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The Old Settler's Song
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You've selected:
The Old Settler's Song
Sheetmusic to print
7 sheet music found
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1
The Old Settler's Song
The Old Settler's Song
#
Concert band
#
INTERMEDIATE
#
Traditional
#
Eads, Steve
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The Old Settler's Song
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Steve Eads
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.936935 Composed by Traditional. Arranged by Eads, Steve. Folk,Romantic Period. Score and parts. 42 page...
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Concert Band - Level 3 - Digital Download SKU: A0.936935 Composed by Traditional. Arranged by Eads, Steve. Folk,Romantic Period. Score and parts. 42 pages. Steve Eads #6140461. Published by Steve Eads (A0.936935). (Revised 2021: Reset, slight changes to arrangement and transposed to Concert Bb.) This 19th century tune has been recorded by many artists and employed for rather dark humour settings, songs of rebellion and even US Presidential campaigns.This melody evoked in me the complex feelings of those who chose to uproot themselves from their homes to venture into new, often hostile, and challenging territory to establish a new life for themselves and their decendents. AKA Old Rosin the Beau, The Men of the West, Kelly's Irish Brigade and Lincoln and Liberty - for Abraham Lincoln's Presidential campaign.
$5.00 ≈
4.64€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.71€
Stone Soup - Director's Script
Stone Soup - Director's Script
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Betsy Lee Bailey
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Stone Soup - Director's Script
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Betsy Lee Bailey
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SheetMusicPlus
Small Ensemble - Level 1 - Digital Download SKU: A0.746016 Composed by Betsy Lee Bailey. Children,Contemporary,Folk,Instructional. Score and parts. 26 pa...
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Small Ensemble - Level 1 - Digital Download SKU: A0.746016 Composed by Betsy Lee Bailey. Children,Contemporary,Folk,Instructional. Score and parts. 26 pages. Betsy Lee Bailey #3466460. Published by Betsy Lee Bailey (A0.746016). Stone Soup - A Tale of Cooperation is a retelling of the old favorite story set in the American West. The settlers of a tiny village are going through troubled times when a Traveler comes through teaching them about Cooperation and giving them hope for the future. The Director's SCRIPT (28 pages) contains the script with stage directions and helps to mount the production as well as Acting GamesAdditional: The Piano/Vocal Score (39 pages) contains accessible piano and vocal parts with a couple of violin parts for young players, and the Production Kit (15 pages) includes Booklet Script, Song Sheets, Coloring Activity Page, foldable Invitation, and Performance License for two performances are valuable production guides and should be purchased and downloaded separately. Individual accompaniment MP3 files of the songs may be purchased separately from SMP Press. See song lists, photos and other production ideas and helps at BaileyKidsMusicals.com
$39.99 ≈
37.15€
The River Flows Through Me
The River Flows Through Me
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C Instruments
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INTERMEDIATE
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John Meola Lindhorst
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The River Flows Through Me
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John Meola Lindhorst
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1237803 Composed by John Meola Lindhorst. Country,Folk,Multicultural,Pop,Singer/Songwriter,World. Lead ...
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C Instrument - Level 3 - Digital Download SKU: A0.1237803 Composed by John Meola Lindhorst. Country,Folk,Multicultural,Pop,Singer/Songwriter,World. Lead Sheet / Fake Book. 3 pages. John Meola Lindhorst #833288. Published by John Meola Lindhorst (A0.1237803). “The river flows through me, like the blood of my people. Above the river I will standâ€. High above the banks of the Rock River in Oregon, Illinois, stands an impressive 48-foot-tall statue created by famed artist Lorado Taft. The official name is The Eternal Indian, but it is known to local folk as Black Hawk. It stands “proud and strong†as a tribute to the Native Tribes who flourished in the area before settlers occupied the region. This original song by John Meola Lindhorst pays homage to those tribes. The story is told through three poignant verses, written from the statue’s perspective. The opening lines: “I have stood for many years, as a constant reminder, of the strength of my tribe. I have shed a thousand tears, for the loss of a nation, and the killing of our pride:†introduces the theme and sets the tone for your impactful vocal performance. The second verse tells the heart of the story. The final verse: “I will stand her forever and I’ll stand proud and strong, I will fly with the eagle, and I will soar beyond the stars.†closes the song with a feeling of hope. The powerful chorus drives home the emotional message. Your audience will be deeply moved by your performance of this song.This song is suitable for singers of any genre. It can be interpreted as Pop, Broadway Ballad, Country or Folk.
$4.99 ≈
4.64€
Stone Soup - Production Kit
Stone Soup - Production Kit
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Betsy Lee Bailey
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Stone Soup - Production Kit
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Betsy Lee Bailey
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SheetMusicPlus
Small Ensemble - Level 1 - Digital Download SKU: A0.746017 Composed by Betsy Lee Bailey. Children,Folk,Instructional. Score and parts. 15 pages. Betsy Le...
