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The Scene Is Clean
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10 sheet music found
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1
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
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Cello, Piano
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INTERMEDIATE
#
Classical
#
Jules Massenet
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Flavio Regis Cunha
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MÉDITATION - From the Opera T
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Flavio Regis Cunha
#
SheetMusicPlus
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period,...
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Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Valentine's Day, St. Patrick's Day, Wedding. Individual Part, Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.
The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.
The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99 ≈
5.39€
MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
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Violin and Piano
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INTERMEDIATE
#
Classical
#
Jules Massenet
#
Flavio Regis Cunha
#
MÉDITATION - From the Opera T
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period...
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Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Wedding, Graduation, Recital. Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.
The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.
The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99 ≈
5.39€
Scenes from Storyville
Scenes from Storyville
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Brass ensemble
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Jazz
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Edwin Mclean
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Scenes from Storyville
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Edwin McLean
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.969257 Composed by Edwin Mclean. Jazz. Score and parts. 23 pages. Edwin McLean #5896675. Published by Edwin McL...
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Brass Ensemble - Digital Download SKU: A0.969257 Composed by Edwin Mclean. Jazz. Score and parts. 23 pages. Edwin McLean #5896675. Published by Edwin McLean (A0.969257). Storyville was a famously seedy district in early 20th-century New Orleans. Early jazz greats got their start there. This composition is a jazz-tinged modern work in three short movements. The audio sample is the first movement, Blowin' in the Dawn.
$12.95 ≈
11.65€
It Is Our God
It Is Our God
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Piano, Voice
#
INTERMEDIATE/ADVANCED
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Andrew Mc Donald
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It Is Our God
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841658 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 7 pages. Andrew Mc Donald (Mack...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841658 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 7 pages. Andrew Mc Donald (Macka Records) #3473081. Published by Andrew Mc Donald (Macka Records) (A0.841658). It Is Our God is a song about being hardened by being in a bad scene and thinking that no-body can save me. God can save anyone and cleanse and heal any person no matter how sinful or bad they have been or despite where they have come from or out of.
$4.99 ≈
4.49€
Where Eagles Dare (Theme)
Where Eagles Dare (Theme)
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Orchestra
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INTERMEDIATE/ADVANCED
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Ron Goodwin
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Kevin Riley
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Where Eagles Dare
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1363816 Composed by Ron Goodwin. Arranged by Kevin Riley. 20th Century,Film/TV. 56 pages. Kevin Riley...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1363816 Composed by Ron Goodwin. Arranged by Kevin Riley. 20th Century,Film/TV. 56 pages. Kevin Riley #948214. Published by Kevin Riley (A0.1363816). Where Eagles Dare is a 1968 British-American action adventure war thriller spy film directed by Brian G. Hutton and starring Richard Burton, Clint Eastwood and Mary Ure. It follows a Special Operations Executive team of men attempting to save a captured American General from the fictional Schloß Adlerfortress, except the mission turns out not to be as it seems. It was filmed in Panavision using the Metrocolor process, and was distributed by Metro-Goldwyn-Mayer. Alistair MacLean wrote the screenplay, his first, at the same time that he wrote the novel of the same name. Both became commercial successes.The film involved some of the top filmmakers of the day and was shot on location in Austria and Bavaria. Hollywood stuntman Yakima Canutt was the second unit director and shot most of the action scenes; British stuntman Alf Joint doubled for Burton in many sequences, including the fight on top of the cable car; award-winning conductor and composer Ron Goodwin wrote the film score; and future Oscar-nomineeArthur Ibbetson worked on the cinematography. Where Eagles Dare received mostly positive critical reaction, with praise for the action sequences, musical score and the performances of Burton and Eastwood, and is considered a classic.
$70.00 ≈
62.96€
Pie In The Face Polka for Clarinet Quartet
Pie In The Face Polka for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
#
Contemporary
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Henry Mancini
#
John Gibson
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Pie In The Face Polka for Clar
#
JB Linear
#
SheetMusicPlus
Clarinet, Woodwind Quartet - Advanced Intermediate - Digital Download By Henry Mancini. Arranged by John Gibson. Score, Set of Parts. 18 pages. Publish...
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Clarinet, Woodwind Quartet - Advanced Intermediate - Digital Download By Henry Mancini. Arranged by John Gibson. Score, Set of Parts. 18 pages. Published by JB Linear
The Pie in the Face Polka by Henry Mancini comes from the film, The Great Race that included Tony Curtis, Jack Lemmon, and Natalie Wood. The scene in the movie is a massive pie throwing festival where even the clean Tony Curtis gets it in the face. As you might imagine, the music is comical and fun, too. This has been set for clarinet quartet by John Gibson. (Bb Soprano 1 - 3, and bass).
$13.25 ≈
11.92€
Lily Park - I. Wind Bell
Lily Park - I. Wind Bell
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Orchestra
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INTERMEDIATE
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Yoonjee Kim
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Lily Park - I. Wind Bell
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Yoonjee Kim
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoonjee Kim (A0.1022807). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.I. Wind BellThe first movement expresses the general images of the cemetery; calm atmosphere, blowing wind, clean air, and a wide green field. The place is so quiet that the only the wind-bell ringing as the wind blows can be heard. In order to depict the wind-bell sound along with other optic and aural images, I create various tone colors by using various instrumental combinations in different transpositions and registrations.
