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Take Seven for Flute and Organ
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You've selected:
Take Seven for Flute and Organ
Sheetmusic to print
7 sheet music found
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1
Take Seven for Flute and Organ
Take Seven for Flute and Organ
#
Flute, Organ (duet)
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Hans-Andre Stamm
#
Take Seven for Flute and Organ
#
Hans-Andre Stamm
#
SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Organ - Level 4 - Digital Download SKU: A0.853109 Composed by Hans-Andre Stamm. 20th Century,Jazz. Score and pa...
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Instrumental Duet Flute,Instrumental Duet,Organ - Level 4 - Digital Download SKU: A0.853109 Composed by Hans-Andre Stamm. 20th Century,Jazz. Score and parts. 11 pages. Hans-Andre Stamm #3483549. Published by Hans-Andre Stamm (A0.853109). The title refers to the continuous 7/8 metre on which the piece is based. This asymmetric metre, rarely used in western classical music, was the source of inspiration and lends this piece its driving quality. The title was chosen in allusion to the famous jazz piece Take five by Paul Desmond, using from a 5/4 metre.Listen on Youtube: www.youtube.com/watch?v=sIUmEOfWLa0
$5.95 ≈
5.46€
Take seven for oboe and organ
Take seven for oboe and organ
#
Jazz
#
Hans-Andre Stamm
#
Take seven for oboe and organ
#
Hans-Andre Stamm
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Organ - Level 4 - Digital Download SKU: A0.853184 Composed by Hans-Andre Stamm. 20th Century,Jazz. Score and par...
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Instrumental Duet Instrumental Duet,Oboe,Organ - Level 4 - Digital Download SKU: A0.853184 Composed by Hans-Andre Stamm. 20th Century,Jazz. Score and parts. 12 pages. Hans-Andre Stamm #4846295. Published by Hans-Andre Stamm (A0.853184). The title refers to the continuous 7/8 metre on which the piece is based. This asymmetric metre, rarely used in western classical music, was the source of inspiration and lends this piece its driving quality. The title was chosen in allusion to the famous jazz piece Take five by Paul Desmond, using from a 5/4 metre.Listen on Youtube to the version with flute solo.
$5.95 ≈
5.46€
Seven Songs from A Little Music for the Morning Flute Quintet ( 5 C Flutes )
Seven Songs from A Little Music for the Morning Flute Quintet ( 5 C Flutes )
#
Flute
#
INTERMEDIATE
#
Christian contemporary
#
Sacred music
#
James Nathaniel Holland
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Seven Songs from A Little Musi
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James Nathaniel Holland
#
SheetMusicPlus
Flute Solo - Level 3 - Digital Download SKU: A0.730273 Composed by James Nathaniel Holland. Contemporary,Sacred. Individual part. 92 pages. James Nathani...
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Flute Solo - Level 3 - Digital Download SKU: A0.730273 Composed by James Nathaniel Holland. Contemporary,Sacred. Individual part. 92 pages. James Nathaniel Holland #1920433. Published by James Nathaniel Holland (A0.730273). Arranged for Flute 1/Piccolo, 4 C Flutes. Full Score and Individual Parts included. Duration: 24' 05 Seven songs taken from the fourteen song collection A Little Music for the Morning by living American composer James Nathaniel Holland. Play as a set or individually for concerts or general worship services. These light musical pieces range from happy to sad to humorous. Titles include the beautiful Song No. 2, For Roy, Toad Escapes, and Romanze. James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Channel: https://www.youtube.com/user/composerjnholland.
$15.95 ≈
14.64€
Seven Songs from A Little Music for the Morning Woodwind Quintet Flute, Clarinet, 2 Horns, Bassoon
Seven Songs from A Little Music for the Morning Woodwind Quintet Flute, Clarinet, 2 Horns, Bassoon
#
Christian contemporary
#
Sacred music
#
James Nathaniel Holland
#
Seven Songs from A Little Musi
#
James Nathaniel Holland
#
SheetMusicPlus
Bassoon,Clarinet,Flute,Horn - Level 3 - Digital Download SKU: A0.730272 Composed by James Nathaniel Holland. Contemporary,Sacred. 96 pages. James Nathani...
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Bassoon,Clarinet,Flute,Horn - Level 3 - Digital Download SKU: A0.730272 Composed by James Nathaniel Holland. Contemporary,Sacred. 96 pages. James Nathaniel Holland #1919721. Published by James Nathaniel Holland (A0.730272). Arranged for Flute, Clarinet A/Bb, Horn 1, Horn 2, and Bassoon. Full Score (Transposed) and Individual Parts included. Duration: 24' 05 Seven songs taken from the fourteen song collection A Little Music for the Morning by living American composer James Nathaniel Holland. Play as a set or individually for concerts or general worship services. These light musical pieces range from happy to sad to humorous. Titles include the beautiful Song No. 2, For Roy, Toad Escapes, and Romanze. James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. YouTube Channel: https://www.youtube.com/user/composerjnholland.
$15.95 ≈
14.64€
The City In the Sea: Choral Tone Poem
The City In the Sea: Choral Tone Poem
#
Choral SATB
#
ADVANCED
#
Contemporary
#
Stanley M Hoffman
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The City In the Sea: Choral To
#
stanleymhoffman.com
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60 ≈
5.14€
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1
Take Seven for Flute and Organ
