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You've selected:
Sonata for Viola and String Orchestra
Sheetmusic to print
78 sheet music found
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Paganini Grand Sonata for Viola and String Orchestra
Paganini Grand Sonata for Viola and String Orchestra
#
String Orchestra
#
ADVANCED
#
Nicolo Paganini
#
Paul Wood
#
Paganini Grand Sonata for Viol
#
MyMusicScores.com
#
SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.1249562 Composed by Nicolo Paganini. Arranged by Paul Wood. 19th Century,Romantic Period. Score and...
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String Orchestra - Level 5 - Digital Download SKU: A0.1249562 Composed by Nicolo Paganini. Arranged by Paul Wood. 19th Century,Romantic Period. Score and Parts. 70 pages. MyMusicScores.com #843992. Published by MyMusicScores.com (A0.1249562). Paganini's Sonata per la Grand Viola, is a remarkable composition that showcases the virtuosic abilities of the viola. Written by the renowned Italian violinist and composer Niccolò Paganini, this sonata stands out for its technical demands and expressive qualities. Composed in 1834, it highlights Paganini's innovative approach to the viola, an instrument that was often overshadowed by the violin at the time.The Sonata per la Grand Viola captivates listeners with its rich melodies, intricate passages, and brilliant display of the viola's range and capabilities. Paganini's mastery of the instrument is evident in the challenging double stops, rapid runs, and brilliant arpeggios that pepper the composition. Despite its technical complexities, the sonata also offers moments of introspection and lyrical beauty, showcasing Paganini's ability to balance technical prowess with musical sensitivity.With its grandeur and virtuosity, the Sonata per la Grand Viola, MS 70, remains a significant contribution to the viola repertoire.Here is an arrangement for viola and string orchestra.The PDF file contains the score and all instrumental parts.
$24.99 ≈
22.38€
Sonata for Viola and String Orchestra
Sonata for Viola and String Orchestra
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String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Georg Philipp Telemann
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Andrew McInnes
#
Sonata for Viola and String Or
#
Janus Editions
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1150279 Composed by Georg Philipp Telemann. Arranged by Andrew McInnes. Baroque,Classical. Score an...
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String Orchestra - Level 4 - Digital Download SKU: A0.1150279 Composed by Georg Philipp Telemann. Arranged by Andrew McInnes. Baroque,Classical. Score and parts. 38 pages. Janus Editions #750447. Published by Janus Editions (A0.1150279). This Sonata for Viola & String Orchestra offers approachable virtuosity for the soloist, as well as appropriately scaled difficulty for the orchestra. Georg Philipp Telemann loved the viola, but sadly we have only two of his concerti for the instrument. Overall, there is very little solo material from the Baroque epoch written for viola. This Sonata was originally for viol de gamba and keyboard, TWV 41:a6. It is much transcribed for viola and keyboard, but previous to this, not for viola and string orchestra.
$50.00 ≈
44.78€
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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Viola, Piano
#
INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95 ≈
22.34€
Four Forces (First movement) I. Strong Forces
Four Forces (First movement) I. Strong Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00 ≈
268.67€
Four Forces (Second movement) II. Weak Forces
Four Forces (Second movement) II. Weak Forces
#
Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00 ≈
134.34€
Sonata for Piano Quintet
Sonata for Piano Quintet
#
James Albert Yeager
#
Sonata for Piano Quintet
#
James A. Yeager
#
SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00 ≈
35.82€
Moonlight Sonata for piano and string orchestra
Moonlight Sonata for piano and string orchestra
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Classical
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Ludwig van Beethoven
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Scott Fields Davis
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Moonlight Sonata for piano and
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Scott Fields Davis
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SheetMusicPlus
Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.998408 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classi...
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Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.998408 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical,Holiday,Romantic Period,Wedding. 21 pages. Scott Fields Davis #5769405. Published by Scott Fields Davis (A0.998408). Beethoven’s Sonata No.14, more commonly known as the Moonlight Sonata, is probably his most well-known piano work. Originally composed by Ludwig van Beethoven (1710-1827). This is the first movement of Beethoven's Moonlight Sonata arranged for piano and strings by Scott Fields Davis. Performance time is approximately 3:56. Download contains: score and parts.Instruments used: Flutes, Piano, Violins, Viola, Cello, Double Bass.  More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Please follow me on Facebook and Youtube.