$17.00 ≈
15.29€
Sonny Rollins: The Scene Is Clean - tenor saxophone solo (transcription)
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Tenor Saxophone
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INTERMEDIATE
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Jazz
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Sonny Rollins
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Virtualsheetmusic
Instantly printable sheet music by Sonny Rollins for tenor saxophone solo (transcription) of MEDIUM skill level. / jazz
Instantly printable sheet music by Sonny Rollins for tenor saxophone solo (transcription) of MEDIUM skill level. / jazz
$5.97 ≈
5.37€
The Scene Is Clean
The Scene Is Clean
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Tenor Saxophone
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Jazz
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Sonny Rollins
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The Scene Is Clean
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Sonny Rollins. Jazz. TSXTRN. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.402212). - TSXTRN - Jazz - Hal Leonard - Digital Sheet Music...
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By Sonny Rollins. Jazz. TSXTRN. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.402212). - TSXTRN - Jazz - Hal Leonard - Digital Sheet Music
$3.99 ≈
3.59€
Greatest Hits of Classical Piano
Greatest Hits of Classical Piano
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Pachelbel, Bach, Handel, Moza
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Scott Camp
#
Greatest Hits of Classical Pia
#
Scott Camp
#
SheetMusicPlus
Composed by Pachelbel, Bach, Handel, Mozart, Beethoven, Schubert, Chopin, Schumann, Liszt, Debussy, Satie. Arranged by Scott Camp. Romantic Period, Classic...
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Composed by Pachelbel, Bach, Handel, Mozart, Beethoven, Schubert, Chopin, Schumann, Liszt, Debussy, Satie. Arranged by Scott Camp. Romantic Period, Classical Period, Baroque Period, Impressionistic, Repertoire. 203 pages. Published by Scott Camp
Best Collection for Adult Piano Students: 30 of the most important and beloved classical piano pieces
Why this collection?
These are the editions I created and use for myself and my adult piano students. They are not "arrangements" or simplifications in any way. They are better described as "clarifications" with clean page layouts and comprehensive fingering.
These editions enable students to encounter the composers "face to face" by stripping away antiquated publishing conventions. Traditional editions, especially the economical older ones, prevent students from being able to prepare and perform the beloved music, rather than enabling and supporting successful performance.
Traditional piano music publications suffer from two fatal flaws: (1) the economic need to "save paper" resulting in page layouts that are too dense, and which compound the problem by obfuscating the natural 2 and 4 bar structures of music, and (2) the absence of technical solutions (fingering).
The exception in this collection is the arrangement of the Pachelbel Canon in D, because it was not originally composed for keyboard.
Contents
1 Canon in D and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Pachelbel
2 Prelude No. 1 in C Major, BWV 846 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
3 Prelude No. 2 in C minor, BWV 847 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
4 Prelude No. 21 in Bb Major, BWV 866 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
5 Aria from the Goldberg Variations, BWV 988 and#8195;and#8195; and#8195;and#8195;and#8195;Johann Sebastian Bach
6 Invention No. 1 in C Major, BWV 772 and#8195; and#8195;and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;Johann Sebastian Bach
7 Menuet No. 2 from French Suite No. 1, BWV 812 and#8195;and#8195;and#8195; Johann Sebastian Bach
8 Menuet No. 2 from English Suite No. 4, BWV 809 and#8195;and#8195;and#8195;Johann Sebastian Bach
9 Menuet from French Suite No. 2, BWV 813 and#8195; and#8195; and#8195;and#8195;and#8195;Johann Sebastian Bach
10 ?Jesu, Joy of Man?s Desiring?, from Cantata, BWV 147 and#8195;Johann Sebastian Bach
11 Sarabande from Suite in D minor, HWV 437 and#8195;and#8195;and#8195;and#8195;and#8195; George Frideric Handel
Sonata in A, K. 331 ?Rondo alla Turca? and#8195; and#8195; and#8195;and#8195;and#8195;and#8195; Wolfgang Amadeus Mozart
12and#8195;and#8195;III. Allegretto
Sonata in C, K. 545 and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Wolfgang Amadeus Mozart
13and#8195;and#8195;I. Allegro
14 II. Andante
15 Für Elise and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Ludwig van Beethoven
Sonata No. 14 ?Moonlight? Sonata and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Ludwig van Beethoven
16and#8195;and#8195;I. Adagio sostenuto (transposed to D minor)
and#8195;and#8195; I. Adagio sostenuto (original key C# minor)
Sonata Op. 13, No. 2 ?Pathetique? and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Ludwig van Beethoven
17and#8195;and#8195;I. Grave/Allegro
18and#8195;and#8195;II. Adagio
19 Impromptu, Op. 90, No. 2 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Franz Schubert
20 Prelude in E minor, Op. 28 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frédéric Chopin
21 Prelude in C minor, Op. 28 and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frédéric Chopin
22 Nocturne No. 20 in C# minor and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frédéric Chopin
23 Nocturne in Eb, Op. 9, No. 2 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Frédéric Chopin
24 Träumerei Op. 15, No. 7 from ?Scenes from Childhood? Robert Schumann
25 Ständchen (?Serenade?) D. 957/S. 560 and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Franz Schubert/Franz Liszt
26 Rêverie and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Claude Debussy
27 La fille aux cheveux de lin (?The Girl with the Flaxen Hair?) Claude Debussy
28 Arabesque No. 1 and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;Claude Debussy
29 Clair de Lune and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Claude Debussy
30 Gymnopedie and#8195; and#8195; and#8195; and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195;and#8195; Erik Satie
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