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The Second Line: Piano Accompaniment
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You've selected:
The Second Line: Piano Accompaniment
Sheetmusic to print
302 sheet music found
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The Second Line: Piano Accompaniment
The Second Line: Piano Accompaniment
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Piano (band part)
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Instructional
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Duke Ellington
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The Second Line: Piano Accompa
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016246_K Piano Accompaniment. Composed by Duke Ellington. Instructional. Part. 8 pages. Alfred Mus...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016246_K Piano Accompaniment. Composed by Duke Ellington. Instructional. Part. 8 pages. Alfred Music - Digital Sheet Music #00-PC-0016246_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016246_K). UPC: 038081454054.Take a stroll through the French Quarter with this hard swinging clarinet feature. Dueling trombones and a brief trumpet solo round out one of Duke's most engaging pieces!
$3.00 ≈
$4.12
Sonata in a Simple Scale for Viola and Piano
Sonata in a Simple Scale for Viola and Piano
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. P...
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Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00 ≈
$11.00
TRITONE Sonata for Trumpet in B-flat and Piano
TRITONE Sonata for Trumpet in B-flat and Piano
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Trumpet, Piano
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ADVANCED
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Contemporary
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John Frith
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TRITONE Sonata for Trumpet in
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st Century, Contemporary Classical. Score, Solo Part. 36 pages. Pu...
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Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by John Frith. 21st Century, Contemporary Classical. Score, Solo Part. 36 pages. Published by Cherry Classics Music
Here is a description of the TRITONE Sonata for Trumpet and Piano by the composer, John Frith:
"One of my most enjoyable roles in music was conducting the Herefordshire Young People’s Orchestras (UK) in the late 1980s. Stuart Essenhigh was a very talented young trumpeter who toured Belgium with the orchestra as a soloist in 1989.
Encouraged by this experience Stuart went on to study in London graduating as a fine professional trumpeter working firstly in Hong Kong and then as a freelancer with major U.K. orchestras.
My TRITONE Sonata for Trumpet and Piano of 2016 was written specifically for Stuart. Each of its three movements uses the interval of a tritone in different ways. We hear it initially as a ‘benign’ element of the first movement; ‘ironic’ in the second and even ‘playful’ in the last.
I - Moderato
The use of a ‘straight’ mute to open and close this movement greatly enlarged my palate of sound colours and, together with some unconventional ‘flutter- tonguing’ techniques, it allowed me to emphasize the declamatory and strident possibilities of this powerful instrument…... I call for ‘ffff’ (fortissississimo) at one point! The muted coda creates an otherworldly’ atmosphere - distant and questioning at the close.
II – Andante espressivo – piu mosso – Tempo primo
The opening austere and angular melody (which demands great lip flexibility and control) leads to a relaxed and flowing ‘piu mosso’ with quasi baroque idioms. This builds towards florid, technical passages for the soloist which are matched by more assertive piano lines heralding the return of the opening material and a soulful resolution.
III – Maestoso – rondo
A traditional martial ‘fanfare’ opens the final movement by answering phrases from both instruments. There is something of a power struggle in progress here which is momentarily resolved at the ‘rondo’ where the piano accepts a supportive ‘um-pa-pa’ accompanimental role. The trumpet melody is dominant and confident but the piano gradually asserts itself propelling the music with a powerful ‘boogie-woogie’ style bass line. This encourages both instruments to climb ever higher in, what I trust will be, a thrilling race for the final bar." John Frith 2020
This work is about 12 minutes in length and is appropriate for advanced to virtuoso performers.
