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Take Five for Saxophone Quartet
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You've selected:
Take Five for Saxophone Quartet
Sheetmusic to print
27 sheet music found
<
1
26
Take Five for Saxophone Quartet
Take Five for Saxophone Quartet
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Jazz
#
Paul Desmond
#
Diego Marani
#
Take Five for Saxophone Quarte
#
Diego Marani
#
SheetMusicPlus
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Quartet - Intermediate - Digital Download By Paul Desmond. Arranged by Diego Marani. Score, Se...
(+)
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Quartet - Intermediate - Digital Download By Paul Desmond. Arranged by Diego Marani. Score, Set of Parts. 32 pages. Published by Diego Marani
"Take Five" is a jazz standard composed by Paul Desmond and originally recorded by the Dave Brubeck Quartet for its 1959 album Time Out. Made at Columbia Records' 30th Street Studio in New York City on July 1, 1959, fully two years later it became an unlikely hit and the biggest-selling jazz single ever. Revived since in numerous movie and television soundtracks, the piece still receives significant radio airplay.
This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) includes two different keys: the original Eb Minor and a "more comfortable" F Minor.
The piece is suitable for classroom, repertoire and recital.
$19.99 ≈
18.60€
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, bari
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
15.77€
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, sopr
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
15.77€
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, alto
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
15.77€
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, teno
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
15.77€
Take Five
Take Five
#
Alto Saxophone
#
INTERMEDIATE
#
Jazz
#
Paul Desmond
#
Leo Silva
#
Take Five
#
MP Sheet Music
#
SheetMusicPlus
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.616175 By Paul Desmond. By Paul Desmond. Arranged by Leo Silva. Jazz,Pop,Standards. Individual p...
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Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.616175 By Paul Desmond. By Paul Desmond. Arranged by Leo Silva. Jazz,Pop,Standards. Individual part. 1 pages. MP Sheet Music #225331. Published by MP Sheet Music (A0.616175). Take Five is a jazz composition written by Paul Desmond and performed by The Dave Brubeck Quartet on the 1959 album Time Out. Recorded at 30th Street Studios in New York on June 25, July 1 and August 18 of the same year, the work is a composition, in the name of Joe Morello's composition if famous for its distinct melody from the solo group and for the use of Joe Morello's composition of the 5/4 bar, originates the Although it was not the composition to use this metric, it was reached the first place of jazz in the United States to reach the position of the first chart of the first compact radio in the United States, reaching the position of the great chart of the first compact radio in the country.
$4.99 ≈
4.64€
Take Five
Take Five
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Saxophone (band part)
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INTERMEDIATE
#
Jazz
#
Paul Desmond
#
Leo Silva
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Take Five
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MP Sheet Music
#
SheetMusicPlus
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.616171 By Paul Desmond. By Paul Desmond. Arranged by Leo Silva. Jazz,Pop,Standards. Individual ...
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Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.616171 By Paul Desmond. By Paul Desmond. Arranged by Leo Silva. Jazz,Pop,Standards. Individual part. 1 pages. MP Sheet Music #225329. Published by MP Sheet Music (A0.616171). Take Five is a jazz composition written by Paul Desmond and performed by The Dave Brubeck Quartet on the 1959 album Time Out. Recorded at 30th Street Studios in New York on June 25, July 1 and August 18 of the same year, the work is a composition, in the name of Joe Morello's composition if famous for its distinct melody from the solo group and for the use of Joe Morello's composition of the 5/4 bar, originates the Although it was not the composition to use this metric, it was reached the first place of jazz in the United States to reach the position of the first chart of the first compact radio in the United States, reaching the position of the great chart of the first compact radio in the country.
