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THE FINAL WAVE for Violin
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You've selected:
THE FINAL WAVE for Violin
Sheetmusic to print
17 sheet music found
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1
THE FINAL WAVE for Violin & Piano
THE FINAL WAVE for Violin & Piano
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Violin and Piano
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ADVANCED
#
ROBERT VAN HORNE
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THE FINAL WAVE for Violin & Pi
#
White Piano International Publishing
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1127398 Composed by ROBERT VAN HORNE. Classical,Contemporary,...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1127398 Composed by ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Instructional,Multicultural,World. Score and parts. 26 pages. White Piano International Publishing #728022. Published by White Piano International Publishing (A0.1127398). THE FINAL WAVE for Violin & Piano Piano 22 pages / Violin 4 pages Approx. Time: 6:15 On Saturday afternoon, March 26, 2011, I was invited to a special meeting of Bay Area business people. Their purpose was wanting to help the victims of the recent earthquake and tsunami that devastated parts of Japan on March 11th. The meeting was organized by Mr. Alex Kurosawa, president of KPMF and held in San Jose, CA. At the end of the meeting and after much discussion about holding a series of concerts with all funds going to the disaster victims, it was suggested that I compose a new song for the project that would let those afflicted in Japan know they would not be forgotten.I was so inspired by the dedication and volunteerism of all the people at the meeting that I went home and composed a new piece of music entitled: THERE IS HOPE THROUGH MUSIC. After a favorable response from the group, I began composing another piece for violin and piano entitled: THE FINAL WAVE. In this piece, I tried to paint the horror, destruction, uncertainty and sadness of the disaster while giving hope for a future for the people who witnessed this catastrophic event. Unfortunately, THE FINAL WAVE was never completed as planned back in 2011. However, eleven years later, I completed this memorable piano and violin duet. Even though it’s been many years since that terrible day of March 11, 2011, the music can still convey emotions of melancholy, discord, resilience and compassion for tragic and unforeseeable events of today. This timeless work is dedicated to remember and give hope to all those affected by disasters and catastrophic tragedies. This advanced level of music is clearly notated for piano and violin and can be an extraordinary supplemental selection for recitals and concerts. This musical recording of THE FINAL WAVE is an electronic representation available in the notation program. Robert Van Horne is a long standing member of ASCAP. Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$14.99 ≈
13.81€
Sonata for Flute (or Violin) And Piano - Opus 6
Sonata for Flute (or Violin) And Piano - Opus 6
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Daniel Carr
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Sonata for Flute
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Daniel Carr
#
SheetMusicPlus
Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Composed by Daniel Carr. 20th Century,Contemporary,Romantic Period. Score a...
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Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Composed by Daniel Carr. 20th Century,Contemporary,Romantic Period. Score and parts. 86 pages. Daniel Carr #30873. Published by Daniel Carr (A0.918710). The Sonata for Flute and Piano is the longest and most complex work I have composed for Flute and Piano. My goal for this piece was to push myself as a composer, and to push both flautist and pianist to their absolute limits – both musically and technically. The flute is capable of much more than just being pretty – and in this work it depicts violence, drama, joy, sorrow and heroism. Extended techniques are used throughout the sonata (aire, percussive tonguing, pitch bends, harmonics and flutter tonguing) but always within a tonal framework. The first movement starts out peacefully, as if beginning a legend, with a folk-like and serene melody. The second and third themes are more percussive and rhythmical – the flute and piano engaging in a violent, interlaced dance in a section marked Allegro Swordfight. In the recapitulation, the first theme reappears in much more dramatic form. The second movement begins with a forceful march before a darker and more cabalistic middle section emerges. The movement builds to a formidable climax in the final measures. The third movement begins simply and quietly, offering a respite from the energy of the first two movements, and quoting themes from both of them. It then leads attacca (without pause) into the final movement, which surges forward relentlessly before a lyrical section provides the flute an opportunity to soar above wave-like arpeggios in the piano. The piece ends on an ethereal note, with flute and piano hovering near silence in their upper ranges.
$10.00 ≈
9.21€
Poem For Carlita (violin part - vln, vla, cel)
Poem For Carlita (violin part - vln, vla, cel)
#
Mark O’Connor
#
Mark O'Connor
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therefore there is no return
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Poem For Carlita
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pa...
