waltz #4 & Mephisto-Polka”, Orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Franz Liszt
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A
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F. Liszt - “Mephisto-Waltz #
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1464017 Composed by Franz Liszt. Arranged by A. Leytush. 19th Century. 61 pages. Arkady Leytush #1042...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1464017 Composed by Franz Liszt. Arranged by A. Leytush. 19th Century. 61 pages. Arkady Leytush #1042728. Published by Arkady Leytush (A0.1464017). This doublet seems to have been conceived by the author himself. Their opus numbers are S 216b & S217. But the main thing, of course, is the theme that unites them. “Devil’s Intrigues” is the second name I could give to these works. During the instrumentation, I came up with the idea of performing these two pieces without interruption, and another reason for their connection was the technical element - the Tam-Tam beat, which stretches from one piece to another and is, as it were, a connecting bridge.
$60.00
A pair of Waltzes Op.2
A pair of Waltzes Op.2
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Easy Piano
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BEGINNER
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Rafael Dominguez Frometa
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A pair of Waltzes Op.2
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Rafael Dominguez Frometa
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SheetMusicPlus
Piano Solo - Level 1 - Digital Download SKU: A0.1337252 Composed by Rafael Dominguez Frometa. 21st Century,Classical,Contemporary. Score. 4 pages. Rafael...
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Piano Solo - Level 1 - Digital Download SKU: A0.1337252 Composed by Rafael Dominguez Frometa. 21st Century,Classical,Contemporary. Score. 4 pages. Rafael Dominguez Frometa #923062. Published by Rafael Dominguez Frometa (A0.1337252). These are two waltzes meant for those who are beginners in the piano. One of them will be in C major to warm you up for the real challenge, the second waltz. Consider this piece as an exercise.
$4.00
Piano Sonata in b minor: III - Waltz
Piano Sonata in b minor: III - Waltz
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Piano solo
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INTERMEDIATE/ADVANCED
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Ulrich Lehensteiner
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Piano Sonata in b minor: III -
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Ulrich Lehensteiner
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1495070 Composed by Ulrich Lehensteiner. 21st Century,Classical,Contemporary. Score. 15 pages. Ulrich Leh...
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Piano Solo - Level 4 - Digital Download SKU: A0.1495070 Composed by Ulrich Lehensteiner. 21st Century,Classical,Contemporary. Score. 15 pages. Ulrich Lehensteiner #1071634. Published by Ulrich Lehensteiner (A0.1495070). Third movement from the piano sonata No.1 in b minor.A typical Lehensteiner-waltz-movement that with its frequent hemiolas (and other non-3/4 time-ratios), off-beat-accents and other unexpected rhythmic twists pushes this usually simple dance-genre to its percussive limits.Ulrich Lehensteiner's piano sonata in b minor is a classic three-movement-sonata with a modern twist, featuring a high-energy first movement with a main theme inspired by the Netflix-series The Witcher that in classic sonata-form is contrasted by a major-key secondary theme, a serene second movement torn between two radically differently textured themes, and a boisterous waltz-finale that gradually gets more and more exciting and virtuosic.
$16.99
Waltz (from the Violin Sonata in c)
Waltz (from the Violin Sonata in c)
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Ulrich Lehensteiner
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Waltz
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Ulrich Lehensteiner
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.1497665 Composed by Ulrich Lehensteiner. 21st Century,Chamber,Classical,Contemporary. 10 pages. Ulrich ...
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Piano,Violin - Level 4 - Digital Download SKU: A0.1497665 Composed by Ulrich Lehensteiner. 21st Century,Chamber,Classical,Contemporary. 10 pages. Ulrich Lehensteiner #1074080. Published by Ulrich Lehensteiner (A0.1497665). A dreamy waltz that provides a calm contrast to the storming turmoil of the sonata's other movements, culminating in its own, almost exaggerated, climax before returning to the initial tranquility. Ulrich Lehensteiner's Violin Sonata in c is a very dark and tumultuous piece of chamber music, with only a few bright moments. The ominously drifting mood of the first movement is only briefly interrupted by the dreamy waltz of the second movement, followed up with an absolute forced march a finale that blasts through from start to finish with the highest energy possible. The virtuosity of the sonata lies not so much in the technically difficult figures, but in maintaining that high level of energy demanded by incessant rhythms and constant fortes throughout the entire piece that is 20 minutes of music.PDF includes piano score + violin part.
$17.99
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The Second Waltz From the 
