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You've selected:
So Called Life
Sheetmusic to print
128 sheet music found
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126
So Called Life
So Called Life
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Marching band
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INTERMEDIATE/ADVANCED
#
Rock
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Three Days Grace
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ÆJENT P
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So Called Life
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ÆJENT P
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SheetMusicPlus
Marching Band - Level 4 - Digital Download SKU: A0.1116986 By Three Days Grace. By Barry Stock, Brad Walst, Matthew Walst, Neil Sanderson, and Ted E Brun...
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Marching Band - Level 4 - Digital Download SKU: A0.1116986 By Three Days Grace. By Barry Stock, Brad Walst, Matthew Walst, Neil Sanderson, and Ted E Bruner. Arranged by ÆJENT P. Rock. Score and parts. 47 pages. ÆJENT P #718628. Published by ÆJENT P (A0.1116986).
$50.00 ≈
45.99€
When the Roll is Called Up Yonder
When the Roll is Called Up Yonder
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Easy Piano
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BEGINNER
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Sacred music
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James Black
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Andres M
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When the Roll is Called Up Yon
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Clem & Jun Bascar
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1381819 Composed by James Black. Arranged by Andres M. Bascar, Jr. 20th Century,A Cappella,Children,Chris...
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Easy Piano - Level 1 - Digital Download SKU: A0.1381819 Composed by James Black. Arranged by Andres M. Bascar, Jr. 20th Century,A Cappella,Children,Christian,Praise & Worship. Score. 2 pages. Clem & Jun Bascar #966472. Published by Clem & Jun Bascar (A0.1381819). Let us teach our children to love, sing and play the hymns of the Christian life today, so that hymns will live forever. The hymn is written in the original key so that the child can play along with the church pianist. Addditionally yhe hymn includes lyrics with letter notes and proper fingering.
$2.99 ≈
2.75€
When the Roll is Called
When the Roll is Called
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Easy Piano
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BEGINNER
#
Sacred music
#
James Black
#
Andres M
#
When the Roll is Called
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Clem & Jun Bascar
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1381823 Composed by James Black. Arranged by Andres M. Bascar, Jr. 21st Century,A Cappella,Children,Chris...
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Easy Piano - Level 1 - Digital Download SKU: A0.1381823 Composed by James Black. Arranged by Andres M. Bascar, Jr. 21st Century,A Cappella,Children,Christian,Praise & Worship. Score. 2 pages. Clem & Jun Bascar #966474. Published by Clem & Jun Bascar (A0.1381823). Let us teach our children today to love, sing and play hymns so that our next generation could still enjoy the bountiful riches that hymns can brint to our Christian life.
$2.99 ≈
2.75€
Wonderful Words of Life
Wonderful Words of Life
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Wonderful Words of Life
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SheetMusicPlus
Large Print Hymnal Large P...
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Large Print Hymnal Large Print Hymnal - 125 of the best known hymns and gospel songs in LARGE PRINT (16 pt Ariel) and lower keys. Also includes 30 thoughtful devotionals on subjects such as Fear, Grace, etc. which serve as song and topic dividers. You'll treasure this attractive songbook! New! You asked, we listened: We now offer recordings of the piano accompaniments for the entire book. Each hymn has been recorded in its entirety. A set of 5 CDs to sing along with makes it possible to enjoy group performance of the great hymns anywhere there is a CD player
Song List
: A Child Of The King A Mighty Fortress Is Our God Abide with Me Amazing Grace At Calvary At the Cross Be Still, My Soul Beneath The Cross Of Jesus Beyond The Sunset Blessed Assurance Blest Be The Tie That Binds Break Thou The Bread Of Life Bringing In The Sheaves Christ Arose! Christ, the Lord, Is Risen Today Come, Thou Almighty King Come, Thou Fount Of Every Blessing Come, We That Love The Lord Come, Ye Thankful People, Come Count Your Blessings Crown Him with Many Crowns Day Is Dying In The West Face to Face with Christ My Savior Fairest Lord Jesus Faith of Our Fathers For The Beauty Of The Earth God Be With You God Of Our Fathers God Will Take Care of You Great Is Thy Faithfulness Guide Me, O Thou Great Jehovah Have Thine Own Way, Lord! He Leadeth Me He Lives He's Got The Whole World In His Hands Heavenly Sunlight Hiding In Thee His Eye Is On The Sparrow