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Swing Along! for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Swing Along! for Brass Quintet
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11 sheet music found
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1
Swing Along! for Brass Quintet
Swing Along! for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Will Marion Cook
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Charles Decker
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Swing Along! for Brass Quintet
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20...
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Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20th Century,Broadway,Jazz,Multicultural,Musical/Show,Pop,World. 20 pages. Charles Decker Music Press #745558. Published by Charles Decker Music Press (A0.1145313). Swing Along! by Will Marion Cook, prominent African-American in Music Theater, composer, conductor, and violinist, combines Cakewalk style with classical music techniques to create an entertaining and memorable work from the early 20th century now arranged for a brass quintet of two trumpets or cornets in B-flat, horn in F (alternate flugelhorn part provided), trombone and tuba. The recording is of the complete edition. Cook was a key figure in American music from the 1890s to the 1920s. His Swing Along! was written for a theater production in 1903 combining Black folk music with classical music techniques and became a popular standard with choruses and glee clubs. A violin virtuoso, he studied at Oberlin College, Berlin's Hochschule für Musik with Joseph Joachim, and New York's National Conservatory of Music with Antonin Dvorak. He devoted his career to Black musical comedies and was instrumental in showcasing his Southern Syncopated Orchestrat throughout the Unites States and Europe, featuring New Orleans clarinetist Sidney Bechet. Mentored by Frederick Douglas, Will Marion Cook went on to mentor Duke Ellington, paving the path for orchestral concert jazz. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99 ≈
11.98€
C Jam Blues for Brass Quintet
C Jam Blues for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Te...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99 ≈
11.98€
Sing-along Medley #1 (for Brass Quintet)
Sing-along Medley #1 (for Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Contemporary
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Various
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Kenneth Abeling
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Sing-along Medley #1
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Composed by Various. Arranged by Kenneth Abeling. Ragtime, Swing, Movies, Old-time. Score, Set of Parts. 26 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.2...
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Composed by Various. Arranged by Kenneth Abeling. Ragtime, Swing, Movies, Old-time. Score, Set of Parts. 26 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.223335). - Score,Set of Parts - Ragtime,Swing,Movies,Old-time - LINCOLN MUSIC PUBLICATIONS
?Sing-alongMedley #1, arranged here for Brass Quintet is a collection 5 timeless classicsto include: ?Baby Face?, ?Daisy Bell?, ?By the light of the Silvery Moon?, ?Down by the Old Mill Stream?, ?I?m LookingOver a Four Leaf Clover?. This piece isof intermediate level difficulty and is perfect for performances for elderlyaudiences, as a music history-teaching tool for younger audiences as well asother performance applications. Toview and listen to this piece in its entirety as well as hundreds of otherarrangements and transcriptions by Kenneth Abeling at the lowest pricesavailable please visit www.lincolnmusicpublications.com. Playing Time: With repeats 6:05 / withoutrepeats 3:45 Preview this score on YouTube: https://www.youtube.com/watch?v=UfuW2zU8qLU
$14.99 ≈
13.83€
King Of The Road for Classical Brass Quintet
King Of The Road for Classical Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Rock
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Randy Travis, Roger Miller
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Keith Terrett
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King Of The Road for Classical
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Music for all Occasions
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SheetMusicPlus
Brass Quintet - Intermediate - By Randy Travis, Roger Miller. Arranged by Keith Terrett. Individual Part, Score, Set of Parts. 8 pages. Published by Music...
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Brass Quintet - Intermediate - By Randy Travis, Roger Miller. Arranged by Keith Terrett. Individual Part, Score, Set of Parts. 8 pages. Published by Music for all Occasions
An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet.
"King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records.
The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song.
The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song."
"King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.
The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs".
Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.
A send-up version by English entertainer Billy Howard was a British chart hit in 1976.
