All site ▾
All site▾
Free sheet music
Sheet music books
Digital sheet music
Musical equipment
My account
(log-in)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music ▾
▽ INSTRUMENTS
ACCORDION
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET M…
BOOKS
BOUZOUKI
CELLO - VIOLO…
CHARANGO
CHOIR - VOCAL
CLARINET
CORNET
DOBRO - GUIT.…
DOUBLE BASS
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEORB
MANDOLIN
MARCHING BAND
MARIMBA
OBOE
ORCHESTRA - B…
ORGAN - ORGAO
OTHER INSTRUM…
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLA DA GAMB…
VIOLIN - FIDD…
XYLOPHONE
ZITHER
NEW ADDITIONS
|
GENRES
|
20th century
Afro-americans
Ballad
Baroque
Bluegrass
Blues
Brazilian/Choro
Celtic
Celebrations
Classical
Classical modern
Contemporary
National Anthems
Jazz
New age
Opera
Ragtime
Renaissance
Romantic
Sonata
Tango
Traditional
Waltz
Occitan song
Song
Chinese traditional
Ethnic
Klezmer
Flamenco
Folk
Japanese traditional
March
Medieval
Musette
Orientale
Pasodoble
French popular
Popular Dance
Reggae
Swing
Latin/World
INSTRUCTIONAL
:
Blank sheet music
Children
Dictionaries
Instructional methods
Music theory
Musicology
Rhythmic Solfege
Solfeges
Studies
SACRED
:
African Hymns
Chassidic
Christian
Christmas
Gospel
Gregorian
Israeli
Sacred Hymns
Wedding
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
TOP DOWNLOADS
|
TOP DOWNLOADS
TOP 100 SOCIAL RANKING
COMPOSERS
|
Member composers
Historical composers
All composers
INSTRUMENTATIONS
|
SOLO
DUET
TRIO
QUARTET
QUINTET
ENSEMBLE
ALL
ADVANCED SEARCH
|
Digital Sheet Music
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano sheet music
Piano solo
Piano, Voice, Guitar
Piano duet
Easy Piano
Piano Method
Methods
Studies
Organ sheet music
Organ solo
Organ duet
INSTRUMENTAL
|
Strings
Violin
Viola
Cello
Doublebass
Harp
Woodwinds
Flute
Clarinet
Oboe
Saxophone
Bassoon
Brass
Trumpet
Horn
Trombone
Tuba
Guitar
Guitar Tabs
Piano, Voice, Guitar
Bass
Folk
Accordion
Banjo
Dulcimer
Ukulele
Mandolin
Chamber music
String quartet
Wind quintet
Brass quintet
Handbells
ORCHESTRA
|
Concert Band
Jazz Ensemble
Jazz combo
Brass band
Marching band
Methods
Orchestra
String orchestra
CHOIR / VOICE
|
Choir
SATB
TTBB
SSAA
3-parts
2-parts
Voice
Piano, Voice, Guitar
Piano, Voice
Voice solo
Voice duet
GENRES
|
20th century
Asian
Bluegrass
Blues
Broadway / Musicals
Celtic
Christmas
Classical
Children
Country
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gospel
Halloween
Instructional
Instructional - Studies
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal / Hard
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alt.
Sacred / Church
Soul / Rap
Tango
Traditional
Video Game
Wedding / Love
CHRISTMAS
|
All Christmas
Christmas Piano
Christmas Guitar
Christmas Voice/Choir
Halloween
DIFFICULTY
|
Beginner
Easy
Intermediate
Intermediate/advanced
Advanced
Music Sheet Library ▾
HOME
|
NEW ADDITIONS
|
PIANO
|
Piano (all)
Beginner Piano
Easy Piano
Piano Solo
PVG
Best Sellers
New additions
GUITAR
|
Guitar (all)
Beginner Guitar
Easy Guitar
Guitar TAB
Guitar (without TAB)
Best Sellers
New additions
VOICE/CHORAL
|
Choral & Voice (all)
Solo voice
Choral 2-Part
Choral 3-Part
Choral SATB
Choral TTBB
Choral SSAA
Choral UNISON
Best Sellers
New additions
INSTRUMENTATIONS
|
BEST SELLERS
|
CHRISTMAS
|
GENRES
|
20th century
African
Asian
Bluegrass
Blues
Broadway / Musical
Celtic
Christmas
Classical
Country
Children
Eastern Europe
Exams
Fingerpicking
Flamenco
Folk Rock
French songs
Funk
Gypsy jazz
Gospel
Halloween
Instructional
Instructional - Studies
Instructional - Chords/Scales
Jazz
Klezmer
Latin / World
Latin Pop
Medieval / Renaissance
Metal
Movie / TV
Movie Walt Disney
New Age
Patriotic
Pop
Reggae
Rock
Rock Alternative
Sacred / Church
Soul / Rap
Tango
Traditional
Video Games
Wedding / Love
SECTIONS
|
ARTISTS
PUBLISHERS
CLASSROOM
GIFT IDEAS
BOOKS ABOUT MUSIC
PLAY-ALONG
ADV.SEARCH
Musical Equipment ▾
GUITAR
|
KEYBOARD
|
PERCU.
