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201
15 Concertos and Sonatas 'Book 1' for Viola and Piano - Scores and Part
15 Concertos and Sonatas 'Book 1' for Viola and Piano - Scores and Part
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Viola, Piano
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INTERMEDIATE/ADVANCED
#
Classical
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Santino Cara
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Santino Cara
#
15 Concertos and Sonatas 'Book
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Santino Cara
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1297515 By Santino Cara. By Various. Arranged by Santino Cara. Baroque,Classical,Romantic Period. Score and part. 298 pa...
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Piano,Viola - Level 4 - SKU: A0.1297515 By Santino Cara. By Various. Arranged by Santino Cara. Baroque,Classical,Romantic Period. Score and part. 298 pages. Santino Cara #887557. Published by Santino Cara (A0.1297515). Complete scores and part of 15 Concertos and Sonata - BOOK 1 for Viola and Piano. Composed by: Bach C.P.E - H. Casadesus - J.W. Kallivoda - A. Rolla - R. Schumann. Transcribed in Rome over the years by Santino Cara.Transcriber's contact details: cara.santinocara.santino@gmail.com 1. Viola Sonata in G minor H542.5 2. Viola Sonata in G major H550 3. Viola Sonata in E minor H551 4. Viola Sonata in G major H564 5. Handel-Casadesus - Viola Concerto in B minor 6. JCBach-Casadesus - Viola Concerto in C minor 7. Nocturne No.1 in A flat major Op.186 8. Nocturne No.2 in C major Op.186 9. Nocturne No.3 in F major Op.18610. Nocturne No.4 in G major Op.18611. Nocturne No.5 in E flat major Op.18612. Nocturne No.6 in D minor Op.18613. Divertimento in F major BI 33014. Variazioni Brillanti in F major Op.1315. Märchenbilder Op.113 - Four Pieces11 Concertos and Sonatas 'Book 2' for Viola and Piano - Scores and Part
$38.40 ≈
35.82€
Eight Sonata for Harp
Eight Sonata for Harp
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Classical
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carefully selecting every sing
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Domenico Scarlatti
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Fabrizio Aiello
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Eight Sonata for Harp
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Preludio s.r.l.
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SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - SKU: A0.808939 Composed by Domenico Scarlatti. Arranged by Fabrizio Aiello. Baroque,Classica...
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Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - SKU: A0.808939 Composed by Domenico Scarlatti. Arranged by Fabrizio Aiello. Baroque,Classical. Score and parts. 32 pages. Preludio s.r.l. #5712611. Published by Preludio s.r.l. (A0.808939). The over 550 harpsichord sonatas by Domenico Scarlatti constitute one of the highest peaks of 18th century instrumental music. Despite being structured in a single movement, based on a theme and divided into two parts with a refrain, his sonatas have been shown to be pieces of remarkable originality. Their style is authentic and very bright, revealing a truly innovative and creative spirit with extremely daring and unconventional dissonances and modulations. The manifold contaminations come from the musical universe of that time: from the concert to the cantata, from the popular elements to the Spanish dance rhythms. Various sounds are recalled through the spontaneous, evocative and natural timbre of the harpsichord: from the orchestral ones to those of two other famous pinch instruments, such as the guitar and the harp.The greatest researcher on Domenico Scarlatti, Ralph Kirkpatrick, claimed: «Despite being a composer for harpsichord, and although almost all his compositions are conceived for the harpsichord language, his musical skills, more important than the sound effect, can be enhanced on any instrument».This aspect is aptly reflected in the harp versions of Scarlatti’s sonatas, which are primarily a way to show how the harp can represent the spirit and the playfulness of these compositions. Apparently, this instrument is one of the most suitable to capture the purity of the musical textures of these sonatas and their perfect balance between musical mathematics and feelings. Moreover, the didactic purposes of these adaptations are notable, since the player is faced with fast scales, double stops, repeated notes, broken octaves, complex arpeggios, embellishments and other unusual passages pervaded by a virtuoso language.By carefully selecting every single sonata and choosing the most suitable fingerings to highlight key phrases, Fabrizio Aiello has carried out a praiseworthy work which plays a crucial role in enriching the harp repertoire.Susanna Bertuccioli
$18.99 ≈
17.71€
Martino Bitti. Dresden sonata N.6 in A major
Martino Bitti. Dresden sonata N.6 in A major
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Classical
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Martino Bitti
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Sneakwood Editions
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Martino Bitti. Dresden sonata
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Sneakwood Editions
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SheetMusicPlus
Small Ensemble Cello,Harpsichord,Violin - Level 5 - SKU: A0.890772 Composed by Martino Bitti. Arranged by Sneakwood Editions. Baroque. Score and parts. ...
