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Standing Next To You
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You've selected:
Standing Next To You
Sheetmusic to print
18 sheet music found
<
1
Standing Next To You
Standing Next To You
#
Piano solo
#
INTERMEDIATE
#
Pop music
#
Jung Kook
#
WR Piano
#
Standing Next To You
#
WR Piano
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1339772 By Jung Kook. By Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Henry Walter, Jon Bellion, and...
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Piano Solo - Level 3 - Digital Download SKU: A0.1339772 By Jung Kook. By Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Henry Walter, Jon Bellion, and Jonathan Bellion. Arranged by WR Piano. Pop. Score. 7 pages. WR Piano #925443. Published by WR Piano (A0.1339772). Intermediate solo piano arrangement of Standing Next To You by Jung Kook.
$4.99 ≈
4.67€
Standing Next To You
Standing Next To You
#
String Quartet: 2 violins, viola, cello
#
Jung Kook
#
L K Witherspoon
#
Standing Next To You
#
Witherspoon Arrangements
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1358563 By Jung Kook. By Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, He...
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String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1358563 By Jung Kook. By Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Henry Walter, Jon Bellion, and Jonathan Bellion. Arranged by L K Witherspoon. Contemporary,Disco,Funk,Pop. 16 pages. Witherspoon Arrangements #943022. Published by Witherspoon Arrangements (A0.1358563). String Quartet arrangement of Standing Next To You, as performed by Jung Kook (member of BTS) on his debut solo album Golden..
$16.00 ≈
14.97€
I'm Still Standing
I'm Still Standing
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Marching band
#
EASY
#
Rock
#
Elton John
#
Brett Lair
#
I'm Still Standing
#
Brett Lair
#
SheetMusicPlus
Marching Band - Level 2 - Digital Download SKU: A0.1412871 By Elton John. By Bernie Taupin and Elton John. Arranged by Brett Lair. 20th Century,Pop,Rock,...
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Marching Band - Level 2 - Digital Download SKU: A0.1412871 By Elton John. By Bernie Taupin and Elton John. Arranged by Brett Lair. 20th Century,Pop,Rock,Standards. 22 pages. Brett Lair #994875. Published by Brett Lair (A0.1412871). Get ready to energize your next performance with this iconic hit brought to life in a dynamic marching band arrangement. Perfect for parades, halftime shows, or any event where you want to inject a burst of high-energy entertainment.Whether you're a seasoned marching band director or a student eager to showcase your talents, this arrangement of I'm Still Standing offers a thrilling opportunity to dazzle audiences and leave them cheering for more.Don't miss out on the chance to add a touch of Elton John's magic to your repertoire. Purchase your copy of the score and parts sheet music today and get ready to take your marching band to new heights of performance excellence!Est. Time: 0:45Key: BbInstrumentation:Flute, 2 Bb Clarinets, Bass Clarinet, A-T-B Saxes, 2 Trumpets, Mellophone, Trombone, Euphonium, Tuba and Marching Percussion.
$50.00 ≈
46.79€
Standing Next To You
Standing Next To You
#
Drums
#
INTERMEDIATE
#
Pop music
#
Jung Kook
#
COPYDRUM
#
Standing Next To You
#
COPYDRUM
#
SheetMusicPlus
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1322908 By Jung Kook. By Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Henry Walter, Jon Bellion,...
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1322908 By Jung Kook. By Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Henry Walter, Jon Bellion, and Jonathan Bellion. Arranged by COPYDRUM. Pop. Score. 3 pages. COPYDRUM #911179. Published by COPYDRUM (A0.1322908).
$5.00 ≈
4.68€
Standing Next To You
Standing Next To You
#
Piano solo
#
BEGINNER
#
Jung Kook
#
Arina Terletska
#
Standing Next To You
#
Arina Terletska
#
SheetMusicPlus
Piano Solo - Level 1 - Digital Download SKU: A0.1362175 By Jung Kook. By Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Henry Walter, Jon Bellion, and...
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Piano Solo - Level 1 - Digital Download SKU: A0.1362175 By Jung Kook. By Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Henry Walter, Jon Bellion, and Jonathan Bellion. Arranged by Arina Terletska. 21st Century. Score. 2 pages. Arina Terletska #946651. Published by Arina Terletska (A0.1362175).
$4.99 ≈
4.67€
Standing Next To You
Standing Next To You
#
Piano solo
#
INTERMEDIATE
#
Pop music
#
Jung Kook
#
Melquisedeque C
#
Standing Next To You
#
Melquisedeque C.Silva
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1349302 By Jung Kook. By Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Henry Walter, Jon Bellion, and...