His Name Is Wonderful Holy, Holy, Holy How Firm A Foundation How Great Thou Art I Am His And He Is Mine I Am Thine, O Lord I Have Decided to Follow Jesus I Know Whom I Have Believed I Love To Tell The Story i need Thee Every hour In Christ There Is No East Or West In the Cross of Christ In the Garden It Came Upon the Midnight Clear It Is Well With My Soul Ivory Palaces Jesus Calls Us Jesus Is All The World To Me Jesus Loves Me! Jesus, Savior, Pilot Me Jesus, the Very Thought of Thee Joy To The World Just A Closer Walk With Thee Just As I Am, Without One Plea Lead Me To Calvary Leaning on the Everlasting Arms Let The Lower Lights Be Burning Love Divine, All Loves Excelling More About Jesus Would I Know More Love To Thee My Faith Looks Up To Thee My Hope Is Built On Nothing Less My Jesus, I Love Thee Near The Cross Near to the Heart of God Nearer, My God, to Thee No, Not One! Now Thank We All Our God O Come, All Ye Faithful O For A Heart To Praise My God O for a Thousand Tongues to Sing O God, Our Help In Ages Past O Happy Day Oh, How He Loves You and Me! Oh, How I Love Jesus O Little Town of Bethlehem O Love That Will Not Let Me Go O Master, Let Me Walk With Thee O Worship the King Only Trust Him Onward, Christian Soldiers Open My Eyes, That I May See Pass Me Not Rescue the Perishing Revive Us Again Rock Of Ages Safe In The Arms Of Jesus Saved By Grace Savior, Like a Shepherd Lead Us Shall We Gather at the River? Showers Of Blessing Silent Night! Holy Night! Stand Up, Stand Up for Jesus Standing On The Promises Sweet By And By Sweet Hour of Prayer Take My Life and Let It Be Take The Name Of Jesus With You Take Time To Be Holy Tell Me The Old, Old Story The Bond Of Love The Church In The Wildwood The Church's One Foundation The Light Of The World Is Jesus The Lord's My Shepherd, I'll Not Want The Old Rugged Cross This Is My Father's World 'Tis So Sweet to Trust in Jesus Trust and Obey Turn Your Eyes upon Jesus Were You There? What a Friends We Have in Jesus When I Survey the Wondrous Cross When Morning Gilds the Skies When The Roll Is Called Up Yonder Wonderful Words Of Life
$19.95 ≈
18.35€
The Flying Dutchman
The Flying Dutchman
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Classical
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99 ≈
39.54€
Der fliegende Holländer
Der fliegende Holländer
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Classical
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Di...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99 ≈
44.14€
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.50€
Robe Yourself with Joy and Gladness (4-part hymn-style)
Robe Yourself with Joy and Gladness (4-part hymn-style)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Words: Johann Franck, tr
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Lyndell Leatherman
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Robe Yourself with Joy and Gla
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Leatherman Music Services
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1245807 Composed by Words: Johann Franck, tr. Catherine Winkworth / Music: Lyndell Leatherman. A...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1245807 Composed by Words: Johann Franck, tr. Catherine Winkworth / Music: Lyndell Leatherman. Arranged by Lyndell Leatherman. Advent,Christian,Religious,Sacred. Octavo. 1 pages. Leatherman Music Services #840637. Published by Leatherman Music Services (A0.1245807). This is the four-part hymn-style edition of this Eucharistic hymn, to facilitate congregational singing. As far as I am concerned, you may purchase the minimum amount of copies that SheetMusicPlus will allow, and then freely duplicate the song sheet for inclusion in worship bulletins. Other editions are available:A FESTIVAL CHOIR arrangement of this hymn is available here: https://www.arrangeme.com/title/436143A PIANO/ORGAN Duet of the hymn is available here: https://www.arrangeme.com/title/436144Here are some program notes: Johann Franck (1618-1677) was born in Guben, Germany, the son of a lawyer. Like his father, Johann studied law at the University of Konigsburg, where–in addition to his studies–he developed a warm friendship with a group of hymnists and poets. Returning home, he began his law practice and eventually became mayor of Guben. As an avocation, the Lutheran politician wrote poems–and soonbecame known as one of the leading hymnists of his time, ranked only behind Gerhard. He is credited for the creation of a group of so-called Jesus hymns, building the foundation for the pietistic hymn movement that would later sweep through Europe. Franck once wrote that poetry should be the nurse of piety, the herald of immortality, the promoter of cheerfulness, the conqueror of sadness, and a foretaste of heavenly glory. Indeed, his hymns echoed his own spirit of encouragement.Lyndell Leatherman (b. 1953) was born into a Nazarene parsonage in southeast Kansas. After studying church music and composition at Olivet Nazarene University (Kankakee, Illinois) and Illinois State University (Bloomington-Normal, Illinois), he launched into a life of music ministry. Since 1977 he has enjoyed a diverse career as church musician, editor, accompanist, composer, and arranger. In 1998 he became aware of Franck’s eucharistic / Advent hymn, translated either Deck Thyself with Joy and Gladness (Mattes) or Deck Thyself, My Soul, with Gladness (Winkworth). Because the text was unique in its unusually exultant treatment of the sacrament of holy communion, Lyndell felt that the hymn was worthy of renewed consideration in the third millennium of Christian worship. So he updated the language and gave it the new musical setting used here. ************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$1.99 ≈
