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Sinfonia a 10
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You've selected:
Sinfonia a 10
Sheetmusic to print
42 sheet music found
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1
26
Sinfonia a 10
Sinfonia a 10
#
Ignaz Holzbauer
#
Sinfonia a 10
#
Schott Music - Digital
#
SheetMusicPlus
2 oboes, 2 bassoons, 2 horns and strings; harpsichord ad libitum - advanced - Digital Download SKU: S9.Q49828 E flat major. Composed by Ignaz Holz...
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2 oboes, 2 bassoons, 2 horns and strings; harpsichord ad libitum - advanced - Digital Download SKU: S9.Q49828 E flat major. Composed by Ignaz Holzbauer. This edition: set of string parts (supplementary). Concertino. Downloadable, Set of string parts (supplementary). Op. 4/3. Duration 12 minutes. Schott Music - Digital #Q49828. Published by Schott Music - Digital (S9.Q49828). Key: E flat major.This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a finale „La tempesta del mare.
$23.99 ≈
21.58€
Sinfonia a 10
Sinfonia a 10
#
Ignaz Holzbauer
#
Sinfonia a 10
#
Schott Music - Digital
#
SheetMusicPlus
2 oboes, 2 bassoons, 2 horns and strings; harpsichord ad libitum - advanced - Digital Download SKU: S9.Q21593 E flat Major. Composed by Ignaz Holz...
(+)
2 oboes, 2 bassoons, 2 horns and strings; harpsichord ad libitum - advanced - Digital Download SKU: S9.Q21593 E flat Major. Composed by Ignaz Holzbauer. This edition: set of parts. Concertino. Downloadable, set of parts. Op. 4/3. Duration 12 minutes. Schott Music - Digital #Q21593. Published by Schott Music - Digital (S9.Q21593). Key: E flat major.This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a finale „La tempesta del mare.
$60.99 ≈
54.85€
Sinfonia a 10
Sinfonia a 10
#
Ignaz Holzbauer
#
Sinfonia a 10
#
Schott Music - Digital
#
SheetMusicPlus
2 oboes, 2 bassoons, 2 horns and strings; harpsichord ad libitum - advanced - Digital Download SKU: S9.Q16343 E flat Major. Composed by Ignaz Holz...
(+)
2 oboes, 2 bassoons, 2 horns and strings; harpsichord ad libitum - advanced - Digital Download SKU: S9.Q16343 E flat Major. Composed by Ignaz Holzbauer. This edition: score. Concertino. Downloadable, Score. Op. 4/3. Duration 12 minutes. Schott Music - Digital #Q16343. Published by Schott Music - Digital (S9.Q16343). Key: E flat major.This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a finale „La tempesta del mare.
$18.99 ≈
17.08€
Sinfonia No.10 BWV.796 for Two Violins & Viola
Sinfonia No.10 BWV.796 for Two Violins & Viola
#
Violin, Viola (duet)
#
Classical
#
Johann Sebastian Bach
#
Mikio Kamada
#
Sinfonia No.10 BWV.796 for Two
#
ACORDO Sheet Music
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Digital Download SKU: A0.777869 Composed by Johann Sebastian Bach. Arranged by Mikio Kamada. Baroque. ...
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Instrumental Duet Instrumental Duet,Viola,Violin - Digital Download SKU: A0.777869 Composed by Johann Sebastian Bach. Arranged by Mikio Kamada. Baroque. Score and parts. 5 pages. ACORDO Sheet Music #62229. Published by ACORDO Sheet Music (A0.777869). Sinfonias No.1-15, BWV.787-801, are known as three part inventions for keyboard. Johann Sebastian Bach (1685-1750) composed these short pieces for educational purposes. It was not only for practice of playing keyboards but also for acquiring a strong foretaste of composition. All of them are full of musical charm. They are very good educational materials for players other than keyboard players.
$6.00 ≈
5.40€
Sinfonia No.10 BWV.796 for Two Violins & Violoncello
Sinfonia No.10 BWV.796 for Two Violins & Violoncello
#
Violin, Cello (duet)
#
Classical
#
Johann Sebastian Bach
#
Mikio Kamada
#
Sinfonia No.10 BWV.796 for Two
#
ACORDO Sheet Music
#
SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Digital Download SKU: A0.777868 Composed by Johann Sebastian Bach. Arranged by Mikio Kamada. Baroque. ...
