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The Americans
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The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.73€
The Unquiet Grave from American Death Ballads (Downloadable)
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50 ≈
3.28€
They've Sold Me Down the River. The Negro Father's Lament. Song and Chorus
They've Sold Me Down the River. The Negro Father's Lament. Song and Chorus
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G
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They've Sold Me Down the River
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3579 Composed by G. Friedrich Wurzel. African Americans, Dialects, Slavery, Fathers & c...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3579 Composed by G. Friedrich Wurzel. African Americans, Dialects, Slavery, Fathers & children, Spouses, Grief, Death, Heaven. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3579). They've Sold Me Down the River. The Negro Father's Lament. Song and Chorus. Composed by G. Friedrich Wurzel. Published 1853 by William Hall & Son, 239 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include African Americans, Dialects, Slavery, Fathers & children, Spouses, Grief, Death, Heaven. First line reads They've sold me down the river, and I must parted be.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.61€
The Americans Come! An Episode in France in the Year 1918. A Victory Song
The Americans Come! An Episode in France in the Year 1918. A Victory Song
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Piano, Voice
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Elizabeth A
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The Americans Come! An Episode
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.23027 Composed by Elizabeth A. Wilbur & Fay Foster. World War I, Soldiers, Flags, Patriotism, War allies. Lest...
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Piano and voice - Digital Download SKU: LV.23027 Composed by Elizabeth A. Wilbur & Fay Foster. World War I, Soldiers, Flags, Patriotism, War allies. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23027). The Americans Come! An Episode in France in the Year 1918. A Victory Song. Elizabeth A. Wilbur. Fay Foster. Published 1918 by J. Fischer & Bro., Fourth Avenue and Eighth Street (Astor Place) in New York. Composition of through-composed with piano and voice instrumentation. Subject headings for this piece include World War I, Soldiers, Flags, Patriotism, War allies. First line reads What is the cheering, my little one? oh, that my blinded eyes could see!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.61€
Fare Thee Well Kitty Dear. Song and Chorus
Fare Thee Well Kitty Dear. Song and Chorus
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Piano, Voice
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G
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Fare Thee Well Kitty Dear. Son
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.14587 Composed by G. Friedrich Wurzel. African Americans, Death, Supernatural beings. Lester S. Levy Collectio...
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Piano and voice - Digital Download SKU: LV.14587 Composed by G. Friedrich Wurzel. African Americans, Death, Supernatural beings. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14587). Fare Thee Well Kitty Dear. Song and Chorus. Composed by G. Friedrich Wurzel. Published 1852 by William Hall & Son, 239 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include African Americans, Death, Supernatural beings. First line reads I saw the smile of evening die In beauty on a southern sky.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.61€
Home on the Range
Home on the Range
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Piano solo
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INTERMEDIATE
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Marianne Kim
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Marianne Kim
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Home on the Range
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Marianne Kim
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1229916 By Marianne Kim. By American Traditional. Arranged by Marianne Kim. Folk,Jazz,New Age,Traditional...
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Piano Solo - Level 3 - Digital Download SKU: A0.1229916 By Marianne Kim. By American Traditional. Arranged by Marianne Kim. Folk,Jazz,New Age,Traditional. Score. 4 pages. Marianne Kim #825674. Published by Marianne Kim (A0.1229916). It is included in the collection of Journeys And Memories - 10 Songs of Love and Longing.It is my pleasure to introduce this collection of piano solos featuring classic American folk songs by Stephen Foster, Henry Bishop, James Butterfield, and traditional songs. These timeless melodies have been beloved by generations of Americans, and it is my hope that this new collection will help to keep them alive and well for many years to come.What sets this collection apart is the fresh and contemporary style of harmonies and sounds that have been incorporated into the arrangements. While staying true to the original melodies and lyrics, the arrangements have been updated to give them a modern twist that is sure to appeal to today's audiences.Whether you are a seasoned pianist or a beginner, these arrangements are accessible and enjoyable to play. The songs in this collection are perfect for creating a warm and inviting atmosphere in any setting, from casual get-togethers to more formal occasions.CONNECT WITH MARIANNE KIM ► Website: https://www.mariannekimmusic.com ► Facebook: https://www.facebook.com/mariannekimmusic/ ► Instagram: https://www.instagram.com/kim.marianne/ ► Twitter: https://twitter.com/kim_marianne ► LinkedIn: https://www.linkedin.com/in/mariannekimmusic/ ► YouTube Piano: https://www.youtube.com/c/MarianneKimMusicTV ► YouTube Organ: https://www.youtube.com/c/MarianneKimOrgan ► 카카오톡: http://pf.kakao.com/_xnxmpexb.