$10.00 ≈
8.96€
Fiddle Sonata (violin solo part - violin and piano)
Fiddle Sonata (violin solo part - violin and piano)
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Mark O'Connor
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Fiddle Sonata
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.861944 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.861944 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208239. Published by Mark O'Connor Musik International (A0.861944). Fiddle Sonata (violin solo part – violin and piano) MO121BViolin Solo Part (piano score available)Music by Mark O’Connor14 pages - 16:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin and piano composed by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during the Library’s prestigious ‘97-’98 chamber music season. The Library was featuring piano in the year’s programming and requested O’Connor compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a nationally broadcast public radio special, America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. The Sonata begins with Introduction and features a melodic and romantic theme with beautiful chords. Hoedown, in D minor, is very lively and tuneful. The Waltz is a lovely theme that undergoes some insightful development. The finale, Gigue, is a 6/8 dance which is quite a romp and features some fast bow work on a very catchy tune. The music is well suited for advanced and intermediate students.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C. Catalogue Number MO121BCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$10.00 ≈
8.96€
Fiddle Sonata (piano score - violin and piano)
Fiddle Sonata (piano score - violin and piano)
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Mark O'Connor
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Fiddle Sonata
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Mark O'Connor Musik International
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.861943 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 40 pages. Mark O'Connor Musik Interna...
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Piano,Violin - Level 4 - Digital Download SKU: A0.861943 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 40 pages. Mark O'Connor Musik International #6208237. Published by Mark O'Connor Musik International (A0.861943). Fiddle Sonata (piano score – violin and piano) MO121APiano Score (violin part available)Music by Mark O’Connor36 pages - 16:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin and piano composed by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during the Library’s prestigious ‘97-’98 chamber music season. The Library was featuring piano in the year’s programming and requested O’Connor compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a nationally broadcast public radio special, America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. The Sonata begins with Introduction and features a melodic and romantic theme with beautiful chords. Hoedown, in D minor, is very lively and tuneful. The Waltz is a lovely theme that undergoes some insightful development. The finale, Gigue, is a 6/8 dance which is quite a romp and features some fast bow work on a very catchy tune. The music is well suited for advanced and intermediate students.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C. Catalogue Number MO121ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 ≈
13.43€
Music for Four Volume 2, Score (for String Quartet or Mixed Quartet) 70299 - Score Only
Music for Four Volume 2, Score (for String Quartet or Mixed Quartet) 70299 - Score Only
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Various
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Daniel Kelley
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Music for Four Volume 2, Score
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Last Resort Music Publishing
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.1341863 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Romantic Period,Wedding. 83 pag...
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Level 5 - Digital Download SKU: A0.1341863 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Romantic Period,Wedding. 83 pages. Last Resort Music Publishing #927370. Published by Last Resort Music Publishing (A0.1341863). Score #70299 from Music for Four, Volume 2Baroque Classical and Romantic Favorites Works by Bach, Beethoven, Chopin, Franck, Purcell, Mendelssohn and more!  An incredible collection of 25 arrangements for strings, woodwinds, French horn & piano – these mix and match quartets allow the performer to pick the instrumentation. Perfect for String Quartet, Wind Quartet, Piano Quartet, Sax Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet can play with a pianist - as long as Part 1 is being played.Table of ContentsArioso from Cantata #156 (Bach) Allegro, Adagio & Finale from Brandenburg Concerto #6 in Bb Major (Bach) My Heart Ever Faithful from Cantata #68 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Adagio from Piano Sonata #8, Op. 13 Pathetique (Beethoven) Ode to Joy from Symphony #9 (Beethoven) Nocturne from String Quartet #2 in D Major (Borodin) Prelude from Op. 28, #4 & #15 (Chopin) Pavane from Op. 50 (Faure) Panis Angelicus from Messe Solonnelle, Op. 12 (Franck) La Rejouissance from The Fireworks Music (Handel) Andante from String Quartet in F Major, Op. 3, #15 (Haydn) Wedding March from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Andante from K. 316 for Flute and Orchestra (Mozart) Crisantemi (Puccini) Trumpet Tune (Purcell) Ave Maria (Schubert) Am Camin  & Traumerei from Kinderscenen (Schumann) Romeo and Juliet Love Theme from Overture-Fantasy (Tschaikovsky) Allegro from Violin Concerto in E Major, Op. 8 #1 - Spring (Vivaldi) Parts Available for purchase separately 70211  Part 1 Flute or Oboe or Violin 70213  Part 1 Clarinet in Bb 70221  Part 2 Flute or Oboe or Violin70223  Part 2 Clarinet in Bb 70231  Part 3 Viola70236  Part 3 Violin in C  70232  Part 3 French Horn or English Horn in F70233  Part 3 Clarinet in Bb 70241  Part 4 Cello or Bassoon70243  Part 4 Bass Clarinet in Bb 70250  Keyboard or Guitar 70299  Score (Parts 1-4 in C) from Last Resort Music Publishing
$40.00 ≈
35.82€
"Didone Abbandonata" Sonata Op.1, Nr.10 (arr. for Violin and Strings)
"Didone Abbandonata" Sonata Op.1, Nr.10 (arr. for Violin and Strings)
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String Orchestra
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INTERMEDIATE/ADVANCED
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Giuseppe Tartini
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VioArrange
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Violins I and II
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"Didone Abbandonata" Sonata Op
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Vio Arrange
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1160291 Composed by Giuseppe Tartini. Arranged by VioArrange. Baroque,Chamber,Classical. Score and ...
