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Slightly Out Of Tune
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You've selected:
Slightly Out Of Tune
SheetMusicPlus
Sheetmusic to print
204 sheet music found
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201
Slightly Out Of Tune (Desafinado)
Slightly Out Of Tune (Desafinado)
#
Organ
#
Slightly Out Of Tune
#
Hal Leonard - Digital
#
SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.1080231 This edition: scorch. E-Z Play Today. Jazz,Latin,Standards. Score. 2 page...
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.1080231 This edition: scorch. E-Z Play Today. Jazz,Latin,Standards. Score. 2 pages. Hal Leonard - Digital #189430. Published by Hal Leonard - Digital (HX.1080231). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.75€
In the Hall of the Mountain King (arranged for sax quintet)
In the Hall of the Mountain King (arranged for sax quintet)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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EASY
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Classical
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Edvard Grieg
#
Fran Griffin
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In the Hall of the Mountain Ki
#
Gryphon Music Australia
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.787485 Composed by Edvard Grieg. Arranged by Fran Griffin. 20th Century. 18 pages...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.787485 Composed by Edvard Grieg. Arranged by Fran Griffin. 20th Century. 18 pages. Gryphon Music Australia #3536093. Published by Gryphon Music Australia (A0.787485). Here is an arrangement for five alto saxes of Grieg's very well known movement from his Peer Gynt suite, In the Hall of the Mountain King. It is suitable for young players who are enjoy ensemble playing. Sax 4 is slightly easier, but the other parts are of equal difficulty, and the work is shared around so that everyone gets to play the tune and also be the goblins and trolls. Nobody has to play the quaver passages alone, so this arrangement is a good confidence builder.It is a good introduction to playing in an ensemble whilst maintaining a constant accelerando without getting out of control.
$14.50 ≈
13.35€
Desafinado (Slightly Out Of Tune)
Desafinado (Slightly Out Of Tune)
#
Guitar notes and tablatures
#
Jazz
#
Antonio Carlos Jobim
#
Desafinado
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Antonio Carlos Jobim. Jazz. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Antonio Carlos Jobim. Jazz. Guitar TAB. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.59€
Slightly Out Of Tune
Slightly Out Of Tune
#
Melody line, (Lyrics) and Chords
#
Jazz
#
Antonio Carlos Jobim
#
Slightly Out Of Tune
#
Hal Leonard Europe
#
SheetMusicPlus
Digital Download SKU: HX.15761 By Antonio Carlos Jobim. Jazz. Lead Sheet / Fake Book. 2 pages. Hal Leonard Europe #70. Published by Hal Leonard Europe (H...
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Digital Download SKU: HX.15761 By Antonio Carlos Jobim. Jazz. Lead Sheet / Fake Book. 2 pages. Hal Leonard Europe #70. Published by Hal Leonard Europe (HX.15761).
$3.99 ≈
3.67€
Slightly Out Of Tune (desafinado)
Slightly Out Of Tune (desafinado)
#
C Instruments
#
Antonio Carlos Jobim, Jessie C
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Philip M Jackson
#
Slightly Out Of Tune
#
Philip M Jackson
#
SheetMusicPlus
C Instrument - Digital Download SKU: A0.998213 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Newton Mendonca. Arranged by Philip...
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C Instrument - Digital Download SKU: A0.998213 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Newton Mendonca. Arranged by Philip M Jackson. Jazz,Latin,Standards. Lead Sheet / Fake Book. 2 pages. Philip M Jackson #603869. Published by Philip M Jackson (A0.998213). Desafinado Lead Sheet. The sheet music contains the melody by Jobim in standard notation with the English lyrics by Jon Hendricks. The chords are included as chord symbols. Philip https://freewheelinguitar.com/.
$3.99 ≈
3.67€
Slightly Out Of Tune (Desafinado)
Slightly Out Of Tune (Desafinado)
#
C Instruments
#
Antonio Carlos Jobim
#
Slightly Out Of Tune
#
Hal Leonard - Digital
#
SheetMusicPlus
C Instrument - Digital Download SKU: HX.399921 By Antonio Carlos Jobim. This edition: scorch. Jazz,Latin,Standards. Easy Lead Sheet / Fake Book. 2 pages....