A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$14.99 ≈
13.83€
Jelly Roll Blues (The)- for Brass Quintet w/opt. Percussion
Jelly Roll Blues (The)- for Brass Quintet w/opt. Percussion
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Jelly Roll Morton
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John Hoesly
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Jelly Roll Blues
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PRS&B
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1115380 By Jelly Roll Morton. By Jelly Roll Morton. Arranged by John Hoesly. 20th Century,Chamber,Histori...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1115380 By Jelly Roll Morton. By Jelly Roll Morton. Arranged by John Hoesly. 20th Century,Chamber,Historic,Jazz,Ragtime. 24 pages. PRS&B #717178. Published by PRS&B (A0.1115380). JELLY ROLL BLUES- for Brass Quintet w/opt. Percussion. Written by Ferdinand Morton in 1915. Jelly Roll Morton first recorded this tune in 1924 as a piano solo and again in 1926 with The Red Hot Peppers. The rhythmic content varies greatly between the two versions as this was a time when Ragtime was becoming Swing. In this arrangement for Brass, the main groove is swing along with a section of what Morten called “the Spanish Tingeâ€, in this case, a tango. Intermediate level.
$25.00 ≈
23.06€
The Caissons Go Rolling Along
The Caissons Go Rolling Along
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Edmund L
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Bill Wilson
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The Caissons Go Rolling Along
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775129 Composed by Edmund L. Gruber. Arranged by Bill Wilson. Holiday,Patriotic. 19 pages. Alexander Wilson #3478469. ...
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Brass Quintet - Level 2 - SKU: A0.775129 Composed by Edmund L. Gruber. Arranged by Bill Wilson. Holiday,Patriotic. 19 pages. Alexander Wilson #3478469. Published by Alexander Wilson (A0.775129). Edmund L. Gruber's The Caissons Go Rolling Along was written in the early 1900's and was later adopted as the official song of the United States Army. Our arrangement of this presents the song twice. The first time it is presented in a transcription that is quite faithful to a 1921 publication of the song. The second time it is presented in a big band swing style. This arrangement is suitable for use in informal Fourth of July festivities. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:40. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00 ≈
3.69€
Come Along (I'm Through with Worryin')
Come Along (I'm Through with Worryin')
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Contemporary
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Henry Creamer, John Turner Lay
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Bill Wilson
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Come Along
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775188 Composed by Henry Creamer, John Turner Layton. Arranged by Bill Wilson. 20th Century. 19 pages. Alexander Wilso...
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Brass Quintet - Level 2 - SKU: A0.775188 Composed by Henry Creamer, John Turner Layton. Arranged by Bill Wilson. 20th Century. 19 pages. Alexander Wilson #3859457. Published by Alexander Wilson (A0.775188). Master Tin Pan Alley songwriting team Henry Creamer and John Turner Layton paired up to write Come Along (I'm Through with Worryin'), a cheerful, up tempo song with the chorus derived from the spiritual Swing Low, Sweet Chariot. In Creamer and Layton's rendition of the song, the verse is march-like. There are two separate written choruses, both of which slide into more of a Dixieland style. Our arrangement of this piece spreads melodic responsibilities across the top four parts. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:28. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00 ≈
3.69€
Jingle Bells for Brass Quintet - Swing Style
Jingle Bells for Brass Quintet - Swing Style
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Christmas
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James Lord Pierpont
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Jerald Juhnke
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Jingle Bells for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1113009 Composed by James Lord Pierpont. Arranged by Jerald Juhnke. Christmas. Score and p...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1113009 Composed by James Lord Pierpont. Arranged by Jerald Juhnke. Christmas. Score and parts. 18 pages. Gordon Cherry #714963. Published by Gordon Cherry (A0.1113009). James Pierpont's popular Christmas song Jingle Bells has been arranged for Brass Quintet by Jerald Juhnke in a jazzy swing style. It just grooves merrily along. This fun and jazzy arrangement of about 2.5-minutes in length is a joy to perform and listen to. Instrumentation is for 2 Trumpets in B-flat, Horn in F, Trombone and Tuba. For moderately advanced performers.