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Instrumental Duet Cello,Instrumental Duet,Violin - Digital Download SKU: A0.777868 Composed by Johann Sebastian Bach. Arranged by Mikio Kamada. Baroque. Score and parts. 5 pages. ACORDO Sheet Music #62227. Published by ACORDO Sheet Music (A0.777868). Sinfonias No.1-15, BWV.787-801, are known as three part inventions for keyboard. Johann Sebastian Bach (1685-1750) composed these short pieces for educational purposes. It was not only for practice of playing keyboards but also for acquiring a strong foretaste of composition. All of them are full of musical charm. They are very good educational materials for players other than keyboard players.
$6.00 ≈
5.40€
Bach: Sinfonia No.10 in G major BWV 796 (music analysis)
Bach: Sinfonia No.10 in G major BWV 796 (music analysis)
#
Piano solo
#
INTERMEDIATE
#
Johann Sebastian Bach
#
Masakazu YAMAMOTO
#
Bach: Sinfonia No.10 in G majo
#
Motch Music
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1410543 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Masakazu YAMAMOTO. Baroque,Classi...
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Piano Solo - Level 3 - Digital Download SKU: A0.1410543 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Masakazu YAMAMOTO. Baroque,Classical,Contest,Festival,Instructional,Religious. Score. 2 pages. Motch Music #992936. Published by Motch Music (A0.1410543). Music analysis of Sinfonia No. 10 composed by J.S. Bach.In this edition, composer Masakazu Yamamoto provides a detailed analysis of various aspects such as each phrase, harmony, and cadence, and analytical notes based on this analysis are written in various colors on the musical score. It is hoped that these annotations will be helpful for learning, whether in performance or composition.Analyses of all 15 pieces from the Sinfonia series is available for purchase. [Sheet Music Plus / Sheet Music Direct] Note:In this edition, Japanese-style harmony marks are used.Other Music Analyses(Sheet Music Plus / Sheet Music Direct)-----------------------------------------------------Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)We have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. We also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$4.00 ≈
3.60€
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon per Sonar Ch
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Con...
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Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #823781. Published by jmsgu3 (A0.1227819). Minimum instrumentation: 4 cornets in Bb, 4 French Horms in F, 2 Trombones. See also arrangement à 12 which includes 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.12€
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon per Sonar Ch.
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.12€
Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
#
Giovanni Gabrieli
#
James M
#
1 Bass Trombone
#
Gabrieli: Canzon per Sonar à
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Early Music,Renaissance,Traditional,Wedding. 43 pages. Jmsgu3 #825055. Published by jmsgu3 (A0.1229556). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 1 Tenor Trombone & 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.12€
Sinfonia 10, J. S. Bach, adapted for C trumpet, Trombone, and Tuba
Sinfonia 10, J. S. Bach, adapted for C trumpet, Trombone, and Tuba
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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J
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Rudy Volkmann
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Sinfonia 10, J. S. Bach, adapt
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Rudy Volkmann
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1005663 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert....
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1005663 Composed by J. S. Bach (1685-1750). Arranged by Rudy Volkmann. Concert. Score and parts. 5 pages. Rudy Volkmann #6384137. Published by Rudy Volkmann (A0.1005663). This is one of my favorites. I chose adapted, rather than arranged because in order to make it playable I had to leave out a few notes (carefully chosen) in order to give the brass players a spot or two to breathe. For the real 'horses, the written arrangement leaves these in with the breaths notes in parenthesis; the mp3 audio file leaves them out. The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children. As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein. This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece. This is a great recital piece or concert opener.