(+)
Small Ensemble - Level 1 - Digital Download SKU: A0.746017 Composed by Betsy Lee Bailey. Children,Folk,Instructional. Score and parts. 15 pages. Betsy Lee Bailey #3466462. Published by Betsy Lee Bailey (A0.746017). Stone Soup - A Tale of Cooperation is a retelling of the old favorite story set in the American West. The settlers of a tiny village are going through troubled times when a Traveler comes through teaching them about Cooperation and giving them hope for the future. Production Kit (15 pages) includes Booklet Script, Song Sheets, Coloring Activity Page, foldable Invitation, and Performance License for two performances.Additional: The Director's SCRIPT (28 pages) contains the script with stage directions and helps to mount the production as well as Acting Games, The Piano/Vocal Score (39 pages) contains accessible piano and vocal parts with a couple of violin parts for young players, are valuable production guides and should be purchased separately. Individual accompaniment MP3 files of the songs may be purchased separately from SMP Press. See song lists, photos and other production ideas and helps at BaileyKidsMusicals.com
$39.99 ≈
37.15€
Thirteen
Thirteen
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Robert Myers
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Thirteen
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976729 Composed by Robert Myers. Christian,Contemporary,Sacred. Octavo. 43 pages. WheatMyer Musi...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976729 Composed by Robert Myers. Christian,Contemporary,Sacred. Octavo. 43 pages. WheatMyer Music #5317821. Published by WheatMyer Music (A0.976729). There are 150 psalms in the Bible, each one originally meant to be sung; and so they were for most of the last 3,000 years, beginning at the Jerusalem Temple. They were adopted as the primary song text of the early church as evidenced by Col. 3:16 and maintained in the Western church throughout medieval times. Psalms were the featured texts of most of the Reformers and were the sole mode of sacred singing among the first American settlers. Of late, hymns and choruses and popular songs with human texts have almost entirely replaced the singing of God’s word in many churches. This scarcity of Psalms in the Church’s song is a great loss which frequently motivates me to promote their increase. Thus, THIRTEEN , one member of my first suite of new Psalm settings, is offered as a to help bring the Psalms back into modern worship. The thirteenth Psalm holds a complaint, a petition, and a confession of faith and the music of THIRTEEN portrays each with text painting appropriate to the psalmist's words. A staggering timpani ostinato buffets away beneath the choir's tripartite how long complaint, followed by a dissonant recitative petition which transitions through shimmering tonal clusters into a joyful, major-key, confession of faith blended with a NT perspective from Eph. 3:20-21. THIRTEEN is challenging music, both in music and message, but for the adventurous music department it provides the opportunity to plumb the depths of scripture with artistry worthy of the rich heritage of Psalmody to use music to express the full message of God’s revelation. THIRTEEN is fitting to program liturgically as a musical exposition of the Psalm or in a sacred or secular concert setting. The very light orchestration complements the vocal performance with rich instrumental color without overwhelming the voices.
$55.00 ≈
51.09€
Kittatinny Ridge Suite
Kittatinny Ridge Suite
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Concert band
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INTERMEDIATE/ADVANCED
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Sacred music
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Nathaniel Hontz
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Kittatinny Ridge Suite
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TigerSong LLC
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1121338 Composed by Nathaniel Hontz. Classical,Contemporary,Sacred. Score and parts. 129 pages. TigerSo...
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Concert Band - Level 4 - Digital Download SKU: A0.1121338 Composed by Nathaniel Hontz. Classical,Contemporary,Sacred. Score and parts. 129 pages. TigerSong LLC #722510. Published by TigerSong LLC (A0.1121338). Kittatinny Ridge Suite is composed of three movements: I. On the Delaware at Carpenter's Point, II. The Fields of Walpack at Dusk, and III. Yellow Frame's Harvest Home. The suite is a musical landscape of different points along the Kittatinny mountain ridge in western Sussex County, New Jersey. I. On the Delaware at Carpenter's Point explores a kayaking trip at the very northern point of New Jersey. From the river one can see the High Point monument, the highest point in the state, as one crosses under bridges, passes islands, and speeds through small rapids. II. The Fields of Walpack at Dusk paints the tiny, rural township of Walpack, with its quiet fields and forests. The central theme is In Babilone: an old Dutch melody, echoing the regions colonial-era settlers. III. Yellow Frame's Harvest Home is a fantasy on Come, Ye Thankful People, Come, illustrating the late summer community dinner, Harvest Home run by the Yellow Frame Presbyterian Church, of Fredon township. Other hymn tunes surface in the piece, including May the Lord Mighty God and St. Anne (the colonial-era psalm tune for O God our Help in Ages Past).
$39.99 ≈
37.15€
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The Old Settler's Song
