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16 sheet music found Jacques Leguerney: Trio for violin, violoncello and piano
Jacques Leguerney: Trio for violin, violoncello and piano # Piano Trio: piano, violin, cello # INTERMEDIATE/ADVANCED # Jacques Leguerney # Jacques Leguerney: Trio for vi # Musik Fabrik Music Publishing # SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.533315 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 48 page...(+)
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.533315 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 48 pages. Musik Fabrik Music Publishing #2343071. Published by Musik Fabrik Music Publishing (A0.533315). French composer Jacques Leguerney (1906-1997) has been recognized for hisoutstanding oeuvre of songs for voice and piano, mostly composed upon poems of theFrench poets of the Pleiade. After his death, the Leguerney Estate decided to allow thepublication of his instrumental chamber music. These works, many of which werewritten in his early years, are valuable contributions to the French chamber musicrepertoire, representing the 20th century from its early years through World War II.This Trio was composed in 1928, but not performed until December 3, 1932. Therespected French musicians Hortense de Sampigny (violinist) and Jacques Serres(cellist) gave its first and, as far as we know, only performance along withLeguerney’s friend and mentor, Thérèse Cahen, at the piano. The concert includingthis work was organized by the Société Musicale Indépendante at the concert hall ofthe Ecole Normale de Musique in Paris. A review, in the Journal des débâts, reads:“We do not know this composer. Judging from his composition, whose variegatedstyle reminds us of [Cesar] Franck, of Maurice Ravel and of Spanish dances, he mustbe quite young.”The same month as this performance, Leguerney’s father, Marcel Leguerney, died. Atthis point, he interrupted his musical activity in order to take over his father’s businessto support his mother and sister. He was not able to resume musical composition until1940, when the outbreak of the war led him to close the business.This edition is based upon two autograph manuscript sources of the full score, as wellas copyist’s parts for the violin and ‘cello. His first completed sketch as well as hisfinal copy are in the Leguerney archives. The parts, made by a copyist, were obviouslyused for a performance, and contain suggested phrasing, as well as bowings (whichwe have not reproduced). We surmise that the violin and ’cello parts were used for thefirst performance. We also think that Thérèse Cahen must have kept her piano score,as the copyist's score of it was not found with the other parts.We have added rehearsal numbers, and corrected a few notational mistakes in themanuscript.We would like to thank Jean Libermann, cellist, and Marion Larigaudrie, violinist,for their advice in the preparation of this edition. My Shepherd Will Supply My Need (Psalm 23): Piano Trio for Violin, Cello and Piano
My Shepherd Will Supply My Need (Psalm 23): Piano Trio for Violin, Cello and Piano # Piano Trio: piano, violin, cello # INTERMEDIATE # Classical # Isaac Watts,
Maurice Ravel # John A # My Shepherd Will Supply My Nee # John A.
Dempsey # SheetMusicPlus
Composed by Isaac Watts,
Maurice Ravel. Arranged by
John A. Dempsey.
Impressionistic, Christian,
Spiritual, Sacred, Recital.
Score, Set of Parts. 19
...(+)
Taming the Tasman
Taming the Tasman # Piano Trio: piano, violin, cello # ADVANCED # Dale Vail # Taming the Tasman # Dale Vail # SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 5 - SKU: A0.1360001 Composed by Dale Vail. Chamber,Classical. 74 pages. Dale Vail #944490. Published by Dale Vail ...(+)
Piano Trio Cello,Piano,Violin - Level 5 - SKU: A0.1360001 Composed by Dale Vail. Chamber,Classical. 74 pages. Dale Vail #944490. Published by Dale Vail (A0.1360001). Taming the Tasman - composed by Dale Vail in 2019 for the Tasman Trio with support from creative New Zealand.An exciting work for Violin, Cello, and Piano, this piece is not for the faint hearted. Depicting the journey of travelling across the Tasman to begin a new life in a brand new country, this work is full of excitement, despair, and determination. Underlined by the composers jazz influences, this autobiographical work uses the migration of birds between New Zealand and Australia as an allegory for the composers own experiences. Movement 1, Into the West depicts the perilous journey across the Tasman, and the intensity of being dropped into a new place to fend for yourself.Movement 2, Alone in a Crowd, tells the story of the loneliness that can come from being just that little bit out of place in a new society, whilst also full of character and strong personality.Movement 3, Broken Wing, begins with everything being too much, and reflecting on the many failures of the journey, but finishes with a vengeance and determination to prevail. I See The Light
I See The Light # Piano Trio: piano, violin, cello # BEGINNER # Alan Menken and Glenn Slater # Matheus Felix # I See The Light # Matheus Felix # SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1365320 Composed by Alan Menken and Glenn Slater. Arranged by Matheus F...(+)
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.1365320 Composed by Alan Menken and Glenn Slater. Arranged by Matheus Felix. Film/TV,Wedding. 5 pages. Matheus Felix #949641. Published by Matheus Felix (A0.1365320). Arranjo de I See the Light para Violino, Violoncelo e Piano Cifra:Neste tocante arranjo de I See the Light, a mágica da música ganha vida através da delicadeza da interpretação com violino, violoncelo e piano cifra. O violino, guiando a melodia, expressa a jornada romântica e otimista da canção, transmitindo a sensação de descoberta e amor.O violoncelo, com suas notas ressonantes e emotivas, aprofunda a riqueza harmônica, contribuindo para a narrativa emocional da música. O piano cifra, com seus acordes suaves e arpejos graciosos, cria uma atmosfera etérea que reflete o brilho e a esperança presentes na canção.A interação entre os instrumentos é como uma dança, capturando a essência do encontro romântico que a música celebra. As transições suaves e os momentos de destaque individual contribuem para a fluidez da interpretação, criando uma experiência auditiva envolvente.Este arranjo de I See the Light não apenas preserva a beleza da versão original, mas também adiciona uma dimensão única através da interpretação instrumental. Os músicos, com sua expressividade e habilidade técnica, conduzem os ouvintes por um caminho emocional repleto de romantismo e descoberta, encapsulando a magia desta adorável canção da animação Enrolados. An Elegy for Hopes and Dreams
An Elegy for Hopes and Dreams # Piano Trio: piano, violin, cello # INTERMEDIATE/ADVANCED # William Heath # An Elegy for Hopes and Dreams # William Heath # SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #7...(+)
Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.