$4.99 ≈
4.64€
Sarabande - A Jazzy Journey (Handel - Seinecke) for Saxophone Quartet SATB
Sarabande - A Jazzy Journey (Handel - Seinecke) for Saxophone Quartet SATB
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Saxophone Quartet: 4 saxophones
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G
#
Torsten Seinecke
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Sarabande - A Jazzy Journey
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Torsten Seinecke
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.906283 Composed by G. F...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.906283 Composed by G. F. Handel. Arranged by Torsten Seinecke. Baroque,Holiday,Jazz. 17 pages. Torsten Seinecke #6269685. Published by Torsten Seinecke (A0.906283). This Arrangement of Handel's Sarabande from the fourth suite in D minor is a stand alone three-minute work. The theme is arranged in a jazz style and there are also five-quarter time elements like in Take Five.There is an optional part that can be repeated, open to solos, but also a nice notated solo. This very solemn and actually serious piece of music is suitable for many occasions.Enjoy
$14.99 ≈
13.95€
Take Five
Take Five
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Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Paul Desmond
#
Joseph Judge
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Take Five
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School Ensemble Music
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1193406 By P...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1193406 By Paul Desmond. By Paul Desmond. Arranged by Joseph Judge. Chamber,Jazz. 19 pages. School Ensemble Music #792866. Published by School Ensemble Music (A0.1193406). Take Five, Paul Desmond, 2:28, for saxophone quartet. Alto, Alto, Tenor, Baritone, with alternate top part for Soprano Sax. This classic jazz song was arranged to be easy to play: range limited, rests provided, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Each part has a transcribed solo. Also available for other quartets: Brass, String, Woodwind. Submit feedback at SchoolEnsemble.com.
$14.99 ≈
13.95€
Five Mighty Meaty Morsels From Johann Georg Albrechtsberger for Sax Quartet (3 Sopranos/1 Tenor)
Five Mighty Meaty Morsels From Johann Georg Albrechtsberger for Sax Quartet (3 Sopranos/1 Tenor)
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Johann Georg Albrechtsberger
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Stephen Davies
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Five Mighty Meaty Morsels From
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.891935 Composed by Johann Georg Albrechtsberger. Arranged by Stephen Davies. Clas...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.891935 Composed by Johann Georg Albrechtsberger. Arranged by Stephen Davies. Classical,Standards. 63 pages. Stephen Davies #5310999. Published by Stephen Davies (A0.891935). The Austrian composer Johann Georg Albrechtsberger was an organist, teacher and theorist, indeed one of his many influential pupils was a certain Ludwig Van Beethoven. His own musical works were and still are a tour-de-force and widely recorded. In fact his Alto Trombone Concerto is very much a part of the repertoire for that instrument. He also wrote, what might be today regarded as quite strange, no less than 7 Concerti for the Jaws Harp and String Orchestra. (Youtube) In this Saxophone version the music is scored, unusually, for 3 equal Soprano Saxes AND Tenor Sax. The 5 pieces here are representitive of his masterly fugal output, tweaked here and there to suit this rare Saxophone Quartet format! Five Mighty Meaty Morsels, suitable for Vegans and Vegetarians alike!! (Although every care has been taken, some E#'s may remain!)
$19.99 ≈
18.60€
Take Five
Take Five
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
#
Jazz
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Paul Desmond
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Joseph Judge
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Take Five
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School Ensemble Music
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1193412 By Paul Desmond. By Paul Desmond. Arranged by Joseph Judge....
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1193412 By Paul Desmond. By Paul Desmond. Arranged by Joseph Judge. Chamber,Jazz. 18 pages. School Ensemble Music #792873. Published by School Ensemble Music (A0.1193412). Take Five, P. Desmond, 1:32, for string quartet. Violin, Violin, Viola, Cello, with alternate part for another Violin to play the Viola part. This recognizable song was arranged to be easy and fun to play: simple key signatures are used, rehearsal marks are designed for easy group cuing, and everyone gets to play the melody. Also, each part has a written jazz solo. Submit feedback at SchoolEnsemble.com. Also available for other quartets: Brass, Saxophone, Woodwind, and Clarinet.