$30.00 ≈
$41.24
Concertino for Alto Saxophone and Piano
Concertino for Alto Saxophone and Piano
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Alto Saxophone and Piano
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ADVANCED
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Contemporary
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Sy Brandon
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Concertino for Alto Saxophone
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Sy Brandon
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.755072 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon ...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.755072 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3366105. Published by Sy Brandon (A0.755072). Concertino was composed during 2009 at the request of Dr. Andy Wen and premiered by him at the Region 4 NASA Conference in April 2011. This piano reduction of the band parts was completed in 2011. The work is in three movements. The first movement is in an abbreviated sonata form in a spirited Vivace tempo. The first theme group consists more of motives rather than an actual theme and is characterized by interplay between the soloist and the band. The second theme group has a lyrical saxophone line over a staccato bass line. The development begins quietly with the treatment of a syncopated idea from the second theme using a trio of solo saxophone, timpani and euphonium. After further development, a variant of the first theme group returns. The recapitulation consists only of first theme group ideas before ending with a brief coda. The second and third movements are performed with out pause between them. While the first movement was created during 2009, the second and third movements are a reworking of an earlier work by the composer for alto saxophone and piano soloists with orchestra. A rubato Lento theme containing many triplets that is accompanied by lush harmony begins the second movement. It is followed by a more scale-wise melody that is treated contrapuntally. Both these ideas develop during the movement leading to a strong climax before returning to a quiet conclusion. The third movement is an Allegro, once again with a rhythmic opening idea that changes meter often, and a more lyrical second idea with scale-wise passages as counterpoint. The development of these ideas leads to a cadenza for the solo saxophonist, followed by a coda that brings the composition to a rousing conclusion.
$14.99 ≈
$20.61
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
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Cello, Piano
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INTERMEDIATE
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Classical
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Jules Massenet
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Flavio Regis Cunha
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MÉDITATION - From the Opera T
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Flavio Regis Cunha
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SheetMusicPlus
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period,...
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Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Valentine's Day, St. Patrick's Day, Wedding. Individual Part, Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.
The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.
The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99 ≈
$8.23
MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
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Violin and Piano
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INTERMEDIATE
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Classical
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Jules Massenet
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Flavio Regis Cunha
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MÉDITATION - From the Opera T
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Flavio Regis Cunha
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SheetMusicPlus
Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period...
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Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Wedding, Graduation, Recital. Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.
The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.
The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99 ≈
$8.23
Day by Day (for Violin Duet with Piano Accompaniment)
Day by Day (for Violin Duet with Piano Accompaniment)
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2 Violins, Piano
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson Music
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Day by Day
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Sharon Wilson
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SheetMusicPlus
By Sharon Wilson. By Caroline V. Sandell-Berg and Oscar Ahnfelt. Arranged by Sharon Wilson Music. 150, Christian, Praise & Worship, Sacred, Tradit...
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By Sharon Wilson. By Caroline V. Sandell-Berg and Oscar Ahnfelt. Arranged by Sharon Wilson Music. 150, Christian, Praise & Worship, Sacred, Traditional. Score and parts. 16 pages. Sharon Wilson #723715. Published by Sharon Wilson
Here is an instrumental trio (for two VIOLINS with PIANO accompaniment) of the encouraging hymn \"Day by Day\" by Oscar Ahnfelt. Both VIOLIN parts get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The VIOLIN 1 plays the melody for the first verse and then the two VIOLIN parts alternate playing the melody for the second verse.
The range for each part is as follows: VIOLIN 1 ~ F#4 to B5; VIOLIN 2 ~ A3 to B5. All notes for both VIOLINS are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. Though notated for two VIOLINS, the ranges are also accessible for other combinations of C instruments such as FLUTE on part 1 and VIOLIN on part 2.