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Small Ensemble Cello,Harpsichord,Violin - Level 5 - SKU: A0.890772 Composed by Martino Bitti. Arranged by Sneakwood Editions. Baroque. Score and parts. 16 pages. Sneakwood Editions #5321911. Published by Sneakwood Editions (A0.890772). Martino Bitti – Dresden Sonata for violin and continuo N.6 in A major (Sinfonia)Anton Domenico Gabbiani – Portrait of Three Musicians of the Medici Court (The violinist is Martino Bitti)Martino Bitti is one of the great virtuosos of the past who has fallen into oblivion. Few know his work today. However, a look at the works he has left us and his life as a musician reveals a great virtuoso who deserves to be rediscovered.The relatively recent work done by Professor Talbot in his work: A Thematic Catalogue of the Instrumental Music of Martino Bitti (1655/6–1743) [ Michael Talbot (2015) A Thematic Catalogue of the Instrumental Music of Martino Bitti (1655/6–1743), Royal Musical Association Research Chronicle, 46:1, 46-94, DOI: 10.1080/14723808.2014.986256] has brought to light some of Bitti’s most interesting compositions. This is the case of this Sinfonia, listed as anonymous until that moment in the archives of the Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden (SLUB).The only copy of this work is in the SLUB, as part of the Pisendel collection (Schrank II), the manuscript Mus. 2-R-8, 102, entirely copied by Pisendel. It is very probable that Pisendel copied the sonata during his trip to Italy and his passage through Florence in 1717, where he would meet the crème de la crème of the Florentine violinists: Fanfani and Bitti. Pisendel kept in his collection nine sonatas by Martino Bitti.Bitti’s virtuosity is noted in this work. The large number of double stops and their use in the complex counterpoint of the second movement demand a high technical mastery from the performer.
$12.00 ≈
11.19€
Gallo: 3 movts. from his Trio Sonatas (orig keys) ("Pulcinella Suite Mvt.3 Scherzino") - string trio
Gallo: 3 movts. from his Trio Sonatas (orig keys) ("Pulcinella Suite Mvt.3 Scherzino") - string trio
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String Trio: violin, viola, cello
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INTERMEDIATE/ADVANCED
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Domenico Gallo
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Ray Thompson
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Gallo: 3 movts. from his Trio
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RayThompsonMusic
#
SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.553762 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday. Score a...
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String Ensemble,String Trio Cello,Viola,Violin - Level 4 - SKU: A0.553762 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday. Score and parts. 16 pages. RayThompsonMusic #4267155. Published by RayThompsonMusic (A0.553762). This music was originally attributed to Giovanni Pergolesi, as they were in a Mr R. Bremner's original 1780 London publication and also arranged by Hugo Riemann, and again wrongly attributed to Giovanni Pergolesi. It is actually made up of 3 different pieces: Gallo's 2nd Trio Sonata in Bb. Mvts I and III, and Trio Sonata No 8 in Eb All 3 Gallo mvts were used by Igor Stravinsky in the 3rd mvt. Scherzinoof his Neo Classical Pulcinella Suite. The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. But even though Stravinsky used Pergolesi's(which were in this case Gallo's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.These are transcriptions of the original pieces, in their original keys.They are interesting to play and do not sound too dissimilar to Stravinsky's final work.Arranged string trio with alternative violin 2 for viola.
$9.95 ≈
9.28€
Gallo: 3 movts. from his Trio Sonatas (Reworked as Pulcinella Suite Mvt.3 Scherzino )- clarinet trio
Gallo: 3 movts. from his Trio Sonatas (Reworked as Pulcinella Suite Mvt.3 Scherzino )- clarinet trio
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3 Clarinets (trio)
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ADVANCED
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Domenico Gallo
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Ray Thompson
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Gallo: 3 movts. from his Trio
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RayThompsonMusic
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SheetMusicPlus
Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 5 - SKU: A0.553769 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday,Wedding. ...
