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The 12 Minor Chords for Piano
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You've selected:
The 12 Minor Chords for Piano
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The 12 Minor Chords for Piano
The 12 Minor Chords for Piano
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Easy Piano
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BEGINNER
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Hayden Woods
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The 12 Minor Chords for Piano
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Hayden Lee Woods
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.901474 Composed by Hayden Woods. Instructional,Standards. Score. 3 pages. Hayden Lee Woods #5317871. Publ...
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Easy Piano - Level 1 - Digital Download SKU: A0.901474 Composed by Hayden Woods. Instructional,Standards. Score. 3 pages. Hayden Lee Woods #5317871. Published by Hayden Lee Woods (A0.901474). The basic 12 minor chords for piano are presented in the three forms of root position (example: C major- CEflatG), 1st inversion (ex: C major- EflatGC) and 2nd inversion (ex: C major- GCEflat).
$2.39 ≈
2.23€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.40€
Funk Keyboard Practice Session 5 In All 12 Keys
Funk Keyboard Practice Session 5 In All 12 Keys
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Piano solo
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INTERMEDIATE
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Andrew D
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Andrew D
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Funk Keyboard Practice Session
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A.D.G. Productions
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1036599 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Hip-Hop,Instruction...
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Piano Solo - Level 3 - Digital Download SKU: A0.1036599 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Hip-Hop,Instructional,Jazz,R & B,Rock. Score. 5 pages. A.D.G. Productions #641603. Published by A.D.G. Productions (A0.1036599). Page 1 and 2 of this Funk Keyboard Practice Session shows a funky rhythm pattern using minor13th. chords in all 12 keys around the cycle of 4th.s. Page 3 is the chord progression in the key of Gm is starting on the Gm13 chord going up a step to Am13 and then back down again to Gm13. The audio file that accompanies the sheet music is split into t 4 sections, Part 1 consists of the piano playing along with the rhythm backing tracks in all 12 keys. Part 2 consists of the rhythm backing tracks in all 12 keys for practicing purposes. Part 3 consists of the piano playing along with the rhythm backing tracks in Gminor Part 4 consists of the rhythm backing tracks in the key of G minor. Optional MIDI files are available separately for a fee, contact sales@adgproductions.com With using software such as the free programs Musescore or Garage Band you will be able to do the following with the MIDI files: 1. Slow the tempo down to your skill level. 2. Change the key, allowing you the option of transposing the patterns into keys other than the written key. 3. Use the loop function to practice difficult measures repeatedly. 4. Use these patterns for ear training exercises by slowing the tempo down and looping a certain section repeatedly, try to play the correct notes using your ear rather than reading the music. Check out the various Funk piano/keyboard books that I have authored at the publishers website A.D.G. Productions http://www.adgproductions.com and http://www.sheetmusicplus.com I have authored over 120 music instructional books for different instruments and numerous contemporary styles. Funk keyboard titles include: 60 Of The Funkiest Keyboard Riffs Known To Mankind Outta Sight Funk and R&B Riffs for Piano/Keyboards Funky Organ Grooves 100 Ultimate Soul, Funk and R&B Grooves for Piano/Keyboards 100 Ultimate Soul, Soul, Funk and R&B Grooves for Organ 100 Ultimate Soul, Soul, Funk and Rock Grooves for Clavinet Online Music Lessons and Consultations for Beginner to Advanced Students As the author of over 120 music instructional books for piano/keyboards, guitar, sax and flute I am available to teach music students from around the world in their home via the Internet using skype or facetime in many areas of music, Some of the areas of music that I have expertise in teaching for most instruments: Music styles: blues, jazz, rock, country, gospel, pop, funk, r&b. Learning how to improvise in all the above styles Piano/keyboard playing, music production, songwriting and composing, music career development, learning computer music software, how to play in a band, Music theory and ear training, History of Rock and Roll All levels of students are welcome, from beginner to advanced. Most of the students have been people who have purchased my books and are interested in taking their music education to another level. I can be contacted at musiclessons@adgproductions.com.