The purchase price includes these printing options:
1. a grand staff (5 pages) with all parts on each page
2. separate scores for each VIOLIN part (2 pages each) and PIANO (3 pages)
3. a combined VIOLIN 1 and VIOLIN 2 score (3 pages)
$5.99 ≈
$8.23
Heart Of The Father
Heart Of The Father
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Mac Montgomery, Mitch Wong, an
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Barry McCormick
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Heart Of The Father
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B. McCormick
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040262 Composed by Mac Montgomery, Mitch Wong, and Ryan Ellis. Arranged by Barry McCormick...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040262 Composed by Mac Montgomery, Mitch Wong, and Ryan Ellis. Arranged by Barry McCormick. Praise & Worship,Sacred. Score. 12 pages. B. McCormick #645041. Published by B. McCormick (A0.1040262). About this Piano/Vocal/Guitar arrangement of “Heart of the Father†This arrangement containing a simple piano accompaniment and melody with chords of Heart of the Father by Ryan Ellis was created with the focus of ease of use in a Church setting for this modern song of worship. In the popular recording of this song Ellis uses his musicianship to change the melody slightly each verse as well as include expressive and elaborate vocal runs in numerous places through out the song. My aim was to write the melody omitting these vocal flourishes which are not as suitable for a corporate worship setting. With my many years of experience as church musician, worship leader and MD, I shaped this arrangement in a way to convey all necessary information for a modern church worship band with ease. Firstly the main Score simply has the melody and piano accompaniment. Secondly the parts are split up so the melody and accompaniment can be shared separately. The Lead, melody part, includes the chords so this part acts as a lead sheet which can be used for guitarists. I have also included the melody for Bb instruments also for bands which may have them. I have used repeats in a optimised way so that the music for each part takes up no more than 2 pages. All musicians know the frustrating limitations of music stands to hold much more than that! If you like this arrangement a also have some other arrangements of Christian worship songs and Hymns from Lead sheets to classical guitar arrangements you may also like to check out. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!
$4.99 ≈
$6.86
Mission: Impossible Theme
Mission: Impossible Theme
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Adam Clayton And Larry Mullen
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Roger Wallace
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Mission: Impossible Theme
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Roger Wallace
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SheetMusicPlus
Piano,Trombone - Level 4 - Digital Download SKU: A0.512939 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/...
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Piano,Trombone - Level 4 - Digital Download SKU: A0.512939 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/TV,Pop. Score and part. 13 pages. Roger Wallace #5996867. Published by Roger Wallace (A0.512939). Mission: Immanuel - O Come, O Come, Immanuel (Emmanuel) & Mission: Impossible Theme Trombone with Piano Accompaniment. Begins with O Come, O Come, Immanuel (in a slow tempo) and transitions to the faster rhythmic and melodic lines from the Mission: Impossible theme. The second section is a blending of O Come, O Come, Immanuel and the Mission: Impossible theme. Can also be played by Baritone/Euphonium/Bassoon/Cello. Package includes parts for Tenor Sax, Horn and Viola. NOTE: Audio sample clip begins 3 measures before Letter B. A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$4.99 ≈
$6.86
Mission: Impossible Theme
Mission: Impossible Theme
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Trumpet, Piano
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INTERMEDIATE/ADVANCED
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Adam Clayton And Larry Mullen
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Roger Wallace
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Mission: Impossible Theme
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Roger Wallace
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.512938 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas...
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B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.512938 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/TV,Pop. Score and part. 11 pages. Roger Wallace #5996857. Published by Roger Wallace (A0.512938). Mission: Immanuel - O Come, O Come, Immanuel (Emmanuel) & Mission: Impossible Theme Trumpet with Piano Accompaniment. Begins with O Come, O Come, Immanuel (in a slow tempo) and transitions to the faster rhythmic and melodic lines from the Mission: Impossible theme. The second section is a blending of O Come, O Come, Immanuel and the Mission: Impossible theme. Can also be played by Clarinet/Soprano Sax/Flugelhorn. Package includes parts for Alto Sax and Flute/Oboe/Violin that can also be played by Pitched Percussion (ex: Marimba). NOTE: Audio sample clip begins 3 measures before Letter B. A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$4.99 ≈
$6.86
Mission: Impossible Theme
Mission: Impossible Theme
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Adam Clayton And Larry Mullen
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Roger Wallace
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Mission: Impossible Theme
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Roger Wallace
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SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.1150171 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/TV...
