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You've selected:
The Scientist Bass
Sheetmusic to print
27 sheet music found
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1
26
The Scientist
The Scientist
#
Bass guitar
#
BEGINNER
#
Coldplay
#
Felipe Gonçalves
#
The Scientist
#
Felipe Gonçalves
#
SheetMusicPlus
Bass Guitar - Level 1 - Digital Download SKU: A0.1243751 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Felipe ...
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Bass Guitar - Level 1 - Digital Download SKU: A0.1243751 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Felipe Gonçalves. Blues,Folk,Funk,Pop,Rock. Score. 2 pages. Felipe Gonçalves #838721. Published by Felipe Gonçalves (A0.1243751). Simplified arrangement for music bass tablature The Scientist by Coldplay in F major D minor.
$4.99 ≈
4.67€
The Scientist
The Scientist
#
Bass guitar
#
BEGINNER
#
Coldplay
#
Felipe Gonçalves
#
The Scientist
#
Felipe Gonçalves
#
SheetMusicPlus
Bass Guitar - Level 1 - Digital Download SKU: A0.1243745 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Felipe ...
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Bass Guitar - Level 1 - Digital Download SKU: A0.1243745 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Felipe Gonçalves. Blues,Folk,Funk,Pop,Rock. Score. 2 pages. Felipe Gonçalves #838715. Published by Felipe Gonçalves (A0.1243745). Simplified arrangement for music bass tablature The Scientist by Coldplay in F major D minor.
$4.99 ≈
4.67€
The Scientist
The Scientist
#
Bass guitar
#
BEGINNER
#
Coldplay
#
Felipe Gonçalves
#
The Scientist
#
Felipe Gonçalves
#
SheetMusicPlus
Electric Bass Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1243388 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Ch...
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Electric Bass Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1243388 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Felipe Gonçalves. Blues,Folk,Funk,Pop,Rock. Individual part. 1 pages. Felipe Gonçalves #838349. Published by Felipe Gonçalves (A0.1243388). Bass simplified arrangement music The Scientist by Coldplay in F major D minor.
$4.99 ≈
4.67€
The Scientist
The Scientist
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Bassoon, Piano (duet)
#
INTERMEDIATE
#
Rock
#
Coldplay
#
Andrew Middleton
#
The Scientist
#
Andrew Middleton
#
SheetMusicPlus
Bassoon,Piano - Level 3 - Digital Download SKU: A0.735056 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Andrew...
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.735056 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Andrew Middleton. Rock. Score and part. 7 pages. Andrew Middleton #3241513. Published by Andrew Middleton (A0.735056). From Coldplay's second album, A Rush of Blood to the Head, this arrangement of The Scientist has been made for solo bassoon and piano accompaniment. Ideal for the intermediate performer!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99 ≈
4.67€
The Scientist
The Scientist
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Bassoon
#
INTERMEDIATE
#
Rock
#
Coldplay
#
Kevin Busse
#
The Scientist
#
Kevin Busse
#
SheetMusicPlus
Bassoon Solo - Level 3 - Digital Download SKU: A0.605251 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Kevin B...
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Bassoon Solo - Level 3 - Digital Download SKU: A0.605251 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Kevin Busse. Rock. Individual part. 2 pages. Kevin Busse #4268501. Published by Kevin Busse (A0.605251). This is an exact transcription of the vocal part in The Scientist in the original key for Bassoon.
$4.99 ≈
4.67€
The Scientist
The Scientist
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Bassoon
#
EASY
#
Rock
#
Coldplay
#
Kevin Busse
#
The Scientist
#
Kevin Busse
#
SheetMusicPlus
Bassoon Solo - Level 2 - Digital Download SKU: A0.605268 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Kevin B...
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Bassoon Solo - Level 2 - Digital Download SKU: A0.605268 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Kevin Busse. Rock. Individual part. 2 pages. Kevin Busse #4268555. Published by Kevin Busse (A0.605268). This is an exact transcription of the vocal part in The Scientist in a good range for Bassoon.
$4.99 ≈
4.67€
The Scientist
The Scientist
#
Bassoon
#
EASY
#
Film/TV
#
Coldplay
#
ACT Bortolucci
#
The Scientist
#
Nostalgic Scores
#
SheetMusicPlus
Bassoon Solo - Level 2 - Digital Download SKU: A0.819401 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by ACT Bor...