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String Orchestra - Level 4 - Digital Download SKU: A0.1160291 Composed by Giuseppe Tartini. Arranged by VioArrange. Baroque,Chamber,Classical. Score and Parts. 36 pages. Vio Arrange #760575. Published by Vio Arrange (A0.1160291). G.Tartini's Didone abbandonata arranged for Solo Violin and String Orchestra.The PDF file contanis Full Score and set of parts (Violin Solo; Violins I and II; Viola;Cello;Double Bass)Dear all!We are happy to offer varriaty of compostions for Violin and Piano (or Symphony Orchestra) arranged for Violin and String orchestra. For any questions, suggestions or pre-orders please do not hesitate to contact us on vioarrange@gmail.com.
$42.50 ≈
38.06€
Breval Concerto No. 2 for Cello and String Orchestra
Breval Concerto No. 2 for Cello and String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Jean-Baptiste Bréval
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Paul Wood
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Breval Concerto No. 2 for Cell
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.736749 Composed by Jean-Baptiste Bréval. Arranged by Paul Wood. Classical. Score and parts. 45 p...
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String Orchestra - Level 4 - Digital Download SKU: A0.736749 Composed by Jean-Baptiste Bréval. Arranged by Paul Wood. Classical. Score and parts. 45 pages. MyMusicScores.com #5289519. Published by MyMusicScores.com (A0.736749). Jean-Baptiste Sebastien Bréval (6 November 1753 – 18 March 1823) was a French cellist and composer. Bréval wrote symphonies, seven cello concerti, 4 cello sonatas, various chamber music including five sets of cello duets, as well as a comic opera.The PDF contains the Score, Solo Cello, Violin 1, Violin 2, Viola, Vello and Bass parts.
$19.99 ≈
17.90€
Goldberg – Sonata for 2 violins, viola and continuo in C minor
Goldberg – Sonata for 2 violins, viola and continuo in C minor
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String Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Johann Gottlieb Goldberg
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Sneakwood Editions
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Goldberg – Sonata for 2 viol
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Sneakwood Editions
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.890774 Composed by Johann Gottlieb Goldberg. Arranged by Sneakwood Editions. Contemporary. Score an...