1.83€
Ave Verum Corpus for Brass Quartet
Ave Verum Corpus for Brass Quartet
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William Byrd
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James Haynor
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Ave Verum Corpus for Brass Qua
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James Haynor
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.782215 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissa...
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Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.782215 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred. Score and parts. 13 pages. James Haynor #3569941. Published by James Haynor (A0.782215). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Ave Verum Corpus written for four voices is a great example of his work and transcribes well for brass quartet. Scored here for flugelhorns, trumpets may certainly be used. ( Duration 3:30 )
$10.00 ≈
9.20€
Ave Verum Corpus for Clarinet Quartet
Ave Verum Corpus for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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William Byrd
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James Haynor
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Ave Verum Corpus for Clarinet
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James Haynor
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.782214 Composed by William Byrd. Arranged by James Haynor. Praise & Wors...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.782214 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred. 13 pages. James Haynor #3570865. Published by James Haynor (A0.782214). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Ave Verum Corpus written for four voices is a great example of his work and transcribes well for clarinet quartet. ( Duration 3:30 )
$10.00 ≈
9.20€
Ave Verum Corpus for Trombone Quartet
Ave Verum Corpus for Trombone Quartet
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Brass Quartet: 4 trombones
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INTERMEDIATE/ADVANCED
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William Byrd
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James Haynor
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Ave Verum Corpus for Trombone
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James Haynor
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.782216 Composed by William Byrd. Arranged by James Haynor. Renaissance,Sacred,Spiritual. Sco...
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.782216 Composed by William Byrd. Arranged by James Haynor. Renaissance,Sacred,Spiritual. Score and parts. 13 pages. James Haynor #3571413. Published by James Haynor (A0.782216). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Ave Verum Corpus written for four voices is a great example of his work and transcribes well for trombone quartet. ( Duration 3:30 )
$10.00 ≈
9.20€
Libera me, Domine for Trombone Quintet
Libera me, Domine for Trombone Quintet
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William Byrd
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James Haynor
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Libera me, Domine for Trombone
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James Haynor
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SheetMusicPlus
Brass Ensemble Trombone - Digital Download SKU: A0.782236 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritu...
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Brass Ensemble Trombone - Digital Download SKU: A0.782236 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 27 pages. James Haynor #3882899. Published by James Haynor (A0.782236). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Libera me, Domine written for five voices is a great example of his work and transcribes well for trombone quintet. ( Duration 6:30 )
$10.00 ≈
9.20€
Libera me, Domine for Clarinet Quintet
Libera me, Domine for Clarinet Quintet
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Clarinet Ensemble
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INTERMEDIATE/ADVANCED
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William Byrd
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James Haynor
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Libera me, Domine for Clarinet
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James Haynor
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.782237 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,S...