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C Instrument - Digital Download SKU: HX.399921 By Antonio Carlos Jobim. This edition: scorch. Jazz,Latin,Standards. Easy Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #189430. Published by Hal Leonard - Digital (HX.399921).
$3.99 ≈
3.67€
Slightly Out Of Tune (Desafinado) (High Voice)
Slightly Out Of Tune (Desafinado) (High Voice)
#
High voice
#
Slightly Out Of Tune
#
Hal Leonard - Digital
#
SheetMusicPlus
(High Voice) - Digital Download SKU: HX.470323 Jazz,Latin,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.47...
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(High Voice) - Digital Download SKU: HX.470323 Jazz,Latin,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470323).
$1.99 ≈
1.83€
Desafinado (Slightly Out of Tune) (arr. Paris Rutherford)
Desafinado (Slightly Out of Tune) (arr. Paris Rutherford)
#
Antonio Carlos Jobim
#
Paris Rutherford
#
Desafinado
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral Accompaniment Only - Digital Download SKU: HX.1220219 Composed by Antonio Carlos Jobim. Arranged by Paris Rutherford. Easy Listening,Jazz,Latin Am...
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Choral Accompaniment Only - Digital Download SKU: HX.1220219 Composed by Antonio Carlos Jobim. Arranged by Paris Rutherford. Easy Listening,Jazz,Latin American,Love,Pop,Standards. Octavo. Duration 231. Hal Leonard - Digital #189430. Published by Hal Leonard - Digital (HX.1220219).
$26.99 ≈
24.84€
Desafinado (Slightly Out of Tune) (arr. Paris Rutherford)
Desafinado (Slightly Out of Tune) (arr. Paris Rutherford)
#
Antonio Carlos Jobim
#
Paris Rutherford
#
Desafinado
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral - Digital Download SKU: HX.1220218 Composed by Antonio Carlos Jobim. Arranged by Paris Rutherford. Easy Listening,Jazz,Latin American,Love,Pop,Sta...
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Choral - Digital Download SKU: HX.1220218 Composed by Antonio Carlos Jobim. Arranged by Paris Rutherford. Easy Listening,Jazz,Latin American,Love,Pop,Standards. Octavo. Duration 231. Hal Leonard - Digital #189430. Published by Hal Leonard - Digital (HX.1220218).
$1.99 ≈
1.83€
Slightly Out Of Tune (Desafinado) (Low Voice)
Slightly Out Of Tune (Desafinado) (Low Voice)
#
Melody line, (Lyrics) and Chords
#
Antonio Carlos Jobim
#
Slightly Out Of Tune
#
Hal Leonard - Digital
#
SheetMusicPlus
Voice - Digital Download SKU: HX.1304582 By Antonio Carlos Jobim. This edition: scorch. Jazz,Latin. Real Book - Melody/Chords/Lyrics. 2 pages. Hal Leonar...
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Voice - Digital Download SKU: HX.1304582 By Antonio Carlos Jobim. This edition: scorch. Jazz,Latin. Real Book - Melody/Chords/Lyrics. 2 pages. Hal Leonard - Digital #189430. Published by Hal Leonard - Digital (HX.1304582).
$1.99 ≈
1.83€
Slightly Out Of Tune (desafinado)
Slightly Out Of Tune (desafinado)
#
Guitar notes and tablatures
#
ADVANCED
#
Contemporary
#
Antonio Carlos Jobim
#
Jussi Kontinen
#
Slightly Out Of Tune
#
Jussi Kontinen
#
SheetMusicPlus
Guitar - Level 5 - Digital Download SKU: A0.949845 Composed by Antonio Carlos Jobim. Arranged by Jussi Kontinen. Contemporary. Guitar Tab. 4 pages. Jussi...
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Guitar - Level 5 - Digital Download SKU: A0.949845 Composed by Antonio Carlos Jobim. Arranged by Jussi Kontinen. Contemporary. Guitar Tab. 4 pages. Jussi Kontinen #6098077. Published by Jussi Kontinen (A0.949845). Fingerstyle solo guitar arrangement.