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Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 5 - SKU: A0.553769 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday,Wedding. 11 pages. RayThompsonMusic #4283761. Published by RayThompsonMusic (A0.553769). This music was originally attributed to Giovanni Pergolesi, as they were in a Mr R. Bremner's original 1780 London publication and also arranged by Hugo Riemann, and again wrongly attributed to Giovanni Pergolesi.It is actually made up of 3 different pieces: Gallo's 2nd Trio Sonata in Bb. Mvts I and III, and Trio Sonata No 8 in Eb.All 3 Gallo mvts were used by Igor Stravinsky in the 3rd mvt. Scherzinoof his Neo Classical Pulcinella Suite. There is few bars joining the 3 mvts...one is Stravinsky's own, one is from a Pergolesi Opera.The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. But even though Stravinsky used Pergolesi's(which were in this case Gallo's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.I have used transcriptions of the original pieces, but have transposed them into the keys used by Stravinsky. I have included the original Pergolesi Aria as the first link, and a scale passage of my own for the second.My arrangement is in the same format as Stravinsky's so is a complete work.I have another upload with the 3 separate movts in their original keys.This arrangement is interesting to play and do not sound too dissimilar to Stravinsky's final work.It is arranged for clarinet trio (2 Bb and bass)https://youtu.be/PMC-84MmuYw
$9.95 ≈
9.28€
Gallo: 3 Mvts. - Trio Sonatas "Pulcinella Suite" III. Scherzino - double reed trio (Ob.,C.A.,Bsn.)
Gallo: 3 Mvts. - Trio Sonatas "Pulcinella Suite" III. Scherzino - double reed trio (Ob.,C.A.,Bsn.)
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Igor Steavinsky
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Ray Thompson
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Gallo: 3 Mvts. - Trio Sonatas
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Trio,English Horn,Oboe - Level 3 - SKU: A0.553795 By Igor Steavinsky. By Domenico Gallo. Arranged by Ray Thompson....
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Woodwind Ensemble Bassoon,Double Reed Trio,English Horn,Oboe - Level 3 - SKU: A0.553795 By Igor Steavinsky. By Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday,Wedding. 14 pages. RayThompsonMusic #4621431. Published by RayThompsonMusic (A0.553795). This music was originally attributed to Giovanni Pergolesi, as they were in a Mr R. Bremner's original 1780 London publication and also arranged by Hugo Riemann, and again wrongly attributed to Giovanni Pergolesi.It is actually made up of 3 different pieces: Gallo's 2nd Trio Sonata in Bb. Mvts I and III, and Trio Sonata No 8 in EbAll 3 Gallo mvts were used by Igor Stravinsky in the 3rd mvt. Scherzinoof his Neo Classical Pulcinella Suite. The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. But even though Stravinsky used Pergolesi's(which were in this case Gallo's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.These are transcriptions of the original pieces,They are interesting to play and do not sound too dissimilar to Stravinsky's final work.
$9.95 ≈
9.28€
Six Sonata for Harp
Six Sonata for Harp
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Classical
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Domenico Scarlatti
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Fabrizio Aiello
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Six Sonata for Harp
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Preludio s.r.l.
#
SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - SKU: A0.808940 Composed by Domenico Scarlatti. Arranged by Fabrizio Aiello. Baroque,Classica...
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Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - SKU: A0.808940 Composed by Domenico Scarlatti. Arranged by Fabrizio Aiello. Baroque,Classical. Score and parts. 32 pages. Preludio s.r.l. #6040367. Published by Preludio s.r.l. (A0.808940). I am very pleased as well as flattered to present this second volume of Domenico Scarlatti’s Sonatas in the version for solo harp that has been selected, revised and meticulously transcribed by Fabrizio Aiello. The varied and inimitable universe of Scarlatti's genius harpsichord music is, without a doubt, also well represented in these six new sonatas. In this volume, Aiello makes an appropriate selection in order to obtain various levels of technical difficulty and leave a greater freedom of fingerings to future interpreters, giving them the opportunity to make wise personal choices. Positive of a favorable reception of this work by the public and critics, I extend my praise to the author for this commendable initiative, which contributes significantly to enhancing the beauty and tradition of an admirable instrument such as the Harp.Susanna Bertuccioli
$18.99 ≈
17.71€
Hungarian Sonata
Hungarian Sonata
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Orchestra
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EASY
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Clayderman Richard
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Roy R
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Hungarian Sonata
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R.Music
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1401556 By Clayderman Richard. By Paul Marie Andre De Senneville. Arranged by Roy R. Davila Gomez (R.Music). Contempo...