$17.50 ≈
16.14€
Once In Love With Amy
Once In Love With Amy
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Contemporary
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 pages. Sweetwater Br...
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Brass Ensemble - Level 3 - SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 pages. Sweetwater Brass Press #5020113. Published by Sweetwater Brass Press (A0.808700). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy, particularly its chorus, seems to lend itself to performance by musical instruments in the lower registers. And that’s what inspired this arrangement in which bass tuba carries the load with strong support from euphonium and tuba. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features euphonium and tuba playing melody while bass tuba provides tempo and pulse. Then comes the familiar chorus-Once in love with Amy, always in love with Amy-and bass tuba takes over. The first time through, bass tuba plays melody with the other two providing accompaniment; the second time, bass tuba plays an intricate counterpoint while euph and tuba do a rather smooth swing version of the melody. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 75 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for euphonium and bass tuba should be within normal playing range. Tuba, on the other hand, plays quite a few G and A notes at the top of the treble clef. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for brass quintet. This arrangement was completed in 2020, and performance time runs about 3 minutes, 1 second. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for euphonium) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99 ≈
11.98€
Ms. Grace
Ms. Grace
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Johanna Hall and John Hall
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F
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Ms. Grace
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1202140 Composed by Johanna Hall and John Hall. Arranged by F. Leslie Smith....
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1202140 Composed by Johanna Hall and John Hall. Arranged by F. Leslie Smith. Contemporary,Disco,Hip-Hop,Pop,R & B,Rock. Score and parts. 27 pages. Sweetwater Brass Press #800795. Published by Sweetwater Brass Press (A0.1202140). John Hall and his then-wife Johanna had written several hit songs for John's group, Orleans.  Johanna wanted to create a song in the 1950s doo-wop style she so admired.  They did, and their composition described a certain Miss Grace who enchanted the lyricist with her “satin and perfume and lace.† The problem was: that song really did not fit in with Orleans' pop rock repertoire and image.  Meanwhile, The Tymes, a Philadelphia group, was looking for a number that might revive its popularity.  So when the Miss Grace song was suggested they decided to take it on. This was the mid-1970s, just when the honorific Ms. was growing in use.  So The Tymes changed the song's title to “Ms. Grace.† Released as a single, the song did very well in the UK, topping the chart at number one in January 1975.  Written in 4/4 time, this brass quintet version flows along at about 104 BPM.  Beginning notation instructs that eighth-note pairs are to be played so that the first note is about twice as long as the second; in other words, swing style.  It retains the original D major key, but gives most of the melody to Horn and Trombone an octave lower so that it stays within normal playing range of the group.  The nature of the song is such that there are a number of phrases that begin with off-beat pickup notes. Trumpets provide accents and flourishes and occasionally take over the melody for a few measures.  Tuba really does the most work, playing through almost the entire piece.  Completed in 2023, performance time runs about 3 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99 ≈
11.98€
Rudolph The Red-nosed Reindeer
Rudolph The Red-nosed Reindeer
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Rock
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John Denver
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Glen Newton
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Rudolph The Red-nosed Reindeer
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Glen Newton Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1033274 By John Denver. By Johnny Marks. Arranged by Glen Newton. Rock. Score and parts. 18 pages. Glen Newton Music ...
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Brass Ensemble - Level 4 - SKU: A0.1033274 By John Denver. By Johnny Marks. Arranged by Glen Newton. Rock. Score and parts. 18 pages. Glen Newton Music #6252277. Published by Glen Newton Music (A0.1033274). This arrangement for two trumpets, horn, trombone, and tuba is a fun addition to a holiday concert. Each quintet member gets the melody at some time. Finger snaps during rests invite the audience to snap along. First trumpet has a few bars of wah-wah (Harmon) mute. Second trumpet has a written-out plunger mute solo. Your audience's ears will perk up when they hear you transition from a bouncy traditional presentation to a swinging, jazzy Rudolph.
$15.99 ≈
14.75€
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Swing Along! for Brass Quintet