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202181. Published by Mark O'Connor Musik International (A0.861803). Poem For Carlita (violin part – vln, vla, cel) MO142BViolin Part (score and parts available)Music by Mark O’Connor7 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and it’s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1998 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142BCopyright © 1998 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.15€
Poem For Carlita (viola part - vln, vla, cel)
Poem For Carlita (viola part - vln, vla, cel)
#
Mark O’Connor
#
Mark O'Connor
#
therefore there is no return
#
Poem For Carlita
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pa...
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202197. Published by Mark O'Connor Musik International (A0.861805). Poem For Carlita (viola part – vln, vla, cel) MO142CViola Part (score and parts available)Music by Mark O’Connor6 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and it’s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used tocalm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1998 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142CCopyright © 1998 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.15€
Poem For Carlita (cello part - vln, vla, cel)
Poem For Carlita (cello part - vln, vla, cel)
#
Mark O’Connor
#
Mark O'Connor
#
therefore there is no return
#
Poem For Carlita
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pa...
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202205. Published by Mark O'Connor Musik International (A0.861806). Poem For Carlita (cello – vln, vla, cel) MO142DCello Part (score and parts available)Music by Mark O’Connor15 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and it’s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1998 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142DCopyright © 1998 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.15€
Jeremiah 3 - A New Covenant - Tone Poem for Violin and Piano by Stephen R Dalrymple
Jeremiah 3 - A New Covenant - Tone Poem for Violin and Piano by Stephen R Dalrymple
#
Violin and Piano
#
Contemporary
#
Stephen R Dalrymple
#
Jeremiah 3 - A New Covenant -
#
Stephen R Dalrymple
#
SheetMusicPlus
Small Ensemble Cello,Clarinet,Euphonium,Flute,Piano,Trumpet,Violin - Digital Download SKU: A0.818330 Composed by Stephen R Dalrymple (Dalrymple Designs)....
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Small Ensemble Cello,Clarinet,Euphonium,Flute,Piano,Trumpet,Violin - Digital Download SKU: A0.818330 Composed by Stephen R Dalrymple (Dalrymple Designs). Contemporary. Score and parts. 55 pages. Stephen R Dalrymple #6076777. Published by Stephen R Dalrymple (A0.818330). Jeremiah 3 - A New Covenant Tone Poem for Violin and Piano by Stephen R Dalrymple sequenced by the composer transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & cello © 2015, Phonogram Copyright 2020 Stephen R Dalrymple The 3 movements of Jeremiah summarize 3 main themes of the prophet's messages: Jeremiah's unwavering warning of coming judgment, the fall of Judah in 586 BC, and the promised restoration of Israel through the New Covenant. This tone poem is written in the genre of contemporary classical music and is intended for the concert stage rather than church preludes and offertories. Originally composed for violin and piano, it can be performed on several other instruments. Movement 3 is the finale of the tone poem. Alongside the warnings of God’s judgment are the promise of a brighter future for Judah. Jeremiah sees 70 years in the future when God will bring the exiles back, but actually much, much further into the future when God makes a new covenant with His people. Includes 14 scores/parts ♫ Full Score for violin and piano letter size ♫ Cello, Flute, Clarinet, Trumpet, Euphonium (or trombone), and Violin solo parts, ♫ Full Score for violin and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$6.50 ≈
5.99€
Music for Three, Volume 1 Score 50199
Music for Three, Volume 1 Score 50199
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Various
#
Daniel Kelley
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Music for Three, Volume 1 Scor
#
Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.720843 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Perio...