$19.49 ≈
18.13€
Take Five
Take Five
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
#
Jazz
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Paul Desmond
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Doug Edwards
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Take Five
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Doug Edwards
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1278367 By P...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1278367 By Paul Desmond. By Paul Desmond. Arranged by Doug Edwards. Blues,Jazz,Pop,Soul,Standards. 39 pages. Doug Edwards #870084. Published by Doug Edwards (A0.1278367). Here is Dave Brubeck’s iconic piece “Take Five.† It features the Bari on lead or Tenor if desired. Additional parts are included to allow for substitutions and/or different instrumentation needs. Some Performance/Instrumentation options include:·     Quartet with rhythm section: Soprano, Alto 1, Tenor 1 and Bari 1 (Lead)·     Quartet with rhythm section: Soprano, Alto 1, Tenor 2 (Lead) and Bari 2·     Quintet without rhythm section (Bari Lead): Soprano, Alto 1, Tenor 1, Bari 1 and Bari 3 (Bass)·     Quintet without rhythm section (Tenor Lead): Soprano, Alto 1, Tenor 2, Bari 2 and Bari 3The Alto 2 can be used as an option to substitute for Soprano as well - it doubles the Soprano part.Style: Jazz     Duration: 3:00 minutes      Level: Medium       Instrumentation: SATB, AATB pr SATBBDoug Edwards is a published arranger and composer with Heritage Music Press. He offers arrangements for various ensembles including marimba ensemble.Audio recordings, teaching tips, performance suggestions and more available at www.marimbaguy.comVideos of many of these arrangements found at www.youtube.com/watch?v=iwd2M2s-NC4&list=PLAE195B9D4583BCA0C 2023 Doug Edwards Marimba Mojo Publications www.marimbaguy.com.
$14.99 ≈
13.95€
Take Five
Take Five
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
#
Jazz
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Paul Desmond
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Joseph Judge
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Take Five
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School Ensemble Music
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 4 - Digital Download SKU: A0.1362701 By Paul Desmond. By Paul Desmond. Arranged by Joseph Judge....
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 4 - Digital Download SKU: A0.1362701 By Paul Desmond. By Paul Desmond. Arranged by Joseph Judge. Chamber,Jazz. 15 pages. School Ensemble Music #947089. Published by School Ensemble Music (A0.1362701). Take Five, Paul Desmond, 2:28, for clarinet quartet. Each part has a transcribed solo. Clarinet, Clarinet, Clarinet, Bass Clarinet. This recognizable jazz song was arranged to be easy to play: range limited, rests provided, melodies marked, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Brass, Saxophone, String, Woodwind. Please submit feedback at SchoolEnsemble.com.
$14.99 ≈
13.95€
Take Five
Take Five
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Saxophone Quartet: 4 saxophones
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EASY
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Jazz
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Paul Desmond
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BARRY MOLINSKI
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Blues, 11 pages.
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Take Five
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Barry Molinski
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1294182 By Paul Desmond. By Paul Desmond. Arranged by BARRY MOLINSKI. Blues,Broadway,Classical,Instructional,Jazz,Musical/Show. 11 pages. Barry Molinski #884607. Published by Barry Molinski (A0.1294182). Paul Desmond's well known classic TAKE FIVE for Saxophone Quartet (SS/AS) AS TS BSEasy tempo, easy to play, but fun! Burnin' chart! Enjoyable music. Well known from the Dave Brubeck Quartet.Saxophone Quartet, Woodwind Ensemble:Â Soprano Saxophone (opt. Alto Saxophone), Alto Saxophone, Tenor Saxophone, Baritone Saxophone, (opt. Bass Sax on request)- Level 3 - Digital DownloadMusic by Paul Desmond.This swinging arrangement is written in the original key.Improvised solos, ad libitum with backing parts suggested.This funky tune gives you the coolness to be in a smokin' Lounge on a cruise ship all around the worldGood arrangement to play this on stage, you have to have it.Broadway, Film/TV, Musical/Show, Pop, Classics, Blues, Jazz & Blues, 11 pages.