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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.782237 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. 27 pages. James Haynor #3885545. Published by James Haynor (A0.782237). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Libera me, Domine written for five voices is a great example of his work and transcribes well for clarinet quintet. ( Duration 6:30 )
$10.00 ≈
9.20€
Sieben Fragmente für Orchester
Sieben Fragmente für Orchester
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Orchestra
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Aribert Reimann
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Sieben Fragmente für Orcheste
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Schott Music - Digital
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SheetMusicPlus
Orchestra - Digital Download SKU: S9.Q6453 In memoriam Robert Schumann. Composed by Aribert Reimann. This edition: study score. Music Of Our Time....
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Orchestra - Digital Download SKU: S9.Q6453 In memoriam Robert Schumann. Composed by Aribert Reimann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 14 minutes. Schott Music - Digital #Q6453. Published by Schott Music - Digital (S9.Q6453). This most frequently played orchestral work by Aribert Reimann quotes from and makes use of Robert Schumann's last finished composition, the so-called 'Geistervariationen' [Ghost Variations] in E flat major for piano from 1854, composed shortly before Schumann's suicide attempt. Reflecting on Schumann's subsequent life in Endenich, Reimann leaves the lyrical character of the original unchanged. But the breaking up of the theme into the third, fifth and seventh fragments symbolizes the transition from dreamy imagination to sickly brooding.
$33.99 ≈
31.26€
Granica
Granica
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Enjott Schneider
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Granica
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Schott Music - Digital
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SheetMusicPlus
2 pianos and percussion - difficult - Digital Download SKU: S9.Q7125 Dance Toward Death. Composed by Enjott Schneider. This edition: score and par...
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2 pianos and percussion - difficult - Digital Download SKU: S9.Q7125 Dance Toward Death. Composed by Enjott Schneider. This edition: score and parts. Downloadable, Score and parts. Duration 10 minutes. Schott Music - Digital #Q7125. Published by Schott Music - Digital (S9.Q7125). With Granica, Enjott Schneider presents a work in which three instruments play alongside each other in a concertante manner on an equal basis. As in most of his pieces, he makes careful use of contemporary playing techniques and combines turbulent passages with quiet, narrative phases. The one-part work starts with a 'dance of life', so called by Enjott Schneider. In the course of the piece, this lively, dynamic dance changes and eventually disappears in the 'depths of death'. Granica comes from the Slavonic and means 'border'. The work was commissioned by the Embassy of Cyprus.2 Klaviere · S. (Vibraphon, auch mit Kontrabassbogen gestrichen · Crotales, auch mit Kontrabassbogen gestrichen, ad lib. Vibraphon, hohe Lage · Triangel, am Ständer · hängendes Becken, tief · Bell tree · Tamtam · Tamburin, auf Ständer · Tomtoms, ad lib. Rototoms · Holzplatten, hell klingend, ad lib. auf Fell liegend · Große Trommel) (1 Spieler).