|
STUDIO
|
SOFT
|
PA
|
LIGHT
|
DJ
|
MIC
|
EFFECTS
|
WINDS
|
TRAD.
|
FLIGHT
|
CABLES
|
ACC.
|
GIFT
|
BRANDS
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
The Black Swan
Not classified
5
Piano & keyboards
Piano solo
19
Piano, Voice
7
Guitars
Voice
Choral 2-part
2
Choral 3-part
1
Tenor voice, Piano
1
Woodwind
Clarinet and Piano
2
Flute and Piano
2
Oboe, Piano (duet)
2
2 Clarinets (duet)
1
Woodbrass
2 Euphoniums and 2 Tubas
1
Trumpet, Piano
1
Euphonium, Piano (duet)
1
Horn Ensemble
1
Trombone and Piano
1
Brass quartet : 2 trumpets, trombone, tuba
1
+ 1 instrumentations
-
Retract
Strings
Violin and Piano
2
Harp
1
Cello, Piano
1
Viola, Piano
1
Violin, Cello (duet)
1
Percussion & orchestra
Concert band
24
Piano and Orchestra
1
Brass ensemble
1
Others
Home
Best Sellers
New releases
Methods
Studies
Sellers
Sellers
Americans
At Musicnotes
At Sheetmusicplus
At Virtualsheetmusic
Europeans
At Tomplay
At Prof-Editions
At Note4piano
At Noviscore
At Quickpartitions
International artists list
French artists list
Top artists
Top artists
POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener
Christmas
Halloween
Easter
Wedding
Sacred
International Artists :
• Sabbath, Black
• Black, Clint
• Black Crowes [The]
FREE SHEET MUSIC
185,000+ free sheet music
SHEET MUSIC LIBRARY
1,500,000+ buy and delivery
DIGITAL SHEET MUSIC
2,000,000+ buy and print
MUSICAL INSTRUMENTS
200,000+ buy and delivery
Sheet Music Membership ($37.75/year)
Digital sheet music, access after purchasing
Post mailing
Digital sheet music
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
The Black Swan
Sheetmusic to print
83 sheet music found
<
1
26
51
76
The Black Swan - (Naidoc Week 2-Part Choir with dreamtime story CHOIR PART)
The Black Swan - (Naidoc Week 2-Part Choir with dreamtime story CHOIR PART)
#
Choral 2-part
#
EASY
#
Australian composer, Rebecca S
#
The Black Swan -
#
Rebecca Summers
#
SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.1147797 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multi...
(+)
Choral Choir (2-Part) - Level 2 - SKU: A0.1147797 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multicultural,World. Octavo. 2 pages. Rebecca Summers #747995. Published by Rebecca Summers (A0.1147797). This contemporary work for vocal solo, choir and piano, with options for clap sticks and didgeridoo, tells the indigenous story of Muru-Kutchi, the Black Swan of the Maroochy River. Perfect for Naidoc Week celebrations for Primary or Secondary school, it contains a mix of sung and spoken parts, an eerie contrasting mid-section and provides an educational tool for teaching students an indigenous dream-time legend. The Gubbi Gubbi people of the Sunshine Coast, Queensland, Australia have been telling this story for thousands of years as they trod the song lines to the Blackall Ranges, to take part in the Bunya gathering, which occurred every three years or so right up until the early 1900's. Full score, piano/vocal/choir and all individual parts available for sale on this website. Enjoy!