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Bassoon Solo - Level 2 - Digital Download SKU: A0.819401 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by ACT Bortolucci. Film/TV. Individual part. 1 pages. Nostalgic Scores #6501331. Published by Nostalgic Scores (A0.819401). Arranged for Solo Bassoon from Coldplay's song The Scientist.
$4.99 ≈
4.67€
The Scientist
The Scientist
#
String Quintet: 2 violins, viola, cello, bass
#
INTERMEDIATE/ADVANCED
#
Pop music
#
Coldplay
#
Johannes Christ
#
The Scientist
#
Mayence Music Management
#
SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1325758 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and ...
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String Quintet Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1325758 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Johannes Christ. Pop. 10 pages. Mayence Music Management #913948. Published by Mayence Music Management (A0.1325758). Arrangement for string quintet or string ensemble.
$12.99 ≈
12.16€
The Scientist
The Scientist
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String Orchestra
#
INTERMEDIATE
#
Film/TV
#
Coldplay
#
Sherry Lewis
#
https://www
#
The Scientist
#
Sherry Lewis Publishing
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.521810 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by She...
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String Orchestra - Level 3 - Digital Download SKU: A0.521810 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Sherry Lewis. Film/TV. Score and Parts. 19 pages. Sherry Lewis Publishing #6491051. Published by Sherry Lewis Publishing (A0.521810). THE SCIENTIST String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: YES Parts: 10 pages Time:4'20 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
12.16€
The Scientist
The Scientist
#
Bassoon, Piano (duet)
#
BEGINNER
#
Film/TV
#
Coldplay
#
ACT Bortolucci
#
The Scientist
#
Nostalgic Scores
#
SheetMusicPlus
Bassoon,Piano - Level 1 - Digital Download SKU: A0.818909 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by ACT Bo...
(+)
Bassoon,Piano - Level 1 - Digital Download SKU: A0.818909 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by ACT Bortolucci. Film/TV. Score and part. 4 pages. Nostalgic Scores #6090679. Published by Nostalgic Scores (A0.818909). Arrangement for solo bassoon and piano accompaniment.
$5.99 ≈
5.61€
The Scientist, for Piano, Violin (or Flute or Oboe), and Cello (or Bassoon) Trio
The Scientist, for Piano, Violin (or Flute or Oboe), and Cello (or Bassoon) Trio
Flute,Oboe,Bassoon,Violin,Cello,Piano Trio
#
Alternative/Rock
#
Rock
#
Coldplay
#
Ray Kamada
#
The Scientist, for Piano, Viol
#
The Lone Arranger
#
SheetMusicPlus
By Coldplay. Arranged by Ray Kamada. Score, Set of Parts. 14 pages. Published by The Lone Arranger (H0.203815-48477). - Score,Set of Parts - - The Lone Arrange...
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By Coldplay. Arranged by Ray Kamada. Score, Set of Parts. 14 pages. Published by The Lone Arranger (H0.203815-48477). - Score,Set of Parts - - The Lone Arranger
$12.99 ≈
12.16€
Concerto
Concerto
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Piano and Orchestra
#
ADVANCED
#
Contemporary
#
Gyorgy Ligeti
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.45€
The Scientist - Bass Clef Instrument by Coldplay - for Baritone Horn, Bassoon, Cello, Double Bass or Trombone
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Bass Clef Instruments
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Coldplay
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The Scientist - Bass Clef Inst
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Musicnotes
Performed by: Coldplay: The Scientist - Bass Clef Instrument Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital s...
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Performed by: Coldplay: The Scientist - Bass Clef Instrument Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Instrumental Part, instruments: Bass Clef Instrument;Cello;Double Bass;Trombone;Bassoon;Baritone Horn; 2 pages -- Alternative Pop/Rock~~Pop Rock~~Piano Rock
$2.99 ≈
2.80€
All Of Me
All Of Me
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Violin, Viola (duet)
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INTERMEDIATE
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John Legend
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Sherry Lewis
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All Of Me
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Sherry Lewis Publishing
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.1225592 By John Legend. By John Stephens and Toby Gad. Arranged by Sherry Lewis. Pop,...
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Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.1225592 By John Legend. By John Stephens and Toby Gad. Arranged by Sherry Lewis. Pop,Wedding. 10 pages. Sherry Lewis Publishing #821664. Published by Sherry Lewis Publishing (A0.1225592). THE SCIENTIST String Duo, Intermediate Level for violin and violaScore: YESParts: 4 pages Time:4'20MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit  https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99 ≈
4.67€
Collection: The Scientist - Bass Clef Instrument & Piano by Coldplay - Instrumental Parts
Solo & Accompaniment~~Instrumental Parts
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Coldplay
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Collection: The Scientist - Ba
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Musicnotes
The Scientist - Bass Clef Instrument & Piano Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sh...
