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Song of India High voice
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You've selected:
Song of India High voice
Sheetmusic to print
15 sheet music found
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1
Song of Kabir (high voice)
Song of Kabir (high voice)
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Kate Moody
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Song of Kabir
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CoCo Lounge Presents
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.846867 Composed by Kate Moody. Contemporary,Spiritual. 4 pages. CoCo Lounge Presents #5709105....
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.846867 Composed by Kate Moody. Contemporary,Spiritual. 4 pages. CoCo Lounge Presents #5709105. Published by CoCo Lounge Presents (A0.846867). A mystical setting of a poem by Kabir, 15th-century Indian mystic poet and saint.
$3.50 ≈
3.28€
What do they matter? (for medium-high voice and harp)
What do they matter? (for medium-high voice and harp)
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Contemporary
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pag...
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Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99 ≈
5.61€
The Story of a Leader
The Story of a Leader
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Choral SATB
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ADVANCED
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Classical
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 3...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04 ≈
14.07€
ON THE BANKS OF THE WABASH, FAR AWAY
ON THE BANKS OF THE WABASH, FAR AWAY
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WORDS AND MUSIC PAUL DRESSER 1
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Clay Boland Jr
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ON THE BANKS OF THE WABASH, FA
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BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623
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SheetMusicPlus
Small Ensemble High Voice,Piano - Level 2 - Digital Download SKU: A0.913658 Composed by WORDS AND MUSIC PAUL DRESSER 1897. Arranged by Clay Boland Jr. Fo...
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Small Ensemble High Voice,Piano - Level 2 - Digital Download SKU: A0.913658 Composed by WORDS AND MUSIC PAUL DRESSER 1897. Arranged by Clay Boland Jr. Folk,Traditional. Score and parts. 5 pages. BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 #3460063. Published by BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 (A0.913658). PAUL DRESSER WAS BROUGHT UP ON A FARM IN INDIANA, BUT LIVED HIS ADULT LIFE IN NEW YORK CITY. THIS IS HIS HOMESICK TRIBUTE. SIGMUND SPAETH CALLED IT A TRUE AMERICAN FOLK SONG. From SHE'S ONLY A BIRD IN A GILDED CAGE Contemporary Piano Interpretations of FavoriteSongs of the Gay Nineties with optional vocal, Vol. I
$4.56 ≈
4.27€
Four Songs
Four Songs
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Piano, Voice
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ADVANCED
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Emile Naoumoff
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Four Songs
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Schott Music - Digital
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SheetMusicPlus
Voice and piano - advanced - Digital Download SKU: S9.Q6714 On poems by Auguste Villiers de l'Isle-Adam, Emile Verhaeren, Charles Baudelaire, René-...
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Voice and piano - advanced - Digital Download SKU: S9.Q6714 On poems by Auguste Villiers de l'Isle-Adam, Emile Verhaeren, Charles Baudelaire, René-François Sully-Prudhomme. Composed by Emile Naoumoff. This edition: Sheet music. Downloadable. Duration 18 minutes. Schott Music - Digital #Q6714. Published by Schott Music - Digital (S9.Q6714). French.These songs by Emile Naoumoff are squarely in the tradition of French lied composition such as by Gabriel Fauré. Here, Naoumoff chose texts by late 19th-century French lyricists: Auguste Villiers de l'Isle-Adam, Emile Verhaeren, Charles Baudelaire and René-François Sully-Prudhomme. In their elegance and suppleness, the four songs sound typically French. As they are all easy to sing and have not been composed 'against' the voice, they are perfectly suited for both music lessons and concert programmes. Naoumoff was born in Sofia in 1962. At the age of eight, he began his career as a pianist and composer; he was a student of Nadia Boulanger for ten years until her death. At the age of ten, Naoumoff composed and performed his own piano concerto under the direction of Yehudi Menuhin. He then received numerous awards and prizes and gave performances as highly acclaimed pianist. Today, Naoumoff lives and works as an associate professor at the School of Music of the Indiana University at Bloomington. He gives master classes in the USA, Europe and Japan and is director of a music academy.
$19.99 ≈
18.71€
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
52.40€
Ray Noble And His Orchestra: Cherokee (Indian Love Song) (High Voice) - voice & other instruments (high voice)
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Melody line, (Lyrics) and Chords
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INTERMEDIATE
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Jazz
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Ray Noble And His Orchestra
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Virtualsheetmusic
Instantly printable sheet music by Ray Noble And His Orchestra for voice & other instruments (high voice) of MEDIUM skill level. / jazz,standards
Instantly printable sheet music by Ray Noble And His Orchestra for voice & other instruments (high voice) of MEDIUM skill level. / jazz,standards
$1.97 ≈
1.84€
Canticum Canticorum for Krzysztof Penderecki
Canticum Canticorum for Krzysztof Penderecki
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Chamber Orchestra
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ADVANCED
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and p...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99 ≈
23.39€
Jana Gana Mana
Jana Gana Mana
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Piano, Vocal and Guitar
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EASY
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Bill Whittington, David Davids
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Indian Sheet Music and Guitar
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Jana Gana Mana
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Indian Sheet Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1199530 Composed by Bill Whittington, David Davidson, Kenneth Lewis, and Scott Dente. Arran...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1199530 Composed by Bill Whittington, David Davidson, Kenneth Lewis, and Scott Dente. Arranged by Indian Sheet Music and Guitar Tabs. Hindi,March,Multicultural,Patriotic,World. Score. 1 pages. Indian Sheet Music #798599. Published by Indian Sheet Music (A0.1199530). This is the most complete and accurate version of this song avaialable. Indian Sheet Music and Guitar Tabs leads the industry in quality, selection, and service.Please visit us on YouTube or Facebook.This sheet music contains1. Accurate and professional notation2. Chord Symbols3. Lyrics4. Tempo Markers5. Vocal and background melodiesHigher Standards = Better Results.