$2.95 ≈
2.75€
Passacaglia in C (piano duet)
Passacaglia in C (piano duet)
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1 Piano, 4 hands
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ADVANCED
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 p...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99 ≈
9.33€
Riddle sonatina for piano and harp "tragic" op.5
Riddle sonatina for piano and harp "tragic" op.5
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Harp and Piano
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INTERMEDIATE
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Classical
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Angus Ludfranz
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/
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Riddle sonatina for piano and
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Angus Ludfranz
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SheetMusicPlus
Instrumental Duet,Piano Harp,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.953392 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Rom...
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Instrumental Duet,Piano Harp,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.953392 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Romantic Period. Score and parts. 29 pages. Angus Ludfranz #559133. Published by Angus Ludfranz (A0.953392). There are 12 riddles in this piece, what I am trying to do is that I hope everyone (who is interested in it) can try to figure them out: I-IV. The chords are not accompanying the melody, there is a meaning behind those chords Va. Find which one is the ‘real melody’ and there is a hidden code behind it. Vb. hint: dance style VI. Hint: another dance style VII. This chord sounds in a place where it is not real VIII. Minor form of I-IV, but what does it mean? IX. (In the piano part) Again, chords are not accompanying the melody, there is a code behind it (you may try the chord progression) X. Basically same with IX, but more agitated XI. Please do not associate these riddles to my other compositions XII. The riddle (bracketed in red) is only useful in the 1st movement. Don’t be panic, the above ‘instructions’ can be found in the last page of the score with the title ‘riddles guidelines’. I hope you enjoy what I composed. Your composer, A.Ludfranz.
$5.99 ≈
5.59€
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Flavio Regis Cunha
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Beethoven: 7 Variations on 'Go
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Roman...
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Piano Solo - Level 4 - Digital Download SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Standards. Score. 12 pages. Flavio Regis Cunha #6712473. Published by Flavio Regis Cunha (A0.597602). It probably comes as a surprise to many to know that Beethoven wrote variations on the current British national anthem, as well as on a jingoistic tune sung every year at the BBC Proms. But indeed he did. In 1803 he was approached by George Thomson, a civil servant living in Edinburgh who was passionate about collecting folk songs from his own country. He wanted Beethoven to compose six sonatas on Scottish melodies-a project which never materialized, but which started a business relationship that lasted until 1820. For Thomson, Beethoven completed some 150 arrangements of Scottish, Welsh and Irish folk songs (including Auld lang syne). Towards the end of 1803, he sent him these two sets of variations for piano, saying they weren’t too difficult and hoping they would have much success.Concerning the 7 Variations on ‘God save the King’, WoO78, Beethoven made the comment that he wanted to ‘show the English what a blessing they have’ with that tune. We don’t really know who wrote it, but it became very popular in 1745 when it started being sung at Drury Lane and Covent Garden to celebrate the putting-down of the Jacobite rising. It travelled over to the Continent where in 1795 it became the royal anthem of Prussia (‘Heil dir im Siegerkranz’).It makes a great theme for variations, and Beethoven has a lot of fun with it. If ever you needed proof of humour in his music, here it is. After some counterpoint in variation 1, he gives us some nimble fingerwork to deal with before an expressive minor-mode variation that can also be played a bit tongue-in-cheek. He changes metre for variation 6, a perky march, and stays in that time signature for variation 7. A lot of the difficulty of this piece depends on the tempo you choose at this point. The coda is inspired: a brief cadenza-like descent of F major broken chords leads us into a solemn return of the theme, but with some piquant and mischievous harmonies. The final allegro brings the work to a bravura conclusion.
$4.99 ≈
4.66€
The Major and Minor Broken Chords (24 chords of roots and inversions)
The Major and Minor Broken Chords (24 chords of roots and inversions)
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Easy Piano
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BEGINNER
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Instructional
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Hayden Woods
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The Major and Minor Broken Cho
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Hayden Lee Woods
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1099356 Composed by Hayden Woods. Instructional. Score. 2 pages. Hayden Lee Woods #703237. Published by H...
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Easy Piano - Level 1 - Digital Download SKU: A0.1099356 Composed by Hayden Woods. Instructional. Score. 2 pages. Hayden Lee Woods #703237. Published by Hayden Lee Woods (A0.1099356). This comprehensive walkthrough of the 12 major chords and 12 minor chords walks through chromatically and by inversions (root, 1st inversion, 2nd inversion, octave up root). An essential guideline to all the basic chords in isolated form. Coming soon will be the broken chords by major scale, which will introduce the diminished chords not included in this exercise.