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Small Ensemble - Level 5 - Digital Download SKU: A0.720843 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Wedding. Score and parts. 83 pages. Last Resort Music Publishing #329230. Published by Last Resort Music Publishing (A0.720843). Music for Three, Volume 1 - Score (Part 1-3 in Score Form in C) Baroque, Classical & Romantic Favorites Includes works by Bach, Beethoven, Handel, Mouret, Pachelbel, Wagner and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The keyboard/guitar part encompasses parts 2 & 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played! Includes 35 arrangements. Table of Contents Air on the G String from Suite #3 in D Major (Bach) Arioso from Cantata #156 (Bach) Ave Maria adapted by Charles Gounod from WTC (Bach) Prelude #1 (Bach) Gigue from Suite #3 in D Major (Bach) Jesu, Joy of Man's Desiring from Cantata #147 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Minuet in G (Beethoven) Trumpet Voluntary (Clarke) Gavotte (Gossec) Allegro from Sonata in F Major, Op. 1 #11 (Handel) Largo from Xerxes (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) Air, Allegro, Andante, Bourree, Finale from Water Music Suite (Handel) Presto from String Quartet in F Major, Op. 74, #2 (Haydn) Waltz from Waves of the Danube, #1 (Ivanovici) Elegie from Incidental Music to Les Erinnyes (Massenet) Rondeau from Sinfonies de Fanfares (Mouret) Allegro, Menuetto, Romanza, Rondo from Eine Kleine Nachtmusik, String Quartet in G Major, K. 525 (Mozart) Canon (Pachelbel) Adagio from Octet in F Major, Op. 166 (Schubert) Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert) Moment Musical from Op. 94, #3 (Schubert) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Presto from Sonatina in F Major (Telemann) Allegro, Adagio, Finale from Concerto Grosso in D Minor, Op. 3, #11 (Vivaldi) Bridal Chorus from Act III of Lohengrin (Wagner) Available Parts 50111 Part 1 Flute or Oboe or Violin 50113 Part 1 Clarinet in Bb 50121 Part 2 Flute or Oboe or Violin 50122 Part 2 Viola 50123 Part 2 Clarinet in Bb 50131 Part 3 Cello or Bassoon 50140 Keyboard or Guitar 50199 Score Published by lastresortmusic.com.
$39.95 ≈
36.81€
Nihon Sun
Nihon Sun
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Piano Quartet: piano, 2 violins, cello
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EASY
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Mirla
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Andrew Rostas
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Nihon Sun
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Little Symphony Records
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.710427 By Mirla. By Emily Mirla Harrison. Arranged by A...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.710427 By Mirla. By Emily Mirla Harrison. Arranged by Andrew Rostas. Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Little Symphony Records #318974. Published by Little Symphony Records (A0.710427). A cross-genre composition for piano, field recordings, and electronic soundscapes. A composition to resolve the story and dramatic tension. War is over, POW's have been rescued, peace has returned. The music offers an optimistic message. A new start for Mirla and Arthur; a new beginning for post-war Australia; and better relationships with Japan and the wider Pacific region in the hope of forming a lasting stability. The closing movement (a shift to Major G key) begins with two woozy piano refrains, which unify. Ambient textures include birdsong recorded at the graves of my grandparents and mother. There’s a slow unfurling of the majestic string arrangements that play above a gently rolling electronic rhythm. After the swelling strings and a burning crescendo the track ends with a poignant recording of Mirla in her old age, remembering the first moment she saw Arthur on his return from war. A solo violin plays-out a final farewell, a salute to multitudes affected by the violent acts of war. The violin fades and we are left with the timeless rhythm of ocean waves and eternal birdsong.
$9.99 ≈
9.21€
I Come From Water/Parts
I Come From Water/Parts
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Contemporary
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Theresa Koon
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I Come From Water/Parts
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Theresa Koon
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - Digital Download SKU: A0.1023434 Composed by Theresa Koon. 20th Cen...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - Digital Download SKU: A0.1023434 Composed by Theresa Koon. 20th Century,Contemporary. Score and parts. 14 pages. Theresa Koon #5722325. Published by Theresa Koon (A0.1023434). I Come from Water is a chamber work for Mezzo-soprano, Baritone, Alto Flute, Clarinet, Bassoon, Violin, Cello and, briefly, Bass Drum. The piece was inspired by news that the US may be planning to perform missile tests in the Pacific Ocean in the vicinity of the Hawaiian island of Kauai. Scientific research is leading to speculation that these tests could be harmful to water creatures over a large area surrounding the testing sites. In particular, scientists are concerned that the tests may cause animals who orient themselves via sound waves, such as dolphins and whales, to become permanently deaf. The music is intended to evoke impressions of a life in water, beginning with non-verbal communication between fish in streams. Images, sensations and sounds of water are expressed throughout the piece as salmon make their way from streams to rivers to the ocean. Eventually, we hear a sense of quiet communion in the ocean, which is interrupted by three explosions. The water creatures respond with panic, followed by silence. The final measures are intended to express grieving.