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Piano Solo - Level 3 - Digital Download SKU: A0.1349302 By Jung Kook. By Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Henry Walter, Jon Bellion, and Jonathan Bellion. Arranged by Melquisedeque C.Silva. Pop. Score. 3 pages. Melquisedeque C.Silva #934053. Published by Melquisedeque C.Silva (A0.1349302).
$4.99 ≈
4.67€
Standing Next To You
Standing Next To You
#
Drums
#
EASY
#
Pop music
#
Jung Kook
#
Drum Transcription: Leo Alvara
#
Standing Next To You
#
Drum Sheet MX
#
SheetMusicPlus
Drum Set,Drums - Level 2 - Digital Download SKU: A0.1357527 By Jung Kook. By Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Henry Walter, Jon Bellion,...
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Drum Set,Drums - Level 2 - Digital Download SKU: A0.1357527 By Jung Kook. By Alexandra Leah Tamposi, Ali Tamposi, Andrew Watt, Henry Walter, Jon Bellion, and Jonathan Bellion. Arranged by Drum Transcription: Leo Alvarado. Pop. Score. 2 pages. Drum Sheet MX #942074. Published by Drum Sheet MX (A0.1357527).
$6.00 ≈
5.61€
I Saw Her Standing There
I Saw Her Standing There
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Rock
#
The Beatles
#
Andrew Will
#
I Saw Her Standing There
#
Andrew Will
#
SheetMusicPlus
Large Ensemble - Level 5 - Digital Download SKU: A0.1124429 By The Beatles. By John Lennon and Paul McCartney. Arranged by Andrew Will. 20th Century,Pop....
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Large Ensemble - Level 5 - Digital Download SKU: A0.1124429 By The Beatles. By John Lennon and Paul McCartney. Arranged by Andrew Will. 20th Century,Pop. Score and parts. 55 pages. Andrew Will #725174. Published by Andrew Will (A0.1124429). I Saw Her Standing There by the Beatles is an arrangement for the professional band. It is a large scale production number that your audience would love to hear. Instrumentation - Score, Lead Vocal (Harmony Lead included), SATB (Choir), Alto Saxophone, Tenor Saxophone, Trumpet, Trombone, Keyboard (Optional), Guitar 1, Guitar 2, Bass Guitar, Drum Kit and Percussion. A great arrangement for next large scale production. To listen to this arrangement, go to https://www.youtube.com/watch?v=KJ_eBwRYrEA (1:38:30sec). Enjoy!
$45.00 ≈
42.11€
Stabat Mater - string ensemble parts
Stabat Mater - string ensemble parts
#
Contemporary
#
Annemieke Lustenhouwer
#
Stabat Mater - string ensemble
#
Annemieke Lustenhouwer
#
SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lusten...
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00 ≈
17.78€
Stabat Mater
Stabat Mater
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Annemieke Lustenhouwer
#
Stabat Mater
#
Annemieke Lustenhouwer
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1187117 Composed by Annemieke Lustenhouwer. Contemporary. Octavo. 130 pages. Annemieke Lustenhou...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1187117 Composed by Annemieke Lustenhouwer. Contemporary. Octavo. 130 pages. Annemieke Lustenhouwer #786752. Published by Annemieke Lustenhouwer (A0.1187117). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.Conductors score with parts for the string players.
$19.00 ≈
17.78€
Standing Next to You by Jungkook - Piano/Vocal/Chords, Singer Pro
#
Piano, Voice
#
Jungkook
#
Standing Next to You
#
Musicnotes
Sheet Music for Standing Next to You by Jungkook arranged for Piano/Vocal/Chords;Singer Pro in D Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for Standing Next to You by Jungkook arranged for Piano/Vocal/Chords;Singer Pro in D Minor. Digital sheet music from Musicnotes.
$6.99 ≈
6.54€
Retrouvailles
Retrouvailles
#
Choral 3-part
#
INTERMEDIATE
#
Scholler
#
Scholler
#
Retrouvailles
#
Scholler
#
SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1291433 By Scholler. By Scholler. Arranged by Scholler. A Cappella,Broadway,Classical,Cont...
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Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1291433 By Scholler. By Scholler. Arranged by Scholler. A Cappella,Broadway,Classical,Contemporary,Contest,Festival,Musical/Show. 7 pages. Scholler #882083. Published by Scholler (A0.1291433). When you hear this music, it feels like you're standing next to a vintage carousel with wooden horses.Embrace the transformative power of musichttps://linktr.ee/schollermusic.
$2.99 ≈
2.80€
At Bay
At Bay
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Piano solo
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Contemporary
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Maija Ferris
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At Bay
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Maija A Ferris
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1033171 Composed by Maija Ferris. Contemporary. Score. 3 pages. Maija A Ferris #6134449. Published by Maija A Ferri...
