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You've selected:
The Orgy
Sheetmusic to print
397 sheet music found
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51
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376
The Orgy
The Orgy
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Basil Poledouris
#
Gael Florens
#
The Orgy
#
Gaël Florens
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1195503 By Basil Poledouris. By Basil Poledouris and Zoe Poledouris. Arranged by Gael Florens. 20th C...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1195503 By Basil Poledouris. By Basil Poledouris and Zoe Poledouris. Arranged by Gael Florens. 20th Century,Film/TV. Score and parts. 59 pages. Gaël Florens #794674. Published by Gaël Florens (A0.1195503). The Orgy, from Conan the Barbarian, for symphonic orchestra, with score and parts.
$59.00 ≈
52.84€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
21.48€
Bess, You Is My Woman from PORGY AND BESS ®
Bess, You Is My Woman from PORGY AND BESS ®
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
#
Dorothy Heyward, Du Bose Heywa
#
Alex Phillips-Yates
#
Bess, You Is My Woman from POR
#
North Node Music
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.510255 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.510255 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Alex Phillips-Yates. Broadway,Jazz,Musical/Show,Opera. Score and parts. 15 pages. North Node Music #3493491. Published by North Node Music (A0.510255). This arrangement of this beautiful duet from Gershwin's opera Porgy and Bess is a great opportunity for a string quartet to show off their expressive playing, and by working on the rubato together, they will be able to breathe as one and produce a moving performance.There is some double-stopping in the inner parts, but some fingerings have been added where they might be useful. The 1st violin part does not go above 5th position, and the other parts do not go above 3rd or 4th. There is plenty in this arrangement to keep each player busy and interested, and there is a lovely counter-melody for the viola in the second half.
$15.99 ≈
14.32€
Mysteries of the Macabre
Mysteries of the Macabre
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Trumpet, Piano
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Contemporary
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Gyorgy Ligeti
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Mysteries of the Macabre
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Schott Music - Digital
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SheetMusicPlus
Trumpet in C and piano - difficult - Digital Download Three arias from the opera Le Grand Macabre. Composed by Gyorgy Ligeti (1923-2006). This edition:...
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Trumpet in C and piano - difficult - Digital Download Three arias from the opera Le Grand Macabre. Composed by Gyorgy Ligeti (1923-2006). This edition: Sheet music. Downloadable. Duration 8 minutes. Schott Music - Digital #Q3034. Published by Schott Music - Digital
I composed my opera Le Grand Macabre from 1974 to 1997. The Mysteries of the Macabre are arrangements of three coloratura arias of the chief of the "Secret Political Police" which have been arranged (beautifully!) for chamber ensemble by Elgar Howarth. My friend Howarth had conducted the world premiere of the opera in Stockholm in 1978 and some of the further productions. The half-nonsense text is an immediate - however more accurate - continuation of the idea of my works Aventures and Nouvelles Aventures, but there is no chromatics in the music any more.
$23.99 ≈
21.48€
Mysteries of the Macabre
Mysteries of the Macabre
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Gyorgy Ligeti
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Mysteries of the Macabre
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Schott Music - Digital
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SheetMusicPlus
Solo-trumpet in C or Koloratursoprano and orchestra - Digital Download SKU: S9.Q3050 Three arias from the opera Le Grand Macabre. Composed by Gyor...