$4.99 ≈
4.67€
Dum Maro Dum
Dum Maro Dum
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Piano, Vocal and Guitar
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INTERMEDIATE
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Sharan/aashika
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Indian Sheet Music and Guitar
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Dum Maro Dum
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Indian Sheet Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1199550 By Sharan/aashika. By Muthu and S A Lokesh Kumar. Arranged by Indian Sheet Music an...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1199550 By Sharan/aashika. By Muthu and S A Lokesh Kumar. Arranged by Indian Sheet Music and Guitar Tabs. Bollywood,Broadway,Film/TV,Hindi,Multicultural,Musical/Show,World. Score. 2 pages. Indian Sheet Music #798616. Published by Indian Sheet Music (A0.1199550). This is the most complete and accurate version of this song avaialable. Indian Sheet Music and Guitar Tabs leads the industry in quality, selection, and service.Please visit us on YouTube or Facebook.This sheet music contains1. Accurate and professional notation2. Chord Symbols3. Lyrics4. Tempo Markers5. Vocal and background melodiesHigher Standards = Better Results.
$4.99 ≈
4.67€
Phero Na Najariya
Phero Na Najariya
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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Amit Trivedi
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Indian Sheet Music and Guitar
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Phero Na Najariya
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Indian Sheet Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1199523 Composed by Amit Trivedi. Arranged by Indian Sheet Music and Guitar Tabs. Bollywood...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1199523 Composed by Amit Trivedi. Arranged by Indian Sheet Music and Guitar Tabs. Bollywood,Broadway,Film/TV,Hindi,Multicultural,Musical/Show,World. Score. 3 pages. Indian Sheet Music #798592. Published by Indian Sheet Music (A0.1199523). This is the most complete and accurate version of this song avaialable. Indian Sheet Music and Guitar Tabs leads the industry in quality, selection, and service.Please visit us on YouTube or Facebook.This sheet music contains1. Accurate and professional notation2. Chord Symbols3. Lyrics4. Tempo Markers5. Vocal and background melodiesHigher Standards = Better Results.
$5.99 ≈
5.61€
Ek Do Teen
Ek Do Teen
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Piano, Vocal and Guitar
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INTERMEDIATE
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Various
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Indian Sheet Music and Guitar
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Ek Do Teen
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Indian Sheet Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1199522 By Various. By Javed Akhtar, Laxmikant Kudalkar, Pyarelal Ramprasad Sharma, and San...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1199522 By Various. By Javed Akhtar, Laxmikant Kudalkar, Pyarelal Ramprasad Sharma, and Sandeep Shirodkar. Arranged by Indian Sheet Music and Guitar Tabs. Bollywood,Film/TV,Hindi,Multicultural,World. Score. 5 pages. Indian Sheet Music #798589. Published by Indian Sheet Music (A0.1199522). This is the most complete and accurate version of this song avaialable. Indian Sheet Music and Guitar Tabs leads the industry in quality, selection, and service.Please visit us on YouTube or Facebook.This sheet music contains1. Accurate and professional notation2. Chord Symbols3. Lyrics4. Tempo Markers5. Vocal and background melodiesHigher Standards = Better Results
$5.99 ≈
5.61€
Naatu Naatu
Naatu Naatu
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Piano, Vocal and Guitar
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INTERMEDIATE
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Chandrabose and M
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Ellie Epstein
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Naatu Naatu
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Indian Sheet Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1189063 Composed by Chandrabose and M. M. Keeravaani. Arranged by Ellie Epstein. Bollywood,...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1189063 Composed by Chandrabose and M. M. Keeravaani. Arranged by Ellie Epstein. Bollywood,Broadway,Contemporary,Film/TV,Multicultural,Musical/Show,World. Score. 4 pages. Indian Sheet Music #788677. Published by Indian Sheet Music (A0.1189063). Full song precisely notated with chord symbols, lyrics, correct rhythms and tempo. This arrangement is superior and more accurate than the other choices.Indian Sheet Music and Guitar Tabs leads the Industry in quality and accuracy.Compare and Comeback!Higher Quality = Better ResultsCheck out our YouTube Channel with over 10,000 subs!Best Selection of ALL your favorite Indian songs.Tamil, Telugu, Hindi, Punjabi, Gujarati, Malayalam and more!
$5.99 ≈
5.61€
That Lonesome Road
That Lonesome Road
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Choral 3-part
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EASY
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Don Grolnick and James Taylor
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Paul Ayres
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That Lonesome Road
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Paul Ayres
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.772919 Composed by Don Grolnick and James Taylor. Arranged by Paul Ayres. A Cappella. Octavo. 3 p...
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Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.772919 Composed by Don Grolnick and James Taylor. Arranged by Paul Ayres. A Cappella. Octavo. 3 pages. Paul Ayres #5361265. Published by Paul Ayres (A0.772919). From professional British arranger Paul Ayres, a faithful transcription of That Lonesome Road, the haunting song by James Taylor and Don Grolnick. This edition is transcribed for three-part voices (SSA or SAA), but could be sung by any suitable vocal trios or a cappella choirs. Contact Paul via www.paulayres.co.uk if you would like to request this score in another key! This arrangement was commissioned by The ManualAires of Emmerich Manual High School, Indianapolis, directed by Spencer Lloyd, in 2013.
$1.99 ≈
1.86€
We Must Learn to Walk Together
We Must Learn to Walk Together
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Piano, Vocal and Guitar
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EASY
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99 ≈
3.73€
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Song of India High voice