$14.99 ≈
13.81€
I Come From Water--Piano/Vocal Score
I Come From Water--Piano/Vocal Score
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Contemporary
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Theresa Koon
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I Come From Water--Piano/Vocal
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Theresa Koon
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - Digital Download SKU: A0.1023432 Composed by Theresa Koon. 20th Cen...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Low Voice,Medium Voice,Violin - Level 5 - Digital Download SKU: A0.1023432 Composed by Theresa Koon. 20th Century,Contemporary. Score and parts. 14 pages. Theresa Koon #5722277. Published by Theresa Koon (A0.1023432). I Come from Water is a chamber work for Mezzo-soprano, Baritone, Alto Flute, Clarinet, Bassoon, Violin, Cello and, briefly, Bass Drum. The piece was inspired by news that the US may be planning to perform missile tests in the Pacific Ocean in the vicinity of the Hawaiian island of Kauai. Scientific research is leading to speculation that these tests could be harmful to water creatures over a large area surrounding the testing sites. In particular, scientists are concerned that the tests may cause animals who orient themselves via sound waves, such as dolphins and whales, to become permanently deaf.The music is intended to evoke impressions of a life in water, beginning with non-verbal communication between fish in streams. Images, sensations and sounds of water are expressed throughout the piece as salmon make their way from streams to rivers to the ocean. Eventually, we hear a sense of quiet communion in the ocean, which is interrupted by three explosions. The water creatures respond with panic, followed by silence. The final measures are intended to express grieving.
$4.99 ≈
4.60€
I Come From Water
I Come From Water
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Vocal duet
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ADVANCED
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Theresa Koon
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I Come From Water
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Theresa Koon
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SheetMusicPlus
Voice Duet Voice - Level 5 - Digital Download SKU: A0.1023431 Composed by Theresa Koon. 20th Century,Contemporary. 17 pages. Theresa Koon #5722251. Publi...
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Voice Duet Voice - Level 5 - Digital Download SKU: A0.1023431 Composed by Theresa Koon. 20th Century,Contemporary. 17 pages. Theresa Koon #5722251. Published by Theresa Koon (A0.1023431). I Come From Water is a chamber work for Mezzo-soprano, Baritone, Alto Flute, Clarinet, Bassoon Violin, Cello and, briefly, Bass Drum. The piece was inspired by news that the US may be planning to perform missile tests in the Pacific Ocean near the Hawaiian island of Kauai. Scientists are concerned that the tests may cause marine animals who orient themselves via sound waves, such as dolphins and whales, to become permanently deaf.The music is intended to evoke impressions of a life in water, beginning with non-verbal communication between fish in streams. Images, sensations and sounds of water are expressed throughout the piece as salmon make their way from streams to rivers to the ocean. Eventually, we hear a sense of quiet communion in the ocean, which is interrupted by three explosions. The marine animals respond with panic, followed by silence. The final measures are intended to express grieving.
$12.99 ≈
11.97€
Lucy Meets Mr. Tumnus
Lucy Meets Mr. Tumnus
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Brass ensemble
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BEGINNER
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Walt Disney
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Harry Gregson-Williams
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Alessandro Macrì
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Lucy Meets Mr. Tumnus
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 1 - Digital Download SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and p...
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Brass Ensemble - Level 1 - Digital Download SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6710853. Published by Music Macri Editions (A0.931331). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00 ≈
11.98€
To Aslan's Camp
To Aslan's Camp
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Brass ensemble
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EASY
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Walt Disney
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Harry Gregson-Williams
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Alessandro Macrì
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To Aslan's Camp
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and p...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 14 pages. Music Macri Editions #6675153. Published by Music Macri Editions (A0.931290). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00 ≈
11.98€
Evacuating London
Evacuating London
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Brass ensemble
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EASY
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Walt Disney
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Harry Gregson-Williams
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Alessandro Macrì
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Evacuating London
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and p...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro Macrì. Contemporary. Score and parts. 10 pages. Music Macri Editions #6709945. Published by Music Macri Editions (A0.931327). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001–03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).