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Solo-trumpet in C or Koloratursoprano and orchestra - Digital Download SKU: S9.Q3050 Three arias from the opera Le Grand Macabre. Composed by Gyorgy Ligeti. This edition: study score. Music Of Our Time. Downloadable, study score. Duration 9 minutes. Schott Music - Digital #Q3050. Published by Schott Music - Digital (S9.Q3050). György Ligeti composed one single opera, 'Le Grand Macabre'. The conductor of the world premiere, Elgar Howarth, took three arias which, due to their effusiveness, are highlights of the opera, and arranged them as a single piece for solo trumpet or coloratura soprano and two different accompaniments: with piano and with instrumental ensemble. Together with the present study score of the orchestral version three editions are now available for sale. They provide the inquisitive with an insight 'en miniature' into one of the strangest operas of the 20th century while each one of them is a brilliant concert piece on its own.Picc. · 1 · 3 (3. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) – 4 · 2 · Kb.-Pos. · Kbtb. – P.S. (Glspl. · Xyl. · gr. Tr. · kl. Tr. · Tomt. · Conga · Schellentr. · Rührtr. · Crot. · 2 Beckenpaare · hg. Beck. · Tamt. · Mar. · 4 Bong. · Kast. · Ratsche · Guero · Woodbl. · 4 Tempelbl. · Trillerpf. · Signalpf. · Lotosfl. · Trgl. · ·· Sandpapier · großer Bogen Papier) (2 Spieler) – Cel. (auch Cemb.) · Klav. (auch elektr. Org.) · Hfe. · Mand. – Str. (3 · 0 · 2 · 6 · 4).
$23.99 ≈
21.48€
Hungarian Dances from the Sepsiszentgyörgy Manuscript
Hungarian Dances from the Sepsiszentgyörgy Manuscript
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String Quartet: 2 violins, viola, cello
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EASY
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Kocsár Miklós
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Oláh Mátyás
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Hungarian Dances from the Seps
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Matyas Olah
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.963044 Composed by Kocsár Miklós. Arranged by Oláh Mátyás. 20th C...
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.963044 Composed by Kocsár Miklós. Arranged by Oláh Mátyás. 20th Century,Baroque,Classical,Renaissance,World. Score and parts. 12 pages. Matyas Olah #5022307. Published by Matyas Olah (A0.963044). The hungarian dances from the Sepsiszentgyörgy manuscript were arranged by many, one of the arrangements was made by the hungariancomposer, Kocsár Miklós for cello and piano. I used this arrangement to create a cello quartet version of this old hungarian dance suite.
$1.99 ≈
1.78€
I Got Plenty O' Nuttin' from PORGY AND BESS ®
I Got Plenty O' Nuttin' from PORGY AND BESS ®
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Baritone voice, Piano
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INTERMEDIATE
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Contemporary
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Dorothy Heyward, Du Bose Heywa
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Jonathan Prentice
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I Got Plenty O' Nuttin' from P
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Jonathan Prentice
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.884743 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gers...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.884743 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Jonathan Prentice. Contemporary. 7 pages. Jonathan Prentice #5796821. Published by Jonathan Prentice (A0.884743). The Gershwin brother's iconic song from their opera, Porgy and Bess where the eponymous hero celebrates not being weighed down by the responsibility of money! (Here in a key more suitable for baritones).
$4.99 ≈
4.47€
I Got Plenty O' Nuttin' from PORGY AND BESS ®
I Got Plenty O' Nuttin' from PORGY AND BESS ®
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Low voice, Piano
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INTERMEDIATE
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Contemporary
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Dorothy Heyward, Du Bose Heywa
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Jonathan Prentice
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I Got Plenty O' Nuttin' from P
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Jonathan Prentice
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SheetMusicPlus
Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884867 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arrang...
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Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.884867 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Jonathan Prentice. Contemporary. 7 pages. Jonathan Prentice #5982925. Published by Jonathan Prentice (A0.884867). The Gershwin brother's iconic song from their opera, Porgy and Bess where the eponymous hero celebrates not being weighed down by the responsibility of money! (Here in G Major).
$4.99 ≈
4.47€
Georgy Porgy
Georgy Porgy
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Piano, Voice
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Contemporary
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David Paich
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Biegler
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Georgy Porgy
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Biegler
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.507693 Composed by David Paich. Arranged by Biegler. Contemporary. Score. 8 pages. Biegler #6247217. Publish...
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Piano,Vocal,Voice - Digital Download SKU: A0.507693 Composed by David Paich. Arranged by Biegler. Contemporary. Score. 8 pages. Biegler #6247217. Published by Biegler (A0.507693). Scored for piano with the vocal line played throughout the arrangement in the right hand/treble clef. Arrangement is based on Toto’s song.