$5.59 ≈
5.23€
Were You There When They Crucified My Lord? (SAB and piano)
Were You There When They Crucified My Lord? (SAB and piano)
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Choral 3-part
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EASY
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Sacred music
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African American Spiritual
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KJ Murdock
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Were You There When They Cruci
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Kristopher James Murdock
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.893711 Composed by African American Spiritual. Arranged by KJ Murdock. Christian,Easter,Sacred,Sp...
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.893711 Composed by African American Spiritual. Arranged by KJ Murdock. Christian,Easter,Sacred,Spiritual,Standards. Octavo. 7 pages. Kristopher James Murdock #4410375. Published by Kristopher James Murdock (A0.893711). School choir directors, are you wondering how to celebrate American culture in song? Are you looking to reinforcing the ensemble's classical singing skills for contents and concerts?Church music leaders, are you looking for a unique way to share the faith, a change in style to draw attention to the Gospel in song? Are you looking for simple harmonies that your choir can learn more quickly than a complex arrangement?This moving neoclassical restyling of a beloved American Spiritual solves all of these problems.This song came from the hearts of African Americans who had been treated with extreme cruelty, but would one day emerge triumphant. In context, Were You There When They Crucified My Lord? shows their belief in the God who had empathized with their suffering by taking a cross, and who had conquered even death by rising victoriously from the grave.Although it’s great for any time of year, Were You There When They Crucified My Lord? is especially appropriate for the Easter season.
$1.99 ≈
1.86€
The Clarke Variations
The Clarke Variations
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Trumpet
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Contemporary
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Eric Bolvin
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Eric Bolvin
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The Clarke Variations
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ERIC V BOLVIN
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SheetMusicPlus
Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by Eric Bolvin. Contemporary. Individual part. 56 pages. ERIC V BOLVIN #...
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Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by Eric Bolvin. Contemporary. Individual part. 56 pages. ERIC V BOLVIN #3578765. Published by ERIC V BOLVIN (A0.829062). Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as the trumpet player’s bible. If that is the case, then the Clarke should be the new testament. I consider Herbert L. Clarke to be the George Washington of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.The impetus for this set of variations is based on the idea of an Expanding Scale or Expanding Range. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are holding one note and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
$16.95 ≈
15.86€
The Siege of Tripoli, an Historical Naval Sonata for the Piano Forte
The Siege of Tripoli, an Historical Naval Sonata for the Piano Forte
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Piano solo
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Mr
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The Siege of Tripoli, an Histo
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - Digital Download SKU: LV.14358 Composed by Mr. B. Carr. Campaigns & battles, Warfare, Patriotism. Lester S. Levy Collection. 9 pages. Published b...
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Piano - Digital Download SKU: LV.14358 Composed by Mr. B. Carr. Campaigns & battles, Warfare, Patriotism. Lester S. Levy Collection. 9 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14358). The Siege of Tripoli, an Historical Naval Sonata for the Piano Forte. Composed by Mr. B. Carr. Published [n.d.] by G.E. Blake, No. 13 South 5th street in Philadelphia. Composition of Multimovement, with descriptive titles (e.g., The Siege of Tripoli, The Americans prepare for the Seige, Martial Music heard on the walls of Tripoli,); Finale is Yankee Doodle Arranged as a Rondo. with piano instrumentation. Subject headings for this piece include Campaigns & battles, Warfare, Patriotism. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.61€
The Chimes of Liberty
The Chimes of Liberty
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Concert band
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Contemporary
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Edwin Franko Goldman
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Marc Oliver
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where we let freedom ring
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The Chimes of Liberty
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.733048 Composed by Edwin Franko Goldman. Arranged by Marc Oliver. Contemporary. Score and parts. 76 pages. Ayotte...