$4.99 ≈
4.59€
Slightly Out Of Tune (Desafinado) [Jazz version] (arr. Brent Edstrom)
Slightly Out Of Tune (Desafinado) [Jazz version] (arr. Brent Edstrom)
#
Piano solo
#
Antonio Carlos Jobim
#
Brent Edstrom
#
Slightly Out Of Tune
#
Hal Leonard - Digital
#
SheetMusicPlus
Piano Solo,Piano and Keyboard - Interactive Download SKU: HX.450114 Composed by Antonio Carlos Jobim. Arranged by Brent Edstrom. This edition: Interactiv...
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Piano Solo,Piano and Keyboard - Interactive Download SKU: HX.450114 Composed by Antonio Carlos Jobim. Arranged by Brent Edstrom. This edition: Interactive Download,scorch. Jazz,Latin,Standards. Score. 4 pages. Hal Leonard - Digital #189430. Published by Hal Leonard - Digital (HX.450114).
$4.99 ≈
4.59€
Slightly Out Of Tune (desafinado)
Slightly Out Of Tune (desafinado)
#
Guitar notes and tablatures
#
Latin/World Music
#
Newton Mendonca, Antonio Car
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Philip Jackson
#
Slightly Out Of Tune
#
Philip M Jackson
#
SheetMusicPlus
Composed by Newton Mendonca, Antonio Carlos Jobim, Jon Hendricks, and Jessie Cavanaugh. Arranged by Philip Jackson. Jazz, Latin, Standards. Guitar Tab...
(+)
Composed by Newton Mendonca, Antonio Carlos Jobim, Jon Hendricks, and Jessie Cavanaugh. Arranged by Philip Jackson. Jazz, Latin, Standards. Guitar Tab. 3 pages. Philip M Jackson #643448. Published by Philip M Jackson
$4.99 ≈
4.59€
March of the Shadows
March of the Shadows
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Concert band
#
BEGINNER
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Martin J
#
March of the Shadows
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Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 1 - Digital Download SKU: IZ.CBS163-S Composed by Martin J. Wimmer. Score. 10 pages. Imagine Music - Digital #CBS163-S. Published by...
(+)
Concert band - Grade 1 - Digital Download SKU: IZ.CBS163-S Composed by Martin J. Wimmer. Score. 10 pages. Imagine Music - Digital #CBS163-S. Published by Imagine Music - Digital (IZ.CBS163-S). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.
$8.00 ≈
7.36€
March of the Shadows
March of the Shadows
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Concert band
#
BEGINNER
#
Martin J
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March of the Shadows
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 1 - Digital Download SKU: IZ.CBS163 Composed by Martin J. Wimmer. Score and Parts. 26 pages. Imagine Music - Digital #CBS163. Publis...
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Concert band - Grade 1 - Digital Download SKU: IZ.CBS163 Composed by Martin J. Wimmer. Score and Parts. 26 pages. Imagine Music - Digital #CBS163. Published by Imagine Music - Digital (IZ.CBS163). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.
$40.00 ≈
36.82€
Carol of the Wise Men
Carol of the Wise Men
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Choral SATB
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EASY
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Annie Routley
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Carol of the Wise Men
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Annie Routley
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. ...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie Routley #4301147. Published by Annie Routley (A0.914719). This is the full score - piano accompaniment, drum and SATB choir. A choir score is available separately This carol is designed to be very easy to learn and perform. It needs to be accompanied by piano (simple part) and drum (no snare). A bodhran or cajon would work just as well. There is one minor-key tune for both the men and ladies to learn. (This works as a 4-part round later in the carol) · The men start, accompanied just by the piano ostinato. The drum doesn’t enter until bar 7, when the men finish their ‘drums drumming’ · While the ladies sing verse 2, the men sing ‘Drum, drum’ in consecutive 5ths. NB, the melody is slightly different at the end of the ladies’ verse, since the words ‘poor and lowly stable’ need the melody to come down rather than go up · Then the ladies sing the ‘Drum, drum’ 5ths whilst the men sing verse 3 · Everyone sings verse 4 in unison and joyously · Everyone then sings verse 4 twice in a round – basses, altos, tenors then sopranos · Everyone repeats the last line of verse 4 ‘The child we’ve waited for is born …’ together (the piano and drum cut out so that the voices are unaccompanied in bar 35 – and then resume for bar 36) · ‘O hear the angels singing’ (unaccompanied) – then a loud chord and drum on beat 3 of the last bar Enjoy! A high-definition video of the carol is available on YouTube – type in ‘Carol of the Wise Men – CMM Choir’ and select the picture with the choir ladies in white blouses and red scarves
$4.51 ≈
4.15€
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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English Folk Song by way of Am
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
7.32€
9.28.85
9.28.85
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Trombone
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ADVANCED
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #201...