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Piano,Viola - Level 4 - Digital Download SKU: A0.1150171 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/TV,Pop. Score and part. 2 pages. Roger Wallace #750341. Published by Roger Wallace (A0.1150171). Mission: Immanuel - O Come, O Come, Immanuel (Emmanuel) & Mission: Impossible Theme Viola with Piano Accompaniment. Begins with O Come, O Come, Immanuel (in a slow tempo) and transitions to the faster rhythmic and melodic lines from the Mission: Impossible theme. The second section is a blending of O Come, O Come, Immanuel and the Mission: Impossible theme. Package includes parts for Trombone/Baritone/Euphonium/Bassoon/Cello, Horn and Tenor Sax. NOTE: Audio sample clip begins 3 measures before Letter B. A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$4.99 ≈
$6.86
Mission: Impossible Theme
Mission: Impossible Theme
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Bassoon, Piano (duet)
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INTERMEDIATE/ADVANCED
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Adam Clayton And Larry Mullen
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Roger Wallace
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Mission: Impossible Theme
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Roger Wallace
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SheetMusicPlus
Bassoon,Piano - Level 4 - Digital Download SKU: A0.1150760 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/...
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Bassoon,Piano - Level 4 - Digital Download SKU: A0.1150760 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/TV,Pop. Score and part. 13 pages. Roger Wallace #750942. Published by Roger Wallace (A0.1150760). Mission: Immanuel - O Come, O Come, Immanuel (Emmanuel) & Mission: Impossible Theme Bassoon with Piano Accompaniment. Begins with O Come, O Come, Immanuel (in a slow tempo) and transitions to the faster rhythmic and melodic lines from the Mission: Impossible theme. The second section is a blending of O Come, O Come, Immanuel and the Mission: Impossible theme. Can also be played by Trombone/Baritone/Euphonium/Cello. Package includes parts for Tenor Sax, Horn and Viola. NOTE: Audio sample clip begins 3 measures before Letter B. A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$4.99 ≈
$6.86
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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High voice
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INTERMEDIATE/ADVANCED
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown M...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74 ≈
$10.64
In the Bleak Midwinter (Easy Bowed Psaltery Solo with Piano Accompaniment)
In the Bleak Midwinter (Easy Bowed Psaltery Solo with Piano Accompaniment)
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Piano Accompaniment
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EASY
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Christmas
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Sharon Wilson
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Sharon Wilson
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In the Bleak Midwinter
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Sharon Wilson
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SheetMusicPlus
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565956 By Sharon Wilson. By Gusta...
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565956 By Sharon Wilson. By Gustav Holst. Arranged by Sharon Wilson. Advent,Christmas,Folk,Multicultural,Sacred,World. Score and individual part. 6 pages. Sharon Wilson #6602447. Published by Sharon Wilson (A0.565956). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic Christmas tune CRANHAM by Gustav Theodore Holst using the lyrics from Christina Georgina Rossetti's poem In the Bleak Midwinter. The psaltery part was designed for a beginning psaltery player and is written in the key of F major with one flat (B-flat/A-sharp). The piano accompaniment is at the intermediate level.To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C. . .).The psaltery plays the melody for one verse. An optional repeat is included in case a longer selection is desired. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: In the Bleak Midwinter (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is less than one octave. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is E4 (first E above middle C) to D5 (second D above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names).This arrangement is one of the 10 songs in the collection Christmas Carols (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$3.99 ≈
$5.49
The Love Round (Easy Bowed Psaltery Solo with Piano Accompaniment)
The Love Round (Easy Bowed Psaltery Solo with Piano Accompaniment)
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Piano Accompaniment
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EASY
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Sacred music
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Sharon Wilson
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Sharon Wilson
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The Love Round
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Sharon Wilson
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SheetMusicPlus
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565805 By Sharon Wilson. By Tradi...
