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298 sheet music found Dances from the Opera "On the Wings of the Scarlet Messenger" Suite for Orchestra
Dances from the Opera "On the Wings of the Scarlet Messenger" Suite for Orchestra # Orchestra # INTERMEDIATE/ADVANCED # James Nathaniel Holland # Dances from the Opera "On the # James Nathaniel Holland # SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730404 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 160 pages. Jame...(+)
Full Orchestra - Level 4 - SKU: A0.730404 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 160 pages. James Nathaniel Holland #3218589. Published by James Nathaniel Holland (A0.730404). A suite in four movements for orchestra taken from the contemporary opera On the Wings of the Scarlet Messenger by American Costa Rican composer James Nathaniel Holland. The first, Dance of the Spirits is a percussionists dream evoking Southeast Asian flavor and energy. The second movement The Party: Intermezzo is a popular dance type of driving beat. The suite slows with the third movement with the haunting The Party: Art Imitates Life and a recap of the Spanish chorus here arranged for orchestra Bailen, Canten, Que Noche Bonita Perfect for New Year's Eve or New Year's Day concert. Use with the arrangement Bailen, Canten Que Noche Bonita with chorus or any of the stand alone arias from the opera. YouTube video presentation: https://youtu.be/QHzyUfKLI9MDuration 14:02 minutes.Instrumentation: picc, 12fl, 12ob, eh, 12cl, bcl, ts, 12bsn, 1234 hrn, 12 trp, trmb, btrmb, tim, perc( snare, hand cym, bd, ride cym with mallets, large gong, sm. gong, claves, castanets, tam., mid tom, tri., high hat) hrp, and stringsFull score in concert pitch with individual parts included. Full opera orchestral score and piano vocal score sold separately.Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html . The Chicken Dance
The Chicken Dance # Jazz Ensemble # INTERMEDIATE # Pop music # Paul Parnes, Terry Rendall, an # Daryl McKenzie # The Chicken Dance # Daryl McKenzie # SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1250414 Composed by Paul Parnes, Terry Rendall, and Werner Thomas. Arranged by Daryl McKenzie. Pop. Scor...(+)
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1250414 Composed by Paul Parnes, Terry Rendall, and Werner Thomas. Arranged by Daryl McKenzie. Pop. Score and Parts. 24 pages. Daryl McKenzie #844734. Published by Daryl McKenzie (A0.1250414). Arranged in the traditional novelty dance style but heavily reharmonized! (just for fun!)For Big Band (Clarinet, 4 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums, Percussion) Key of FFull audio demo (Sibelius sounds): Click HereThe Chicken Dance, also known and recorded as Der Ententanz, Tchip Tchip, Vogerltanz, the Bird Song, the Chicken Song, the Birdie Song, the Bird Dance, Danse des Canards, the Duck Dance, El Baile de los Pajaritos, Il Ballo del Qua Qua, Check Out the Chicken, or Dance Little Bird, is an oom-pah song; its associated fad dance has become familiar throughout the Western world. The song was composed by accordion player Werner Thomas from Davos, Switzerland, in the 1950s.The Chicken Dance is a well-known drinking and dancing song at American Oktoberfest events. It is also a popular dance at weddings, particularly in whose culture includes polka music. More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH Two Voltas - Dances 201 and 210 from Terpsichore (Michael Praetorius)
Two Voltas - Dances 201 and 210 from Terpsichore (Michael Praetorius) # String Orchestra # INTERMEDIATE # Christmas # Various # Colin Kirkpatrick # Two Voltas - Dances 201 and 21 # Colin Kirkpatrick Publications # SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards. Score and parts...(+)
String Orchestra - Level 3 - SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards. Score and parts. 20 pages. Colin Kirkpatrick Publications #3885295. Published by Colin Kirkpatrick Publications (A0.522221). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments. The volta is an anglicised name for a dance that was popular during the Renaissance. Considered at first to be slightly risqué and controversial it eventually became more respectable but never completely dignified. The first dance uses interesting cross-rhythms.In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, finger cymbals, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Three Latin Dances - Score Only
Three Latin Dances - Score Only # Concert band # ADVANCED # Latin/World Music # Jeff Tyzik # Jeff Tyzik # Three Latin Dances - Score Onl # Jeff Tyzik/Macaroni Music # SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #68...(+)