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String Orchestra - Level 4 - Digital Download SKU: A0.890774 Composed by Johann Gottlieb Goldberg. Arranged by Sneakwood Editions. Contemporary. Score and parts. 34 pages. Sneakwood Editions #5321919. Published by Sneakwood Editions (A0.890774). ohann Gottlieb Goldberg (1727-1756)[Quartet for two violins, viola and continuo in C minor DürG 14]Sonata per 2 Violini, Viola e Basso .Based on manuscript Staatsbibliothek zu Berlin Mus.ms. 7920. ca. 1750Score and parts: Violin I. Violin II. Viola. Basso (continuo with numbers) and extra basso part without numbers.Goldberg was born in Danzig (Gdańsk), Royal Prussia (a part of the Crown of Poland), and was baptized there on March 14, 1727 at St. Mary’s Church, Gdańsk. Little is known for certain about his childhood, other than that he was an exceptionally talented performer, attracting the attention of Hermann Karl von Keyserlingk, the Russian ambassador to Saxony, around 1737. Goldberg was reported to have studied with both J.S. Bach and Wilhelm Friedemann Bach, J.S. Bach’s eldest son, though the periods of study are not known; Goldberg may have studied with J.S. Bach as early as 1737, shortly after Keyserlingk recognized his talent in Danzig, and Goldberg may have studied with W.F. Bach at any time before 1745. [Wikipedia]
$16.00 ≈
14.33€
Sonata Pian e Forte for String Orchestra
Sonata Pian e Forte for String Orchestra
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String Orchestra
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ADVANCED
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Giovanni Gabrieli
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Emma Butterworth
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Sonata Pian e Forte for String
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Emma Butterworth
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.909026 Composed by Giovanni Gabrieli. Arranged by Emma Butterworth. Baroque,Christian,Classical,Ren...
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String Orchestra - Level 5 - Digital Download SKU: A0.909026 Composed by Giovanni Gabrieli. Arranged by Emma Butterworth. Baroque,Christian,Classical,Renaissance,Sacred. Score and parts. 22 pages. Emma Butterworth #4845535. Published by Emma Butterworth (A0.909026). Giovanni Gabrieli's iconic piece for brass ensemble, one the first to ever feature written dynamics, can now be played by a standard string orchestra (or octet). The antiphonal nature of the original is maintained by having the 1st violins and cellos as one ensemble, and the 2nd violins, violas and double basses as the other. Orchestral seating of violin 1, cello, viola, violin 2 works perfectly for this arrangement, and the score is laid out accordingly.Whilst the double bass part is a great addition to this arrangement, it can also be played without the bass. A violin 3 part is also included in case no violas are available.All of Emma's arrangements find creative and artistic ways to re-present original pieces in a way that suits the new instruments and ensemble whilst maintaining the integrity of the original piece.
$12.99 ≈
11.63€
Divertimento for Strings: FULL SCORE
Divertimento for Strings: FULL SCORE
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String Orchestra
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John McNeil Johnston
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Divertimento for Strings: FULL
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John M. Johnston
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SheetMusicPlus
String Orchestra - Digital Download SKU: A0.1010888 Composed by John McNeil Johnston. Contemporary,Standards. Score and parts. 18 pages. John M. Johnston...
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String Orchestra - Digital Download SKU: A0.1010888 Composed by John McNeil Johnston. Contemporary,Standards. Score and parts. 18 pages. John M. Johnston #2914155. Published by John M. Johnston (A0.1010888). Johnston: Divertimento for Strings: Full Score OnlyDivertimento for Strings was written for advanced Youth or High School string orchestra. It is an exploration of counterpoint, chromaticism, and texture within a construct of playability. As a ‘teaching piece’, it can be useful to point out the various forms: I. Allegro is in a bare-bones Sonata Allegro form. II. Adagio is reminiscent in the latter bars of a Habanera. III. Waltz is just that, a wistful, swirling dance movement. IV. Gigue hearkens back to the Baroque style in compound meter, and is embellished with 19th century chromatic harmonies. This piece was originally written for the Wilton High School Orchestra • Wilton, CT, USA under the direction of, and at the suggestion of Marshall Meade in 2016. I hope you enjoy it! - Mac Johnston Instrumentation: Violins 1A & B, Violins 2 A & B, Violas, Violoncellos 1 & 2, and Double Basses. Copyright © 2016 John McNeil Johnston • all rights reserved.
$75.00 ≈
67.17€
Simple Sonata for Strings - parts only
Simple Sonata for Strings - parts only
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String Quartet: 2 violins, viola, cello
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Classical
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Simon Watkins
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Simple Sonata for Strings - pa
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Simon Watkins
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Digital Download SKU: A0.1019451 Composed by Simon Watkins. Baroque. Score and parts. 10 p...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Digital Download SKU: A0.1019451 Composed by Simon Watkins. Baroque. Score and parts. 10 pages. Simon Watkins #3452173. Published by Simon Watkins (A0.1019451). A sonata in C minor for string orchestra or quintet of two violin parts, viola, cello and double bass. Inspired by baroque forms, it is intended as a relatively simple study with a few more challenging passages. The first movement is a fugue on a robust subject, played at an andante pace. This is followed by a simple chorale-like Lento movement. Finally, a chaconne played Presto - or as near to it as possible! The total duration is around 4 1/2 minutes.This is the parts file. Note that there is one optional low C for double basses with extended range.
