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You've selected:
Ravel
CHORAL - VOCAL - CHOIR
Orchestra
Sheetmusic to print
67 sheet music found
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51
A Well-Traveled Road
A Well-Traveled Road
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Orchestra
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ADVANCED
#
Contemporary
#
Daniel Burwasser
#
A Well-Traveled Road
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Head and Stem
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Ste...
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Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00 ≈
¥505.89
Jeux d'eau for Orchestra - Maurice Ravel
Jeux d'eau for Orchestra - Maurice Ravel
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Orchestra
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ADVANCED
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Contemporary
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Maurice Ravel
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Tiziano de Felice
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Jeux d'eau for Orchestra - Mau
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Tiziano de Felice
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.898029 Composed by Maurice Ravel. Arranged by Tiziano de Felice. 20th Century. 48 pages. Tiziano de Felice #6533943. ...
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Full Orchestra - Level 5 - SKU: A0.898029 Composed by Maurice Ravel. Arranged by Tiziano de Felice. 20th Century. 48 pages. Tiziano de Felice #6533943. Published by Tiziano de Felice (A0.898029). Orchestration of the famous piece by Maurice Ravel for solo piano.Instrumentation: 2 flutes + piccolo, 2 oboes + English horn, 2 clarinets + bass clarinet, 2 bassoons4 horns, 3 trumpetscelesta, harp, timpani, tambourine, triangle & stringsThe original piece was inspired by Franz Liszt's piece Les jeux d'eau à la Villa d'Este. Ravel explained its origins in this way: Jeux d'eau, appearing in 1901, is at the origin of the pianistic novelties which one would notice in my work. This piece, inspired by the noise of water and by the musical sounds which make one hear the sprays of water, the cascades, and the brooks [...]
$36.00 ≈
¥260.17
Song for a Movie about Time Travel
Song for a Movie about Time Travel
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Orchestra
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INTERMEDIATE
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Contemporary
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Luis Alexander Lopez Barriento
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Luis Alexander Lopez Barriento
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Song for a Movie about Time Tr
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Luis Alexander Lopez Barrientos
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1029876 Composed by Luis Alexander Lopez Barrientos. Arranged by Luis Alexander Lopez Barrientos. Contemporary. Score...
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Full Orchestra - Level 3 - SKU: A0.1029876 Composed by Luis Alexander Lopez Barrientos. Arranged by Luis Alexander Lopez Barrientos. Contemporary. Score and parts. 31 pages. Luis Alexander Lopez Barrientos #5791741. Published by Luis Alexander Lopez Barrientos (A0.1029876). The sound of this song, evoque me the sensation of watching a time travel movie.
$4.99 ≈
¥36.06
Ravel - Noctuelles (orchestra) - Score Only
Ravel - Noctuelles (orchestra) - Score Only
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Orchestra
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ADVANCED
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Contemporary
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Tiziano de Felice
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Tiziano de Felice
#
Ravel - Noctuelles
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Tiziano de Felice
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1114946 By Tiziano de Felice. By Maurice Ravel. Arranged by Tiziano de Felice. 20th Century,Classical. 42 pages. Tizi...
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Full Orchestra - Level 5 - SKU: A0.1114946 By Tiziano de Felice. By Maurice Ravel. Arranged by Tiziano de Felice. 20th Century,Classical. 42 pages. Tiziano de Felice #716784. Published by Tiziano de Felice (A0.1114946). Orchestration of Ravel's piano piece Noctuelles' from the piano suite Miroirs. Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry. Scored for large orchestra: picc. / 2 fl. / 2 ob. / eng. h. / 2 Bb cl. / bass cl. / 2 bsn. / 4 horns / 3 tr. / 3 trbn. / b. tuba / 2 harps / celesta / glockenspiel / timpani / b. drum, triangle, tamtam, cymbals & strings.