$2.99 ≈
2.76€
The Black Swan - (Naidoc Week 2-Part Choir with dreamtime story PIANO PART)
The Black Swan - (Naidoc Week 2-Part Choir with dreamtime story PIANO PART)
#
Piano, Voice
#
EASY
#
Australian composer, Rebecca S
#
The Black Swan -
#
Rebecca Summers
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1147801 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multicult...
(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.1147801 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multicultural,World. Score. 3 pages. Rebecca Summers #747998. Published by Rebecca Summers (A0.1147801). This contemporary work for vocal solo, choir and piano, with options for clap sticks and didgeridoo, tells the indigenous story of Muru-Kutchi, the Black Swan of the Maroochy River. Perfect for Naidoc Week celebrations for Primary or Secondary school, it contains a mix of sung and spoken parts, an eerie contrasting mid-section and provides an educational tool for teaching students an indigenous dream-time legend. The Gubbi Gubbi people of the Sunshine Coast, Queensland, Australia have been telling this story for thousands of years as they trod the song lines to the Blackall Ranges, to take part in the Bunya gathering, which occurred every three years or so right up until the early 1900's. Full score, piano/vocal/choir and all individual parts available for sale on this website. Enjoy!
$19.95 ≈
18.40€
The Black Swan - (Naidoc Week 2-Part Choir with dreamtime story FULL SCORE)
The Black Swan - (Naidoc Week 2-Part Choir with dreamtime story FULL SCORE)
#
Choral 2-part
#
EASY
#
Australian composer, Rebecca S
#
The Black Swan -
#
Rebecca Summers
#
SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.1147795 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multi...
(+)
Choral Choir (2-Part) - Level 2 - SKU: A0.1147795 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multicultural,World. Octavo. 24 pages. Rebecca Summers #747992. Published by Rebecca Summers (A0.1147795). This contemporary work for vocal solo, choir and piano, with options for clap sticks and didgeridoo, tells the indigenous story of Muru-Kutchi, the Black Swan of the Maroochy River. Perfect for Naidoc Week celebrations for Primary or Secondary school, it contains a mix of sung and spoken parts, an eerie contrasting mid-section and provides an educational tool for teaching students an indigenous dream-time legend. The Gubbi Gubbi people of the Sunshine Coast, Queensland, Australia have been telling this story for thousands of years as they trod the song lines to the Blackall Ranges, to take part in the Bunya gathering, which occurred every three years or so right up until the early 1900's. Full score, piano/vocal/choir and all individual parts available for sale on this website. Enjoy!
$3.95 ≈
3.64€
The Black Swan - (Naidoc Week 2-Part Choir with dreamtime story PIANO/SOLO-VOCAL/CHOIR)
The Black Swan - (Naidoc Week 2-Part Choir with dreamtime story PIANO/SOLO-VOCAL/CHOIR)
#
Piano, Voice
#
EASY
#
Australian composer, Rebecca S
#
The Black Swan -
#
Rebecca Summers
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1147802 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multicult...
(+)
Piano,Vocal,Voice - Level 2 - SKU: A0.1147802 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multicultural,World. Score. 12 pages. Rebecca Summers #747999. Published by Rebecca Summers (A0.1147802). This contemporary work for vocal solo, choir and piano, with options for clap sticks and didgeridoo, tells the indigenous story of Muru-Kutchi, the Black Swan of the Maroochy River. Perfect for Naidoc Week celebrations for Primary or Secondary school, it contains a mix of sung and spoken parts, an eerie contrasting mid-section and provides an educational tool for teaching students an indigenous dream-time legend. The Gubbi Gubbi people of the Sunshine Coast, Queensland, Australia have been telling this story for thousands of years as they trod the song lines to the Blackall Ranges, to take part in the Bunya gathering, which occurred every three years or so right up until the early 1900's. Full score, piano/vocal/choir and all individual parts available for sale on this website. Enjoy!
$29.95 ≈
27.63€
The Black Swan - (Naidoc Week 2-Part Choir with dreamtime story CLAP STICK PART)
The Black Swan - (Naidoc Week 2-Part Choir with dreamtime story CLAP STICK PART)
#
Piano, Voice
#
EASY
#
Australian composer, Rebecca S
#
The Black Swan -
#
Rebecca Summers
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1147799 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Mu...