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Concert Band - Digital Download SKU: A0.733048 Composed by Edwin Franko Goldman. Arranged by Marc Oliver. Contemporary. Score and parts. 76 pages. Ayotte Custom Musical Engravings #2347531. Published by Ayotte Custom Musical Engravings (A0.733048). Throughout the late 19th Century and well into the 20th Century, there have been many patriotic marches written for band (and later transcribed for orchestra) by the composers of the day. The most famous, of course, is John Philip Sousa's The Stars and Stripes Forever, written in 1897, and is now the National March of the United States of America. Other patriotic marches include National Emblem, Americans We and Liberty Bell. Still another patriotic march is The Chimes of Liberty, written by Edwin Franko Goldman in 1922. It is possible that Goldman wrote this march to take advantage of the lyrics of My Country tis of Thee; where we let freedom ring. And what rings better than bells and chimes? The chimes are definitely featured in the second half of the march. The march also includes a very interesting piccolo obbligato.
$59.99 ≈
56.14€
The Journey of Squanto
The Journey of Squanto
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Concert band
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ADVANCED
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Wesley Besancon
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Wesley Besancon
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The Journey of Squanto
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1183999 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contemporary,Contest,Festi...
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Concert Band - Level 5 - Digital Download SKU: A0.1183999 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contemporary,Contest,Festival,Multicultural,Patriotic,World. Score and parts. 111 pages. Wesley Besancon #783697. Published by Wesley Besancon (A0.1183999). Have you ever wondered who was credited for setting up the first Thanksgiving? Or who braught peace to the tension between Natives and English? Squanto is credited for doing both of these things. One of the first recoreded Native Americans, Squanto lived from 1585 to 1622. He was part of the Patuxet tribe, and taught settlers how to satisfy basic needs. And as far as the eye can see, there is no band music dedicated for him. So I have made a piece showing what may have happened when the settlers came. While not completly accurate, It is a great representation (and honor to Squanto) for your next concert!. The piece begins on a nice warm day, in a playful, dancelike movement, this quickly turns to anger as they see a bird that is not able to be hunted. This confusion leads to the mysteriousness that was most likely happening upon the natives. They start to pray to their gods. All of a sudden, the ship lands and a war breaks out! But Squanto wants to embrace this new culture they have brought, which slowly calms the fighting down. Eventually, the English Culture (represented by Hot Cross Buns) is embraced in the polytonal ways (disagreement). The final part is a chorale representing peace.Errata:Â 107: Singing is stopped.
$40.99 ≈
38.36€
(ghost) Riders In The Sky (a Cowboy Legend)
(ghost) Riders In The Sky (a Cowboy Legend)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Contemporary
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Johnny Cash
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Arthur Jesse & Peet du Toit
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(ghost) Riders In The Sky
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du T...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du Toit. Contemporary. Score and parts. 9 pages. Peet du Toit #6023995. Published by Peet du Toit (A0.802616). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. The story has been linked with old European myths of the Wild Hunt, in which a supernatural group of hunters passes the narrator in wild pursuit.Stan Jones stated that he had been told the story when he was 12 years old by an old Native American who resided north-east of the Douglas, Arizona border town, a few miles behind D Hill, north of Agua Prieta, Sonora. The Native Americans, possibly Apache, who lived within Cochise County, believed that when souls vacate their physical bodies, they reside as spirits in the sky, resembling ghost riders. He related this story to Wayne Hester, a boyhood friend (later owner of the Douglas Cable Company). As both boys were looking at the clouds, Stan shared what the old Native American had told him, looking in amazement as the cloudy shapes were identified as the ghost riders that years later, would be transposed into lyrics. The melody is based on the song When Johnny Comes Marching Home.
$15.00 ≈
14.04€
He Draws No Color Line (When the Good Lord Makes a Record of a Hero's Deed)
He Draws No Color Line (When the Good Lord Makes a Record of a Hero's Deed)
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Piano, Voice
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Harry Decosta
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He Draws No Color Line
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.23457 Composed by Harry Decosta. Portraits, Mothers & children, Afro-Americans, Soldiers, Pride, Patriotism, W...