$3.00 ≈
2.70€
SINFONIA from "THE WEDDING CANTATA", Bach, String Trio, Intermediate Level for 2 violins and cello o
SINFONIA from "THE WEDDING CANTATA", Bach, String Trio, Intermediate Level for 2 violins and cello o
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Sherry Lewis Publishing
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SINFONIA from "THE WEDDING CAN
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521113 Composed by Johann Sebastian Bach. Arranged by Sherry Lewis Publishing. Baroqu...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521113 Composed by Johann Sebastian Bach. Arranged by Sherry Lewis Publishing. Baroque,Christmas,Sacred,Wedding. 10 pages. Sherry Lewis Publishing #3561867. Published by Sherry Lewis Publishing (A0.521113). SINFONIA from THE WEDDING CANTATA, NO. 196, Bach, String Trio, Intermediate Level for 2 violins and cello or violin, viola and celloScore: 3 pagesParts: 4 pages Time: 1'50MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50 ≈
5.85€
Vivace from Sinfonia in G
Vivace from Sinfonia in G
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Handbells
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INTERMEDIATE
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Classical
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George Frideric Handel
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Cheryl (Sutton) Baker - Bronze
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Vivace from Sinfonia in G
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Bronze:FX
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SheetMusicPlus
Handbell - Level 3 - Digital Download SKU: A0.1307880 Composed by George Frideric Handel. Arranged by Cheryl (Sutton) Baker - Bronze:FX. Baroque,Classica...
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Handbell - Level 3 - Digital Download SKU: A0.1307880 Composed by George Frideric Handel. Arranged by Cheryl (Sutton) Baker - Bronze:FX. Baroque,Classical,Wedding. Score. 6 pages. Bronze:FX #897139. Published by Bronze:FX (A0.1307880). “Vivace†is a lively piece, arranged from Sinfonia in G for string orchestra. True to its name, the speed is a fast 6/8 but its repeated pitches make it easier to perform (we all know how ringers love to play their note several times in a row!). Add the dynamic contrasts, and this arrangement sparkles.The arrangement is for 5, 6, 7, 8, 9, or 10 ringers using 3 octaves of handbells, and the piece is Level 3 when played with ten ringers.  Separate assignments are included for the quantity of ringers.Performance time:• 2 minutes, 45 seconds.
$2.50 ≈
2.25€
Leopold Mozart: Sinfonia Burlesca Mvt. II.Hanswurst - clarinet quintet
Leopold Mozart: Sinfonia Burlesca Mvt. II.Hanswurst - clarinet quintet
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Clarinet Quintet: 5 clarinets
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EASY
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Classical
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Leopold Mozart
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Ray Thompson
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Leopold Mozart: Sinfonia Burle
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RayThompsonMusic
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.506388 Composed by Leopold Mozart. Arranged by Ray Thompson. Classi...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.506388 Composed by Leopold Mozart. Arranged by Ray Thompson. Classical. 10 pages. RayThompsonMusic #117905. Published by RayThompsonMusic (A0.506388). Original written for a string orchestra of 2 viola, 2 celli and bass/bassoon, I have arranged it for clarinet quintet (4 Bbs and one bass) and transposed it from G to Bb so clarinets are playing in C The “Sinfonia Burlesca†is a vehicle for the presentation of comedic characters. It demonstrates Leopold Mozart’s predilection for laconic musical genre-painting: he dedicates a minuet to “Hanswurst†(literally “John-Sausageâ€) familiar from traditional Salzburg street theatre; “Signor Pantaloneâ€, the commedia dell’arte’s wealthy, aged and vainglorious womanizer gets his own conceited Andante. Harlequin, the mercurial and mischievous trickster in the chequered costume, gets the last word, mocking and bamboozling his upper-class audience. THis is Mvt 2.
$7.95 ≈
7.15€
Fasch: Sinfonia in G Major (Arr. Diehnelt, for String Quartet)
Fasch: Sinfonia in G Major (Arr. Diehnelt, for String Quartet)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Johann Friedrich Fasch
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Kim Diehnelt
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Fasch: Sinfonia in G Major
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Kim Diehnelt
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SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.809075 Composed by Johann Friedrich Fasch. Arranged by Kim Diehnelt. Baroque,Concert,H...