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99 ≈
7.35€
Wayfaring Stranger ( s s a a )
Wayfaring Stranger ( s s a a )
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Choral SSAA
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INTERMEDIATE
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Clifford W
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Clifford W
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Mishy Kirby Director
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Wayfaring Stranger
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Clifford W. King
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.912076 By Clifford W. King. By American Folk Song. Arranged by Clifford W. King. A Cappella,Folk...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.912076 By Clifford W. King. By American Folk Song. Arranged by Clifford W. King. A Cappella,Folk,Sacred,Spiritual,Traditional. Octavo. 6 pages. Clifford W. King #518005. Published by Clifford W. King (A0.912076). Traditional American Folk Song ( s s a ) a cappella For Bonneville High School Lake Unity Women's Choir, 2002; Mishy Kirby Director. Wayfaring Stranger in 4-part women’s voicing is a beautifully pensive arrangement of the traditional folk song. It is one of those pieces that will make a women’s chorus shine. A soloist begins the familiar melody followed by the addition of rich, angelic harmonies. A few stunning chord progressions lend to the unique and reflective quality of this arrangement. Singers and audiences will fall in love with this piece. Duration: 4:00 Clifford W. King is an award-winning Salt Lake City-based composer, teacher and singer. Recent commissions include the Salt Lake Choral Artists, Cantorum Chamber Choir and Wasatch Chorale. His recording credits include the soundtrack to various video games and television programs. His teachers and mentors include Brady Allred, Clayton Furch, Mark Henderson, Evelyn Harris, Miguel Chuaqui, and Igor Iacimciuc among many others His music is published by Carus-Verlag and Hinshaw Music. He is the composer for the popular YouTube series and podcast Profiling Evil. Cliff loves slightly out-of-tune pianos, bighorn sheep, and rooibos tea. www.cliffordwking.com.
$1.99 ≈
1.83€
Sanctus (from "Missa Brevis") ( s a t b )
Sanctus (from "Missa Brevis") ( s a t b )
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Choral SATB
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INTERMEDIATE
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Clifford W
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Sanctus
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Clifford W. King
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.990423 Composed by Clifford W. King. 20th Century,A Cappella,Classical,Contemporary,Sacre...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.990423 Composed by Clifford W. King. 20th Century,A Cappella,Classical,Contemporary,Sacred. Octavo. 10 pages. Clifford W. King #596011. Published by Clifford W. King (A0.990423). For ( sa t b ) choir a cappella by Clifford W. King mvt. iii of Missa Brevis Holy, Holy, Holy is the Lord God of Hosts. Heaven and earth are full of your glory. Hosanna in the highest. Blessed is he that comes in the name or the Lord. Simply stunning are words that describe this Sanctus arrangement. The piece includes beautifully meditative sections of rich homophonic textures and expressive contrapuntal sections. The harmonic progressions throughout the piece are exquisite and unexpected grace notes embellish the contrapuntal section beautifully. Glorious harmonies finish off this superb arrangement. This piece will be among the most musically inspiring pieces your choir will ever sing. Duration: 4'30 https://www.cliffordwking.com Clifford W. King is an award-winning Salt Lake City-based composer, teacher and singer. Recent commissions include the Salt Lake Choral Artists, Cantorum Chamber Choir and Wasatch Chorale. His recording credits include the soundtrack to various video games and television programs. His teachers and mentors include Brady Allred, Clayton Furch, Mark Henderson, Evelyn Harris, Miguel Chuaqui, and Igor Iacimciuc among many others His music is published by Carus-Verlag and Hinshaw Music. He is the composer for the popular YouTube series and Podcast Profiling Evil. Cliff loves slightly out-of-tune pianos, bighorn sheep, and rooibos tea.
$1.99 ≈
1.83€
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