$5.99 ≈
5.36€
Simple Sonata for Strings - full score
Simple Sonata for Strings - full score
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Classical
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Simon Watkins
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Simple Sonata for Strings - fu
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Simon Watkins
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1019450 Composed by Simon Watkins. Baroque. Score and p...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1019450 Composed by Simon Watkins. Baroque. Score and parts. 7 pages. Simon Watkins #3452167. Published by Simon Watkins (A0.1019450). A sonata in C minor for string orchestra or quintet of two violin parts, viola, cello and double bass. Inspired by baroque forms, it is intended as a relatively simple study with a few more challenging passages. The first movement is a fugue on a robust subject, played at an andante pace. This is followed by a simple chorale-like Lento movement. Finally, a chaconne played Presto - or as near to it as possible! The total duration is around 4 1/2 minutes.
$5.50 ≈
4.93€
Sonata in F major HWV 370 Op. 1 Nr. 12 - 2nd Movement (Allegro) for solo violin and easy string orch
Sonata in F major HWV 370 Op. 1 Nr. 12 - 2nd Movement (Allegro) for solo violin and easy string orch
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String Orchestra
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EASY
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Classical
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George Frideric Handel
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Claudio Porstmann
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Sonata in F major HWV 370 Op.
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Claudio Porstmann
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.835232 Composed by George Frideric Handel. Arranged by Claudio Porstmann. Baroque,Classical,Instruc...
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String Orchestra - Level 2 - Digital Download SKU: A0.835232 Composed by George Frideric Handel. Arranged by Claudio Porstmann. Baroque,Classical,Instructional,Standards. Score and parts. 12 pages. Claudio Porstmann #4595965. Published by Claudio Porstmann (A0.835232). The second movement of this charming piece by the great G.F. Händel. The original composition is for solo violin and harpsichord, but this arrangement is a student version of the more well-known second movement. The original tempo marking is allegro, but here it is held at a comfortable andante pace for the students to be able to harmonize well together. Ideal for Grades 3-4.The download includes the conductor's score as well as all the individual parts: Solo violin, Violin I, Violin II, Viola, Cellos and Contrabass.
$9.99 ≈
8.95€
Andante from Trio Sonata Op. 5, No. 1: Viola
Andante from Trio Sonata Op. 5, No. 1: Viola
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String Orchestra
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Classical
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George Frideric Handel
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Robert Sieving
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Festival.
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Andante from Trio Sonata Op. 5
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0016381_VA1 Viola. Composed by George Frideric Handel. Arranged by Robert Sieving. Classical. Pa...
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String Orchestra - Digital Download SKU: AX.00-PC-0016381_VA1 Viola. Composed by George Frideric Handel. Arranged by Robert Sieving. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016381_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016381_VA1). UPC: 038081480770.This trio shines as transcribed for string orchestra and makes possible the inclusion of a viola part, both as an equal player in the primary melodic material and in fulfilling harmonic realizations. All parts are playable in first position with the exception of fourth position required occasionally for cellos. Opportunities abound for students to polish Baroque bowing techniques. (4:30) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$5.99 ≈
5.36€
Andante from Trio Sonata Op. 5, No. 1: String Bass
Andante from Trio Sonata Op. 5, No. 1: String Bass
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Doublebass (band part)
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Classical
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George Frideric Handel
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Robert Sieving
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Festival.
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Andante from Trio Sonata Op. 5
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0016381_SB String Bass. Composed by George Frideric Handel. Arranged by Robert Sieving. Classica...
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String Orchestra - Digital Download SKU: AX.00-PC-0016381_SB String Bass. Composed by George Frideric Handel. Arranged by Robert Sieving. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016381_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016381_SB). UPC: 038081480770.This trio shines as transcribed for string orchestra and makes possible the inclusion of a viola part, both as an equal player in the primary melodic material and in fulfilling harmonic realizations. All parts are playable in first position with the exception of fourth position required occasionally for cellos. Opportunities abound for students to polish Baroque bowing techniques. (4:30) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$5.99 ≈
5.36€
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Sonata for Viola and String Orchestra