(+)
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1147799 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multicultural,World. Score. 1 pages. Rebecca Summers #747997. Published by Rebecca Summers (A0.1147799). This contemporary work for vocal solo, choir and piano, with options for clap sticks and didgeridoo, tells the indigenous story of Muru-Kutchi, the Black Swan of the Maroochy River. Perfect for Naidoc Week celebrations for Primary or Secondary school, it contains a mix of sung and spoken parts, an eerie contrasting mid-section and provides an educational tool for teaching students an indigenous dream-time legend. The Gubbi Gubbi people of the Sunshine Coast, Queensland, Australia have been telling this story for thousands of years as they trod the song lines to the Blackall Ranges, to take part in the Bunya gathering, which occurred every three years or so right up until the early 1900's. Full score, piano/vocal/choir and all individual parts available for sale on this website. Enjoy!
$9.95 ≈
9.18€
There’ll Be Some Changes Made
There’ll Be Some Changes Made
#
Brass ensemble
#
INTERMEDIATE/ADVANCED
#
W
#
F
#
There’ll Be Some Changes Mad
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional...
(+)
Brass Ensemble - Level 4 - SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional. Score and parts. 30 pages. Sweetwater Brass Press #4331333. Published by Sweetwater Brass Press (A0.808689). William Benton Overstreet did it all-played piano, wrote songs, led bands. Probably the accomplishment for which he’s most remembered today is his composing of There’ll Be Some Changes Made, published in 1921. Billy Higgins, popular stage comedian, wrote the lyrics, and Ethel Waters, then just 24, recorded the song on the Black Swan label. The disc quickly achieved hit status, and the song has remained popular across multiple musical platform styles ever since. This arrangement is a happy, fun piece and includes some of the great (and familiar) Vaudeville-style ornaments and phrases. It’s a real toe-tapper. For the most part this arrangement is up-tempo, about 140 bpm. It does slow to 92 at the first iteration of the verse and again for the final ¬6 measures of the piece. Time signature is 4/4 except for measure 89, which is 6/4. The key is B-flat throughout, and the melody weaves among all instruments. Trumpet 1 plays B5 (B-flat trumpet’s high C) briefly at measures 4 and 35 and for two measures at the very end of the piece. Tuba plays G3 briefly several times in measures 90-93. Other than that, there are no exceptionally out-of-normal-range notes. Trumpets 1 and 2 may wish to double-tongue at measure 64. This arrangement was completed in 2019, and performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$13.95 ≈
12.87€
The Swan Lake (Swan Theme) - Tchaikovski (For Piano Solo / Intermediate)
The Swan Lake (Swan Theme) - Tchaikovski (For Piano Solo / Intermediate)
#
Piano solo
#
EASY
#
P
#
Matheus Viana
#
The Swan Lake
#
Matheus Viana
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.963132 Composed by P. Tchaikovski. Arranged by Matheus Viana. Romantic Period,Standards,Wedding. Score. 2 pages. Matheus ...
(+)
Piano Solo - Level 2 - SKU: A0.963132 Composed by P. Tchaikovski. Arranged by Matheus Viana. Romantic Period,Standards,Wedding. Score. 2 pages. Matheus Viana #6424707. Published by Matheus Viana (A0.963132). This is an arrangement for piano solo of the main theme of The Swan Lake, composed by P. Tchaikovsky. This arrangement was made to be simple and have some interesting lines on the left hand, this way the most intermediate players will be satisfied of play this piece. The Swan Lake, Ballet music, Piano arrangement, Tchaikovsky, Classical composition, Sheet music, Graceful melody, Enchanting tune, Romantic atmosphere, Odette and Odile, Ballet piano, Majestic swans, Keyboard rendition, Musical masterpiece, Swan Lake piano cover, Chords and arpeggios, Elegant dance, Balletic piano, Timeless classic, Instrumental version, Balletic grace, Keyboard performance, Ballet solo, Tchaikovsky's masterpiece, Dance of the Swans, Swan theme, Melodic beauty, White swan, Black swan, Balletic expression, Poetic piano, Balletic storytelling, Musical interpretation, Odette's theme, Dramatic piano, Balletic emotions, Lake of dreams, Romantic piano, Balletic artistry, Musical enchantment, Balletic magic, Balletic passion, Swan Lake suite, Keyboard virtuosity, Balletic elegance, Balletic romance, Grand piano rendition, Tchaikovsky's brilliance, Balletic precision, Balletic movement, Balletic grandeur, Dance of love, Piano ballet, Swan Lake fantasy, Balletic inspiration, Musical storytelling, Balletic fantasy, Piano virtuoso, Balletic gracefulness, Emotional piano, Balletic drama, Enchanted lake, Keyboard expressiveness, Balletic splendor, Musical poetry, Balletic intensity, Swan Lake waltz, Balletic serenity, Piano dramatics, Balletic finesse, Swan Lake overture, Keyboard dynamics, Balletic expressionism, Poignant piano, Balletic beauty, Swan Lake emotions, Balletic serenade, Piano brilliance, Balletic allure, Swan Lake elegance.