$28.50 ≈
¥205.97
Ravel:Bolero
Ravel:Bolero
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Orchestra
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Contemporary
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Maurice Ravel
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Ravel:Bolero
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SheetmusicLAB
#
SheetMusicPlus
Orchestra (Fl,Ob,Cl,Bn,Hn,Tpt,Tbn,Timp,S .D,Vn,Vn,Va,Vc,Cb) - Primer Level - Short version. Composed by Maurice Ravel (1875-1937). Romantic Period. S...
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Orchestra (Fl,Ob,Cl,Bn,Hn,Tpt,Tbn,Timp,S .D,Vn,Vn,Va,Vc,Cb) - Primer Level - Short version. Composed by Maurice Ravel (1875-1937). Romantic Period. Score and Parts. 51 pages. SheetmusicLAB #CL-ROM-20114. Published by SheetmusicLAB
$83.33 ≈
¥602.23
M. Ravel - Sérénade grotesque, Orchestrated by A. Leytush
M. Ravel - Sérénade grotesque, Orchestrated by A. Leytush
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Orchestra
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Contemporary
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Maurice Ravel
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A
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M. Ravel - Sérénade grotesqu
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008397 Composed by Maurice Ravel. Arranged by A. Leytush. 20th Century. Score and parts. 40 pages. Arkady Leytush #6222007. Pu...
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Full Orchestra - SKU: A0.1008397 Composed by Maurice Ravel. Arranged by A. Leytush. 20th Century. Score and parts. 40 pages. Arkady Leytush #6222007. Published by Arkady Leytush (A0.1008397).
$30.00 ≈
¥216.81
Maurice Ravel: Ravel Suite for Strings (COMPLETE) - orchestra
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Orchestra
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INTERMEDIATE
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Classical
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Maurice Ravel
#
Virtualsheetmusic
Instantly printable sheet music by Maurice Ravel for orchestra of MEDIUM skill level. / classical,french
Instantly printable sheet music by Maurice Ravel for orchestra of MEDIUM skill level. / classical,french
$54.99 ≈
¥397.41
Maurice Ravel: Empress Of The Pagodas (Mother Goose Suite, Mvt. 3) (COMPLETE) - orchestra
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Orchestra
#
INTERMEDIATE
#
Maurice Ravel
#
Virtualsheetmusic
Instantly printable sheet music by Maurice Ravel for orchestra of MEDIUM skill level. / concert,french
Instantly printable sheet music by Maurice Ravel for orchestra of MEDIUM skill level. / concert,french
$59.99 ≈
¥433.55
Trumbull Sketches
Trumbull Sketches
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Kyle Wernke
#
Trumbull Sketches
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Kyle Wernke Publishing
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publish...
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Full Orchestra - Level 4 - SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.
$60.00 ≈
¥433.62
Misunderstanding
Misunderstanding
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Orchestra
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ADVANCED
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Genesis
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Bradley and Steven Thachuk
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Misunderstanding
#
Gravel Museum Music
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1433896 By Genesis. By Phil Collins. Arranged by Bradley and Steven Thachuk. Pop,Rock. 36 pages. Gravel Museum Music ...
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Full Orchestra - Level 5 - SKU: A0.1433896 By Genesis. By Phil Collins. Arranged by Bradley and Steven Thachuk. Pop,Rock. 36 pages. Gravel Museum Music #1014124. Published by Gravel Museum Music (A0.1433896). Misunderstanding by Genesis for Full Symphony Orchestra and Rock BandFull Symphony Orchestra score in 8 1/2 x 14 formatParts in 10 x 13 formatRock band parts not included.
$500.00 ≈
¥3613.52
Take Me Home
Take Me Home
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Orchestra
#
ADVANCED
#
Phil Collins
#
Bradley and Steven Thachuk
#
Take Me Home
#
Gravel Museum Music
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1433959 By Phil Collins. By Phil Collins. Arranged by Bradley and Steven Thachuk. Pop,Rock. 60 pages. Gravel Museum M...