$2.39 ≈
2.23€
Pianistic 1 piano book
Pianistic 1 piano book
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Piano solo
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INTERMEDIATE
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Latin/World Music
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Tom Horton
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Pianistic 1 piano book
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Tom Horton Ltd
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SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Tom Horton. Classical Period, Jazz, Repertoire, Latin, Pop. 26 pages. Published by Tom Horto...
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Piano Solo - Intermediate - Digital Download Composed by Tom Horton. Classical Period, Jazz, Repertoire, Latin, Pop. 26 pages. Published by Tom Horton Ltd
A beautifully written selection of 10 new pieces and arrangements for Piano with performance notes & chord symbols.
The pieces in this Piano book are around Pianos Grades 3 up to Grade 5.
Titles:
5th Street Blues – a classic swinging 12 bar blues with lovely rich harmoniesDancing Leaves – imitates leaves ‘swirling’ and ‘darting’ aroundMidnight Mambo – syncopated Cuban style piece demanding good coordination between handsIt’s Only Minor – Duke Elllington style 32 bar ABBA structure with swung quavers, a walking bass and thumping triplet chordsI Dreamt I Dwelt in Marble Halls – a lovely arrangement of the popular aria by Michael BalfeEvening Time – evoking an American summers evening, sitting on the porch strumming this little number on the guitarJoshua’s Jiffle – a cheeky little piece, which needs to be fast and ‘fidgety’Raindrop Rhumba – a descending chord opening sequence leads into a delightful light staccato piece imitating the sound of raindropsThe Chromatic Rag – the title says it all, a great ragtime tune giving the opportunity to practise playing chromaticallyEternal Love – dedicated to the composers wife, this is a slow tempo pop ballad
$13.95 ≈
13.02€
Thompson's Structured Guide - by Key: Scales, Modes and Associated Chords (in all KEY SIGNATURES)
Thompson's Structured Guide - by Key: Scales, Modes and Associated Chords (in all KEY SIGNATURES)
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Piano solo
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INTERMEDIATE
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Alan R
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Alan R
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Thompson's Structured Guide -
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Alan R Thompson
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1108136 By Alan R. Thompson. By Alan R. Thompson. Arranged by Alan R. Thompson. Blues,Classical,Pop,Rock,...
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Piano Solo - Level 3 - Digital Download SKU: A0.1108136 By Alan R. Thompson. By Alan R. Thompson. Arranged by Alan R. Thompson. Blues,Classical,Pop,Rock,Traditional. Score. 407 pages. Alan R Thompson #710754. Published by Alan R Thompson (A0.1108136). This book represents an invitation for you to explore part of the vast universe of melodic and harmonic musical options. This “STRUCTURED GUIDE†will provide building blocks for the creation of original music, be useful in increasing technical proficiency in your instrument of choice, improve your sight-reading skills and help you develop a better ear for music. This book lists in standard sheet music notation over 75 scales (and their Relative Modes) and over 75+ associated chords organized in each of the 12 Key Signatures (or enharmonic equivalent keys) found in Western Music. Note that the sheet music in this book is organized by Key Signature (Relative Modes) and not by Tonic/Tonal Center (Parallel Modes) as in separate book. This organization helps promote a more fluid approach for improvising without need for excessive mental calculations to transpose keys as you're playing. Each Key Signature Section is 28 pages of sheet music, which could take several hours to play depending on how familiar you are with the material and how much you improvise thereon. Scales and Modes listed include the Major, Natural Minor, Harmonic Minor, Melodic Minor, Melodic Minor Ascending/Natural Minor Descending, Lydian Diminished/Lydian b3, Whole Tone, Octatonic/Diminished and Chromatic Scales. Also, numerous Bebop and Pentatonic Scales (traditional & exotic), Augmented, Double Harmonic Scales and numerous unique non-standard Scales are referenced, etc. Chords from triads up to 13ths are presented in arpeggiated & as well as block format with inversions, along with SCALE SUGGESTIONS for these chords. Audio sample plays through a Grand Staff version in C-Major / A-Minor. Author Contact: alanrt63@gmail.com [Will provide free updated PDF to purchasers making suggestions incorporated in later edition.].