$7.00 ≈
6.46€
The Swan Lake (Swan Theme) - Tchaikovski (For Piano Solo / Beginner)
The Swan Lake (Swan Theme) - Tchaikovski (For Piano Solo / Beginner)
#
Piano solo
#
BEGINNER
#
P
#
Matheus Viana
#
The Swan Lake
#
Matheus Viana
#
SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.963131 Composed by P. Tchaikovski. Arranged by Matheus Viana. Multicultural,Romantic Period,Standards,Wedding,World. Scor...
(+)
Piano Solo - Level 1 - SKU: A0.963131 Composed by P. Tchaikovski. Arranged by Matheus Viana. Multicultural,Romantic Period,Standards,Wedding,World. Score. 2 pages. Matheus Viana #6424703. Published by Matheus Viana (A0.963131). Certainly! Here's an expanded list of keywords and phrases related to Swan Lake and piano in a larger text format:Swan Lake, Ballet music, Piano arrangement, Tchaikovsky, Classical composition, Sheet music, Graceful melody, Enchanting tune, Romantic atmosphere, Odette and Odile, Ballet piano, Majestic swans, Keyboard rendition, Musical masterpiece, Swan Lake piano cover, Chords and arpeggios, Elegant dance, Balletic piano, Timeless classic, Instrumental version, Balletic grace, Keyboard performance, Ballet solo, Tchaikovsky's masterpiece, Dance of the Swans, Swan theme, Melodic beauty, White swan, Black swan, Balletic expression, Poetic piano, Balletic storytelling, Musical interpretation, Odette's theme, Dramatic piano, Balletic emotions, Lake of dreams, Romantic piano, Balletic artistry, Musical enchantment, Balletic magic, Balletic passion, Swan Lake suite, Keyboard virtuosity, Balletic elegance, Balletic romance, Grand piano rendition, Tchaikovsky's brilliance, Balletic precision, Balletic movement, Balletic grandeur, Dance of love, Piano ballet, Swan Lake fantasy, Balletic inspiration, Musical storytelling, Balletic fantasy, Piano virtuoso, Balletic gracefulness, Emotional piano, Balletic drama, Enchanted lake, Keyboard expressiveness, Balletic splendor, Musical poetry, Balletic intensity, Swan Lake waltz, Balletic serenity, Piano dramatics, Balletic finesse, Swan Lake overture, Keyboard dynamics, Balletic expressionism, Poignant piano, Balletic beauty, Swan Lake emotions, Balletic serenade, Piano brilliance, Balletic allure, Swan Lake elegance.
$7.00 ≈
6.46€
The story of the Black Swans
The story of the Black Swans
#
Piano solo
#
INTERMEDIATE
#
Donatas Prusevicius
#
The story of the Black Swans
#
Donatas
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1029887 Composed by Donatas Prusevicius. Contemporary,Holiday,World. Score. 4 pages. Donatas #5796857. Published by Donat...
(+)
Piano Solo - Level 3 - SKU: A0.1029887 Composed by Donatas Prusevicius. Contemporary,Holiday,World. Score. 4 pages. Donatas #5796857. Published by Donatas (A0.1029887). Swan language when they fly....
$2.99 ≈
2.76€
The Black Swan (2 Clarinets)
The Black Swan (2 Clarinets)
#
2 Clarinets (duet)
#
EASY
#
Classical
#
Peter Ilyich Tchaikovsky
#
Paul Taylor
#
The Black Swan
#
Paul Taylor
#
SheetMusicPlus
Clarinet Duet Clarinet - Level 2 - SKU: A0.803226 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Taylor. Contemporary. 2 scores. 3 pages. Paul T...