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Full Orchestra - Level 2 - SKU: A0.1401556 By Clayderman Richard. By Paul Marie Andre De Senneville. Arranged by Roy R. Davila Gomez (R.Music). Contemporary,Multicultural,Singer/Songwriter,Soul,Wedding,World. 26 pages. R.Music #984740. Published by R.Music (A0.1401556). Be captivated by the majesty and emotionality of Richard Clayderman's Hungarian Sonata in this stunning orchestral adaptation! This meticulously crafted score offers an unparalleled musical experience, perfect for orchestras looking to elevate their repertoire with a piece rich in melody and passion.Immerse yourself in intricate orchestral arrangements that capture the essence and charm of Clayderman's music, as each section of the orchestra shines with its own prominence, creating a symphony of exquisitely intertwined sounds.Don't miss the opportunity to add this brilliant orchestral performance of Hungarian Sonata to your repertoire! Perfect for concerts, special events, or simply to enjoy at rehearsal, this sheet music is sure to delight musicians and listeners alike with its elegance and irresistible musical magnetism.Make this sheet music yours today and take your music to new heights with the magic of Richard Clayderman's Hungarian Sonata!
$49.99 ≈
46.63€
Sonata In C For Organ (Finale) By Thomas R. Schadl
Sonata In C For Organ (Finale) By Thomas R. Schadl
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Organ
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ADVANCED
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Thomas R
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Sonata In C For Organ
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 5 - SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 pages. Thomas R. Sch...
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Organ - Level 5 - SKU: A0.912504 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 17 pages. Thomas R. Schadl #5303799. Published by Thomas R. Schadl (A0.912504). The Finale from Sonata In C For Organ is suitable for recital use, and may be used for teaching students on techniques of incorporating thematic materials from other movements or other works to their compositions.This last movement opens with a slow and quiet registration, depicting an anticipation of some good event to come. One may associate this section (measure 1 to 51) with the expectation of Christ’s resurrection from the dead. The theme opens with a motivic variation of bugle theme that was stated in the first movement of the sonata. The exposition part of this work begins at measure 52, where the TRSCH motive repeats continuously in the pedal part against the main theme. Other thematic materials from previous movements occur in this movement. From measure 111 to 118, the first theme from the first movement appears against the main theme of this movement, and the former one is restated at bar 182 to 185. The second theme from the scherzo movement appears against the main theme of this movement at bar 120 to 123. The final section of the piece that commences from measure 195 to 211 contains the TRSCH motive, stated in the pedal part; the motive, originally written in quarter-note notation, is augmented rhythmically to whole note notation, giving one an impression of triumphant splendor. What brings the sonata to a triumphant close is that the TRSCH motive is stated three times, using the full organ registration. I hope that you enjoy this work.
$10.99 ≈
10.25€
Sonata In C For Organ (Maestoso)
Sonata In C For Organ (Maestoso)
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Organ
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INTERMEDIATE/ADVANCED
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Thomas R
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By Thomas R
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Sonata In C For Organ
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 4 - SKU: A0.912496 Composed by By Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #499261...
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Organ - Level 4 - SKU: A0.912496 Composed by By Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #4992619. Published by Thomas R. Schadl (A0.912496). The opening movement is composed in a sonata form and consists of three sections: exposition, development and recapitulation.The exposition begins with a stately introduction that consists of pointed rhythms. After the opening theme has been stated, there are two sections that employ canonic imitation of motives at measures 9 to 12 and 21 to 32. The closing theme depicts a bugle passage that is imitative in nature. The development section usually states thematic materials from the exposition section, but it is not always the case in some compositions. Take, for example, the middle section (measures 42 to 83) that contrasts the opening theme in its lyricism; its melody is written in the stepwise manner and is imitated in the pedal part. The recapitulation is a section where the restatement of the main theme and other sections, including the extended version of the bugle theme, recur after concluding the middle section of the sonata form. The piece ends triumphantly in a FFF passage.The work is educational in that it teaches students the sections that make up a sonata form. This piece is suitable for recital use.
$6.99 ≈
6.52€
Brahms Sonata in F-minor, Opus 5, 5th movement, as a Symphony
Brahms Sonata in F-minor, Opus 5, 5th movement, as a Symphony
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Orchestra
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ADVANCED
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Classical
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1282260 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. ...
