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You've selected:
Sub Tuum
Sheetmusic to print
9 sheet music found
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1
Sub Tuum
Sub Tuum
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Choral 2-part
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INTERMEDIATE
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Nigel Lucas Silvester McBain
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Sub Tuum
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Nigel L. S. McBain
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SheetMusicPlus
Choral Choir (TB) - Level 3 - Digital Download SKU: A0.993478 Composed by Nigel Lucas Silvester McBain (1973 - ). 20th Century,Christian,Contemporary,Sac...
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Choral Choir (TB) - Level 3 - Digital Download SKU: A0.993478 Composed by Nigel Lucas Silvester McBain (1973 - ). 20th Century,Christian,Contemporary,Sacred. Octavo. 5 pages. Nigel L. S. McBain #3898221. Published by Nigel L. S. McBain (A0.993478). A choral setting for 2 part men's choir, tenor and bass, of the traditional prayer to Our Lady, the Sub Tuum, in B minor. .
$2.75 ≈
2.57€
Cipriano De Rore - Sub tuum Praesidium
Cipriano De Rore - Sub tuum Praesidium
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Choral SATB
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Cipriano de Rore
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Guido Menestrina
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Cipriano De Rore - Sub tuum Pr
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.828727 Composed by Cipriano de Rore. Arranged by Guido Menestrina. Renaissance,Sacred. Octavo. 4 pages. Gu...
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Choral Choir (SATB) - Digital Download SKU: A0.828727 Composed by Cipriano de Rore. Arranged by Guido Menestrina. Renaissance,Sacred. Octavo. 4 pages. Guido Menestrina #1769001. Published by Guido Menestrina (A0.828727). Mottetto del compositore fiammingo Cipriano de Rore (1516-1565) dal testo conservato presso la biblioteca nazionale di Monaco di Baviera; trascrizione a cura di Guido Menestrina. De Rore fu un rappresentante di punta della scuola franco fiamminga dopo Josquin Des Prez. Si trasferì in Italia e partecipò molto attivamente allo sviluppo della musica del tardo Rinascimento. Egli fu anche uno dei più eminenti compositori di madrigali della metà del XVI secolo. Cipriano de Rore (occasionally Cypriano) (1515 or 1516 – between 11 and 20 September 1565) was a Franco-Flemish composer of the Renaissance, active in Italy. Not only was he a central representative of the generation of Franco-Flemish composers after Josquin des Prez who went to live and work in Italy, but he was one of the most prominent composers of madrigals in the middle of the 16th century. His experimental, chromatic, and highly expressive style had a decisive influence on the subsequent development of that secular music form. Follow this score on youtube: https://www.youtube.com/watch?v=LFEFWj7Xyh0.
$4.99 ≈
4.67€
SUB TUUM PRAESIDIUM - Tagliabue - Canon for SAA Choir
SUB TUUM PRAESIDIUM - Tagliabue - Canon for SAA Choir
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Choral 3-part
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Renato Tagliabue
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SUB TUUM PRAESIDIUM - Tagliabu
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Renato Tagliabue
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SheetMusicPlus
Choral Choir (SAA) - Digital Download SKU: A0.723773 Composed by Renato Tagliabue. Christian,Sacred,Spiritual. Octavo. 3 pages. Renato Tagliabue #3023083...
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Choral Choir (SAA) - Digital Download SKU: A0.723773 Composed by Renato Tagliabue. Christian,Sacred,Spiritual. Octavo. 3 pages. Renato Tagliabue #3023083. Published by Renato Tagliabue (A0.723773). --------
$2.00 ≈
1.87€
SUB TUUM PRAESIDIUM , OP. 46
SUB TUUM PRAESIDIUM , OP. 46
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Choral SATB
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ADVANCED
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Contemporary
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Serge OLLIVE
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SUB TUUM PRAESIDIUM , OP. 46
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Serge Ollive
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SheetMusicPlus
Composed by Serge OLLIVE. 20th Century, Contemporary Classical, Christian, Recital. Score. 3 pages. Published by Serge Ollive...