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Piano Solo - Digital Download SKU: A0.1033171 Composed by Maija Ferris. Contemporary. Score. 3 pages. Maija A Ferris #6134449. Published by Maija A Ferris (A0.1033171). At Bay in the key of C, is an easy to intermediate level piano solo. This beautiful, melodic piece is perfect for a developing player at the grade 4-5 level with a duration of about 3 minutes and a length of 2.5 pages. Composed by Maija Ferris, a grade seven student at the time of its composition in 2020, the piece begins with a brief introductory phrase that transitions into a calming melody which reminds Maija of being At Bay... A peaceful feeling that washes over her while standing next to beautiful Georgian Bay in Ontario Canada where she calls home. After listening to the gentle waves roll onto shore, you will hear the calmness change into what could be interpreted as a storm in the bridge section. These rough waters soon die down, and a sense of calm and peace returns to the melody.
$1.99 ≈
1.86€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.73€
Trois Etudes pour Quatour
Trois Etudes pour Quatour
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Flute, Oboe, Clarinet, Bassoon
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ADVANCED
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Contemporary
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Geoff Ogle
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Trois Etudes pour Quatour
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Geoff Ogle
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.991287 Composed by Geoff Ogle (ASCAP). Contemporary. Score and p...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.991287 Composed by Geoff Ogle (ASCAP). Contemporary. Score and parts. 64 pages. Geoff Ogle #5990977. Published by Geoff Ogle (A0.991287). Empower your best players with this daring, original collection of etudes. Engross listeners at your next program with one or all these remarkable etudes. Each etude will engage your audience standing alone or as a set. Strengthen your students' musicianship tackling the tough rhythms and techniques. Experience with odd time signatures will broaden their skills. The composition includes alternate parts to create an optimal combination of players.
$18.00 ≈
16.84€
Trois Etudes pour Quatour
Trois Etudes pour Quatour
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Contemporary
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Geoff Ogle
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Trois Etudes pour Quatour
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Geoff Ogle
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone - Level 5 - Digital Download SKU: A0.991290 Composed by Geoff Ogle (ASCAP). Contemporary. Score and parts. 68 page...
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Brass Ensemble Euphonium,Horn,Trombone - Level 5 - Digital Download SKU: A0.991290 Composed by Geoff Ogle (ASCAP). Contemporary. Score and parts. 68 pages. Geoff Ogle #5990985. Published by Geoff Ogle (A0.991290). Empower your best players with this daring, original collection of etudes. Engross listeners at your next program with one or all these remarkable etudes. Each etude will engage your audience standing alone or as a set. Strengthen your students' musicianship tackling the tough rhythms and techniques. Experience with odd time signatures will broaden their skills. The composition includes alternate parts to create an optimal combination of players.
$18.00 ≈
16.84€
Trois Etudes pour Quatour
Trois Etudes pour Quatour
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Contemporary
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Geoff Ogle
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Trois Etudes pour Quatour
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Geoff Ogle
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 5 - Digital Download SKU: A0.991291 Composed by Geoff Ogle (ASCAP). Conte...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Bassoon,Clarinet,Oboe - Level 5 - Digital Download SKU: A0.991291 Composed by Geoff Ogle (ASCAP). Contemporary. 70 pages. Geoff Ogle #5990993. Published by Geoff Ogle (A0.991291). Empower your best players with this daring, original collection of etudes. Engross listeners at your next program with one or all these remarkable etudes. Each etude will engage your audience standing alone or as a set. Strengthen your students' musicianship tackling the tough rhythms and techniques. Experience with odd time signatures will broaden their skills. The composition includes alternate parts to create an optimal combination of players.
$18.00 ≈
16.84€
Trois Etudes pour Quatour
Trois Etudes pour Quatour
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Contemporary
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Geoff Ogle
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Trois Etudes pour Quatour
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Geoff Ogle
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SheetMusicPlus
Woodwind Ensemble Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.991288 Composed by Geoff Ogle (ASCAP). Contemporary. 64 pages. Geoff Ogle #599...
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Woodwind Ensemble Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.991288 Composed by Geoff Ogle (ASCAP). Contemporary. 64 pages. Geoff Ogle #5990979. Published by Geoff Ogle (A0.991288). Empower your best players with this daring, original collection of etudes. Engross listeners at your next program with one or all these remarkable etudes. Each etude will engage your audience standing alone or as a set. Strengthen your students' musicianship tackling the tough rhythms and techniques. Experience with odd time signatures will broaden their skills. The composition includes alternate parts to create an optimal combination of players.
$18.00 ≈
16.84€
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Standing Next To You