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Full Orchestra - Level 5 - SKU: A0.1282260 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 105 pages. Aere R Greenway #873570. Published by Aere R Greenway (A0.1282260). Brahms composed his piano sonata in F-minor, in 1853, at the age of 20. Markings in the piano music, such as 'like cello', or in another place 'like pizzicato', suggest he was thinking in orchestral terms. Indeed, the earliest sketches of his 1st symphony come from the year his sonata in F-minor was published. Yet he worked at least 14 years on his first symphony, finally publishing it in 1876, at age 43. What if Brahms had orchestrated his sonata in F-minor, opus 5, publishing it as his first symphony, in his youth, rather than at age 43? Attempting to answer that, I embarked on a big project, to orchestrate Brahms sonata in F-minor, into a symphony. And you can listen to it yourself, as the music of Brahms comes shining through, as a symphony that 'might have been'. Though the instrument choices and dynamics adjustments for orchestra are mine, the music is all Brahms. See what you think. This is the 5th movement, the Finale. The music of Brahms is a long-time favorite of symphony audiences, and this could be a hit with your audience, as well.
$47.97 ≈
44.75€
Beethoven's Sonata Pathetique, Op. 13, as a Piano Concerto - 1st movement
Beethoven's Sonata Pathetique, Op. 13, as a Piano Concerto - 1st movement
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Orchestra
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ADVANCED
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Classical
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Ludwig van Beethoven
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Aere Greenway
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Beethoven's Sonata Pathetique,
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.935346 Composed by Ludwig van Beethoven. Arranged by Aere Greenway. Classical,Romantic Period. Score and parts. 92 pa...
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Full Orchestra - Level 5 - SKU: A0.935346 Composed by Ludwig van Beethoven. Arranged by Aere Greenway. Classical,Romantic Period. Score and parts. 92 pages. Aere R Greenway #6864573. Published by Aere R Greenway (A0.935346). One of the most dramatic of Beethoven's piano sonatas, is now a piano concerto, and as such, is even more dramatic with the power of the orchestra. The piano part can be performed using the Beethoven's piano music, but the piano part included is useful, because it has the same rehearsal marks as the orchestra parts & score. .
$32.97 ≈
30.76€
Haydn Piano Sonata 40.2 Presto (Classical Music for Tablet Series)
Haydn Piano Sonata 40.2 Presto (Classical Music for Tablet Series)
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Piano solo
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INTERMEDIATE
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Classical
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Stephen R Dalrymple
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edited by Stephen R Dalrymple
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Haydn Piano Sonata 40.2 Presto
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.818283 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Clas...
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Piano Solo - Level 3 - SKU: A0.818283 By Stephen R Dalrymple. By Franz Joseph Haydn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Score. 14 pages. Stephen R Dalrymple #4967139. Published by Stephen R Dalrymple (A0.818283). Piano Sonata 40.2 Presto (Classical Music for Tablet Series) Franz Joseph Haydn was born in 1732 in a small village in Austria, near the Hungarian border. ♫ His father was a wheelwright and a leader of the town. His mother had been a cook in the palace of a Count. His father had taught himself to play the harp. His family was musical and often sang together (16 brothers and sisters). His father saw that he was extremely musical and that he couldn’t get the education he needed in his little village. When he was 6 years old, he was sent to the home of a relative about 7 miles away to study to be a musician. He never lived with his parents again. ♫ In 1752 he was employed by Count Karl Joseph Morzin, leading the Count’s small orchestra and writing the first of his symphonies. ♫ In 1760 he married Maria Keller. They had a very unhappy marriage, producing no children. ♫ In 1760 Count Paul Andre Esterhazy (one of the wealthiest and most important nobles in the Austrian empire) hired him as assistant director of music. In 1766 at the age of 34, Prince Nikolaus Esterhazy appointed Haydn his Director of Music. His job was divided between the Esterhazy palace in Austria their palace across the border Hungary. ♫ Haydn dedicated Piano Sonata 40 to Princess Marie Esterhazy. He worked for the Esterhazys for the next 28 years, writing hundreds of pieces of music for the prince. After about 15 years, he signed a new contract allowing him to write music for other customers. Haydn’s reputation grew to international fame. ♫ Haydn wrote 104 Symphonies. (Some count 107.) Not unlike George Washington, nicknamed the “Father of our Country”, yet had no children, Haydn is known as the “Father of the Symphony.” and the “Father of the string Quartet.” ♫ Napoleon captured Vienna in 1809. Napoleon, himself, ordered an honor guard be placed at Haydn’s home where Haydn lay dying. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit this screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.72€
Sonata For Trumpet, Horn and Organ
Sonata For Trumpet, Horn and Organ
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Trumpet
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ADVANCED
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Contemporary
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Thomas R
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Sonata For Trumpet, Horn and O
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Thomas R. Schadl
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.912495 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877235. Publi...