$4.99 ≈
4.47€
Mysteries of the Macabre
Mysteries of the Macabre
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Chamber Orchestra
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ADVANCED
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Gyorgy Ligeti
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Mysteries of the Macabre
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Schott Music - Digital
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SheetMusicPlus
Solo-trumpet in C or Koloratursoprano and chamber orchestra - difficult - Digital Download SKU: S9.Q3051 Three aria from the opera Le Grand Macabre
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Solo-trumpet in C or Koloratursoprano and chamber orchestra - difficult - Digital Download SKU: S9.Q3051 Three aria from the opera Le Grand Macabre. Composed by Gyorgy Ligeti. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 9 minutes. Schott Music - Digital #Q3051. Published by Schott Music - Digital (S9.Q3051). English • German.I composed my opera Le Grand Macabre from 1974 to 1997. The Mysteries of the Macabre are arrangements of three coloratura arias of the chief of the “Secret Political Police†which have been arranged (beautifully!) for chamber ensemble by Elgar Howarth. My friend Howarth had conducted the world premiere of the opera in Stockholm in 1978 and some of the further productions. The half-nonsense text is an immediate – however more accurate – continuation of the idea of my works Aventures and Nouvelles Aventures, but there is no chromatics in the music any more.1 (auch Picc.) · 1 · 1 (auch Baßklar.) · 1 (auch Kontrafag.) – 1 · 1 · 1 (ad lib. auch Kontrabaßpos.) · 0 – P.S. (kl. Tr. · gr. Tr. · Tomt. · 4 Bong. · hg. Beck. · Beckenpaar · 4 Tempelbl. · Schellentr. · Crot. · Kast. · Tamt. · Glspl. · Mar. · Guero · Lotosfl. · 1 Blatt festes Pack-papier · Signalpf. · Trillerpf. · Woodbl.) – Klav. (auch Cel.) · Mand. – Str. (1 · 1 · 1 · 1 · 1).
$27.99 ≈
25.07€
Oh Lawd I'm On My Way from PORGY AND BESS
Oh Lawd I'm On My Way from PORGY AND BESS
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Contemporary
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Dorothy Heyward, Du Bose Heywa
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Dag Henrik Pedersen
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Oh Lawd I'm On My Way from POR
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Dag Henrik Pedersen
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SheetMusicPlus
Small Ensemble Voice - Digital Download SKU: A0.1011914 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Dag ...
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Small Ensemble Voice - Digital Download SKU: A0.1011914 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Dag Henrik Pedersen. Contemporary. Score and parts. 34 pages. Dag Henrik Pedersen #3513965. Published by Dag Henrik Pedersen (A0.1011914). Arranged for Vocal and large Brass Ensemble: 4 trumpets, 4 Horn in F, 4 trombones and tuba. Guitar and drums optional.First part rather slow, then second part more up-tempo.
$35.00 ≈
31.35€
I Loves You, Porgy
I Loves You, Porgy
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Contemporary
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Dorothy Heyward, Du Bose Heywa
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Andy Derrick
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I Loves You, Porgy
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Andy Derrick
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SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.749051 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin...
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.749051 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Andy Derrick. Contemporary. Score and parts. 7 pages. Andy Derrick #3530451. Published by Andy Derrick (A0.749051). Another sumptuous and straightforward arrangement of this wonderful Gershwin tune. Add a bit of Hollywood shimmer to your set with this lovely version of I Loves You, Porgy. Score and parts professionally arranged and typeset with parts on a single sheet (great for those outdoor gigs!). Please check out my other arrangements for String Quartet.
$14.99 ≈
13.42€
Porgy and Bess® (Medley): 3rd Flute
Porgy and Bess® (Medley): 3rd Flute
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Concert band
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Classical
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George Gershwin
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James Barnes
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Porgy and Bess®
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016066_F3 3rd Flute. Composed by George Gershwin. Arranged by James Barnes. Classical. Part. 4 page...