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Full Orchestra - Level 5 - SKU: A0.1433959 By Phil Collins. By Phil Collins. Arranged by Bradley and Steven Thachuk. Pop,Rock. 60 pages. Gravel Museum Music #1014188. Published by Gravel Museum Music (A0.1433959). Take Me Home by Phil Collins for Full Symphony Orchestra and Rock BandFull Symphony Orchestra score in 8 1/2 x 14 formatParts in 10 x 13 formatRock band parts not included.
$90.00 ≈
¥650.43
Turn It On Again
Turn It On Again
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Orchestra
#
ADVANCED
#
Genesis
#
Bradley and Steven Thachuk
#
Turn It On Again
#
Gravel Museum Music
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1433943 By Genesis. By Mike Rutherford, Phil Collins, and Tony Banks. Arranged by Bradley and Steven Thachuk. Pop,Roc...
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Full Orchestra - Level 5 - SKU: A0.1433943 By Genesis. By Mike Rutherford, Phil Collins, and Tony Banks. Arranged by Bradley and Steven Thachuk. Pop,Rock. 66 pages. Gravel Museum Music #1014161. Published by Gravel Museum Music (A0.1433943). Turn It On Again by Genesis for Full Symphony Orchestra and Rock BandFull Symphony Orchestra score in 8 1/2 x 14 formatParts in 10 x 13 formatRock band parts not included.
$500.00 ≈
¥3613.52
THE GREAT WALL CONCERTO For Piano & Orchestra
THE GREAT WALL CONCERTO For Piano & Orchestra
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Orchestra
#
ADVANCED
#
ROBERT VAN HORNE
#
THE GREAT WALL CONCERTO For Pi
#
White Piano International Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World....
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Full Orchestra - Level 5 - SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$59.99 ≈
¥433.55
Camille Saint-Saens - "Caprice Arabe", Op. 96, Orchestrated by Arkady Leytush
Camille Saint-Saens - "Caprice Arabe", Op. 96, Orchestrated by Arkady Leytush
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Orchestra
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Classical
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Camille Saint-Saens
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Arkady Leytush
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Camille Saint-Saens - "Caprice
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008422 Composed by Camille Saint-Saens. Arranged by Arkady Leytush. 20th Century. Score and parts. 57 pages. Arkady Leytush #6...
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Full Orchestra - SKU: A0.1008422 Composed by Camille Saint-Saens. Arranged by Arkady Leytush. 20th Century. Score and parts. 57 pages. Arkady Leytush #6535793. Published by Arkady Leytush (A0.1008422). I would rather call this opus by Saint-Saens The Frenchman in Morocco.It is known that composer S-S traveled a lot during his rather long and productive life. Despite the obvious oriental flavor of the thematic material in this work, one can clearly feel the western cut, the clarity of the form and the recognizability of the techniques characteristic of classical music. In my transcription, I have not tried to imitate his transparent and always convincing orchestrations. This music itself led me on the path of creating a picture from the Arab world.
$40.00 ≈
¥289.08
Ma Mère L'Oye
Ma Mère L'Oye
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Orchestra
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Maurice Ravel
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Ma Mère L'Oye
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q18779 Cinq Pièces Enfantines. Composed by Maurice Ravel. This edition: study score. Ernst Eulenburg - Orchestra - Score. ...
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Orchestra - SKU: S9.Q18779 Cinq Pièces Enfantines. Composed by Maurice Ravel. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q18779. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q18779). German • English • French.Ravel's Ma Mère L’Oye carries its listeners into the mysterious realm of fairy tales. Enchanting soundscapes unfold and open the door to another world in which Sleeping Beauty or Beauty and the Beast can be found among other enchanting tales. Ravel originally composed the piece for piano duet but later scored it for orchestra and extended it to a ballet. Ma Mère L’Oye is now published as an urtext edition in the easy-to-read format 19x26. .