$12.99 ≈
12.08€
Take Five
Take Five
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
#
Jazz
#
Paul Desmond
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Jon Melville
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Take Five
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Barehand Music
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1286325 By Paul Desmond. By Pa...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1286325 By Paul Desmond. By Paul Desmond. Arranged by Jon Melville. Jazz. 19 pages. Barehand Music #877399. Published by Barehand Music (A0.1286325). An arrangement of Paul Desmond's 'Take Five' for saxophone quartet, specifically for AATB (alto, alto, tenor, baritone).
$12.99 ≈
12.08€
J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues arranged for SATB s
J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues - SATB s
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Well-Tempered
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534500 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534500 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 429 pages. Musik Fabrik Music Publishing #3573587. Published by Musik Fabrik Music Publishing (A0.534500). J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chordssound through discretely sustaining these voices through resonance.The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso†ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
$77.95 ≈
72.52€
Take Five
Take Five
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Saxophone Quartet: 4 saxophones
#
ADVANCED
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Jazz
#
Paul Desmond
#
Alfie Beston
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Take Five
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Alfie Beston
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.974433 By Pau...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.974433 By Paul Desmond. By Paul Desmond. Arranged by Alfie Beston. Jazz. 15 pages. Alfie Beston #5989413. Published by Alfie Beston (A0.974433). This is an advanced arrangement of Take 5 for Saxophone quartet which includes challenging semiquaver runs and a few time signature changes as well. It goes through many different keys and is a lot of fun to play.
$12.99 ≈
12.08€
Take Five
Take Five
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Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Jazz
#
Paul Desmond
#
Tsuyoshi Yoroiguma
#
Take Five
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Tsuyoshi Yoroiguma
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.711229 By Paul Desmond. By Paul...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.711229 By Paul Desmond. By Paul Desmond. Arranged by Tsuyoshi Yoroiguma. Jazz. 17 pages. Tsuyoshi Yoroiguma #4286823. Published by Tsuyoshi Yoroiguma (A0.711229). This music will make your concert stylish and cool. Enjoy jazz standard number with 4 players.In this arrangement,every player can take a solo part.This is also good for school band students with upper-middle grade.Saxophone Quartet : 2 Alto / Tenor / BaritoneThe PDF file includes 8 pages of score and 9 pages of parts.Playing time :2min45sec.Please visit youtube to listen full sound https://youtu.be/udHpTHvquz8
$21.00 ≈
19.54€
Take Five
Take Five
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Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Jazz
#
Paul Desmond
#
Takahiro Fujioka
#
Take Five
#
Takahiro Fujioka
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1281926 By Paul Desmond. By Pa...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1281926 By Paul Desmond. By Paul Desmond. Arranged by Takahiro Fujioka. 20th Century,Jazz. 15 pages. Takahiro Fujioka #873278. Published by Takahiro Fujioka (A0.1281926). For intermediate level saxophone quartet. Alto sax player and baritone sax player have solo. Â Instrumentation: Alto1, Alto2, Tenor, Baritone.
$12.99 ≈
12.08€
Take Five - Piano Solo
Take Five - Piano Solo
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Piano solo
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INTERMEDIATE
#
Jazz
#
Paul Desmond, Dave Brubeck Q
#
Mario Stallbaumer
#
Take Five - Piano Solo
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Mario Stallbaumer
#
SheetMusicPlus
Piano Solo - Intermediate - Digital Download By Paul Desmond, Dave Brubeck Quartet. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallb...
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Piano Solo - Intermediate - Digital Download By Paul Desmond, Dave Brubeck Quartet. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here's how to play "Take Five" on piano!
With this piano sheet music, you can play the famous jazz standard "Take Five".
It's an accurate arrangement which sounds great and is not too hard to play!
"Take Five" was composed by Paul Desmond for the Dave Brubeck Quartet, in which he played saxophone.
The instrumental piece with the characteristic 5/4 rhythm was included on the group's 1959 album "Time Out", and soon became the band's biggest hit, as well as a famous jazz standard.
$4.99 ≈
4.64€
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