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Piano and voice - Digital Download SKU: LV.23457 Composed by Harry Decosta. Portraits, Mothers & children, Afro-Americans, Soldiers, Pride, Patriotism, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23457). He Draws No Color Line (When the Good Lord Makes a Record of a Hero's Deed). Words by Val Trainor. Music by Harry Decosta. Published 1918 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Mothers & children, Afro-Americans, Soldiers, Pride, Patriotism, World War I. First line reads Dear old colored mammy talking to her boy.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.61€
The Death of Minnehah
The Death of Minnehah
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Piano, Voice
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Charlie C
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The Death of Minnehah
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.19518 Composed by Charlie C. Converse. Portraits, Poets, Native Americans, Hiawatha, Deathbeds, Fathers & chil...
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Piano and voice - Digital Download SKU: LV.19518 Composed by Charlie C. Converse. Portraits, Poets, Native Americans, Hiawatha, Deathbeds, Fathers & children, Tombs & sepulchral monuments. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19518). The Death of Minnehah. Words by [Henry Wadsworth] Longfellow. Music by Ch. C. Converse. Published [n.d.] by Oliver Ditson & Co., 45 Washington St. in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Portraits, Poets, Native Americans, Hiawatha, Deathbeds, Fathers & children, Tombs & sepulchral monuments. First line reads In the wig-wam with Nohomis With those gloomy guests, that watched her.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.61€
The Pioneers Home
The Pioneers Home
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Piano, Voice
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F
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The Pioneers Home
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.3529 Composed by F. Woolcott. Country life, Domestic life, Fathers & children, Boys, Spouses, Occupations, Nat...
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Piano and voice - Digital Download SKU: LV.3529 Composed by F. Woolcott. Country life, Domestic life, Fathers & children, Boys, Spouses, Occupations, Native Americans, Courage, Aged persons, Progress, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3529). The Pioneers Home. Written by T.E. Garrett. Music by F. Woolcott. Published 1858 by G. Fritz, 52 Fourth St. in St. Louis. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Country life, Domestic life, Fathers & children, Boys, Spouses, Occupations, Native Americans, Courage, Aged persons, Progress, Death. First line reads He was a daring Pioneer, a true and honest man.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.61€
America (My Country 'Tis of Thee)
America (My Country 'Tis of Thee)
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Easy Piano
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EASY
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Traditional
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Raluca Bojor
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America
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Raluca Bojor
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1039569 Composed by Traditional. Arranged by Raluca Bojor. Patriotic,Traditional. Score. 1 pages. Raluca ...
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Easy Piano - Level 2 - Digital Download SKU: A0.1039569 Composed by Traditional. Arranged by Raluca Bojor. Patriotic,Traditional. Score. 1 pages. Raluca Bojor #644486. Published by Raluca Bojor (A0.1039569). This tune goes under two titles, depending on the country in which it is performed. For the British, it is their national anthem (God Save the Queen / King). For Americans, it is called America / My Country 'Tis of Thee. This piano arrangement is perfect for the pianist who just mastered three-note chords in their LH and are able to play RH melodies spanning more than five notes.
$3.99 ≈
3.73€
What The World Needs Now Is Love
What The World Needs Now Is Love
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Piano solo
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INTERMEDIATE
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Jackie DeShannon
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Timothy Stapay
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What The World Needs Now Is Lo
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1249719 By Jackie DeShannon. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Broadway,Film/T...