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.809075 Composed by Johann Friedrich Fasch. Arranged by Kim Diehnelt. Baroque,Concert,Holiday,Wedding. Score and parts. 30 pages. Kim Diehnelt #6560423. Published by Kim Diehnelt (A0.809075). Johann Friedrich Fasch (1688 – 1758) was a contemporary of J.S. Bach and Georg F. Handel and considered one of the top German composers during his time. This work has four movements (Vivace-Grave-Fuge-Presto). It was originally for strings and basso continuo; the music is well-crafted and has both a flavor of restraint and seriousness, as well as humor and joy. The Fuge movement is especially enjoyable. It is a refreshing addition to the repertoire for string quartet ensembles who perform at ceremonies, receptions, and other social events. Performance time is about 10 minutes with repeats. The final Presto can be played as a trio (violin, viola, cello). Mvt. 1 - Vivace Mvt. 2 – Grave (2:10 in MIDI recording) iMvt. 3 – Fuge (3:50 on MIDI recording) Mvt. 4 – Presto (6:46 in MIDI recording) This arrangement for string quartet was made at the request of the Hildegard String Quartet in Vermont. As professional musicians who perform for weddings and special occasions, they require high-quality arrangements that capture the full sound, color, and texture of the original work. The layout of the printed parts is designed to limited page turns and provide an ease of reading.
$12.95 ≈
11.65€
Martino Bitti. Dresden sonata N.6 in A major
Martino Bitti. Dresden sonata N.6 in A major
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Classical
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Martino Bitti
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Sneakwood Editions
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Martino Bitti. Dresden sonata
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Sneakwood Editions
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SheetMusicPlus
Small Ensemble Cello,Harpsichord,Violin - Level 5 - Digital Download SKU: A0.890772 Composed by Martino Bitti. Arranged by Sneakwood Editions. Baroque. S...
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Small Ensemble Cello,Harpsichord,Violin - Level 5 - Digital Download SKU: A0.890772 Composed by Martino Bitti. Arranged by Sneakwood Editions. Baroque. Score and parts. 16 pages. Sneakwood Editions #5321911. Published by Sneakwood Editions (A0.890772). Martino Bitti – Dresden Sonata for violin and continuo N.6 in A major (Sinfonia)Anton Domenico Gabbiani – Portrait of Three Musicians of the Medici Court (The violinist is Martino Bitti)Martino Bitti is one of the great virtuosos of the past who has fallen into oblivion. Few know his work today. However, a look at the works he has left us and his life as a musician reveals a great virtuoso who deserves to be rediscovered.The relatively recent work done by Professor Talbot in his work: A Thematic Catalogue of the Instrumental Music of Martino Bitti (1655/6–1743) [ Michael Talbot (2015) A Thematic Catalogue of the Instrumental Music of Martino Bitti (1655/6–1743), Royal Musical Association Research Chronicle, 46:1, 46-94, DOI: 10.1080/14723808.2014.986256] has brought to light some of Bitti’s most interesting compositions. This is the case of this Sinfonia, listed as anonymous until that moment in the archives of the Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden (SLUB).The only copy of this work is in the SLUB, as part of the Pisendel collection (Schrank II), the manuscript Mus. 2-R-8, 102, entirely copied by Pisendel. It is very probable that Pisendel copied the sonata during his trip to Italy and his passage through Florence in 1717, where he would meet the crème de la crème of the Florentine violinists: Fanfani and Bitti. Pisendel kept in his collection nine sonatas by Martino Bitti.Bitti’s virtuosity is noted in this work. The large number of double stops and their use in the complex counterpoint of the second movement demand a high technical mastery from the performer.
$12.00 ≈
10.79€
10 Solos for Cello: Intermediate Advanced Pieces
10 Solos for Cello: Intermediate Advanced Pieces
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Cello
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INTERMEDIATE/ADVANCED
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Classical
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Various
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Clara Obsidian
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10 Solos for Cello: Intermedia
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Clara Obsidian
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.1348189 Composed by Various. Arranged by Clara Obsidian. 19th Century,20th Century,Baroque,Classical,Roma...
