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The Mayor's March
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• Ides Of March [The]
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You've selected:
The Mayor's March
Sheetmusic to print
9 sheet music found
<
1
The Mayor's March
The Mayor's March
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Piano solo
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ADVANCED
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James Marchand
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Modal.
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The Mayor's March
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James Marchand
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.830933 Composed by James Marchand. Contemporary,Standards. Score. 11 pages. James Marchand #2894771. Publ...
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Piano Solo - Level 5 - Digital Download SKU: A0.830933 Composed by James Marchand. Contemporary,Standards. Score. 11 pages. James Marchand #2894771. Published by James Marchand (A0.830933). A pompous, humorous march. Modal. The middle section has a soaring lyrical melody. Good recital piece.
$4.99 ≈
4.65€
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
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Orchestra
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INTERMEDIATE
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Patriotic
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Manuel de Espinosa de los Mo
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Keith Terrett
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Spanish National Anthem for Sy
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Music for all Occasions
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SheetMusicPlus
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Per...
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!
The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.
One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.
There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.
According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.
After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.
The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.
Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.
Interpretation and etiquette:
Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.
The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.
Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.
The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.
The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.
There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.
As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.
As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00 ≈
36.35€
The Pride of the Wolverines
The Pride of the Wolverines
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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John Philip Sousa
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Matthew Nunes
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The Pride of the Wolverines
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1446785 Composed by John Philip Sousa. Arranged by Matthew Nunes....
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1446785 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 26 pages. Matthew Nunes Music #1026550. Published by Matthew Nunes Music (A0.1446785). Dedicated to Mayor John W. Smith and the people of Detroit.This Brass Quintet arrangement was made using “The President’s Own” United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Pride of the Wolverines was composed in 1926, and the referenced edition was made Public Domain in 2022. The piece is catalogued as Volume 6, No. 105.Section titles (such as “First Strain” and “Trio”) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.
$1.99 ≈
1.85€
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
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Thomas Oboe Lee
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Emerald Necklace ... The Story
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period...
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99 ≈
9.31€
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
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Thomas Oboe Lee
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Emerald Necklace ... The Story
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score an...
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Large Ensemble Voice - Digital Download SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #32449. Published by Thomas Oboe Lee (A0.869339). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99 ≈
9.31€
The Yankee Hustler March. A Tribute to American Progress
The Yankee Hustler March. A Tribute to American Progress
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Piano solo
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Eugene E
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Eugene E
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The Yankee Hustler March. A Tr
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - Digital Download SKU: LV.18745 Composed by Eugene E. Schmitz. Railroads, Nights, Gods, Thunder, Lightning. Lester S. Levy Collection. 4 pages. Pu...
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Piano - Digital Download SKU: LV.18745 Composed by Eugene E. Schmitz. Railroads, Nights, Gods, Thunder, Lightning. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18745). The Yankee Hustler March. A Tribute to American Progress. By Eugene E. Schmitz, Mayor of San Francisco. Published 1902 by Sam Davis, 421 Post St. in San Francisco. Composition of sectional with pian instrumentation. Subject headings for this piece include Railroads, Nights, Gods, Thunder, Lightning. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.58€
Past Three O'Clock - brass quintet
Past Three O'Clock - brass quintet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Christmas
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Traditional English Carol
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Todd Marchand
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Past Three O'Clock - brass qui
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726088 Composed by Traditional English Carol. Arranged by Todd Marchand. C...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726088 Composed by Traditional English Carol. Arranged by Todd Marchand. Christmas,Holiday,Traditional. Score and parts. 17 pages. Con Spirito Music #4790249. Published by Con Spirito Music (A0.726088). Past Three O'Clock (or Past Three A Clock) is a Christmas carol loosely based on the traditional cry of the city night watchman, set to the English traditional tune, London Waits.The tune and refrain have been known since the Renaissance, and both were possibly used by London's waits (also waites or waytes). According to the Encyclopaedia Brittanica (1911):The earliest waits (those of the 14th and 15th centuries) were simply watchmen who sounded horns or even played a tune on a flute or flageolet to mark the hours. This appears to have been known as 'piping the watch....' The duties of the London waits, which included playing before the mayor during his annual progress through the streets and at city dinners, seem to have been typical of all 16th- and 17th-century city waits. The London waits had a special uniform of blue gowns with red sleeves and caps, and wore a silver collar or chain round the neck. In the 18th and early 19th century the ordinary street watchmen appear to have arrogated to themselves the right to serenade householders at Christmas time, calling round on Boxing Day to receive a gratuity for their tunefulness as well as their watchfulness. When in 1829 their place as guardians of the city's safety was taken by police, it was left for private individuals to keep up the custom.This arrangement of this sprightly tune features the Westminster Chimes (aka Westminster Quarters or Cambridge Quarters), the tune written for the clock tower at Cambridge in 1793, as introduction, in accompaniment, and at the conclusion of the piece.©Copyright 2019 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$15.00 ≈
13.98€
Tölzer Schützenmarsch
Tölzer Schützenmarsch
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Anton Krettner
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Kurt Bremer
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Tölzer Schützenmarsch
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Kurt Bremer
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1284987 Composed by Anton Krettner. Arranged by Kurt Bremer. Holiday,March,Multicultural,Patriotic,Traditional,World. ...