Concert Band - Level 5 - SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #686377. Published by Jeff Tyzik/Macaroni Music (A0.1082229). Three Latin Dances was composed for the Eastman Wind Ensemble at the request of Mark Scatterday in September of 2018. In the past twenty years, Mark has been very instrumental in encouraging me to compose wind music. I am grateful for the many wind ensemble projects and recordings we have collaborated on including IMAGES, our CD that was released in October 2018. I've always been attracted to the music of great Latin composers including de Falla, Gimenez, Chapi, Piazzolla, Ginastera, Lacuona and many others. In this short suite, I used three different popular Latin dance forms. The first dance section is based on the Danzón, a Cuban dance that is slow, formal and elegant. The Danzón transitions into a Cha Cha, another Cuban dance that is a medium tempo rhythmic dance that I first experienced during my student days at Eastman when I played in local Latin bands. After a brief recap of the Danzón another transition evolves into a Malambo, an Argentine dance that is exciting, up tempo and whose roots can be traced back to the 1600s. As one might imagine, the percussion section is very busy and featured throughout from the elegant and lyrical introduction to the exciting finish. As an alumni of the EWE under Donald Hunsberger, it is an honor to have this preeminent Eastman ensemble premiere this new suite with Mark Scatterday conducting at Severance Hall in Cleveland on May 7, 2019. Gliding Dance of the Maidens from Polovtsian Dances ("Stranger In Paradise")
Gliding Dance of the Maidens from Polovtsian Dances ("Stranger In Paradise") # Brass ensemble # INTERMEDIATE # Alexander Borodin # F # Gliding Dance of the Maidens f # Sweetwater Brass Press # SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,Romant...(+)
Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,Romantic Period,Wedding. Score and parts. 19 pages. Sweetwater Brass Press #3130463. Published by Sweetwater Brass Press (A0.808675). The defeat of Igor Svyatoslavich, a Rus’ prince, in his 1185 campaign against invading Cuman (Polovtsy) tribes was immortalized in the Russian epic, The Lay of Igor’s Campaign. Seven centuries later, Alexander Borodin started work on an opera based on that old tale. Borodin died before finishing, but Nikolai Rimsky-Korsakov and Alexander Glazunov completed Prince Igor, and it was performed for the first time in 1890. Sixty-three years later the Broadway production Kismet opened featuring songs adapted by Robert Wright and George Forrest from the music of Borodin. Arguably, the most popular of the show’s songs was Stranger in Paradise, which was based on the Gliding Dance of the Maidens from the Polovtsian Dances of Prince Igor. This beautiful brass quintet arrangement of Gliding Dance of the Maidens was adapted from the orchestra score. The key is A major, time signature is 4/4 and tempo marking is Andantino at the opening, slowing to a suggested quarter note = 63 at measure 15. Trumpets, Horn in F and Trombone all play a few grace notes. Highest notes for Trumpets are their G-sharp just above the staff; for Trombone, E above the staff. While not particularly challenging technically, the key to playing this piece is interpretation and feeling. This arrangement was completed in 2017, and performance time runs about 2 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Polovtsian Dances (from the Opera 'Prince Igor')
Polovtsian Dances (from the Opera 'Prince Igor') # Concert band # INTERMEDIATE/ADVANCED # Alexander Borodin # John Ivor Holland # Polovtsian Dances # John Ivor Holland # SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1343777 Composed by Alexander Borodin. Arranged by John Ivor Holland. 19th Century,Broadway,Classical,Contest,Festival,...(+)
Concert Band - Level 4 - SKU: A0.1343777 Composed by Alexander Borodin. Arranged by John Ivor Holland. 19th Century,Broadway,Classical,Contest,Festival,Multicultural,Musical/Show,World. 264 pages. John Ivor Holland #929284. Published by John Ivor Holland (A0.1343777). The Polovtsian Dances form an exotic scene at the end of act 2 of Alexander Borodin's opera 'Prince Igor'. The work remained unfinished when the composer died in 1887, although he had worked on it for more than a decade. A performing version was prepared by Nikolai Rimsky-Korsakov and Alexander Glazunov in 1890. Several other versions, or completions, of the opera have been made. The dances are sometimes performed with chorus and last around 11 minutes. Themes from the Polovtsian Dances have been used widely in popular culture, notably the 1953 musical 'Kismet'; the most prominent example is the popular standard Stranger in Paradise, adapted from the Gliding Dance of the Maidens, which opens this piece. This great piece, a staple of the orchestral repertoire, would form a substantial showpiece in any concert and important solos have been cross-cued for smaller ensembles. La Bourrée - Dance 32 from Terpsichore (Praetorius)
La Bourrée - Dance 32 from Terpsichore (Praetorius) # String Orchestra # EASY # Various # Colin Kirkpatrick # La Bourrée - Dance 32 from # Colin Kirkpatrick Publications # SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.522218 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. ...(+)
String Orchestra - Level 2 - SKU: A0.522218 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879699. Published by Colin Kirkpatrick Publications (A0.522218). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.