(+)
Clarinet Duet Clarinet - Level 2 - SKU: A0.803226 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Taylor. Contemporary. 2 scores. 3 pages. Paul Taylor #3134991. Published by Paul Taylor (A0.803226). The Black Swan theme is from Tschaikovsky's Swan Lake Ballet. A movie with the same name was also released and employed this same iconic theme recently. .
$1.99 ≈
1.84€
Hommages II. Le Cygne noir (The Black Swan)
Hommages II. Le Cygne noir (The Black Swan)
#
Piano solo
#
ADVANCED
#
Classical
#
David Fraser
#
Hommages II. Le Cygne noir
#
David Fraser
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1384063 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 44 pages. David Fraser #968...
(+)
Piano Solo - Level 5 - SKU: A0.1384063 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 44 pages. David Fraser #968424. Published by David Fraser (A0.1384063). Le Cynge noir {The Black Swan} is the second piece David Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.This is the second piece from 'Hommages: Suite pour le Piano'. 44 pages. ISMN 979-0-800277-00-9.
$9.99 ≈
9.22€
The Black Swan (2 Basoons)
The Black Swan (2 Basoons)
#
2 Bassoons (duet)
#
Classical
#
Peter Ilyich Tchaikovsky
#
Paul Taylor
#
The Black Swan
#
Paul Taylor
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - SKU: A0.803224 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Taylor. Contemporary. Score and part...
(+)
Instrumental Duet Bassoon,Instrumental Duet - SKU: A0.803224 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Taylor. Contemporary. Score and parts. 3 pages. Paul Taylor #3134987. Published by Paul Taylor (A0.803224). The iconic theme from Tshaikovsky's Swan Lake is presented for two Bassoons. The same theme is also used in a recent film of the same name.
$1.99 ≈
1.84€
Hommages and Prelude No. 1
Hommages and Prelude No. 1
#
Piano solo
#
ADVANCED
#
Classical
#
David Fraser
#
Hommages and Prelude No. 1
#
David Fraser
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #96...
(+)
Piano Solo - Level 5 - SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99 ≈
27.67€
Concerto
Concerto
#
Piano and Orchestra
#
ADVANCED
#
Contemporary
#
Gyorgy Ligeti
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
(+)
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.13€
Arrival at the black swans
Arrival at the black swans
#
Horn Ensemble
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Wagner
#
Edition Maulwurf
#
Arrival at the black swans
#
Edition Maulwurf
#
SheetMusicPlus
Horn Ensemble - Level 4 - SKU: A0.1271289 Composed by Richard Wagner. Arranged by Edition Maulwurf. 19th Century,Romantic Period. 14 pages. Edition Maul...
(+)
Horn Ensemble - Level 4 - SKU: A0.1271289 Composed by Richard Wagner. Arranged by Edition Maulwurf. 19th Century,Romantic Period. 14 pages. Edition Maulwurf #863687. Published by Edition Maulwurf (A0.1271289). Richard WagnerArrival at the black swansAlbum leaf in A-flat majorarrangement for 6 French Hornsduration: ca 3m 20s score partshttps://www.edition-maulwurf.deEdition Maulwurf is a publisher of digital sheet music. For more information and other pieces please visit our web site.
$7.99 ≈
7.37€
Arrival of the Black Swans for Euphonium & Piano
Arrival of the Black Swans for Euphonium & Piano
#
Euphonium, Piano (duet)
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Wagner
#
Ralph Sauer
#
Arrival of the Black Swans for
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.792469 Composed by Richard Wagner. Arranged by Ralph Sauer. 20th Century,Opera,Romantic Period. Score and part. 4 pa...
(+)
Euphonium,Piano - Level 4 - SKU: A0.792469 Composed by Richard Wagner. Arranged by Ralph Sauer. 20th Century,Opera,Romantic Period. Score and part. 4 pages. Gordon Cherry #4988171. Published by Gordon Cherry (A0.792469). Ralph Sauer has arranged a marvelous song by Wagner, Arrival of the Black Swans or Ankunft be den schwarzen Schwänen for Euphonium and Piano. Arrival of the Black Swans by Richard Wagner was originally written for solo piano in 1861 and first published in 1897. A somber opening is followed by a moving middle section, reminiscent of passages from Lohengrin. This song is in Wagner's romantic style and is for moderately advanced performers and is about 4 1/2 minutes in length.