$13.00 ≈
11.98€
La nemesi
La nemesi
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now your fire is spent
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Monica Bergo
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La nemesi
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Monica Bergo
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SheetMusicPlus
Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - Digital Download SKU: A0.976861 Composed by Monica Bergo. Contemporary,Hallo...
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Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - Digital Download SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and parts. 43 pages. Monica Bergo #3238977. Published by Monica Bergo (A0.976861). 2017 Holiday Contest EntryNEMESIS I enter the room of my consciousness That incredible disorder I rummage through the drawers Where I keep sufferings And the ineradicable memories Dust that knows of regret Spider webs cover my time, I recompose pieces of life But I'm here for you Fleeting shadow And my face reflects, Inside you My nemesis, my alter ego You reflect me and then Are a dark ghost The imperfect and the unsaid I will let you be what you are, My soul, black and rending. If you destroy my image It does not matter Finally that door remains open And opening the border between dream and reality I stumble among people at my funeral Who cry, who laugh, It is my Carnival I look at them from above, a spectral profile Rush down into the void that I have inside Nobody hugs me, I touch the silence, Slow-motion of a movie without more viewers, Close the curtain of the world outside and ... and ... The snow falls , how cold it is For this actress without identity I escape from the frost of my uncertainties But there is no refuge save me from she Who is heat, but to hurt Is my animal instinct I'm alone in this storm But certainly I do not regret Your mood swings, your sterile love Even without, I will survive My nemesis now dominates Be careful! If she comes for you She destroys you, crushes you, is cruel and savage, And then she will laugh in your face And sitting here on the bank of my river I'm waiting for you to pass this way Naked and without arrogance I'll never get enough This dance that gives me joy And in the darkness I move safe and stealthy (what are you?) I'm not afraid of anything and I feel wicked (you are lost now) Souls dancing to the beat of their sins (you like us) In this limbo I disown my past days (and so will you be...) Wind and storm I'm not just this, The rumble of thunder I don't understand any longer which side I’m on And it goes against the wind and sharpens my torment I'm hungry for the Sun Nemesis cannot dominate me My nemesis is here, Is stronger than ever And I know that she is reaching for me And it’s she who does not know Ever to stop halfway, Is Lady of Vice and Deception She seizes me , she exhausts me because She does not accept the peace that I have inside She has no balance, Makes me waver, And frustrates what I have achieved Tell me that you'll disappear As a dream in the morning light And will be, within me, A memory clouded by time I leave the room of my consciousness To make order is impossible Strange this drawer, not only sufferings But something relentless Nemesis, it is no longer your time By now your fire is spent And I will be born again to enchantment By words and music Food for the soul ... Monica Bergo
$3.99 ≈
3.68€
A Palm Sunday Sonnet PIANO VOCAL
A Palm Sunday Sonnet PIANO VOCAL
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Choral SATB
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INTERMEDIATE
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Christian contemporary
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Sacred music
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Katherine Cash, Malcolm Guite,
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Richard Cook
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A Palm Sunday Sonnet PIANO VOC
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RCM Enterprises
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.866531 Composed by Katherine Cash, Malcolm Guite, and Richard Cook. Arranged by Richard Cook. Ch...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.866531 Composed by Katherine Cash, Malcolm Guite, and Richard Cook. Arranged by Richard Cook. Christian,Contemporary,Easter,Sacred,Spiritual. Octavo. 8 pages. RCM Enterprises #45361. Published by RCM Enterprises (A0.866531). A Unique Palm Sunday Anthem. Thoughtful approach taking us from the Triumphal Entry into Jerusalem to the deep introspection of the heart. Starts Powerful, then meditative. Finally a surrender for Jesus to make my heart His home. Text by Malcolm Guite. Musical Setting by Richard Cook and Katherine Cash. Violin Part sold separately. This one will take some work to ride the waves of emotion contained in the introspective text.
$1.99 ≈
1.83€
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