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Trumpet Solo - Level 5 - SKU: A0.912495 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877235. Published by Thomas R. Schadl (A0.912495). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99 ≈
2.79€
Sonata For Trumpet, Horn and Organ Second Movement-Horn in F Part
Sonata For Trumpet, Horn and Organ Second Movement-Horn in F Part
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French horn
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ADVANCED
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Contemporary
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Thomas R
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Sonata For Trumpet, Horn and O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. P...
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French Horn Solo - Level 5 - SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. Published by Thomas R. Schadl (A0.912494). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99 ≈
2.79€
Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
Sonata For Trumpet, Horn And Organ First Movement-Horn In F Part
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French horn
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ADVANCED
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Contemporary
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Thomas R
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Sonata For Trumpet, Horn And O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. P...
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French Horn Solo - Level 5 - SKU: A0.912493 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 1 pages. Thomas R. Schadl #3877231. Published by Thomas R. Schadl (A0.912493). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99 ≈
2.79€
Sonata (for Saxophone and Piano)
Sonata (for Saxophone and Piano)
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Vincenzo Palermo
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Sonata
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Preludio s.r.l.
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.808991 Composed by Vincenzo Palermo. 20th Century,C...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.808991 Composed by Vincenzo Palermo. 20th Century,Contemporary. Score and parts. 44 pages. Preludio s.r.l. #6258333. Published by Preludio s.r.l. (A0.808991). Vincenzo Palermo's Sonata for saxophone and piano uses the soprano and alto saxophone and is in one movement only. As in other pieces by the Neapolitan composer, elements of minimalist writing are combined with a wise and elegant reinterpretation of the classical language, which produces an evident and controlled narrative dimension of the piece. Against the light we also hear echoes of french music, which are inevitably linked to the sonic imagery of the classical saxophone. From this the sonata takes part of the harmonic dimension, so essential but colorful, which is perfectly suited to the clear character (which is rare in the contemporary repertoire!) of this piece.SCORE and PARTS available.
$21.99 ≈
20.51€
Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
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Orchestra
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ADVANCED
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Classical
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. ...
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Full Orchestra - Level 5 - SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 46 pages. Aere R Greenway #864730. Published by Aere R Greenway (A0.1272505). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. So I set about orchestrating his sonata for piano, opus 5, as a symphony. I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. And this is a composition from his youth (1854). In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo. I haven't needed to create anything. It's all Brahms, coming through. Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. And you get to hear its third movement now. As with the tradition of Beethoven, the 3rd movement is a scherzo. You can think of it (at least in the beginning, and end), as the waltz of the gargoyles. Enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.
$47.97 ≈
44.75€
Brahms Sonata in F-minor, Opus 5, 2nd movement, as a Symphony
Brahms Sonata in F-minor, Opus 5, 2nd movement, as a Symphony
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Orchestra
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ADVANCED
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Classical
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Aere Greenway, via MuseScore
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Aere Greenway
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Brahms Sonata in F-minor, Opus
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1267868 By Aere Greenway, via MuseScore. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Sc...
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Full Orchestra - Level 5 - SKU: A0.1267868 By Aere Greenway, via MuseScore. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 65 pages. Aere R Greenway #860416. Published by Aere R Greenway (A0.1267868). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. So I set about orchestrating his sonata for piano, opus 5, as a symphony. I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. And this is a composition from his youth (1854). In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo. I haven't needed to create anything. It's all Brahms, coming through. Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. And your orchestra can perform it for your audiences to enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.
$47.97 ≈
44.75€
Brahms Sonata in F-minor, Opus 5, 1st movement, as a Symphony
Brahms Sonata in F-minor, Opus 5, 1st movement, as a Symphony
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Orchestra
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ADVANCED
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Classical
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1259392 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. ...
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Full Orchestra - Level 5 - SKU: A0.1259392 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 69 pages. Aere R Greenway #852668. Published by Aere R Greenway (A0.1259392). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. So I set about orchestrating his sonata for piano, opus 5, as a symphony. I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. And this was a composition from his youth (1854). Perhaps, if he weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony.
$44.97 ≈
41.95€
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