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Level 3 - Digital Download SKU: A0.1284987 Composed by Anton Krettner. Arranged by Kurt Bremer. Holiday,March,Multicultural,Patriotic,Traditional,World. 43 pages. Kurt Bremer #876114. Published by Kurt Bremer (A0.1284987). Part of Kurt Bremer's INSTANT OKTOBERFEST series, this arrangement is designed for flexible ensemble (four instrumental voices & drum kit). Your download will include:-Full Score-Part 1 (in C, Bb & Eb)-Part 2 (in C, Bb, Eb & F)-Part 3 (in C, Bb, Eb & F)-Part 4 (in C, Bb & Eb)-Drum KitAbout the work:Supposedly composed from scratch by the mayor of Tölz, Anton Krettner, in just eight days, The Tölzer Schützenmarsch (Tölz Rifle March) was first performed in 1883 at a celebration for the town’s shooting fraternity.The march was very successful during the composer’s lifetime, and is still to this day widely performed at celebrations and events across Germany.
$19.99 ≈
18.63€
O'Neill's Music of Ireland
O'Neill's Music of Ireland
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Violin
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INTERMEDIATE
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Celtic/Irish
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Capt
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O'Neill's Music of Ireland
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Mel Bay Publications, Inc
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SheetMusicPlus
By Capt. Francis O'Neill. For Fiddle. Celtic/Irish. Published by Mel Bay Publications, Inc ...
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By Capt. Francis O'Neill. For Fiddle. Celtic/Irish. Published by Mel Bay Publications, Inc
ISBN 9781609741426. Known as aThe Bible of Irish Music,a Mel Bayas facsimile edition contains the original 1903 collection of 1,850 melodies consisting of airs, jigs, reels, hornpipes, long songs, and marches for fiddle or practically any other melody instrument. Each of the bookas 360 pages presents 2 a 4 tunes in standard notation, together with stylistically appropriate ornamentation. Tune titles are given in Gaelic and in English with a few tunes appearing in two or three variations or asettings.a Intricate Celtic fonts similar to the cover illustration grace the main sections of this authoritative book. Famed Celtic harper, Turlough OaCarolan, is given his own segment entitled aOaCarolanas Compositions,a which includes many of his planxties or tribute songs. The book concludes with a comprehensive alphabetic listing of song titles.Piper, fiddler, flautist and twice selected Chief of the Chicago Police Department by two different mayors, Francis OaNeill (1848 a 1905), was born in Tralibane, near Bantry, County Cork Ireland and immigrated to the United States after being shipwrecked while serving as a cabin boy on an English merchant ship. Although he himself could not read or write music, he collected tunes from the burgeoning Irish community in Chicago as well as from many of the major performers of his era. He also recruited many Irish musicians to serve on the Chicago police force. OaNeill would learn tunes by ear on a tin whistle and later play them for his nephew, James, or one of his sergeants who were capable of writing them down. In this fashion, he saved some 3,500 Irish melodies for posterity.
$34.99 ≈
32.61€
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The Mayor's March