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Piano Solo - Level 3 - Digital Download SKU: A0.1249719 By Jackie DeShannon. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #844110. Published by Timothy Stapay (A0.1249719). What The World Needs Now Is Love is written in a relaxed waltz style.What the World Needs Now Is Love is a 1965 popular song with lyrics by Hal David and music composed by Burt Bacharach. First recorded and made popular by Jackie DeShannon, it was released on April 15, 1965, on the Imperial label after a release on sister label Liberty records the previous month was canceled. It peaked at number seven on the US Hot 100 in July of that year. In Canada, the song reached number one. The song's success caught the two songwriters completely by surprise, since they were very aware of the controversy and disagreements among Americans about the Vietnam War, which was the subtext for David's lyrics. Bacharach has continuously used the song as the intro and finale for most of his live concert appearances well into the 2000s. Lyrics:What the world needs now is love, sweet loveIt's the only thing that there's just too little ofWhat the world needs now is love, sweet love,No not just for some but for everyone.Lord, we don't need another mountain,There are mountains and hillsides enough to climbThere are oceans and rivers enough to cross,Enough to last till the end of time.What the world needs now is love, sweet loveIt's the only thing that there's just too little ofWhat the world needs now is love, sweet love,No, not just for some but for everyone.Lord, we don't need another meadowThere are cornfields and wheat fields enough to growThere are sunbeams and moonbeams enough to shineOh listen, lord, if you want to know.What the world needs now is love, sweet loveIt's the only thing that there's just too little ofWhat the world needs now is love, sweet love,No, not just for some but for everyone.No, not just for some, oh, but just for everyone.
$5.99 ≈
5.61€
The Emancipated Negro. A Tribute to the Memory of William Wilberforce
The Emancipated Negro. A Tribute to the Memory of William Wilberforce
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Piano, Voice
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S
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The Emancipated Negro. A Tribu
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.15430 Composed by S. Nelson. Portraits, African Americans, Memorial works, Slavery. Lester S. Levy Collection....
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Piano and voice - Digital Download SKU: LV.15430 Composed by S. Nelson. Portraits, African Americans, Memorial works, Slavery. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15430). The Emancipated Negro. A Tribute to the Memory of William Wilberforce. [Inside back cover Lines to the Memory of the late William Wilberforce; Back cover Poem The Emancipated Negro]. Written by Charles Jefferys. Composed by S. Nelson. Published 1833 by Leoni Lee, Music Seller to his Majesty, 17, Old Bond St. in London. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Portraits, African Americans, Memorial works, Slavery. First line reads Another Spirit bursts its bonds, Another Soul is free.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.61€
Our Nation's Anthem
Our Nation's Anthem
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Concert band
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John Stafford Smith
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Jonathan Laflamme
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Our Nation's Anthem
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Jonathan S. Laflamme
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.971616 Composed by John Stafford Smith. Arranged by Jonathan Laflamme. Holiday,Patriotic,Standards. Score and par...
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Concert Band - Digital Download SKU: A0.971616 Composed by John Stafford Smith. Arranged by Jonathan Laflamme. Holiday,Patriotic,Standards. Score and parts. 26 pages. Jonathan S. Laflamme #515237. Published by Jonathan S. Laflamme (A0.971616). OUR NATION’S ANTHEM The Star Spangled Banner Every Band Director is entrusted with the fundamental instillation of the importance of our Nation’s Anthem to not only the musicians under his or her direction but also the audience that often varies from a concert to a community gathering and often times a sporting event. As the lives of Americans get busier and busier ‘perfect’ instrumentation at the aforementioned venues increasingly becomes more of a challenge to maintain the integrity required of any performance of the ‘Star Spangled Banner.’ This arrangement will sound great with almost any instrumentation!
$34.99 ≈
32.74€
Clear the Way! or, The "Pacific Rail Road Song"
Clear the Way! or, The "Pacific Rail Road Song"
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Stephen C
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Stephen C
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Clear the Way! or, The "Pacifi
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and TTB chorus) - Digital Download SKU: LV.18831 Composed by Stephen C. Massett. Native Americans, Mountains, Railroads, Railroad e...
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Piano and voice (solo and TTB chorus) - Digital Download SKU: LV.18831 Composed by Stephen C. Massett. Native Americans, Mountains, Railroads, Railroad employees. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18831). Clear the Way! or, The Pacific Rail Road Song. Music By Stephen C. Massett. Published 1856 by Published by the Author in San Francisco. Composition of strophic with refrain with piano and voice (solo and ttb chorus) instrumentation. Subject headings for this piece include Native Americans, Mountains, Railroads, Railroad employees. First line reads Men of thought be up and stirring, Night and day, Sow the seed First line of refrain There's a fount about to stream, There's a light about to beam.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
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