$15.00 ≈
13.84€
Tchaikovky - Black Swan - Swan Lake - string quintet - violin solo
Tchaikovky - Black Swan - Swan Lake - string quintet - violin solo
#
Contemporary
#
VinÃcius Bespalec
#
Tchaikovky - Black Swan - Swan
#
Vinicius Bespalec
#
SheetMusicPlus
String Ensemble,String Quintet - SKU: A0.977407 Composed by VinÃcius Bespalec. Contemporary. Score and parts. 5 pages. Vinicius Bespalec #3868901. Pu...
(+)
String Ensemble,String Quintet - SKU: A0.977407 Composed by VinÃcius Bespalec. Contemporary. Score and parts. 5 pages. Vinicius Bespalec #3868901. Published by Vinicius Bespalec (A0.977407). Arrangement for string quintet. based on the part of the play lake of the swans by the stretch of black swan where this arrangement was made. VinÃcius Bespalec
$20.00 ≈
18.45€
Tchaikovsky: Scene 10 from Swan Lake for Trumpet & Piano
Tchaikovsky: Scene 10 from Swan Lake for Trumpet & Piano
#
Trumpet, Piano
#
INTERMEDIATE
#
Classical
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: Scene 10 from Swa
#
jmsgu3
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549608 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
(+)
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549608 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3513629. Published by jmsgu3 (A0.549608). Tchaikovsky composed Swan Lake in 1875-76. The ballet failed to attract a positive reception. Over time, however, it became one of the most popular of all of Tchaikovsky's works. The ballet was first performed by the Bolshoi Ballet in Moscow.Swan Lake is a romantic ballet in four acts, with Pyotr Ilyich Tchaikovsky's music. Scene 10, also known as the finale, is a tragic and iconic moment in the ballet. It features the death of the main characters, Prince Siegfried and Odette, the white swan, and the ultimate triumph of good over evil. The ballet's music is one of Tchaikovsky's most valuable works, and it is known for its technically and emotionally challenging nature. The dual role of Odette, the innocent white swan, and Odile, the malevolent black swan, is typically performed by one dancer, although some avant-garde productions use two dancers for the two swans. The ballet's score is famous for its beautiful and emotional melodies, making it a quintessential piece in the ballet repertoire.
$32.95 ≈
30.40€
Black Swan of the Black Lake - Solo Trombone & Piano
Black Swan of the Black Lake - Solo Trombone & Piano
#
Trombone and Piano
#
INTERMEDIATE/ADVANCED
#
James Michael Stevens
#
James Michael Stevens
#
Black Swan of the Black Lake -
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.572966 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age...
(+)
Piano,Trombone - Level 4 - SKU: A0.572966 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Score and part. 5 pages. James M Stevens Music ASCAP #4718289. Published by James M Stevens Music ASCAP (A0.572966). This is an original composition for solo trombone and piano. The Black Swan of the Black Lake is a darkly, beautiful piece in a pensive and reflective mood. This song was inspired by a photo part of which is on the cover of a black swan at an actual place called the Black Lake. Would be a great repertoire piece for the advancing intermediate student. The score contains the trombone and piano part and a separate trombone part as well. The recording of the piano part may be found separately under Black Swan PIANO TRACK. James Michael Stevens is a prolific composer residing in Nashville, TN.
$5.50 ≈
5.07€
Black Swan of the Black Lake - Solo Bassoon & Piano
Black Swan of the Black Lake - Solo Bassoon & Piano
#
Bassoon, Piano (duet)
#
INTERMEDIATE
#
James Michael Stevens
#
James Michael Stevens
#
Black Swan of the Black Lake -
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.572965 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,...
(+)
Bassoon,Piano - Level 3 - SKU: A0.572965 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Score and part. 5 pages. James M Stevens Music ASCAP #4718281. Published by James M Stevens Music ASCAP (A0.572965). This is an original composition for solo bassoon and piano. The Black Swan of the Black Lake is a darkly, beautiful piece in a pensive and reflective mood. This song was inspired by a photo part of which is on the cover of a black swan at an actual place called the Black Lake. Would be a great repertoire piece for the advancing intermediate student. The score contains the bassoon and piano part and a separate bassoon part as well. The recording of the piano part may be found separately under Black Swan PIANO TRACK. James Michael Stevens is a prolific composer residing in Nashville, TN.
$6.99 ≈
6.45€
<
1
26
51
76