$14.99 ≈
13.99€
Tchaikovsky - In Church in E minor - Intermediate
Tchaikovsky - In Church in E minor - Intermediate
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Piano solo
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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Piacere Music Sheets
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TH 141, No
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Tchaikovsky - In Church in E m
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1033925 Composed by Peter Ilyich Tchaikovsky. Arranged by Piacere Music Sheets. Instructional,Romantic Pe...
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Piano Solo - Level 3 - Digital Download SKU: A0.1033925 Composed by Peter Ilyich Tchaikovsky. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score. 3 pages. Piacere Music Sheets #639243. Published by Piacere Music Sheets (A0.1033925). Opus/Catalog Number: Op.39 ; TH 141, No. 24 Key/Tone: E minor Movements/Sections: Moderato Year/Date of Composition: 1878 Difficulty: Grade 5/12 (Intermediate) Obs.: This choral-like piece is the twenty-fourth of 24 pieces in Tchaikovsky's Album for the Young. But some later editions use different numbering, based on the composer's autograph score. It features an A-A-B-C-C' musical form: Section A (measures 1 to 12, repeated 13 to 24): this phrase is first played softly and then repeated in mezzo-forte Section B (measures 25 to 32): this section acts as a codetta for section A Section C (measures 33 to 40): this phrase features chords in the right hand over an ostinato tonic in the left hand Section C' (measures 41 to 52): a variant of section C played one octave lower and ending with a perdendosi codetta.
$4.95 ≈
4.62€
Mozart effect - Sonata in D for 2 Harpsichords K.448 1st mov, tuned 421.6 hz, Kirnberger III
Mozart effect - Sonata in D for 2 Harpsichords K.448 1st mov, tuned 421.6 hz, Kirnberger III
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Harpsichord
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Classical
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Arturo Escorza
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Arturo Escorza
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Mozart effect - Sonata in D fo
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Arturo Escorza
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SheetMusicPlus
Harpsichord - Digital Download SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Du...
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Harpsichord - Digital Download SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Duration 506. Arturo Escorza #711337. Published by Arturo Escorza (A0.1108689). In 1993, Frances Rauscher, et al, published a study in which they attributed a temporary improvement (of around 15 minutes) in mental tasks such as those found in IQ tests... Now, my criticism goes further: the piece in question is the Allegro con spirito from Sonata for two pianos in D minor KV. 448 by Mozart, so far so good. If we look at the original score, Mozart does not mention pianos, nor their ancestor, the fortepiano, but clavicembalos, i.e. harpsichords. In modern music, the A4 is tuned to 440 Hz and the scale is divided into 12 semitones of identical distance between each of them, causing that the only pure interval between them is the octave and that the others are impure and cause unpleasant interferences. In past centuries, other temperaments were used to tune the scales, with more pure, harmonic intervals, without interferences, although the intervals between semitones were some larger than others, which is why there are compositions in different tones, because according to the temperament it provoked different sensations, but with the modern equal temperament that's part of the past... the equal temperament killed the harmony and the colors of the music as its composers imagined it, as they heard it. What's this all about? to which I have recorded the piece of the supposed Mozart Effect approaching what Mozart had in mind: with two harpsichords, both with the A4 tuned to 421.6 hz, according to the Steiner tuning fork, used at the time of composition of the piece in Vienna, (note: it's not enough to tune the A4 but also to tune the intervals), and tuned in the Kirnberger III temperament. Some intervals may seem out of tune to modern ears, but it is one of so many historical temperaments used in those times.
$4.00 ≈
3.73€
Broken Chords by Major Scale (in order of the 12 Major Scales)
Broken Chords by Major Scale (in order of the 12 Major Scales)
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Easy Piano
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BEGINNER
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Instructional
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Hayden Woods
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Broken Chords by Major Scale
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Hayden Lee Woods
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1100702 Composed by Hayden Woods. Instructional. Score. 7 pages. Hayden Lee Woods #704374. Published by H...
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Easy Piano - Level 1 - Digital Download SKU: A0.1100702 Composed by Hayden Woods. Instructional. Score. 7 pages. Hayden Lee Woods #704374. Published by Hayden Lee Woods (A0.1100702). A comprehensive exercise that formats the broken chords of all major scales, we explore all the major, minor and diminished chords in all root and inversion forms through the broken chord method. 36 chords in total across 12 scales in sequential order particular to each scale, broken into a root, 1st inversion, 2nd inversion and octave root ascending pattern.