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The Scientist - Bass Clef Instrument & Piano Digital sheetmusic collection - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Parts;Solo & Accompaniment, instruments: Baritone Horn;Bass Clef Instrument;Bassoon;Cello;Double Bass;Piano Accompaniment;Trombone -- Alternative Pop/Rock~~Pop Rock~~Piano Rock
$6.95 ≈
6.50€
The Scientist for STRING QUARTET, String Trio, String Duo, Solo Violin, String Quartet + string bass part, arranged by Sherry Lewis
The Scientist for STRING QUARTET, String Trio, String Duo, Solo Violin, String Quartet + string bass part, arranged by Sherry Lewis
string quartet,string trio,string duo,solo violin and string quintet ( string bass part included) – this version works for these combinations,see detailed description.
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Alternative/Rock
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Rock
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Coldplay
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Sherry Lewis
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The Scientist for STRING QUART
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SheetMusicPlus
By Coldplay. Arranged by Sherry Lewis. Set of Parts. 11 pages. Published by Published by Sherry Lewis Publishing (H0.239687-48477). - Set of Parts - - Publishe...
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By Coldplay. Arranged by Sherry Lewis. Set of Parts. 11 pages. Published by Published by Sherry Lewis Publishing (H0.239687-48477). - Set of Parts - - Published by Sherry Lewis Publishing
$12.99 ≈
12.16€
I Come From Water/Parts
I Come From Water/Parts
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Contemporary
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Theresa Koon
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I Come From Water/Parts
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Theresa Koon
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - Digital Download SKU: A0.1023434 Composed by Theresa Koon. 20th Cen...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - Digital Download SKU: A0.1023434 Composed by Theresa Koon. 20th Century,Contemporary. Score and parts. 14 pages. Theresa Koon #5722325. Published by Theresa Koon (A0.1023434). I Come from Water is a chamber work for Mezzo-soprano, Baritone, Alto Flute, Clarinet, Bassoon, Violin, Cello and, briefly, Bass Drum. The piece was inspired by news that the US may be planning to perform missile tests in the Pacific Ocean in the vicinity of the Hawaiian island of Kauai. Scientific research is leading to speculation that these tests could be harmful to water creatures over a large area surrounding the testing sites. In particular, scientists are concerned that the tests may cause animals who orient themselves via sound waves, such as dolphins and whales, to become permanently deaf. The music is intended to evoke impressions of a life in water, beginning with non-verbal communication between fish in streams. Images, sensations and sounds of water are expressed throughout the piece as salmon make their way from streams to rivers to the ocean. Eventually, we hear a sense of quiet communion in the ocean, which is interrupted by three explosions. The water creatures respond with panic, followed by silence. The final measures are intended to express grieving.
$14.99 ≈
14.03€
I Come From Water--Piano/Vocal Score
I Come From Water--Piano/Vocal Score
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Contemporary
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Theresa Koon
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I Come From Water--Piano/Vocal
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Theresa Koon
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - Digital Download SKU: A0.1023432 Composed by Theresa Koon. 20th Cen...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - Digital Download SKU: A0.1023432 Composed by Theresa Koon. 20th Century,Contemporary. Score and parts. 14 pages. Theresa Koon #5722277. Published by Theresa Koon (A0.1023432). I Come from Water is a chamber work for Mezzo-soprano, Baritone, Alto Flute, Clarinet, Bassoon, Violin, Cello and, briefly, Bass Drum. The piece was inspired by news that the US may be planning to perform missile tests in the Pacific Ocean in the vicinity of the Hawaiian island of Kauai. Scientific research is leading to speculation that these tests could be harmful to water creatures over a large area surrounding the testing sites. In particular, scientists are concerned that the tests may cause animals who orient themselves via sound waves, such as dolphins and whales, to become permanently deaf.The music is intended to evoke impressions of a life in water, beginning with non-verbal communication between fish in streams. Images, sensations and sounds of water are expressed throughout the piece as salmon make their way from streams to rivers to the ocean. Eventually, we hear a sense of quiet communion in the ocean, which is interrupted by three explosions. The water creatures respond with panic, followed by silence. The final measures are intended to express grieving.
$4.99 ≈
4.67€
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The Scientist Bass