$21.99 ≈
¥158.92
Pavanne Pour Une Infante Defunte
Pavanne Pour Une Infante Defunte
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Orchestra
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ADVANCED
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Maurice Ravel
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Kevin Riley
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Pavanne Pour Une Infante Defun
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1374404 Composed by Maurice Ravel. Arranged by Kevin Riley. 20th Century,Classical. 48 pages. Kevin Riley #959008. Pu...
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Full Orchestra - Level 5 - SKU: A0.1374404 Composed by Maurice Ravel. Arranged by Kevin Riley. 20th Century,Classical. 48 pages. Kevin Riley #959008. Published by Kevin Riley (A0.1374404). Pavane pour une infante défunte (Pavane for a Dead Princess) is a work for solo piano by Maurice Ravel, written in 1899 while the French composer was studying at the Conservatoire de Paris under Gabriel Fauré. Ravel published an orchestral version in 1910 using two flutes, an oboe, two clarinets (in Bâ™), two bassoons, two horns, harp, and strings.This version has been expanded for use by community orchestras to include saxophones.
$70.00 ≈
¥505.89
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
¥180.68
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00 ≈
¥180.68
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
¥180.68
A DREAM (SATB Chorus [divisi] and Orchestra) - Full Score
A DREAM (SATB Chorus [divisi] and Orchestra) - Full Score
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Orchestra
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INTERMEDIATE/ADVANCED
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Stanley M Hoffman
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A DREAM
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1388556 Composed by Stanley M Hoffman. 21st Century,Classical. 155 pages. Stanleymhoffman.com #972057. Published by s...
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Full Orchestra - Level 4 - SKU: A0.1388556 Composed by Stanley M Hoffman. 21st Century,Classical. 155 pages. Stanleymhoffman.com #972057. Published by stanleymhoffman.com (A0.1388556). Program Notes: The fact that the text for this work even exists is a miracle. It was written by Abraham (Abramek) Koplowicz, a Jewish boy who was exterminated by the Nazis during the Holocaust. Abramek was born in 1930 in Lodz, Poland, and died 1944 in that country's infamous concentration camp at Auschwitz-Birkenau. He wrote this poem during the time that his family was trapped in the Lodz ghetto. This poem was not found until 1983 when Eliezer (Lolek) Grynfeld, the poet's half-brother, discovered it among their late father's belongings. Choristers who sing this work will be transported on a magical flight around the world through time and space along with their audiences. â??A Dream (Marzenie)When I am twenty years of age,I will burst forth from this cageAnd begin to see our splendid EarthFor the first time since my birth!In my motorized bird Iâ??ll soar so highAbove the world, up in the sky,Over rivers and the seas, With such stupefying ease,With my brother wind and sister cloud, Iâ??llMarvel at the Euphrates and the Nile;The goddess Isis ruled the land that linksThe Pyramids and the massive Sphynx.I will glide above Niagara Falls,And sunbathe where the Sahara calls;If I want to escape the scorching heat,I will fly up north to an Arctic retreat.I will top the cloudy peaks of Tibetan fameAnd survey the fabled land whence the Magi came.From the Island of KangaroosIâ??ll take my time and cruiseTo the ruins of Pompeii      At the edge of Naples Bay,Iâ??ll continue to the Holy Land, then seekThe home of Homer, the celebrated Greek.More and more astonished will I growAt the beauty of the Earth below.In all my travelling Iâ??ll be twinnedWith my siblings, cloud and wind.â??Abraham (â??Abramekâ?) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau)Translation by Sarah Lawson and MaÅ?gorzata Koraszewska© Copyright 1993 by Eliezer Grynfeld. All rights reserved.Used by permission of Eliezer Grynfeld.â??Music: © Copyright 2024 by Stanley M. Hoffman.www.stanleymhoffman.comAll rights reserved.
$77.50 ≈
¥560.10
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Ravel