$2.39 ≈
2.23€
Thompson's Structured Guide: Scales, Modes and Associated Chords (C-TONIC ONLY VERSION)
Thompson's Structured Guide: Scales, Modes and Associated Chords (C-TONIC ONLY VERSION)
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Piano solo
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INTERMEDIATE
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Alan R
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Alan R
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Thompson's Structured Guide: S
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Alan R Thompson
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.814482 By Alan R. Thompson. By Alan R. Thompson. Arranged by Alan R. Thompson. Blues,Classical,Instructio...
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Piano Solo - Level 3 - Digital Download SKU: A0.814482 By Alan R. Thompson. By Alan R. Thompson. Arranged by Alan R. Thompson. Blues,Classical,Instructional,Jazz,Multicultural,World. Score. 16 pages. Alan R Thompson #421393. Published by Alan R Thompson (A0.814482). The C-TONIC ONLY version of Thompson's Structured Guide: Scales, Modes and Associated Chords - represents an invitation for you to explore part of the vast universe of melodic and harmonic musical options. This Structured Guide will provide a foundation for improvisation sessions, building blocks for the creation of original music, be helpful in developing technical proficiency in your instrument of choice, improve your sight-reading skills and help you better develop an ear for music. Though here only C-Tonic Scales, Modes and Associated Chords are listed, the complete version of this book (available separately at https://www.sheetmusicplus.com/title/thompson-s-structured-guide-scales-modes-and-associated-chords-complete-version-digital-sheet-music/22266897) lists in standard sheet music notation over 50 scales and over 50 chords in each of the 12 Tonic/Tonal Centers (C thru B) and in all Key Signatures in Western Music. Each Tonic/Tonal Center is 16 pages of sheet music. The Audio Preview covers the 16 pages of C-Tonic/Tonal Center (trumpet over piano used). Together with the exercises in the Appendices the entire book (sold separately) is 316 pages long. Summary of Scales & Modes Covered: Major, Natural Minor, Harmonic Minor, Melodic Minor, Melodic Minor Ascending/Natural Minor Descending, Whole-Tone, Octatonic Diminished & Octatonic Dominant Scales, numerous Bebop Scales with variations, numerous Pentatonic & Blues Scales with variations, Chromatic Scale, Lydian Diminished/Lydian b3 Scale, miscellaneous Pentatonic Major Modes & Japanese & Rock Pentatonic Style Scales, and the Augmented and Arabian Scales. There is a 50+ Chords Reference section (basic triads up to 13th chords). The entire book is in essence a series of practice exercises covering most every conceivable scale & associated chord combination used in the vast majority of music. Additionally, there are basic foundational exercises located in the Appendices A thru L. NOTE: Only SHEET MUSTIC is available here. However, a FREE PDF version of the Cover Page, Table of Contents, Introduction & Instructions is available for the entire book. Contact the author at alanrt63@gmail.com to request this if you desire.
$2.99 ≈
2.79€
The Blizzard
The Blizzard
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Piano solo
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INTERMEDIATE
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Kim S
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The Blizzard
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.961671 Composed by Kim S. Bean. Contemporary,Instructional,Standards. Score. 2 pages. Kim S. Bean #602774...
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Piano Solo - Level 3 - Digital Download SKU: A0.961671 Composed by Kim S. Bean. Contemporary,Instructional,Standards. Score. 2 pages. Kim S. Bean #6027749. Published by Kim S. Bean (A0.961671). The Blizzard a 2 page piece in the key of D minor at the ntermediate level, is the 12th piece from a set of 12 pieces entitled Something For Every Season. There are 3 pieces for each of the four seasons. The first piece in each season is at the mid to late elementary level, the second piece is at the early intermediate level and the third piece is at the intermediate level. The Blizzard, for the winter season, is an exciting piece in 6/8 time, with a complex rhythm that uses 8th, 16th and 32nd notes. This piece also has fast scale passages and accented chords in many positions alternating between hands, as well as finger shifts.Other titles available in this set entitled Something for Every Season are: Spring Time Minuet, Fishing in the Brook, April Showers and May Flowers, Trampoline Tango, Reflection on the Water, Lazy Days, Harvest Time Minuet, Family Gathering, Crunchy Leaves, Winter Fun Suite, and The Glistening Woodland Waltz.