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565805 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Traditional. Score and individual part. 6 pages. Sharon Wilson #6228857. Published by Sharon Wilson (A0.565805). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic praise chorus Love, Love, Love, Love. The psaltery part was designed for a beginning psaltery player and is written in the key of C major, but does include one sharp (G♯ = Aâ™). The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The psaltery plays the melody for the first verse and then adds harmony for the second verse. The song concludes with the psaltery playing melody for the final tag. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: The Love Round (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is less than 2 octaves. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is E4 (the first E above middle C) to E5 (the second E above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Hymns and Choruses (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
$5.49
God Is So Good (Easy Bowed Psaltery Solo with Piano Accompaniment)
God Is So Good (Easy Bowed Psaltery Solo with Piano Accompaniment)
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Piano Accompaniment
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EASY
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Sacred music
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Sharon Wilson
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Sharon Wilson
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God Is So Good
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Sharon Wilson
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SheetMusicPlus
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565798 By Sharon Wilson. By Tradi...
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565798 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Traditional. Score and individual part. 6 pages. Sharon Wilson #6228495. Published by Sharon Wilson (A0.565798). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic praise chorus God Is So Good. The psaltery part was designed for a beginning psaltery player and includes only whole, half, and quarter notes and 1 flat (B♠= A♯). The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The psaltery plays the melody for the first verse and then adds harmony for the second verse. The song concludes with the psaltery playing melody for the third verse and harmony on the final tag. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: God Is So Good (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is less than 2 octaves. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is C4 (middle C) to F5 (the second F above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Hymns and Choruses (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
$5.49
Kum Ba Yah (Easy Bowed Psaltery Solo with Piano Accompaniment)
Kum Ba Yah (Easy Bowed Psaltery Solo with Piano Accompaniment)
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Piano Accompaniment
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Kum Ba Yah
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Sharon Wilson
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SheetMusicPlus
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565801 By Sharon Wilson. By Afric...
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565801 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Praise & Worship,Sacred,Spiritual,Traditional. Score and individual part. 7 pages. Sharon Wilson #6228707. Published by Sharon Wilson (A0.565801). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic praise chorus Kum Ba Yah. The psaltery part was designed for a beginning psaltery player and includes no sharps or flats. The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The psaltery plays the melody for the first verse and then adds harmony for the second verse. The song concludes with the psaltery playing melody for the final tag. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Kum Ba Yah (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is less than 2 octaves. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is C4 (middle C) to F5 (the second F above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Hymns and Choruses (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
$5.49
We Are Climbing Jacob’s Ladder (Easy Bowed Psaltery Solo with Piano Accompaniment)
We Are Climbing Jacob’s Ladder (Easy Bowed Psaltery Solo with Piano Accompaniment)
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Piano Accompaniment
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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We Are Climbing Jacob’s Ladd
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Sharon Wilson
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SheetMusicPlus
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565806 By Sharon Wilson. By Afric...
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565806 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Praise & Worship,Sacred,Spiritual,Traditional. Score and individual part. 6 pages. Sharon Wilson #6228861. Published by Sharon Wilson (A0.565806). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the ever-popular spiritual We Are Climbing Jacob’s Ladder. The psaltery part was designed for a beginning psaltery player and includes only half and quarter notes and 1 flat (B♠= A♯). The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The psaltery plays the melody for the first verse and then adds harmony for the second verse. The song concludes with the psaltery playing melody for the final tag. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: We Are Climbing Jacob’s Ladder (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is less than 2 octaves. Also, the notes are written an octave lower on the staff to avoid the ledger line notes that would be required to notate the upper notes. The notated range for this song is C4 (middle C) to F5 (the second F above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). This arrangement is one of the 10 songs in the collection Hymns and Choruses (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
$5.49
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The Second Line: Piano Accompaniment