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Concert Band - Digital Download SKU: AX.00-PC-0016066_F3 3rd Flute. Composed by George Gershwin. Arranged by James Barnes. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016066_F3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016066_F3). ISBN 9780757932502. UPC: 029156906394.The music from this timeless masterwork has fascinated generation after generation. Oddly enough, at its premiere the critics presented mixed reaction: some calling it the pioneering work of a new folk-opera genre, and others condemning it as merely a succession of hit songs. Fortunately, time has secured its place in history. James Barnes has skillfully crafted a wonderful scoring of I Got Plenty O' Nuttin', It Ain't Necessarily So, Summertime, Crab Man, and Bess, You Is My Woman Now. Gershwin at his best! (8:19).
$3.00 ≈
2.69€
Porgy and Bess® (Medley): 2nd Percussion
Porgy and Bess® (Medley): 2nd Percussion
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Concert band
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Classical
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George Gershwin
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James Barnes
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Porgy and Bess®
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016066_PC2 2nd Percussion. Composed by George Gershwin. Arranged by James Barnes. Classical. Part. ...
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Concert Band - Digital Download SKU: AX.00-PC-0016066_PC2 2nd Percussion. Composed by George Gershwin. Arranged by James Barnes. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016066_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016066_PC2). ISBN 9780757932502. UPC: 029156906394.The music from this timeless masterwork has fascinated generation after generation. Oddly enough, at its premiere the critics presented mixed reaction: some calling it the pioneering work of a new folk-opera genre, and others condemning it as merely a succession of hit songs. Fortunately, time has secured its place in history. James Barnes has skillfully crafted a wonderful scoring of I Got Plenty O' Nuttin', It Ain't Necessarily So, Summertime, Crab Man, and Bess, You Is My Woman Now. Gershwin at his best! (8:19).
$3.00 ≈
2.69€
Porgy and Bess® (Medley): 4th Trombone
Porgy and Bess® (Medley): 4th Trombone
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Concert band
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Classical
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George Gershwin
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James Barnes
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Porgy and Bess®
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016066_TN4 4th Trombone. Composed by George Gershwin. Arranged by James Barnes. Classical. Part. 4 ...
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Concert Band - Digital Download SKU: AX.00-PC-0016066_TN4 4th Trombone. Composed by George Gershwin. Arranged by James Barnes. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016066_TN4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016066_TN4). ISBN 9780757932502. UPC: 029156906394.The music from this timeless masterwork has fascinated generation after generation. Oddly enough, at its premiere the critics presented mixed reaction: some calling it the pioneering work of a new folk-opera genre, and others condemning it as merely a succession of hit songs. Fortunately, time has secured its place in history. James Barnes has skillfully crafted a wonderful scoring of I Got Plenty O' Nuttin', It Ain't Necessarily So, Summertime, Crab Man, and Bess, You Is My Woman Now. Gershwin at his best! (8:19).
$3.00 ≈
2.69€
Porgy and Bess® (Medley): B-flat Bass Clarinet
Porgy and Bess® (Medley): B-flat Bass Clarinet
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Concert band
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Classical
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George Gershwin
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James Barnes
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Porgy and Bess®
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016066_BC B-flat Bass Clarinet. Composed by George Gershwin. Arranged by James Barnes. Classical. P...
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Concert Band - Digital Download SKU: AX.00-PC-0016066_BC B-flat Bass Clarinet. Composed by George Gershwin. Arranged by James Barnes. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016066_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016066_BC). ISBN 9780757932502. UPC: 029156906394.The music from this timeless masterwork has fascinated generation after generation. Oddly enough, at its premiere the critics presented mixed reaction: some calling it the pioneering work of a new folk-opera genre, and others condemning it as merely a succession of hit songs. Fortunately, time has secured its place in history. James Barnes has skillfully crafted a wonderful scoring of I Got Plenty O' Nuttin', It Ain't Necessarily So, Summertime, Crab Man, and Bess, You Is My Woman Now. Gershwin at his best! (8:19).
$3.00 ≈
2.69€
Porgy and Bess® (Medley): 2nd E-flat Alto Saxophone
Porgy and Bess® (Medley): 2nd E-flat Alto Saxophone
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Concert band
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Classical
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George Gershwin
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James Barnes
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Porgy and Bess®
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016066_AX2 2nd E-flat Alto Saxophone. Composed by George Gershwin. Arranged by James Barnes. Classi...