$3.99 ≈
3.72€
RACONTEUR (The Storyteller) - Score
RACONTEUR (The Storyteller) - Score
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Jazz Ensemble
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INTERMEDIATE
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Christopher Burnett
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RACONTEUR
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BurnettPublishing.COM
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.954001 Composed by Christopher Burnett. Jazz,Rock,Standards. Score and parts. 12 pages. ...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.954001 Composed by Christopher Burnett. Jazz,Rock,Standards. Score and parts. 12 pages. BurnettPublishing.COM #3457531. Published by BurnettPublishing.COM (A0.954001). RACONTEUR (The Storyteller)A unique jazz-rock ballad for concerts and contests. Includes flute, flugelhorn and tuba players. Suitable for programming by both student and professional ensembles.RACONTEUR (The Storyteller) is a modern jazz-rock ballad composition written and arranged for a modified large jazz ensemble instrumentation. Parts for C Flute and Tuba are scored to add those unique timbres to the ensemble sound.Rather than feature a single instrument, the melody is purposely distributed throughout the ensemble. However, the musical focal point of the piece is intended to be the featured improvisation solo space provided for Bb Tenor Saxophone 1. Since each improvisation is original and unique, the music should retain a newness with each performance. A theory sheet is also provided for less experienced improvisers to enhance soloist creativity within the intended harmonic context.Scored for groups performing at the medium level (grade 2.5 - 3.0), the unique chord progression provides the soloist with myriad possibilities from which to construct improvisational melodies. Improvisation is a key element of jazz music. Thus, this improvised solo will also inherently impact the level and quality of the entire sound of each ensemble performance.Brass ranges are purposely kept very reasonable. Piano part includes through-composed material along with written chord voicings. Bass & Drum Set Guide share the same part in an effort to encourage the two players to interact rhythmically to enhance the jazz-rock groove feel of the piece. Rhythm section parts are annotated with chord symbols. Mockup available.ABOUT THE COMPOSERChristopher Burnett (b. 1955) is a critically acclaimed alto saxophonist, educator, leader, and composer who began his professional career with military jazz bands going pro directly upon graduating high school at 18 years old. Over the course of a forty plus year career, Mr. Burnett has performed professionally around the world, recorded noteworthy albums as a leader, taught at the college-level and co-founded a significant independent recording label, Artists Recording Collective. A writer-affiliate and composer since 1984, Mr. Burnett has over 60 registered works in his Broadcast Music, Inc. (BMI) catalog. He is also the 1995 Parade of American Music 5-Star Award of Merit Winner of the National Federation of Music Clubs as a Composer. Current publications include Major Tetrachords for Band – Mastering Scales – Part 1 (Sheet Music Plus/Hal Leonard), Harmonic Minor Scale and Jazz – Applying jazz theory to the ii-V-i progression in any minor key (Sheet Music Plus/Hal Leonard) and Villages, BMI Work #25869956 – Jazz Ensemble Score and Parts Bundle (Sheet Music Plus/Hal Leonard). See: BurnettPublishing.com
$10.99 ≈
10.26€
Theme and Variations in C major for Piano
Theme and Variations in C major for Piano
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Piano solo
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ADVANCED
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James Mayhew
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Theme and Variations in C majo
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James Mayhew
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.996522 Composed by James Mayhew. Classical,Contemporary,Romantic Period. Score. 7 pages. James Mayhew #62...
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Piano Solo - Level 5 - Digital Download SKU: A0.996522 Composed by James Mayhew. Classical,Contemporary,Romantic Period. Score. 7 pages. James Mayhew #6234441. Published by James Mayhew (A0.996522). This is a set of 8 variations on a theme in C major, which begin as Classical sounding variations on the Mozartian theme, Nos 1 and 2 of which sound quite like short Czerny studies, before a variation of many repeated notes embedded in broken chord figurations, until a frantic ending disrupts the traditional Classical harmony with plenty of chromaticism and a slightly bluesy ending. The next variation is in 12/8 with a lilting feel, while the 6th variations is a C minor one which begins in a stately march feel before merging into freer, slightly jazzier material. Variation 7 returns to C major for a jolly outburst while the finale that is Variation 8 pours cascades of chords and gymnastical passages all over the place (including a black-key octave glissando in the right hand with a white-key gliss in the left at the same time), with an unexpected ending.