$42.99 ≈
39.54€
Libera me, Domine for Brass Quintet
Libera me, Domine for Brass Quintet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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William Byrd
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James Haynor
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Libera me, Domine for Brass Qu
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James Haynor
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782235 Composed by William Byrd. Arranged by James Haynor. Praise & Worshi...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782235 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 32 pages. James Haynor #3882793. Published by James Haynor (A0.782235). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Libera me, Domine written for five voices is a great example of his work and transcribes well for brass quintet. ( Duration 6:30 )
$10.00 ≈
9.20€
Epitaphios for string quartet
Epitaphios for string quartet
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Contemporary
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correlation and superimpositio
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Vahram Sarkissian
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Epitaphios for string quartet
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Vahram Sargsyan
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.882928 Composed by Vahram Sarkissian (Sargsyan). 20th Century,Conte...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.882928 Composed by Vahram Sarkissian (Sargsyan). 20th Century,Contemporary. Score and parts. 55 pages. Vahram Sargsyan #2803825. Published by Vahram Sargsyan (A0.882928). EpitaphiosThe idea to write a piece which would embed various eastern instrumental playing techniques into western aesthetic milieu was the main musical trigger for Epitaphios. There are some pre-existing musical materials involved in the creative process. First and the main reference comes from so-called Seikilos Epitaph - a Hellenistic ancient Greek song which is the oldest surviving example of a complete musical composition. It is notated on a tombstone, a stele dating back to around 1st century AD which was found in present western Turkey. Other 2 main references are nearly tonal neo-romantic sacred music and perhaps most interestingly microtonal Middle Eastern music ornaments peculiar to traditional bowed string instruments such as Kamancha. By correlation and superimposition of these 3 different styles the composer created a complex, multilayered somewhat eclectic atmosphere which may allusively reflect the composite approach to the problem of life and death from rational, emotional and spiritual perspectives.The recording is a live performance by Movses Pogossian and Armen Derkevorkian, violins, Tien-Hsin Cindy Wu, viola, Vardan Gasparyan, cello at Zipper Hall, Los Angeles (2015).Vahram Sarkissian (Sargsyan)One of the most distinguished Armenian composers of his generation Vahram Sarkissian is best known for his choral and chamber works that have been widely performed throughout Europe, Asia and North America. His style represents a palette of multicultural creative initiatives influenced by numerous traditions and practices spanning from V century Armenian medieval chant to previously unreported endogenous vocal extended techniques.
$44.99 ≈
41.38€
Libera me, Domine for Woodwind Quintet
Libera me, Domine for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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William Byrd
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James Haynor
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Libera me, Domine for Woodwind
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James Haynor
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.782238 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Re...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.782238 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 32 pages. James Haynor #3886455. Published by James Haynor (A0.782238). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Libera me, Domine written for five voices is a great example of his work and transcribes well for woodwind quintet. ( Duration 6:30 )
$10.00 ≈
9.20€
Vasily Polikarpovich Titov - БезневеÑÑ‚Ð½Ð°Ñ Ð”ÐµÐ²o (Beznevestnaja Devo / O Unwedded Virgi
Vasily Polikarpovich Titov - БезневеÑÑ‚Ð½Ð°Ñ Ð”ÐµÐ²o (Beznevestnaja Devo / O Unwedded Virgi
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Choral SATB
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Vasily Polikarpovich Titov, Ð
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Guido Menestrina
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Vasily Polikarpovich Titov -
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB divisi) - Digital Download SKU: A0.828710 Composed by Vasily Polikarpovich Titov, ВаÑилий ПоликÐ...
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Choral Choir (SATB divisi) - Digital Download SKU: A0.828710 Composed by Vasily Polikarpovich Titov, ВаÑилий Поликарпович Титов. Arranged by Guido Menestrina. Baroque. Octavo. 7 pages. Guido Menestrina #427705. Published by Guido Menestrina (A0.828710). Vasily Polikarpovich Titov (ВаÑилий Поликарпович Титов) - БезневеÑÑ‚Ð½Ð°Ñ Ð”ÐµÐ²o (Beznevestnaja Devo - O Unwedded Virgin) Transcribed by Guido Menestrina - follow the score on youtube: https://youtu.be/RB2xDtRO6Vs Vasily Polikarpovich Titov (Russian: ВаÑилий Поликарпович Титов; c.1650–c.1715) was a Russian composer, one of the foremost exponents of the so-called Moscow Baroque. Although Titov's works are not widely known today, he was famous during his lifetime, and his importance was acknowledged in Russia by both pre-revolutionary and Soviet musicologists. Buying this item entitles you to request it in transliteration from cyrilic as well: just ask for it at info@guidomenestrina.it.
$2.99 ≈
2.75€
Nothing Compares (Anthem) - Orchestration
Nothing Compares (Anthem) - Orchestration
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Sacred music
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Gospel/Spiritual
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and pa...
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
$49.99 ≈
45.98€
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So Called Life