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Cello Solo - Level 4 - Digital Download SKU: A0.1348189 Composed by Various. Arranged by Clara Obsidian. 19th Century,20th Century,Baroque,Classical,Romantic Period. Individual part. 20 pages. Clara Obsidian #933005. Published by Clara Obsidian (A0.1348189). Featuring a compilation of 10 unique and popular works from 10 different composers arranged for Cello Solo. It is the perfect collection for lessons, gigs and performances!ContentsB. Romberg: Rondo from Sonata no. 4 in E MinorJ. S. Bach: Prélude from Suite no. 2 in D minorG. Goltermann: La Foi G. Bizet: Habanera from CarmenG. Fauré: Sicilienne G. B. Pergolesi: Comodo et Presto from Sinfonia in FA. Vivaldi: Largo from Sonata in A minor, RV 44E. Satie: Gymnopédie No. 1 from Trois GymnopédiesL. V. Beethoven: Adagio Cantabile from ‘Pathetique’ Sonata no. 8E. Elgar: Salut d’amour from LiebesgrussOther Collections also available!---------------------------.
$8.99 ≈
8.09€
2-Part Invention No. 10 in G major by J.S. BACH, BWV 781 for Solo Piano
2-Part Invention No. 10 in G major by J.S. BACH, BWV 781 for Solo Piano
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Piano solo
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Diamond S Music
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2-Part Invention No. 10 in G m
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Diamond S Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.790132 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert,Instructional. Sco...
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Piano Solo - Level 3 - Digital Download SKU: A0.790132 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert,Instructional. Score. 3 pages. Diamond S Music #3664633. Published by Diamond S Music (A0.790132). 2-Part Invention No. 10 in G major by J.S. BACH, BWV 781 for Solo Piano. This is the original version of the beloved 15 2-Part Inventions by Johann Sebastian Bach. The Inventions is a collection of short pieces Bach wrote for the musical education of his young pupils. These are among the finest examples of artistic gems ever written for this purpose, and probably because of this, they became very popular among Bach's pupils and others ever since they were written. The work comprises fifteen two-part, each named 'inventio', and fifteen three-part pieces, named 'sinfonia'. These two groups of pieces are arranged in an identical fashion-in ascending order by key-so that there is little doubt that Bach's intention was to bring them together as a single work. This is also confirmed by the way they are carefully written in his autograph fair copy penned in 1723. On every facing page of an open volume each piece demonstrates the contrapuntal technique, while, at the same time, explores a wide range of musical expressions using various styles and developing the motives in a logical fashion. Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$2.99 ≈
2.69€
Sinfonia I and XI
Sinfonia I and XI
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String Orchestra
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EASY
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Giovanni Battista Bononcini
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Sinfonia I and XI
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Schott Music - Digital
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SheetMusicPlus
String orchestra - easy - Digital Download SKU: S9.Q16209 From Sinfonie da chiesa a quattro, A Minor and C Major. Composed by Giovanni Battista Bo...
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String orchestra - easy - Digital Download SKU: S9.Q16209 From Sinfonie da chiesa a quattro, A Minor and C Major. Composed by Giovanni Battista Bononcini. This edition: score. Concertino. Downloadable, Score. Op. 5. Duration 10 minutes. Schott Music - Digital #Q16209. Published by Schott Music - Digital (S9.Q16209).
$16.99 ≈
15.28€
Sinfonia 4 a 5
Sinfonia 4 a 5
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Brass Quartet
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Classical
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Leonora Duarte
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Abby Black
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Sinfonia 4 a 5
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Abby Black
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1377381 Composed by Leonora Duarte. Arranged by Abby Black. Baroque,Classical. 10 pages. Abby Black...
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Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1377381 Composed by Leonora Duarte. Arranged by Abby Black. Baroque,Classical. 10 pages. Abby Black #961973. Published by Abby Black (A0.1377381).
$1.99 ≈
1.79€
Clarinet Quartet - BWV 797 Sinfonia No. 11
Clarinet Quartet - BWV 797 Sinfonia No. 11
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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J S
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Mike Lyons
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Clarinet Quartet - BWV 797 Sin
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.767523 Composed by J S. Bach. Arranged by Mike Lyons. Baroque,Standards....
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.767523 Composed by J S. Bach. Arranged by Mike Lyons. Baroque,Standards. 10 pages. Lyons Music Services #5037681. Published by Lyons Music Services (A0.767523). This beautiful, haunting piece works reall well on clarinets. A great, restful piece for any recital or concert of Baroque music.
$8.99 ≈
8.09€
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Sinfonia a 10