$4.99 ≈
4.66€
Moonlight Sonata Mvt 1 Piano Solo- easier version Intermediate
Moonlight Sonata Mvt 1 Piano Solo- easier version Intermediate
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Piano solo
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INTERMEDIATE
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L V Beethoven
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Grant Horsley
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Moonlight Sonata Mvt 1 Piano S
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Grant Horsley
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SheetMusicPlus
Easy Piano - Level 3 - Digital Download SKU: A0.785673 Composed by L V Beethoven. Arranged by Grant Horsley. Classical,Concert,Standards,Wedding. Score. ...
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Easy Piano - Level 3 - Digital Download SKU: A0.785673 Composed by L V Beethoven. Arranged by Grant Horsley. Classical,Concert,Standards,Wedding. Score. 6 pages. Grant Horsley #5178435. Published by Grant Horsley (A0.785673). This arrangement of the most popular of all piano pieces, has been arranged for intermediate level players in a few ways.Firstly, it had been moved from C sharp minor to D minor for ease of reading. Secondly I have arranged it in 12/8 time which from a musical theory point of view will make the right hand accompaniment against the same melodic line more understandable. Finally, some doubled stem notes have been assigned tenuto marks instead Also many of the octaves and hard to reach chords have been removed or replaced- and some easier chord positions have been used. Overall I wanted to keep the outcome of the originalIt can be used for a wide set of events-recital, concert, weddings,etc, also a valuable repertoire piece.
$3.50 ≈
3.27€
Erik Satie - Trois Gnossiennes, for piano duet
Erik Satie - Trois Gnossiennes, for piano duet
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1 Piano, 4 hands
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INTERMEDIATE
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Erik Satie
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Len Rhodes
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Erik Satie - Trois Gnossiennes
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Len Rhodes Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.740007 Composed by Erik Satie (1866-1925). Arranged by Len Rhodes. 20th Ce...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.740007 Composed by Erik Satie (1866-1925). Arranged by Len Rhodes. 20th Century,Concert,Graduation. Score and parts. 12 pages. Len Rhodes Music #5200099. Published by Len Rhodes Music (A0.740007). Satie - Trois Gnossiennes for piano transcribed, and NOW AVAILABLE for piano duet. The three pieces have been perfectly arranged for the late elementary/early intermediate pianist on the higher part (primo); and a teacher or more advanced pianist on the lower part (secundo).In no. 1. the melodic line is shared between the hands in the upper part - the acciaccatura's are included, but these can be omitted if too challenging. The lower player has the chord progression, as Satie intended, only shared between the hands.In no. 2, the melodic line is doubled in the upper part (hands an octave apart). The lower part has the chord progression. In no. 3, the melodic line is again shared between the hands in the upper part - the few acciaccatura's are included, but these can be omitted if too challenging. Bar 24- 34 is an example of Satie's innovative new scales, in this case a simple six-note scale, constructed with the notes from the E minor and F# major triad chords. Arranger's note: Erik Satie often added whimsical instructions to his music: Light as an egg, Here comes the lantern, Open your head,Muffle the sound, Work it out yourself, etc. I have included, and translated, those he applied to these pieces.Your download is all THREE pieces.
$7.95 ≈
7.42€
Toccata And Fugue In D Minor (Toccata only)
Toccata And Fugue In D Minor (Toccata only)
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Big Note Piano
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BEGINNER
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Classical
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Toccata And Fugue In D Minor
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.447630 This edition: scorch. E-Z Play Today. Classical. Score. 2 pages. Published...
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.447630 This edition: scorch. E-Z Play Today. Classical. Score. 2 pages. Published by Hal Leonard - Digital (HX.447630). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.79€
Symphony No. 40 In G Minor, First Movement Excerpt
Symphony No. 40 In G Minor, First Movement Excerpt
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Big Note Piano
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BEGINNER
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Symphony No. 40 In G Minor, Fi
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.447625 Classical. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.447625). About Hal L...
(+)
Digital Download SKU: HX.447625 Classical. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.447625). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.79€
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The 12 Minor Chords for Piano