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Concert Band - Digital Download SKU: AX.00-PC-0016066_AX2 2nd E-flat Alto Saxophone. Composed by George Gershwin. Arranged by James Barnes. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016066_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016066_AX2). ISBN 9780757932502. UPC: 029156906394.The music from this timeless masterwork has fascinated generation after generation. Oddly enough, at its premiere the critics presented mixed reaction: some calling it the pioneering work of a new folk-opera genre, and others condemning it as merely a succession of hit songs. Fortunately, time has secured its place in history. James Barnes has skillfully crafted a wonderful scoring of I Got Plenty O' Nuttin', It Ain't Necessarily So, Summertime, Crab Man, and Bess, You Is My Woman Now. Gershwin at his best! (8:19).
$3.00 ≈
2.69€
Porgy and Bess® (Medley): 3rd B-flat Trumpet
Porgy and Bess® (Medley): 3rd B-flat Trumpet
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Concert band
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Classical
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George Gershwin
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James Barnes
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Porgy and Bess®
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016066_T3 3rd B-flat Trumpet. Composed by George Gershwin. Arranged by James Barnes. Classical. Par...
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Concert Band - Digital Download SKU: AX.00-PC-0016066_T3 3rd B-flat Trumpet. Composed by George Gershwin. Arranged by James Barnes. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016066_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016066_T3). ISBN 9780757932502. UPC: 029156906394.The music from this timeless masterwork has fascinated generation after generation. Oddly enough, at its premiere the critics presented mixed reaction: some calling it the pioneering work of a new folk-opera genre, and others condemning it as merely a succession of hit songs. Fortunately, time has secured its place in history. James Barnes has skillfully crafted a wonderful scoring of I Got Plenty O' Nuttin', It Ain't Necessarily So, Summertime, Crab Man, and Bess, You Is My Woman Now. Gershwin at his best! (8:19).
$3.00 ≈
2.69€
Porgy and Bess® (Medley): 1st Trombone
Porgy and Bess® (Medley): 1st Trombone
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Concert band
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Classical
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George Gershwin
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James Barnes
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Porgy and Bess®
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016066_TN1 1st Trombone. Composed by George Gershwin. Arranged by James Barnes. Classical. Part. 4 ...
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Concert Band - Digital Download SKU: AX.00-PC-0016066_TN1 1st Trombone. Composed by George Gershwin. Arranged by James Barnes. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016066_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016066_TN1). ISBN 9780757932502. UPC: 029156906394.The music from this timeless masterwork has fascinated generation after generation. Oddly enough, at its premiere the critics presented mixed reaction: some calling it the pioneering work of a new folk-opera genre, and others condemning it as merely a succession of hit songs. Fortunately, time has secured its place in history. James Barnes has skillfully crafted a wonderful scoring of I Got Plenty O' Nuttin', It Ain't Necessarily So, Summertime, Crab Man, and Bess, You Is My Woman Now. Gershwin at his best! (8:19).
$3.00 ≈
2.69€
Porgy and Bess® (Medley): Bassoon
Porgy and Bess® (Medley): Bassoon
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Concert band
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Classical
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George Gershwin
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James Barnes
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Porgy and Bess®
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016066_B1 Bassoon. Composed by George Gershwin. Arranged by James Barnes. Classical. Part. 4 pages....
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Concert Band - Digital Download SKU: AX.00-PC-0016066_B1 Bassoon. Composed by George Gershwin. Arranged by James Barnes. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016066_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016066_B1). ISBN 9780757932502. UPC: 029156906394.The music from this timeless masterwork has fascinated generation after generation. Oddly enough, at its premiere the critics presented mixed reaction: some calling it the pioneering work of a new folk-opera genre, and others condemning it as merely a succession of hit songs. Fortunately, time has secured its place in history. James Barnes has skillfully crafted a wonderful scoring of I Got Plenty O' Nuttin', It Ain't Necessarily So, Summertime, Crab Man, and Bess, You Is My Woman Now. Gershwin at his best! (8:19).
$3.00 ≈
2.69€
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The Orgy