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Composed by Serge OLLIVE. 20th Century, Contemporary Classical, Christian, Recital. Score. 3 pages. Published by Serge Ollive
$5.90 ≈
5.52€
Memorare: Remember, O Gracious Virgin
Memorare: Remember, O Gracious Virgin
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Piano, Voice
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INTERMEDIATE
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Sacred music
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Mark Kline
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Memorare: Remember, O Gracious
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Mark Kline
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.933476 Composed by Mark Kline. Christian,Gospel,Praise & Worship,Sacred. Score. 6 pages. Mark Klin...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.933476 Composed by Mark Kline. Christian,Gospel,Praise & Worship,Sacred. Score. 6 pages. Mark Kline #3120941. Published by Mark Kline (A0.933476). This musical setting of the Catholic Memorare prayer incorporates as much as possible the full traditional English language text. The omissions within, and changes of sequence among, the phrases of the original prose are due to poetic, metrical, and musical considerations. In other words, a faithful representation of the prayer’s meaning is substantially present in this setting. Historically, the invocation of Mary has very early origins among Christians, with the Memorare prayer having roots in the sub tuum prayer of the 3rd century Coptic Church. Memorare (Lyrics) [Refrain]Remember, O most gracious VirginNever was it known that anyone was left unaidedWho fled to thee for protection or sought thy intercession [Verse 1]Unto thee do we fly, standing with confidenceO Mother of the Word Incarnate [Verse 2]Sinful and sorrowful, we implore thy help,O Virgin of Virgins my Mother, [Verse 3]Mary, in thy Mercy hear and answer us,Despise not our petitions, [End]Memorare.
$4.95 ≈
4.63€
Ubi Caritas
Ubi Caritas
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Choral SATB
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Gary R
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Ubi Caritas
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Colla Voce Music - Digital
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SheetMusicPlus
SATB choir divisi a cappella - Digital Download SKU: MQ.41-96660-E Composed by Gary R. Schwartzhoff and Ivo Antognini. Octavo. 10 pages. Colla Voce Music...
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SATB choir divisi a cappella - Digital Download SKU: MQ.41-96660-E Composed by Gary R. Schwartzhoff and Ivo Antognini. Octavo. 10 pages. Colla Voce Music - Digital #41-96660-E. Published by Colla Voce Music - Digital (MQ.41-96660-E). Antognini’s Ubi Caritas is a choral composition for mixed choir in rondo form, ABACAD. Each time that the A theme occurs, it is subject to small melodic and harmonic changes. On two occasions, we also find the famous plainchant melody (bars 25-26 and 36-41) in the soprano voice. In bar 55, the second part of the main theme starts a fourth higher than before, creating a sense of surprise. Beginning from here, the excitement rises and leads to the climax at bar 68 (glorianter vultum tuum: Thy face in glory). Just after this, there is a joyful and rhythmic coda that begins on the text “Gaudium quod est immensum†(The joy that is immense), followed by three Amens that take us back to the initial key (F), but in major mode. Featured at: 2015 National ACDA Convention
$2.10 ≈
1.96€
Loto - Into the sacred path
Loto - Into the sacred path
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Piano solo
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ADVANCED
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Contemporary
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Guido Mallardi
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Loto - Into the sacred path
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Guido Mallardi
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1022550 Composed by Guido Mallardi. Contemporary. Score. 15 pages. Guido Mallardi #2034573. Published by ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1022550 Composed by Guido Mallardi. Contemporary. Score. 15 pages. Guido Mallardi #2034573. Published by Guido Mallardi (A0.1022550). Perpetuum mobile music structured upon the germination technique. Space and time are the two 'visible' dimensions where this music grows like a plant. But other subdimension are present despite hidden in the flow, and that leads to a kind of fractality. Indeed also the form of the whole piece reflects the tensional shape of the musical cell itself... This music represents the composer's spiritual growth complexity leading to a final catarsis (a mirror of the final section of the piece). This music is dedicated to two people, a mother and her daughter (both tragically dead) who had played a major role in the composer's spiritual rebirth.
$5.99 ≈
5.60€
Orgelsinfonie No. 16
Orgelsinfonie No. 16
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Organ
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ADVANCED
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration ...
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Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99 ≈
20.57€
Lyrical Sonata (for Piano)
Lyrical Sonata (for Piano)
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Piano solo
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Contemporary
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Chris Gordon
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Lyrical Sonata
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Cool Wind Music Digital
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SheetMusicPlus
Piano Solo - Early Intermediate - Digital Download Composed by Chris Gordon. Classical Period, Repertoire, Technique Training. Score. 7 pages. Publis...
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Piano Solo - Early Intermediate - Digital Download Composed by Chris Gordon. Classical Period, Repertoire, Technique Training. Score. 7 pages. Published by Cool Wind Music Digital
The Lyrical Sonata is a one-movement sonata, in a style roughly between Haydn and Beethoven (in his Bonn period, i.e. before he settled in Vienna in 1792). It is full of relentless energy and drive - and therefore not easy to play! The development plays ‘perpetuum mobile’ games with the first subject while the second subject is virtually ignored as development material. Not very Haydnesque but very Beethovenian.
$6.00 ≈
5.61€
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1
Sub Tuum
